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What People are Saying About This
Most likely to be talked about seriouslyangrily, ferociouslyfor years to come.
Unquestionably one of the wittiest and funniest plays Albee has ever written...enthralling.
Leaves you with plenty to feel and think about...a tragedy with built-in laughs and elements of fantasy...a brave, questioning play.
The Goat is about a profoundly unsettling subject, which for the record is not bestiality but the irrational, confounding, and even convention-thwarting nature of love. The form this force takes in The Goat is beyond a joke...Powerful...extraordinary...Four decades after Virginia Woolf sent shockwaves through the mainstream theatre, Mr. Albee still asks questions that no other major American dramatist dares to ask.
Most Helpful Customer Reviews
one of those plays that makes you feel not so all alone. way out there story about a successful dude who's mid-life crisis is falling in love with a goat. that's right, the animal. a surreal story tries to be a modern day Shakespeare type drama/tragedy funny bits overall kind of a toss away. in 20 years it may be important.
Edward Albee has always masterfully created scenes that not only capture the audience and bring them into the story, but showcase every possible emotion the actors performing the show can muster. "The Goat" presents the controversial topic of bestiality in an intensely sentimental way that amplifies the hostile level of discomfort already rampant in the family. With betrayal, fatherhood, affairs, homosexuality, ageism, incest, and fierce bouts of swearing "The Goat" is an absolute emotional thrill and should be read by every actor (or anyone who appreciates fabulous modern literature). The Tony award doesn't lie!
From Edwards Albee, one of the most lauded contemporary playwrights who conceived such other fantastically unique works as Who's Afraid of Virginia Woolf, Zoo Story and The Play About the Baby, comes quite possibly his most intriguing piece to date. Martin by most standards is a success. Tops in his field; approached to architect the city of the future. Full family life with a functioning loving wife and son 'Billy'. But on his birthday, something comes out. He's in love with Sylvia. And oh... Sylvia is a goat. When his friend and family find this out their process transcends their situation and lays a groundwork on which taboos can not be shrugged off as sinfully obscene practices not to be talked about. Some, uncomfortable with the seriousness of the topic may call it a black comedy, and to be sure, there are plenty of witty comments made. But it is the heart of this play, the way this man comes to love this goat, and the tragic goat song composed masterfully by Albee that will leave you ready to accept anything, and very pleased to have met Martin and Sylvia.