The Gods of Gotham (Timothy Wilde Series #1)

The Gods of Gotham (Timothy Wilde Series #1)

by Lyndsay Faye


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Product Details

ISBN-13: 9780425261255
Publisher: Penguin Publishing Group
Publication date: 03/05/2013
Series: Timothy Wilde Series , #1
Edition description: Reprint
Pages: 480
Sales rank: 135,655
Product dimensions: 5.40(w) x 8.10(h) x 1.10(d)
Age Range: 18 Years

About the Author

Lyndsay Faye is the author of the critically acclaimed Dust and Shadow and is featured in The Best American Mystery Stories 2010. Faye, a true New Yorker in the sense that she was born elsewhere, lives in Manhattan with her husband, Gabriel.

Read an Excerpt






Dust and Shadow





This is a work of fiction. Names, characters, places, and incidents either are the product of the author’s imagination or are used fictitiously, and any resemblance to actual persons, living or dead, businesses, companies, events, or locales is entirely coincidental.

While the author has made every effort to provide accurate telephone numbers and Internet addresses at the time of publication, neither the publisher nor the author assumes any responsibility for errors, or for changes that occur after publication. Further, the publisher does not have any control over and does not assume any responsibility for author or third-party websites or their content.

For my family,

who taught me that when you are

knocked considerably sideways, you get up and keep going,

or you get up and go in a slightly different direction

In the summer of 1845, following years of passionate political dispute, New York City at long last formed a Police Department.

The potato, a crop that can be trusted to yield reliable nutrition from barren, limited space, had long been the base staple of the Irish tenant farmer. In the spring of 1844, the Gardener’s Chronicle and Agricultural Gazette reported anxiously that an infestation “belonging to the mould tribe” was laying waste to potato crops. There was, the Chronicle told its readers, no definite cause or cure.

These twin events would change the city of New York forever.



AUTUM. A church.


BAT. A prostitute who walks the streets only at night.

BENE. Good; first-rate.

BLOKE. A man.

BURNERS. Rogues who cheat countrymen with false cards or dice.

BUSTLED. Confused; perplexed; puzzled.

BUTTERED. Whipped.


CAP. To join in. “I will cap in with him.”

CHAFFEY. Boisterous; happy; jolly.

CHINK. Money.

CRANKY-HUTCH. An insane asylum.



DEAD RABBIT. A very athletic, rowdy fellow.

DIARY. To remember.

DIMBER. Handsome; pretty.

DUSTY. Dangerous.


EASY. Killed.


ELFEN. Walk light; on tiptoe.

EYE. Nonsense; humbug.


FAM GRASP. To shake hands.

FIB. To beat.


FUNK. To frighten.


GINGERLY. Cautiously.


HASH. To vomit.

HEMP. To choke.

HEN. A woman.

HICKSAM. A countryman; a fool.

HOCUS. To stupefy.

HUSH. Murder.


INSIDER. One who knows.


JABBER. To talk in an unknown language.

JACK DANDY. A little impertinent fellow.


KEN. A house.

KINCHIN. A young child.

KITTLE. To tickle; to please.


LADY BIRD. A kept mistress.

LION. Be saucy; frighten; bluff.

LUSH. Drink.


MAB. A harlot.

MAZZARD. The face.

MOLLEY. A miss; an effeminate fellow; a sodomite.

MOUSE. Be quiet; be still.


NATURAL. Not fastidious; a liberal, clever fellow.

NED. A ten-dollar gold piece.

NISH. Keep quiet; be still.

NODDLE. An empty-pated fellow.

NOSE. A spy; one who informs.


ORGAN. Pipe.

OWLS. Women who walk the street only at night.



PATE. The head.

PEERY. Suspicious.

PEPPERY. Warm; passionate.

PHYSOG. The face.

PLUMP. Rich; plenty of money.

POGY. Drunk.


QUARRON. A body.

QUASH. To kill; the end of; no more.

QUEER. To puzzle.


RABBIT. A rowdy.

RED RAG. The tongue.


SANS. Without; nothing.

SLAMKIN. A slovenly female.

SMACK. To swear on the Bible. “The queer cuffin bid me smack the calfskin.”

SQUEAKER. A child.

STAIT. City of New York.

STARGAZERS. Prostitutes.

STOW YOUR WID. Be silent.

SWAG-RUM. Full of wealth.


TOGS. Clothes.

TONGUE-PAD. A scold.


UPPISH. Testy; quarrelsome.



* Excerpted from George Washington Matsell, The Secret Language of Crime: Vocabulum, or, The Rogue’s Lexicon (G. W. Matsell & Co., 1859).


Those daring men, those gentle wives—say, wherefore do they come?

Why rend they all the tender ties of kindred and of home?

’Tis Heaven assigns their noble work, man’s spirit to unbind;—

They come not for themselves alone—they come for all mankind:

And to the empire of the West this glorious boon they bring,

“A Church without a Bishop—a State without a King.”

Then, Prince and Prelate, hope no more to bend them to your sway,

Devotion’s fire inflames their breasts, and freedom points their way,

And in their brave hearts’ estimate, ’twere better not to be,

Than quail beneath a despot, where the soul cannot be free;

And therefore o’er the wintry wave, those exiles come to bring

“A Church without a Bishop—a State without a King.”

• Hymn sung following a lecture at the Tabernacle, New York City, 1843 •

Table of Contents


When I set down the initial report, sitting at my desk at the Tombs, I wrote:

On the night of August 21, 1845, one of the children escaped.

Of all the sordid trials a New York City policeman faces every day, you wouldn’t expect the one I loathe most to be paperwork. But it is. I get snakes down my spine just thinking about case files.

Police reports are meant to read “X killed Y by means of Z.” But facts without motives, without the story, are just road signs with all the letters worn off. Meaningless as blank tombstones. And I can’t bear reducing lives to the lowest of their statistics. Case notes give me the same parched-headed feeling I get after a night of badly made New England rum. There’s no room in the dry march of data to tell why people did bestial things—love or loathing, defense or greed. Or God, in this particular case, though I don’t suppose God was much pleased by it.

If He was watching. I was watching, and it didn’t please me any too keenly.

For instance, look what happens when I try to write an event from my childhood the way I’m required to write police reports:

In October 1826, in the hamlet of Greenwich Village, a fire broke out in a stable flush adjacent to the home of Timothy Wilde, his elder brother, Valentine Wilde, and his parents, Henry and Sarah; though the blaze started small, both of the adults were killed when the conflagration spread to the main house by means of a kerosene explosion.

I’m Timothy Wilde, and I’ll say right off, that tells you nothing. Nix. I’ve drawn pictures with charcoal all my life to busy my fingers, loosen the feeling of taut cord wrapped round my chest. A single sheet of butcher paper showing a gutted cottage with its blackened bones sticking out would tell you more than that sentence does.

But I’m getting better used to documenting crimes now that I wear the badge of a star police. And there are so many casualties in our local wars over God. I grant there must have been a time long ago when to call yourself a Catholic meant your bootprint was stamped on Protestant necks, but the passage of hundreds of years and a wide, wide ocean ought to have drowned that grudge between us, if anything could. Instead here I sit, penning a bloodbath. All those children, and not only the children, but grown Irish and Americans and anyone ill-starred enough to be caught in the middle, and I only hope that writing it might go a way toward being a fit memorial. When I’ve spent enough ink, the sharp scratch of the specifics in my head will dull a little, I’m hoping. I’d assumed that the dry wooden smell of October, the shrewd way the wind twines into my coat sleeves now, would have begun erasing the nightmare of August by this time.

I was wrong. But I’ve been wrong about worse.

Here’s how it began, now that I know the girl in question better and can write as a man instead of a copper star:

On the night of August 21, 1845, one of the children escaped.

The little girl was aged ten, sixty-two pounds, dressed in a delicate white shift with a single row of lace along the wide, finely stitched collar. Her dark auburn curls were pulled into a loose knot at the top of her head. The breeze through the open casement felt hot where her nightdress slipped from one shoulder and her bare feet touched the hardwood. She suddenly wondered if there could be a spyhole in her bedroom wall. None of the boys or girls had ever yet found one, but it was the sort of thing they would do. And that night, every pocket of air seemed breath on flesh, slowing her movements to sluggish, watery starts.

She exited through the window of her room by tying three stolen ladies’ stockings together and fixing the end to the lowest catch on the iron shutter. Standing up, she pulled her nightgown away from her body. It was wet through to her skin, and the clinging fabric made her flesh crawl. When she’d stepped blindly out the window clutching the hose, the August air bloated and pulsing, she slid down the makeshift rope before dropping to an empty beer barrel.

The child quit Greene Street by way of Prince before facing the wild river of Broadway, dressed for her bedroom and hugging the shadows like a lifeline. Everything blurs on Broadway at ten o’clock at night. She braved a flash torrent of watered silk. Glib-eyed men in double vests of black velvet stampeded into saloons cloaked from floor to ceiling in mirrors. Stevedores, politicians, merchants, a group of newsboys with unlit cigars tucked in their rosy lips. A thousand floating pairs of vigilant eyes. A thousand ways to be caught. And the sun had fallen, so the frail sisterhood haunted every corner: chalk-bosomed whores desperately pale beneath the rouge, their huddles of five and six determined by brothel kinships and by who wore diamonds and who could only afford cracked and yellowing paste copies.

