Winner of the 2002 Tony Award for Best Play.
|Publisher:||Dramatists Play Service, Incorporated|
|Edition description:||Acting Edition|
|Product dimensions:||7.50(w) x 5.20(h) x 0.20(d)|
About the Author
Edward Albee(1928-2016), his plays include The Zoo Story (1958), The American Dream (1960), Who's Afraid of Virginia Woolf? (1961–62, Tony Award), Tiny Alice (1964), A Delicate Balance (1966, Pulitzer Prize, and Tony Award, 1996), Seascape (1974, Pulitzer Prize, also available from Overlook), Three Tall Women (1994, Pulitzer Prize), and The Play About the Baby (2001, also available from Overlook). He was awarded the Gold Medal in Drama from the American Academy and Institute of Arts and Letters in 1980, and in 1996 he received both the Kennedy Center Honors and the National Medal of Arts.
Most Helpful Customer Reviews
Edward Albee has always masterfully created scenes that not only capture the audience and bring them into the story, but showcase every possible emotion the actors performing the show can muster. "The Goat" presents the controversial topic of bestiality in an intensely sentimental way that amplifies the hostile level of discomfort already rampant in the family. With betrayal, fatherhood, affairs, homosexuality, ageism, incest, and fierce bouts of swearing "The Goat" is an absolute emotional thrill and should be read by every actor (or anyone who appreciates fabulous modern literature). The Tony award doesn't lie!
From Edwards Albee, one of the most lauded contemporary playwrights who conceived such other fantastically unique works as Who's Afraid of Virginia Woolf, Zoo Story and The Play About the Baby, comes quite possibly his most intriguing piece to date. Martin by most standards is a success. Tops in his field; approached to architect the city of the future. Full family life with a functioning loving wife and son 'Billy'. But on his birthday, something comes out. He's in love with Sylvia. And oh... Sylvia is a goat. When his friend and family find this out their process transcends their situation and lays a groundwork on which taboos can not be shrugged off as sinfully obscene practices not to be talked about. Some, uncomfortable with the seriousness of the topic may call it a black comedy, and to be sure, there are plenty of witty comments made. But it is the heart of this play, the way this man comes to love this goat, and the tragic goat song composed masterfully by Albee that will leave you ready to accept anything, and very pleased to have met Martin and Sylvia.