Praise for The God of the Woods:
“The God of the Woods, like The Secret History, transports readers so deeply into its richly peopled, ominous world that, for hours, everything else falls away. . . . Breaking free of the spell Moore casts is close to impossible.”
—Washington Post
“This expertly paced thriller ...has the kineticism of a well-crafted miniseries.”
—The New Yorker
“Hugely satisfying . . . . Moore cleverly guides us through that tangle of trails, to a thrilling and unexpected conclusion.”
—Boston Globe
“Liz Moore’s extraordinary new literary suspense novel reminds me of Donna Tartt’s 1992 debut, The Secret History. . . . [T]he vital connection for me was a reading experience where I was so thoroughly submerged in a rich fictional world, that for hours I barely came up for air. . . . The precision of Moore’s writing never flags. . . . Unforgettable.”
—Maureen Corrigan, Fresh Air, NPR
"Her fictional summer camp felt as vivid to me as my own."
— The New York Times
"A long novel that at first is hard to put down. By page 200, impossible." —Stephen King
"An unusually gratifying reading experience . . . Three days after you turn the last page, your head is still half in it. It's as if you can smell the pine and wood smoke. . . . Moore has written an atmospheric family drama, a social novel and the best kind of missing persons story, one that's fun to read and think about.”
—Minneapolis Star Tribune
“Intercutting past and present, Moore keeps the suspense at a fever pitch amid nuanced portraits of the out-of-touch Van Laars, their hangers-on and the locals who both depend on and resent them. A winner.”
—People
“Clear your afternoon: This absorbing story, told by a compelling cast of characters, is unputdownable.”
—Real Simple
“Part riveting thriller and part family drama, Liz Moore’s novel plays on the uncomfortable truths of favoritism and family dynamics in this nail-biter that will keep you from wandering alone in the woods for quite some time.”
—Huffington Post
“An immersive reading experience that will draw audiences. Its explorations of class, crime, and family dynamics, in addition to Moore’s incredible storytelling, will appeal to readers of Lisa Jewell, Tana French, and Lucy Foley.”
—Library Journal, STARRED review
“Rich in background detail and secondary mysteries . . . this ever-expansive, intricate, emotionally engaging novel never seems overplotted. Every piece falls skillfully into place and every character, major and minor, leaves an imprint.”
—Kirkus, STARRED review
“Gripping and revelatory . . . The beautiful and dangerous wilderness setting enhances the suspense as the narrative builds to a dramatic final act. . . . This astonishes.”
—Publishers Weekly, STARRED review
“A compulsively readable novel that will appeal to fans of mysteries and historical fiction alike.”
—Booklist, STARRED review
“Riveting from page one to the last breathless word, The God of the Woods is about the many ways we find and lose both ourselves and others. This book flew by at lightning speed, but will stick with me for a very long time.”
—Rebecca Makkai, New York Times bestselling author of I Have Some Questions For You
“A brilliant, riveting fox trap of a novelan epic mystery, a family saga and a survival guide. Liz Moore shows us how easy it is for any of us to get lost in the woods, and what to do if you want to be found. I loved this book.”
—Miranda Cowley Heller, #1 New York Times bestselling author of The Paper Palace
“A riveting tale of a missing child that widens into a vast, acute portrait of youth, friendship, family secrets, and conflicting social circles. Intelligently done, and with a gimlet eye for telling detail, it’s a brilliant trap full of secrets and lies.”
—Douglas Stuart, Booker Prize winning author of Shuggie Bain
“A rare gem, an immersive and enthralling literary thriller: a novel about love in the aftermath of tragedy, and about families of the very best—and the worst—kind.”
—Paula Hawkins, #1 New York Times bestselling author of The Girl on the Train
★ 2024-04-13
Many years after her older brother, Bear, went missing, Barbara Van Laar vanishes from the same sleepaway camp he did, leading to dark, bitter truths about her wealthy family.
One morning in 1975 at Camp Emerson—an Adirondacks summer camp owned by her family—it's discovered that 13-year-old Barbara isn't in her bed. A problem case whose unhappily married parents disdain her goth appearance and "stormy" temperament, Barbara is secretly known by one bunkmate to have slipped out every night after bedtime. But no one has a clue where's she permanently disappeared to, firing speculation that she was taken by a local serial killer known as Slitter. As Jacob Sluiter, he was convicted of 11 murders in the 1960s and recently broke out of prison. He's the one, people say, who should have been prosecuted for Bear's abduction, not a gardener who was framed. Leave it to the young and unproven assistant investigator, Judy Luptack, to press forward in uncovering the truth, unswayed by her bullying father and male colleagues who question whether women are "cut out for this work." An unsavory group portrait of the Van Laars emerges in which the children's father cruelly abuses their submissive mother, who is so traumatized by the loss of Bear—and the possible role she played in it—that she has no love left for her daughter. Picking up on the themes of families in search of themselves she explored inLong Bright River (2020), Moore draws sympathy to characters who have been subjected to spousal, parental, psychological, and physical abuse. As rich in background detail and secondary mysteries as it is, this ever-expansive, intricate, emotionally engaging novel never seems overplotted. Every piece falls skillfully into place and every character, major and minor, leaves an imprint.
"Don't go into the woods" takes on unsettling new meaning in Moore's blend of domestic drama and crime novel.