The little girl could spot out even the richest and healthiest of the street bats for what they really were. She knew the mabs from the ladies instantly.

When she spied a gap in the buttery hacks and carriages, she darted like a moth out of the shadows. Willing herself invisible, winging across the huge thoroughfare eastward. Her naked feet met the slick, tarry waste that curdled up higher than the cobbles, and she nearly stumbled on a gnawed ear of corn.

Her heart leaped, a single jolt of panic. She’d fall—they’d see her and it would all be over.

Did they kill the other kinchin slow or quick?

But she didn’t fall. The carriage lights veering off scores of plate-glass windows were behind her, and she was flying again. A few girlish gasps and one yell of alarm marked her trail.

Nobody chased her. But that was nobody’s fault, really, not in a city of this size. It was only the callousness of four hundred thousand people, blending into a single blue-black pool of unconcern. That’s what we copper stars are for, I think … to be the few who stop and look.

She said later that she was seeing in badly done paintings—everything crude and two-dimensional, the brick buildings dripping watercolor edges. I’ve suffered that state myself, the not-being-there. She recollects a rat gnawing at a piece of oxtail on the pavement, then nothing. Stars in a midsummer sky. The light clatter of the New York and Harlem train whirring by on iron railway tracks, the coats of its two overheated horses wet and oily in the gaslight. A passenger in a stovepipe hat staring back blankly the way they’d come, trailing his watch over the window ledge with his fingertips. The door open on a sawdusty slaughter shop, as they’re called, half-finished cabinetry and dismembered chairs pouring into the street, as scattered as her thoughts.

Then another length of clotted silence, seeing nothing. She reluctantly pulled the stiffening cloth away from her skin once more.

The girl veered onto Walker Street, passing a group of dandies with curled and gleaming soaplocks framing their monocles, fresh and vigorous after a session with the marble baths of Stoppani’s. They thought little enough of her, though, because of course she was running hell for leather into the cesspit of the Sixth Ward, and so naturally she must have belonged there.

She looked Irish, after all. She was Irish. What sane man would worry over an Irish girl flying home?

Well, I would.

I lend considerably more of my brain to vagrant children. I’m much closer to the question. First, I’ve been one, or near enough to it. Second, star police are meant to capture the bony, grime-cheeked kinchin when we can. Corral them like cattle, then pack them in a locked wagon rumbling up Broadway to the House of Refuge. The urchins are lower in our society than the Jersey cows, though, and herding is easier on livestock than on stray humans. Children stare back with something too hot to be malice, something helpless yet fiery when police corner them … something I recognize. And so I will never, not under any circumstances, never will I do such a thing. Not if my job depended on it. Not if my life did. Not if my brother’s life did.

I wasn’t musing over stray kids the night of August twenty-first, though. I was crossing Elizabeth Street, posture about as stalwart as a bag of sand. Half an hour before, I’d taken my copper star off in disgust and thrown it against a wall. By that point, however, it was shoved in my pocket, digging painfully into my fingers along with my house key, and I was cursing my brother’s name in a soothing inner prayer. Feeling angry is far and away easier for me than feeling lost.

God damn Valentine Wilde, I was repeating, and God damn every bright idea in his goddamned head.

Then the girl slammed into me unseeing, aimless as a torn piece of paper on the wind.

I caught her by the arms. Her dry, flitting eyes shone out pale grey even in the smoke-sullied moonlight, like shards of a gargoyle’s wing knocked from a church tower. She had an unforgettable face, square as a picture frame, with somber swollen lips and a perfect snub nose. There was a splash of faint freckles across the tops of her shoulders, and she lacked height for a ten-year-old, though she carried herself so fluid that she can seem taller in memory than in person.

But the only thing I noticed clearly when she stumbled to a halt against my legs as I stood in front of my house that night was how very thoroughly she was covered in blood.


To the first of June, seven thousand emigrants had arrived … and the government agent there had received notice that 55,000 had contracted for passage during the season, and nearly all from Ireland. The number expected to come to Canada and the States is estimated by some as high as 100,000. The rest of Europe will probably send to the States 75,000 more.

New York Herald, summer 1845 •

Becoming a policeman of the Sixth Ward of the city of New York was an unwelcome surprise to me.

It’s not the work I imagined myself doing at twenty-seven, but then again I’d bet all the other police would tell it the same, since three months ago this job didn’t exist. We’re a new-hatched operation. I suppose I’d better say first how I came to need employment, three months back, in the summer of 1845, though it’s a pretty hard push to talk about that. The memory fights for top billing as my ugliest. I’ll do my best.

On July eighteenth, I was tending bar at Nick’s Oyster Cellar, as I’d done since I was all of seventeen years old. The squared-off beam of light coming through the door at the top of the steps was searing the dirt into the planked floor. I like July, the way its particular blue had spread over the world when I’d worked on a ferryboat to Staten Island at age twelve, for instance, head back and mouth full of fresh salt breeze. But 1845 was a bad summer. The air was yeasty and wet as a bread oven by eleven in the morning, and you could taste the smell of it at the back of your throat. I was fighting not to notice the mix of fever sweat and the deceased cart horse half pushed into the alley round the corner, as the beast seemed by degrees to be getting deader. There are meant to be garbage collectors in New York, but they’re a myth. My copy of the Herald lay open, already read back to front as is my morning habit, smugly announcing that the mercury was at ninety-six and several more laborers had unfortunately died of heatstroke. It was all steadily ruining my opinion of July. I couldn’t afford to let my mood sour, though. Not on that day.

Mercy Underhill, I was sure of it, was about to visit my bar. She hadn’t done so for four days, and in our unspoken pattern that was a record, and I needed to talk to her. Or at least try. I’d recently decided that adoring her was no longer going to stand in my way.

Nick’s was laid out in the usual fashion for such places, and I loved its perfect typicalness: a very long stretch of bar, wide enough for the pewter oyster platters and the dozens of beer tumblers and the glasses of whiskey or gin. Dim as a cave, being half underground. But on mornings like that one the sun cut through wonderfully, so we didn’t yet need the yellow-papered oil lamps that sent friendly smoke marks up the plaster. No furniture, just a series of booths with bare benches lining the walls, curtained if you wanted although no one ever closed them. Nick’s wasn’t a place for secrets. It was a forum for the frantic young bulls and bears to scream things across the room after a twelve-hour stint at the Exchange, while I listened.

I stood pouring off a gallon of whiskey for a ginger boy I didn’t recognize. The East River’s bank swarms with rickety foreign creatures trying to shake off their sea legs, and Nick’s was on New Street, very close to the water. The lad waited with his head tilted and his little claws on the cedar bar plank. He stood like a sparrow. Too tall to be eight years old, too scared to be ten. Hollow-boned, eyes glassily seeking free scraps.

“This for your parents?” I wiped my fingers on my apron, corking the earthenware jug.

“For Da.” He shrugged.

“Twenty-eight cents.”

His hand came out of his pocket with a ragtag assortment of currency.

“Two shillings makes two bits, so I’ll take that pair and wish you welcome. I’m Timothy Wilde. I don’t pour shallow, and I don’t water the merchandise.”

“Thankee,” he said, reaching for the jug.

There were dark treacle stains at the underarms of his tattered shirt due to the last molasses barrel he’d gammed from being too high, I saw next. So my latest customer was a sugar thief. Interesting.

That’s a typical saloon keeper’s trick: I notice a great many things about people. A fine city barman I’d be if I couldn’t spot the difference between a Sligo dock rat with a career in contraband molasses and the local alderman’s son asking after the same jug of spirits. Barmen are considerably better paid when they’re sharp, and I was saving all the coin I could lay hands on. For something too crucial to even be called important.

“I’d change professions, if I were you.”

The bright black sparrow’s eyes turned to slits.

“Molasses sales,” I explained. “When the product isn’t yours, locals take exception.” One of his elbows shifted, growing more fluttery by the second. “You’ve a ladle, I suppose, and sneak from the market casks when their owners are making change? All right, just quit the syrups and talk to the newsboys. They make a good wage too, and don’t catch beatings when the molasses sellers have learned their sly little faces.”

The boy ran off with a nod like a spasm, clutching the sweating jug under his wing. He left me feeling pretty wise, and neighborly to boot.

“It’s useless to counsel these creatures,” Hopstill intoned from the end of the bar, sipping his morning cup of gin. “He’d have been better off drowned on the way over.”

Hopstill is a London man by birth, and not very republican. His face is equine and drooping, his cheeks vaguely yellow. That’s due to the brimstone for the fireworks. He works as a lightning-maker, sealed away in a garret creating pretty explosions for theatricals at Niblo’s Gardens. Doesn’t care for children, Hopstill. I don’t mind them a bit, admiring candor the way I do. Hopstill doesn’t care for Irish folk either. That’s common enough practice, though. It doesn’t seem sporting to me, blaming the Irish for eagerly taking the lowest, filthiest work when the lowest, filthiest work is all they’re ever offered, but then fairness isn’t high on the list of our city’s priorities. And the lowest, filthiest work is getting pretty hard to come by these days, as the main of it’s already been snapped up by their kin.

“You read the Herald,” I said, fighting not to be annoyed. “Forty thousands of emigrants since last January and you want them all to join the light-fingered gentry? Advising them is only common sense. I’d sooner work than steal, myself, but sooner steal than starve.”

“A fool’s exercise,” Hopstill scoffed, pushing his palm through the sheaves of grey straw that pass for his hair. “You read the Herald. That rank patch of mud is on the brink of civil war. And now I hear tell from London that their potatoes have started rotting. Did you hear about that? Just rotting, blighted as a plague of ancient Egypt. Not that anyone’s surprised. You won’t catch me associating with a race that’s so thoroughly called down the wrath of God.”

I blinked. But then, I had often been shocked by the sage opinions bar guests had gifted me regarding the members of the Catholic church, the only breathing examples they’d ever seen being the Irish variety. Bar guests who were otherwise—for all appearances—perfectly sane. First thing the priests do with the novice nuns is sodomize them, and the priests as do thoroughest work rise up the ranks, that’s the system—they aren’t even fully ordained until their first rape is done with. Why, Tim, I thought you savvied the pope lived off the flesh of aborted fetuses; it’s common enough knowledge. I said no way in hell, is what, the very idea of letting an Irish take the extra room, what with the devils they summon for their rituals, would that be right with little Jem in the house? Popery is widely considered to be a sick corruption of Christianity ruled by the Antichrist, the spread of which will quash the Second Coming like an ant. I don’t bother responding to this brand of insanity for two reasons: idiots treasure their facts like newborns, and the entire topic makes my shoulders ache. Anyhow, I’m unlikely to turn the tide. Americans have been feeling this way about foreigners since the Alien and Sedition Acts of 1798.

Hopstill misread my silence as agreement. He nodded, sipping his spirits. “These beggars shall steal whatever isn’t nailed down once they arrive here. We may as well save our breath.”

It went without saying that they would arrive. I walk along the docks edging South Street only two blocks distant on my way home from Nick’s pretty often, and they boast ships thick as the mice, carrying passengers plentiful as the fleas. They have done for years—even during the Panic, when I’d watched men starve. There’s work to be had again now, railways to lay and warehouses to be built. But whether you pity the emigrants or rant about drowning them, on one subject every single citizen is in lockstep agreement: there’s an unholy tremendous amount of them. A great many Irish, and all of those Catholics. And nearly everyone concurs with the sentiment that follows after: we haven’t the means nor the desire to feed them all. If it gets any worse, the city fathers will have to pry open their wallets and start a greeting system—some way to keep foreigners from huddling in waterfront alleys, begging crusts from the pickpockets until they learn how to lift a purse. The week before, I’d passed a ship actively vomiting up seventy or eighty skeletal creatures from the Emerald Isle, the emigrants staring glassy-eyed at the metropolis as if it were a physical impossibility.

“That’s none too charitable, is it, Hops?” I observed.

“Charity has nothing to do with it.” He scowled, landing his cup on the counter with a dull ping. “Or rather, this particular metropolis will have nothing to do with charity in cases where charity is a waste of time. I should sooner teach a pig morals than an Irishman. And I’ll take a plate of oysters.”

I called out an order for a dozen with pepper to Julius, the young black fellow who scrubbed and cracked the shells. Hopstill is a menace to cheerful thought. It was hovering on the tip of my tongue to mention this to him. But just then, a dark gap cut into the spear of light arrowing down the stairs and Mercy Underhill walked into my place of employment.

“Good morning, Mr. Hopstill,” she called in her tender little chant. “And Mr. Wilde.”

If Mercy Underhill were any more perfect, it would take a long day’s work to fall in love with her. But she has exactly enough faults to make it ridiculously easy. A cleft like a split peach divides her chin, for instance, and her blue eyes are set pretty wide, giving her an uncomprehending look when she’s taking in your conversation. There isn’t an uncomprehending thought in her head, however, which is another feature some men would find a fault. Mercy is downright bookish, pale as a quill feather, raised entirely on texts and arguments by the Reverend Thomas Underhill, and the men who notice she’s beautiful have the devil’s own time of it coaxing her face out of whatever’s latest from Harper Brothers Publishing.

We try our best, though.

“I require two pints … two? Yes, I think that ought to do it. Of New England rum, please, Mr. Wilde,” she requested. “What were you talking of?”

She hadn’t any vessel, only her open wicker basket with flour and herbs and the usual hastily penned scraps of half-finished poetry keeking out, so I pulled a rippled glass jar from a shelf. “Hopstill was proving that New York at large is about as charitable as a coffin vendor in a plague town.”

“Rum,” Hopstill announced sourly. “I didn’t take either you or the reverend for rum imbibers.”

Mercy smoothed back a lock of her sleek but continually escaping black hair as she absorbed this remark. Her bottom lip rests just behind her top lip, and she tucks the bottom one in slightly when she’s ruminating. She did then.

“Did you know, Mr. Wilde,” she inquired, “that elixir proprietatis is the only medicine that can offer immediate relief when dysentery threatens? I pulverize saffron with myrrh and aloe and then suffer the concoction to stand a fortnight in the hot sun mixed with New England rum.”

Mercy passed me a quantity of dimes. It was still good to see so many disks of metal money clinking around again. Coins vanished completely during the Panic, replaced by receipts for restaurant meals and tickets for coffee. A man could hew granite for ten hours and get paid in milk and Jamaica Beach clams.

“That’ll teach you to question an Underhill, Hops,” I advised over my shoulder.

“Did Mr. Hopstill ask a question, Mr. Wilde?” Mercy mused.

That’s how she does it, and damned if it doesn’t fasten my tongue to my teeth every single time. Two blinks, a gauzy lost lamb expression, a remark she pretends is unrelated, and you’re hung up by your toes. Hopstill sniffed blackly, understanding he was good as banished from the continent. And by a girl who turned twenty-two this past June. I don’t know where she learns such things.

“I’ll carry this as far as your corner,” I offered, turning out from behind the bar with Mercy’s spirits.

Thinking all the while, Are you really going to do this? I’d been fast friends with Mercy for well over a decade. It could all stay the same. You lifting things for her and watching the curl at the back of her neck and working out what she’s reading so you can read it too.

“Why are you leaving your bar?” She smiled at me.

“I’ve been gripped by a spirit of adventure.”

New Street was aswarm, the sheen of polished sable beaver hats punishing my eyes above the sea of navy frock coats. It’s only a two-block street terminating to the north at Wall, all giant stone storefronts with awnings shielding the pedestrians from the scorching blaze. Pure commerce. From every canopy hangs a sign, and plastered to every sign and glued to every wall is a poster: parti-colored neckerchiefs, ten for a dollar. whitting’s hand soap a guarantee against ringworm. All the populous streets on the island are papered in shrieking broadsheets, no exceptions, the flaked headlines of yesteryear just visible under the freshly glued advertisements. I glimpsed my brother Val’s smirk translated into woodcut and tacked to a door, then caught myself stifling a grimace: valentine wilde supports the formation of the new york city police force.

Well and good. I’d probably oppose it, in that case. Crime is rampant, robbery expected, assault common, murder often unsolved. But supposing Val was in favor of the violently debated new police, I’d take my chances with anarchy. Up to the previous year, apart from a recently formed group of hapless men called Harper’s Police, who wore blue coats to advertise themselves as fit for beatings by the spirited, there was no such thing as a Peeler in this town. There was a Watch in New York, certainly. They were ancient hangdogs parched for money who toiled all day and then slept all night in watchmen’s booths, ardently watched by the brimming population of criminals. We’d in excess of four hundred thousand souls prowling the streets, counting the perpetual piebald mob of visitors from around the globe. And less than five hundred watchmen, snoring in vertical coffins as their dreams bounced around like tenpins inside their leather helmets. As for daylight keepers of the peace, don’t even ask. There were nine of them.

But if my brother Valentine is in favor of something, that something isn’t particularly likely to be a good idea.

“I thought you might want a bruiser to get you past the throng,” I remarked to Mercy. It was half a joke. I’m solid, and quick too, but a bantam. An inch taller than Mercy, if I’m lucky. But Napoleon didn’t figure height stood between him and the Rhineland, and I lose fights about as often as he did.

“Oh? Oh, I see. Well, that was very kind, then.”

She wasn’t actually surprised; the set of her robin’s-egg-blue eyes told me that much, and I decided to watch my step. Mercy is very difficult to navigate. But I know my way around the city, and around Mercy Underhill. I was born in a cheerless cottage in Greenwich Village before New York even touched its borders, and I’d been learning Mercy’s quirks since she was nine.

“I wonder something this morning.” She paused, her wide-set eyes sliding my way and then dropping off again. “But it’s silly, maybe. You’ll laugh.”

“If you ask me not to, I won’t.”

“I wonder why you never use my name, you see, Mr. Wilde.”

New York’s winds are never fresh in the summer. But as we turned onto Wall, bank after bank scrolling past us in line after line of Grecian columns, the air turned sweeter. Or maybe I just remembered it that way afterward, but suddenly it all seemed pure dust and hot stone. Clean, like parchment. That smell was worth a fortune. “I don’t know what you mean,” I said.

“There, yes. I’m sorry—I don’t mean to be cryptic.” Mercy’s bottom lip slid underneath her top one just a little, only a fraction of a warm wet inch, and I thought in that moment I could taste it too. “You could have just said, ‘I don’t know what you mean, Miss Underhill.’ And then we wouldn’t be talking about it any longer.”

“What does that make you think?”

I spied a jagged hole in the pavement. Pivoting quickly, I guided Mercy out of its path with a swish of her pale green summer skirts. Maybe she’d caught sight of the little cave herself, though, for I didn’t startle her. Her head didn’t even turn. Escorting Mercy down a block, depending on her mood, you might not be there for all the attention she pays you. And I’m not exactly Sunday, so to speak. I’ve never been a special occasion. I’m all of the other days in the work week, and there are plenty of us streaming by without notice. But I could fix that, or I thought I could.

“Do you mean to make me theorize that you like the topic of my name, Mr. Wilde?” she asked me, looking as if she was trying not to laugh.

I’d caught her out, though. No one ever answers her questions with questions, just the way she never acknowledges answering questions at all. That’s another fault of Mercy’s I’m fixed on. She’s a reverend’s daughter, to be certain, but she talks clever as a jade if only you’re keen enough to notice.

“Do you know what I’d like to do?” I questioned in return, thinking that was the trick of it. “I’ve managed to put some money away, four hundred in cash. Not like all these maniacs who take their first extra dollar and play it against the price of China tea. I want to buy some land, out on Staten Island maybe, and have a river ferry. Steamships are dear, but I can take my time finding a good price.”

I remembered being two years orphaned, scrawny and pale-skinned and twelve. Wheedling my way through sheer tenacity into the employment of a hulking but kindly Welsh boatman during once of the leaner periods Valentine and I had ever faced, having lived off of mealy apples for a week. Maybe I was hired on as a deckhand because the fellow suspected as much. I recalled standing at the prow of the ferry before the rails I’d just polished until my fingers were peeling, head thrown back as an ecstatic midsummer thunderstorm exploded in the still-blazing sunshine. For five minutes, spray and rain had danced in the dazzling light, and for five minutes, I’d not wondered whether my brother back on Manhattan Island had yet managed to kill himself. It felt wonderful. Like being erased.

Mercy quickened her grip slightly. “What has your anecdote to do with my question?”

Be a man and take the plunge, I thought.

“Maybe I don’t want to call you Miss Underhill, ever,” I answered her. “Maybe I’d like to call you Mercy. What is it you’d like best to be called?”

I was a touchstone at Nick’s Oyster Cellar that night, a lightning-bright lucky charm. All my pale glorified card sharps, all the faro-champagne-morphine-and-what-else-have-you addicts, the freaks who haunt the Exchange and make deals with damp handshakes in the back rooms of coffee houses—they all saw kismet on me and wanted a taste of it. A drink from Timothy Wilde was as good as a slap on the back from an Astor.

“Three more bottles of champagne!” shouted a weedy fellow called Inman. He could scarce breathe for being jostled by black-coated elbows. I wondered sometimes what made the financiers head for another sweltering cock-pit the moment they quit the chamber of the Board of Brokers.

“Take a glass for yourself on my account, Tim, cotton’s higher than an opium fiend!”

People tell me things. Always have done. They hemorrhage information like a slit bag spills dried beans. It’s only gotten worse as I’ve manned an oyster cellar. Incredibly useful, but it does get to be draining at times—as if I’m part barman and part midnight hole in the ground, just a quick-dug hollow to bury secrets in. If Mercy would only manage to fall into the same habit, that would be something miraculous.

A stream of honest working sweat trickled down my back by nine o’clock, when the sun went down. Men sweating for other reasons demanded drinks and oysters as if the world had spun off its axis. Apparently there was nothing for it but to annihilate the feast before we all slid off. I was moving fast enough for a dozen, juggling orders, calling back friendly insults, counting the shower of coins.

“What’s the good news, Timothy?”

“We’ve got enough cold champagne to float an ark on,” I shouted back at Hopstill, who’d reappeared. Julius materialized behind me, hoisting a bucket of fresh-shaved ice. “Next round’s on the house.”

The way I figured it, Mercy Underhill hadn’t said no to any of my remarks. Nor “You seem to have the wrong idea,” nor “Leave me be.” Instead, she’d said a good many completely unrelated things before I left her at the corner of Pine and William streets, a breeze picking up from the east, where the coffee houses churned rich burning smells into the heavy air.

She’d said, “I can understand your not liking my family name, Mr. Wilde. It makes me think of being buried,” for example. She’d said, “Your own parents, God rest them, had the generosity to leave you the surname of a lord chancellor of England. I’d love to live in London. How cool London must be in the summer, and there the parks have real grass, and everything electric green from the rain. Or so my mother always told me, whenever a New York summer seemed too much to bear.” That was a regular catechism of Mercy’s, whatever the season—a little prayer to her late mother, Olivia Underhill, a native of London who’d been odd and generous and imaginative and beautiful and wonderfully like her only child.

Mercy had added, “I’ve finished the twentieth chapter of my novel. Don’t you think that’s a thrilling number? Had you ever expected me to get so far? Will you give me your honest opinion, once it’s finished?”

If she aimed to discourage me, she was going to have to up her game.

And I might not be a scholar in title, or a churchman, but Reverend Thomas Underhill liked me fine. Barmen are pillars of the community and the hub of New York’s wheel, and I had four hundred dollars in slick silver buried in the straw tick of my bed. Mercy Underhill, in my opinion, ought to be called Mercy Wilde—and then I’d never know where another conversation was headed for the rest of my life.

“Give me fifty dollars and I’ll see you’re a rich man by the end of the fortnight, Tim!” shrieked Inman from yards away in the roiling vat of bodies. “Sam Morse’s telegraph can make you a king!”

“Take your fairy money and go to hell,” I returned cheerfully, reaching for a slop rag. “You ever play the market, Julius?”

“I’d likelier burn money than speculate it,” Julius answered without looking at me, deftly pulling the corks from a row of drenched champagne bottles with his wide fingers. He’s a sensible fellow, quick and quiet, with fragrant tea leaves braided into his hair. “Fire can heat a man’s soup. You calculate they know the Panic was their doing? You think they remember?”

I wasn’t listening to Julius any longer by that time. Instead, I was dwelling thick as laudanum on the last thing Mercy had said to me.

Don’t think you’ve hurt my feelings. I’m not married to the name, after all.

It was the only sentence directly to the purpose I’d ever heard her say, I think. At least, it was the first since she was about fifteen, and even so, the remark had a sideways charm to it. So that was a heady, graceful moment. The moment when I discovered that Mercy saying something near-plain is every bit as beautiful as Mercy talking circles like a flame-red kite in the wind.

At four in the morning, I passed Julius an extra two dollars as he propped the mop handle in the corner. He nodded. Worn to a thinly buzzing alertness, we headed for the steps leading up to the awakening city.

“You ever wonder what it’s like to sleep at nighttime?” I asked as I locked the cellar door behind us.

“You won’t catch me in a bed after dark. Keep the devil guessing,” Julius answered, winking at his own joke.

We reached the street just as dawn flared with grasping red fingers over the horizon. Or so the corner of my eye thought, as I settled my hat on my head. Julius was quicker to catch on.

“Fire!” Julius bellowed in his low, smooth voice, cupping his hands around his sharply defined lips. “Fire in New Street!”

For a moment, I stood there, frozen in the dark with a streak of scarlet above me, already acting about as useless as a broken gas-lamp inspector. Feeling the same sickness in my belly the word fire always causes me.


The explosion was heard at Flushing and supposed to be the shock of an earthquake. Cinders fell on Staten Island, and for several miles over in New Jersey, the sun was obscured by smoke during the forenoon.

New York Herald, July 1845 •

The third floor of the storefront across the street from us looked as if it had imprisoned an amber sun. Fierce yellow tongues were eating away the outer windows, the fire already laying claim to what must have been a vast inner storeroom. Fires in these parts are about as common as riots, and every bit as fatal, but here one raged in plain sight without anyone having yet given the alarm. So whatever the cause, it had been horribly quick—a lamp left lit near a pile of cotton wool, a cigar end in a rubbish bin. Any small, stupid, deadly mistake would serve. It’s a large warehouse that faces Nick’s, taking up much of the small block, and my heart took a second dip in my chest when I recognized that a glow so very bright must have reached throughout the entire floor and now surely raged against the wall of the adjacent building.

Julius and I were racing toward the blaze an instant later. You run toward as-yet-undiscovered fires in New York, not away from them, offering your own help until the all-volunteer fire companies arrive on the scene. People have roasted for want of a hand out a window. I glanced behind us, longing for the clang of the fire bell even though I detested the sound.

“How can no one have seen it yet?” I gasped.

“It’s not sensible.” Stopping, Julius sent up the cry of “Fire!” again and then hurtled after me.

Neighbors trickled into the street under the charcoal sky, staring in awe and with a weird city-dweller’s thrill-seeking pleasure at the wide ribbon of flame on the upper floor. Behind us, at last the nearest fire bell rent the air with its shocking peals—single clangs to summon help to Ward One. Moments later, the answering echo erupted from the cupola of City Hall, beyond the park.

“Wait,” I said, pulling sharply at Julius’s shoulder.

The remaining windows of the storage facility began lighting up like a series of matchsticks—sparks had clearly invaded every story, fire devouring the interior as if the huge building were made of paper. Glass shattering in sudden pistol shots that I couldn’t quite understand.

Then I did understand, and that was far worse.

“This is Max Hendrickson’s store,” I whispered.

Julius’s brown eyes went wide.

“Jesus have mercy,” he said. “If the fire hits his stock of whale oil—”

Red flannel flashed past us as a volunteer fireman with his braces hanging off and his curious leather helmet drooping over his face careened around the corner of Exchange Place. Hell-bent to claim the nearest fire plug for his own engine company, I thought with my familiar slight flare of disdain. And thereby all the glory.

Meanwhile, it occurred to me that my future was now less than certain.

“Go, fetch your valuables,” Julius ordered before I said anything. “And pray you have a house an hour from now.”

I lived in Stone Street, two blocks below the southern terminus of New Street, down Broad, and I sprinted around the corner away from the doomed building with nothing but Mercy, my residence, and its four hundred dollars in silver on my mind. I would get that money if it killed me. Storefronts I’d passed a thousand times went by in an eyeblink, handcrafted chairs and leather-bound books and bolts of cloth just visible behind the darkened shop displays, my boots flying over eroding cobblestones, running as if hell were at my heels.

That was my first mistake. Hell turned out to be in front of me, over a block away from the New Street fire.

The instant my foot touched Broad, a detonation like a volcano erupting burst 38 Broad Street into a plume of rock, granite missiles the size of grown men sailing above me. The structure had hurled a quarry’s worth of stone into the buildings opposite by the time I skidded to a halt.

At first I thought, Holy Christ, someone’s set a bomb in our midst. But 38 Broad, I remembered in the back of my hellfire-dazzled mind as the mammoth warehouse rent itself in pieces before my eyes, was presently a saltpeter storage facility. It held shipments of gunpowder belonging to the well-liked merchant duo of Crocker and Warren. Which was a shame for New York, really. As thunder nearly shattered my eardrums, I thought, Bad luck. A window must have been open, for cinders from the oil fire in New Street had obviously been borne on the wind across the thoroughfare and into a room of powder kegs. Amid the fury, airy curlicues of ash hung perfectly still high above the cobbles. Maybe it was thick of me to even ponder the role of luck at the time, but exploding saltpeter warehouses seem to have a slowing effect on my wits.

Belatedly, I turned to run. I’d taken two steps when I saw a woman flying past me, her mouth open and her face fixed in surprise, her hair streaming backward in a lazy arc. One shoe was blown from her foot, and the foot itself had a smudge of blood on the instep. And that was when I started seeing things funny, just as I realized that I was flying too. Then I heard—no, felt, for the world was silent—the entire earth ripping in half as easily and raggedly as an old piece of cotton.

When I opened my eyes again, the planet had inverted itself. And it was still busily exploding.

My head rested against a door still within its frame, but doors aren’t meant to be horizontal. I wondered why this one was. And why there seemed to be hulking pieces of stone surrounding me on all sides.

A tiny matchstick’s worth of flame nuzzled at the woman’s red calfskin shoe six inches from my hand. That single spark angered me terribly—its smug, devious approach. I wanted to save the shoe, return it to the flying woman, but I couldn’t seem to move my arms. The index finger of my right hand twitched, the movement of a dull, brained little animal. I glimpsed the sky through a crevice and wondered how dawn had risen so quickly.

Tim! Timothy!”

I knew that voice. I felt a flood of irritation, and also of plain, stupid fear under the shock. He wasn’t too full of morphine to be standing, then. Of course not. That would be so easy. Instead, he was clearly striding into the very center of the bull’s-eye, with shrapnel and brimstone raining freely down upon his person. How very like him.

Timothy, call out where you are! For the love of God, Tim, answer me!”

My tongue stuck stubbornly to the back of my teeth. I didn’t want that voice to see me sprawled in a Chinese dancing girl’s pose, unable to so much as lift a singed shoe. I didn’t want that voice anywhere near a warehouse acting like the world’s biggest cannon, either. But all I could register was a cottony sense of no.

Something sticky and metallic was running down my cheek.

Light. Too much of it.

A flickering yellow blaze like a god-sized fireplace struck my eyes when someone began tearing away the rocks. Only my upper body had been partly buried. My legs were in the open air and soon enough my face was too, when a cleanly shaven but bearish figure tossed aside a heavy iron shutter.

“Christ, Tim. Julius Carpenter just saved your hide, telling me which way you’d gone. There’s nary yet breathing in this street.”

I blinked at my six-years’-elder brother, the soot-grimed mountain of a hook-and-ladder man with his ax swinging freely from his belt and his face obscured by the inferno behind him. The anger in my chest grew watery, mingled with sudden relief. When he pulled me up by the arms, I bit down on a yell and managed by some miracle to keep my feet once I was upright. He threw my arm over his coarse red shirt before setting off fast as I could keep pace with him, back the way I’d come, both of us stumbling through the rubble as if it were ankle-deep sand on a beach.

“There’s a girl, Val,” I rasped. “She landed very near me. We have to—”

“Gingerly, gingerly,” growled Valentine Wilde. I’d never have heard him through the pervasive ringing if he’d not been two inches from my ear. “You’re more than half hocused, aren’t you? Wait till we’re out of this and I can see you better.”


“I saw a piece of her, Timothy. She’ll be put to bed with a shovel. Shut your head a moment.”

I don’t remember much more until Valentine had reached a brick wall under a gaslight back on New Street and propped me up against it. What had been a half-deserted stone business thoroughfare was now an overturned hornet’s nest. At least three volunteer engine companies had already arrived, and a viciously tight thread of visible tension ran between each and every man in a red shirt. Not a one was brawling, or bickering over fire plugs, or donning brass knuckles. Every time one firefighter met another’s eye, his only expression was And next? And next? Half of them were looking at my brother, their eyes skimming toward him and then fixing. Wilde. Wilde isn’t afraid of anything. Wilde sees his way clear. Wilde runs into infernos as if they’re rose gardens. All right, Wilde. And next? I wanted to force them all quiet with my bare hands over their mouths, make them stop calling out to him.

What exactly do they expect him to do about the city exploding?

“You’re well and truly buttered, my boy. Get to the nearest dispensary,” Valentine ordered. “I’d cart you up to the hospital, but it’s too far and the boys need me. The whole stait’ll burn if we—”

“Get to it, then,” I coughed bitterly. Maybe if I went along with him for once, he’d see reason out of pure contrariness. Nothing makes me more furious than my brother’s obsession with open flame. “I have to stop home, and then I’ll—”

“Don’t rig with me,” my brother snapped. “Get to a doctor. You’re hurt worse than you think, Tim.”

“Wilde! Give us a hand, it’s spreading!”

My brother was swallowed by a bedlam of red shirts screaming orders at one another and sending feathers of spray from their hoses to slice midair through the lazy pincurls of smoke. Looking away from Val purposefully with a hard jerk of my neck, I could see the bloated figure of Justice George Washington Matsell shepherding a clutch of whimpering females away from burning apartments toward the Custom House steps. Matsell is no mere politician; he’s half legend to locals, a highly visible figure, not least because he weighs about as much as a bison. Following a trusted civic leader like Justice Matsell seemed a likely direction to head for safety.

But I, either because I was infuriated or because I’d been knocked in the head, staggered toward my home. The world as I knew it had gone mad. Small wonder I had as well.

I walked south through a snowstorm in which the flakes were the color of lead, feeling reckless and unmoored. Bowling Green has a fountain at the center—a glad, gushing fountain, rivers tumbling over its lip. The fountain burbled away, but a man couldn’t hear it because the surrounding brick buildings had flames pouring like waterfalls out their windows. Red fire raged upward and glassy red water pounded downward and I staggered past the trees with my arms around my stomach, wondering why my face felt like I’d just stepped out of the salt water at Coney Island and turned in to a cold March wind.

Stone Street, when I reached it, proved a battlement of fire, my own house disintegrating into the earth even while it was being carried away on the updrafts. Just the sight of it pulled me to pieces a little. In my mind’s eye, as the wasted runoff from the fire engines began to trickle past my feet, soon gushing with chicken bones and bits of trampled lettuce, I imagined my molten silver coursing along the cobble cracks. Ten years of savings looked like a mercury river, painting mirrors on the soles of my boots.

“Only chairs,” sobbed a woman. “We had a table, and he might have grabbed the linens. Only chairs, only chairs, only chairs.”

I opened my eyes. I’d been walking, I knew, but they must have been shut. I was at the southmost tip of the island, in the middle of Battery Gardens. But not as I’d ever seen it.

The Battery is a promenade for those who have time for recreational walks. It’s blanketed with cigar stubs and peanut shells, yes, but the wind from the ocean carries the care right out of my bones, and the sycamores don’t stop my view of the New Jersey forests across the Hudson. It’s a grand place, and locals and tourists alike lean on the iron rails in the afternoons, all staring off over the water alone together.

But the Battery was now a furniture warehouse. The woman rocking back and forth over her chairs had four of them—while to my left, a small hill of cotton bales had been rescued from the fire. Chests of tea were mounting like a dizzying Tower of Babel above a gigantic pile of broomsticks. The air that had been foul with summertime half an hour earlier reeked with the cindery dust of burning whale oil.

“Oh, my dear God,” said a woman carrying at least fifty pounds of sugar in a neatly stamped sack, peering at my face. “You ought to see a doctor, sir.”

I barely heard her. I’d slumped to the grass with the rocking chairs and sacks of flour. Meanwhile thinking the only thought an ambitious fellow from New York would’ve indulged in as he lost consciousness while the city was erupting.

If I have to save for another ten years, she’ll pick somebody else.

When I woke up a pauper, nauseated and disoriented, my brother had already picked a new profession for me. Unfortunately, that’s the sort of fellow Valentine is.

“There you are. Bully,” my brother drawled from the chair he’d pulled up to my bedside and then sat in backside front, dangling his thick blond arm and half-chewed cigar over the sanded cedar. “Some of New York is still standing, by the way. Not your ken or your workplace, though. I checked. Those look like the inside of my fireplace.”

We were both alive, then, which seemed pretty favorable. But where? The windowsill a few feet from me hosted a series of herb pots and a bowl of cheery upright asparagus, either decoration or future dinner. Then I spied a huge, glorious painting of an American eagle bearing arrows in its talons on the far wall and winced inwardly.

Val’s place, on Spring Street. I’d not been there in months. It’s the second floor of a fine cozy row house with hysterical political posters and the usual strapping patriotic pictures of George Washington and Thomas Jefferson blanketing the walls. Firemen are New York’s heroes, and the heroes make an actual living by way of politics, as they aren’t paid for running headlong into blazing infernos. So their days break down thus: for recreation, they douse fires, beat the good nature out of rivals from other engine companies in organized gang brawls, and drink and whore their way up and down the Bowery. And for work, they get their friends elected or appointed to city jobs, so that they all manage to elect or appoint each other. People would object louder to this system if they didn’t worship the firemen. Who’s against a flash-man when he’s dressed in red cotton and you’re handing your baby out a window?

I haven’t the stomach for any of it. Politics or prolonged exposure to Val.

Valentine is a Democrat, in the identical way some men are doctors or stevedores or brewers, and his goal in professional life is to crush the hated Whigs to powder. The Democrats don’t worry much over the few scattered Anti-Masonics, whose only aim is to convince America that the Freemasons intend to murder us all in our beds. Nor do they lose sleep over the Liberty Party, because as glad as New Yorkers are that slavery here was abolished entirely in 1827, joining an entire political engine dedicated to the welfare of blacks is extremely unfashionable. What chafes Val’s hide are the machinations of the Whigs: they’re merchants and doctors and lawyers generally, most of the well-to-do and everyone with pretensions in that direction, gentlemen with clean hands who make a tremendous racket about raising tariffs and modernizing banks. The accepted Democratic response to Whig arguments is to praise the natural virtue of the peasant, and then to throw the ballot boxes coming from Whig districts into the Hudson.

The main difference between them isn’t political, though, to my mind. As I grasp the matter, the Democrats would like every last taxpaying Irishman to vote for them, and the Whigs would like every last taxpaying Irishman to be deported to Canada.

It all repulses me. I’ll own that my brother lives pretty comfortably, though. And for a man who always neglects the top two buttons of his fireman’s shirt and thinks of morphine the way most people think of tonic water, he’s laughably clean in domestic habits. He sweeps the floor every morning and polishes his andirons with rum every other month.

“Thirsty? Water, rum, gin, or small beer?” My brother went to rummage in the kitchen and deposited two mugs on the table next to me when he returned. “Here, have your pick of the first pair. Would you believe that thirty-eight Broad Street, apart from the saltpeter, had its basement stuffed with French cream? Barrel after barrel of brandy, Tim. Worst streak of luck I’ve ever seen …”

As he continued, I squinted, focusing my vision. Val wore a halfhearted attempt at his typical Bowery Boy glory, sporting a fine white shirt and black trousers with a silk waistcoat covered in peonies only half done up. Clean and healthy, but clearly exhausted. My brother is the living spit of me on a thirty-percent-larger scale, with a boyish, dimpled face, dark blond hair with a deep peak at the brow, and pensive bags under his bright green eyes. They aren’t much to do with deep thinking on either one of us, though. Particularly not Val. No, Val is more the type to stagger out of a bawdy house having just knifed someone, with an adoring moll under each gnarled arm, lush with gin and laughing like the bass clef of a pipe organ, the very living definition of an American dead rabbit. When my brother laughs, he flinches, as if he shouldn’t be laughing. And he shouldn’t. A darker-minded gentleman never stalked the festering city streets in brushed black tails.

“It was a sight, Tim,” Val concluded with a one-sided grin. “And the light-fingered sort at work within seconds. Damned if I didn’t spot a clever old toast of seventy years who’d hooked so many cigars he had to carry’em in his togs. Tied the canvas of his trousers with two strings at the ankle and filled on up.”

That was when I realized what was wrong, apart from actual injuries: I was up to my eyebrows with laudanum. My brother had dosed me so high after the doctor (so I hoped) departed that the image of a man’s trousers overflowing with cigars seemed pretty nightmarish. Valentine is careful about how much vinegar goes in his fish gravy, and careful about boiling the milk for his coffee, but a man with so many drugs in his veins is apt to miscalculate opiates. Meanwhile, a mysterious pain gnawed at the side of my head with burning reptile fangs. I wanted to feel it. Identify it, maybe.

“Never mind cigars. How did I get here?” I asked with a thick tongue.

“I found you on the Battery in a fortress of Holy Writ. One of the fire-boys had spied you keeping company with the Bible Society, flat on your back with all your lights out—I told you to find a sawbones, you incarnate tit—but of course, any Party man would know you for my brother, and they sent me word straightaway. These autum-bawlers were standing guard over your lifeless hide and their one thousand, two hundred and sixty-one Bibles salvaged from Nassau Street.”

Autum-bawlers. Churchmen, then. I had a vision of three fellows in drab clerical tweeds outlined against the murky starlight. Arguing over the safety of leaving one man behind with me and the stacks of Bibles, sending two to fetch parts of their press. Then one had suggested fetching a doctor instead, and the others told him not to be ridiculous. God would give me strength provided they saw that His presses remained unscathed. I hadn’t been in a position to argue at the time.

“When I arrived, they handed you over,” Val continued casually, picking an errant piece of tobacco off his tongue. “You have two nasty bruised ribs and … well, nothing else that’ll keep you down long.”

“Sorry you missed any of the fire.”

“Anyway, I’ve set us both up easy,” Val announced, as if getting back to a topic we’d accidentally left behind. “We’ve both a new occupation, my Tim. One you’ll take to like a bird to air.”

I wasn’t minding him.

I was fiddling with my fingertips at the oily cotton wool bandaging over the upper right-hand quadrant of my face. My eye was fine, I knew, for I could see clear as church glass, though the drugs glossed everything. And by Val’s own account, it was miraculous that the worst of my injuries had been a couple of bruised ribs. So I couldn’t have been brained too badly. Could I?

I kept hearing my brother’s words, though, bitten out regretful but hasty as he’d turned away to pull people out of disintegrating row houses. He’d sounded dry as sandpaper. A voice I’d not heard in years. And so, picturing myself suddenly made my blood run slick and slippery as an eel.

You’re hurt worse than you think, Tim.

“I don’t want your setups. To run for state senate or work as a hydrant inspector,” I grated out, ignoring my own thoughts.

“It’s plumper than oyster pie, I’m telling you.” Standing, Valentine began doing up buttons, leaving the wet cigar end at the side of his expressive mouth. “Got us both appointments only this morning, through the Party. Course, mine is … a bit higher up. And in this district. You, I only managed to post in the Sixth Ward. You’ll have to live there, find a new ken, since roundsmen are required to live in the same ward they patrol. But that’s no matter. Your house is getting hosed off into the river by now.”

“Whatever it is, no.”

“Don’t get so peppery, Timothy. There’s to be a police force.”

“Everyone knows that. Anyhow, I saw your poster. It didn’t endear them to me.”

Despite my misgivings or maybe because of them, the police saga had been the first political tale I’d closely followed in years. Harmless citizens were shrieking for a system of constables, and less harmless patriots were bellowing that the freemen of New York would never stomach a standing army. Legislation passed in June, a Democrat victory, and the harmless citizens had won out at long last thanks to tireless thugs like my brother—men who liked danger, power, and bribes in equal measure.

“You’ll come round soon enough, now you’re a policeman yourself.”

“Ha!” I barked bitterly, sending a twinge of suffering through my pate. “I call that nice. You want me trussed up in a blue strait-waistcoat for the real men to throw rotten eggs at?”

Valentine snorted and somehow managed to make me feel even smaller than I normally do in his company. No easy trick. But he’s an expert.

“You think a free republican like me would be caught walking around in blue livery? Dry up, Tim. We’ve a real police now, no uniforms, and with George Washington Matsell himself at the head. For good, they’re claiming.”

I blinked blearily. Justice Matsell, the equally infamous and obese civic figure I’d seen in the thick of the fire, shooing gawkers toward the oasis of the courthouse. I’d also heard from diverse sources that he was a degraded lump of blubber, that he was the righteous hand of God come to bring order to the streets, that he was a power-hungry troll, that he was a benign philosopher who’d owned a bookstore selling the sordid works of Robert Dale Owen and Thomas Paine, and that he was a damned dirty Englishman. I’d nodded at all accounts as if their gospel verity was unassailable. Mainly because I didn’t give a damn. What did I know about governance, after all?

As for joining the new police force, that was clearly a plot of Val’s to make me look ridiculous.

“I don’t need your help,” I declared.

“No,” Valentine sneered, snapping one of his braces.

With considerable calculation, I sat up in his bed. The room reeled around me as if I were a maypole, and a hot molten flash branded my temple.

Nothing is as bad as it seems, I thought with the last remnants of my dense optimism. It couldn’t be. I’d already lost everything once, I’d been ten, and so had countless other people I knew, and they all picked up and kept going. Or they picked up and went in a slightly different direction.

“I’ll go back to bartending,” I decided.

“You have any notion of how many people are out of work this morning?”

“At a hotel or another of the better oyster cellars.”

“How does your face feel, Tim?” Valentine snapped.

Sulfur drifted through the air now. A hot and grainy sort of rage tugged at my throat.

“Like it was slapped with a laundry iron,” I answered.

“And you’re supposing it looks sprucer than it feels?” he mocked me more quietly. “You’re in difficulties, little Timothy. You took a dose of hot oil where it’ll be noticed. You want to tend bar from behind a three-foot pine plank up the arse end of a vegetable grocery, I’ll drink to your fortune. But you’re likelier to be hired on at Barnum’s American Museum as the Man Who Lost Part of His Physog than you are to tend bar at a hotel.”

I bit the end of my tongue hard, tasting gunmetal.

I wasn’t thinking any longer about ways to earn money so I wouldn’t have to eat Valentine’s goddamned chicken fricassee. My brother can cook as well as he cleans. I wasn’t even figuring the odds of my being able to stand up long enough to punch him in the jaw.

No, I was ruminating, it seems that two days back you had a pile of silver and a whole face.

I wanted Mercy Underhill like I wanted to breathe air, and then in the same heartbeat hoped she’d never see me again. Mercy could have her pick. And I’d gone from being a man with a great many things in his favor to another sort: a highly disreputable fellow whose sole possessions were a scar I couldn’t imagine seeing for myself without my neck flushing clammy, and an equally disgraceful brother who earned his bread giving concussions to somber swallowtailed Whigs.

“I hate you,” I said with very careful clarity to Valentine.

That was comforting, like bad whiskey burning my throat. Bitter and familiar.

“Then take the sodding job, so you don’t have to sleep in my ken,” he suggested.

Valentine dragged his fingers through his tawny hair, ambling over to his desk to pour himself a measure of rum. Completely, entirely unmoved, which so happens to be the most infuriating thing about my infuriating older brother. If he cares a rotten fig that I hate him, I wish to Christ he’d be more visible about it.

“The Sixth Ward is hell’s privy pit,” I pointed out.

“August first.” Valentine drained his spirits and then adjusted his braces with a second snap of impatience. His green eyes raked over me as he went for his beautifully shining black coat. “You have ten days to find a ken in the Sixth Ward. If you were political, I could’ve done better, settle you here in the Eighth, but you aren’t, are you?”

He raised his brows while I attempted to look properly defiant about my political shortcomings. But it hurt my head, so I relaxed against the pillows again.

“It’s five hundred dollars a year, plus whatever you can make by way of rewards or letting the flusher rabbits you nab grease you. Or you can always foist off the brothels. I don’t give a damn.”

“No,” I agreed.

“Like I said, I arranged it all with Matsell. You and I both start August first. I’m to be a captain,” he added with more than a touch of brag. “A respected metropolitan figure, and making steady chink at it, too, and plenty of time left for fighting fires with the lads. What do you think of that?”

“I think I’ll see you in hell.”

“Well, that’s true enough,” Valentine shot back with a smile that would have looked cold on an undertaker. “You’ll be living there, after all.”

The next morning, when I was sober enough to see straight, I awoke to my brother snoring on a flat pallet before his fireplace, smelling vividly of absinthe, and a copy of the Herald set out for me on the side table next to the bed. Val could read a lawyer’s own brief and then argue him into an early grave if he liked, but he’s better used to making news than mulling over it in print. So I knew the paper was mine. And here is what I read, after gasping my way through a burn so fierce that I thought my face must surely have been newly afire:

EXTRA New York Herald, THREE O’CLOCK P.M: TERRIBLE CONFLAGRATION: The greatest, the most terrible fire that has occurred in this city since the great conflagration of December 1835 has spread destruction throughout the lower part of the city. Three hundred buildings, according to the best calculation, have been burned to the ground… .

My eyes faltered, not wanting to follow any further.

It is a close estimate to set the loss at from five to six millions of dollars …

Now, there was a fact I already knew instinctively, couldn’t fail to have grasped despite my sorry physical state. A great deal of money had gone up in smoke over the Hudson. That was apparent. It wasn’t dollars or buildings that plagued my unconscious brother, though, tracing a line between his brows though he must still have been drunk as a lord. Val’s single redeeming quality consists of his method for calculating fire losses. And the code is stamped deep in his ribs, somewhere gripping and permanent. Thus I felt a hurt greater than my own real wounds, a raw and sympathetic sensation, when I read:

It is supposed that many lives have been lost by the terrible explosion.

The number, thank Christ, was thirty when all was said and done—a low figure of fatalities when the unholy chaos was considered.

But it wasn’t low enough for Valentine. Nor for me. Not by a long mile.


The popish countries of Europe are disgorging upon our shores, from year to year, their ignorant, superstitious, and degraded inhabitants, not only by tens, but by hundreds of thousands, who already claim the highest privileges of native citizens, and even the country itself.

American Protestant in Defence of Civil and Religious Liberty Against Inroads of Papacy, 1843 •

The key to being poor in New York is to know how it’s done: you make shortcuts.

Valentine and I, when we were sixteen and ten, respectively, and one day woke up the only Wildes, learned that life-or-death trick fast. So three days after the fire, perfectly able to walk about but flinching like a gutter cat every time a loud noise set my ears humming, I knew my options were limited to taking Val’s offer of police work or else moving to the interior and learning agriculture. So I decided that, as I’d apparently woken up in a permanent nightmare, I’d start with the police work. And quit the instant I found something better.

On the morning of July twenty-second, a strong wind from the ocean cutting through the summer stench, I headed down Spring Street, past the pineapple vendors and the barrel-organ man in Hudson Square, to find a dwelling place. One with shortcuts. I was going to need plenty of shortcuts on five hundred a year. Nick’s had paid me still less, but that hadn’t been a problem. Not when all the extra coin had been considered, the half-a-neds and coachwheels and deuces slipped into my palm by madmen in French shirtsleeves, the jacks that clinked in Julius’s and my pockets as we parted ways at the end of a shift. Wages were different—stable and frightening. I was looking at a fraction of what I’d earned previously, supposing I wasn’t inclined to extort madams for extra chink.

Neighborhoods in New York change quicker than its weather. Spring Street, where Val lives, is a mix of people in the usual everyday sense: blue-coated Americans with their collars over their lapels and their hats neatly brushed, laughing colored girls waking your eyes up with canary yellow and shocking orange dresses, complacent ministers in brown wool and thin stockings. There are churches in Spring Street, eating houses smelling of pork chops with browned onions. It isn’t Broadway north of Bleecker, where the outrageously wealthy bon ton and their servants peer down their noses at one another, but it isn’t Ward Six either.

Which is where I was headed.

When I entered the district via Mulberry Street with two dollars of Val’s money poisoning my pocket, I knew first that there were no shortcuts to be taken advantage of in that row of godforsaken Catholic misery. Second, I thought, God save New York City from the rumor of faraway blighted potatoes.

As for the swarms of emigrants gushing ceaselessly onto the South Street docks, I’d found out their next stopping place: the entire block consisted of Irish and dogs and rats sharing the same fleas. Not that I hold any truck with Nativists, but I couldn’t prevent a shiver of sympathetic disgust constricting my throat. There were so many of them, scores passing to and fro, that I focused on one individual just to stave off a rush of dizziness. I lit on a still-sleepy peasant youth of about thirteen in trousers worn through the knees, entirely shoeless but wearing blue stockings, who stumbled past me into a corner grocery store. He bypassed the pale putrid cabbages set for show outside the entrance and headed straight for the whiskey bar. His posture matched the building he was patronizing. The Sixth Ward was built over the top of a swamp called the Collect Pond, but if you didn’t know that, you’d wonder why the buildings lean at lunatic angles, seemingly stitched onto the sky in crazy-quilt seams.

I stepped over the fresh corpse of a dog felled by traffic and carried on, edging through the crowd. All the men walked with a purpose into groceries that didn’t sell edible vegetables, the women’s hands blazed redder than their hair from hard labor, and the children … the children seemed by turns harrowed and merely hungry. I saw one respectable fellow as I passed. A priest with a perfectly round head, faintly blue eyes, and a tight white dog collar. But he was ministering to the most wretched of the occupants, or so I hoped.

No, there were no shortcuts for an American on Mulberry. And my face simmered in the heat, rendering fat into the already greasy bandaging. Or something else, possibly. Frankly, I didn’t want to dwell on it.

My face hadn’t been a Michelangelo exactly, but it hadn’t ever served me wrong either. Oval tending toward youthful roundness, and near enough identical to my brother’s. Broad and high brow, deeply arcing hairline, hair indifferently blond. Straight nose, small mouth, with a little upside-down crescent where lips turn to chin. Fair skin despite our merciless summers. I’d never spent overmuch time mulling over my mazzard previously, though, because when I’d wanted a friendly hour or two with an idle shopkeeper’s daughter or a hotel maid with appetites, I’d always gotten it. So it was a good enough face—it didn’t cost me money when I needed a tumble, and I’ve been told my smile is very reluctant, which apparently makes people want to tell you their life histories and then pass you two bits for your patience.

Now I had absolutely no notion of what I looked like. The physical pain was already bad enough to make me steal a little of my brother’s laudanum without added aesthetic horror.

“You’re spooney,” my brother had announced, shaking his head as he studiously roasted coffee beans. “Don’t come over all squeamish on me now, for God’s sake. Have a keek at yourself and be done.”

“Sod off, Valentine.”

“Listen, Tim, I can understand perfectly why you’d keep shady at first, in light of when you were just a squeaker and all, but—”

“By tomorrow at the latest I’ll be clear of this house,” I’d replied on my way out, effectively ending the conversation.

Cutting across Walker Street, I turned up Elizabeth and then all at once shoved my fists in my still-sooty pockets in shock.

The structure directly before me was a miracle. A carefully printed wish list of shortcuts.

What People are Saying About This

Otto Penzler

Reading The Gods of Gotham is like being magically transported to another time. You'll be overwhelmed with the sights, sounds, smells, and chaos of New York in the 1840s, while never losing sight of the fact that this is a first-rate crime novel for any era. I can't wait to see what Lyndsay Faye will conjure next. (Otto Penzler, The Mysterious Bookshop)

Katherine Howe

Lyndsay Faye's exquisite new novel, The Gods of Gotham, plunges us into the teeming, sordid streets of old New York. But this is no Whartonian idyll—Faye's Manhattan is a raucous underworld of criminals and chiselers, the infamous Five Points, where thieves speak their own argot, the sanitation department consists of free-running pigs, and Tammany-backed 'dead rabbits' rule with an iron fist. In this vivid and impeccably crafted adventure, newly minted 'copper star' Timothy Wilde is the only man who can solve a series of gruesome murders plaguing Gotham. Faye's prose crackles with historical authenticity so cunningly rendered that readers will lose themselves from the very first turn of the page. (Katherine Howe, bestselling author of The Physick Book of Deliverance Dane)

Louis Bayard

Penetrating psychological study, flawless social history, beautifully crafted thriller . . . The Gods of Gotham is all these things, and a crackling great yarn to boot. Old New York has never been so blazingly alive. Lyndsay Faye is a writer to watch—and keep watching. (Louis Bayard, author of The School of Night)

Michael Connelly

The Gods of Gotham is a wonderful book. Lyndsay Faye's command of historical detail is remarkable, and her knowledge of human character even more so. I bought into this world in the opening pages and never once had the desire to leave. It's a great read!

Leslie S. Klinger

Lyndsay Faye makes it look easy to write a great historical mystery: First, research the hell out of a remote time period, painstakingly paint a picture of that alien world (in this case, mid-nineteenth-century New York), and then craft a story so compelling that the reader forgets that it's alien! Her masterful Dust and Shadow reinvigorated Sherlock Holmes versus Jack the Ripper, but this wholly different tale confirms a talent far beyond her (damn her) thirty-year-old age. (Leslie S. Klinger, author of The New Annotated Sherlock Holmes)

Alafair Burke

With crisp prose, memorable characters, and an impressive respect for its historic setting, The Gods of Gotham pulls you into old New York's days of the Five Points. Lyndsay Faye is a writer to watch. (Alafair Burke, author of Long Gone)

Timothy J. Gilfoyle

The Gods of Gotham is a detective tale set in an era before the invention of the detective. Fully captured are the vibrant scenes and vivid characters of 1840s New York: cavernous oyster saloons, gutter rats feasting on oxtail, righteous abolitionists haranguing skeptics, opulent Greene Street brothels, and much more. Lyndsay Faye captures antebellum New York in all its warped beauty and pornographic decadence. (Timothy J. Gilfoyle, professor and chair of history, Loyola University Chicago)

Laurie R. King

Intriguingly complex yet deliciously smooth, The Gods of Gotham is, in a word, stunning. The vivid characters and deft use of the historical setting read like the work of an established writer at the top of her (or indeed, his) career—that Faye is a newcomer is cause for an exuberance of fireworks, at the mere thought of so many superb novels yet to come. (Laurie R. King, New York Times-bestselling author of The God of the Hive and The Beekeeper's Apprentice)

Daniel Stashower

The Gods of Gotham is a revelation. Lyndsay Faye puts the drive and passion of a modern thriller onto the mean streets of 1840s New York. She brings a fascinating page of history to life with a gripping, twisty plot, vivid characters, and seamless research. This is historical fiction at its best. (Daniel Stashower, two-time Edgar-winning author of Teller of Tales and The Beautiful Cigar Girl)

Stefanie Pintoff

The Gods of Gotham is an enthralling novel that immediately pulls readers into its twisting tale of murder, conspiracy, and socio-religious turmoil. With an engaging narrator, smart rendering of time and place, and gripping suspense, this superb story is virtually impossible to put down. (Stefanie Pintoff, Edgar-winning author of In the Shadow of Gotham)

From the Publisher

"The Gods of Gotham is a wonderful book. Lyndsay Faye's command of historical detail is remarkable, and her knowlege of human character even more so. I bought into this world in the opening pages and never once had the desire to leave. It's a great read!"—Michael Connelly

"The launch of a brilliant new mystery series, set in 1845 New York City: Irish Potato Famine, the birth of the police force, brothels and bedlam."— Gillian Flynn

"It's been almost twenty years since Caleb Carr's bestselling Olde New York crime novel, The Alienist, was published, and I cant count the number of times since then that someone has asked me if I can recommend a suspense story anything 'like it.' Well, New York has inspired lots of terrific thrillers, but I've just stumbled on one of the worthiest successors yet. Lyndsay Faye's novel, The Gods of Gotham."—Maureen Corrigan, NPR's Fresh Air
“If your concept of paradise is popping in a DVD of Gangs of New York while rereading Caleb Carr’s The Alienist, then put Lyndsay Faye's The Gods of Gotham on your to-buy list.”—USA Today
“There’s enough excitement here to cause anyone’s veins to quiver.”—The Washington Post
“Riveting.”—The New York Times

Matthew Pearl

Lyndsay Faye is a superstar-caliber writer. She confidently and exquisitely re-creates the past while her characters live on with you in the present, the elusive gold standard for a historical novel. The Gods of Gotham is a gift to the genre that readers will surely relish while we wait for Faye's next one. (Matthew Pearl, bestselling author of The Dante Club)

Laura Caldwell

The Gods of Gotham blew me away. Unflinching and bold, creative and dazzling, cinematic: nineteenth-century New York is alive. (Laura Caldwell, author of Long Way Home and Claim of Innocence)

Maureen Corrigan

Well, New York has inspired lots of terrific thrillers, but I've just stumbled on one of the worthiest successors yet, Lyndsay Faye's novel, The Gods of Gotham. (Maureen Corrigan, NPR's Fresh Air)

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The Gods of Gotham 4.2 out of 5 based on 0 ratings. 92 reviews.
Twink More than 1 year ago
The Gods of Gotham by Lyndsay Faye's is newly released novel today. And it's definitely one you want to get your hands on! "On the night of August 21, 1845, one of the children escaped." I was captured from that opening line - hook line and sinker. History and mystery combined is a sure bet for me and Faye did not disappoint. 1845 is a turning point in the history of New York City. Thousands of immigrants fleeing from the potato famine in Ireland settle in the city and the first formal police force is formed. That line? It's from a report written by 'copper star' Timothy Wilde, a policeman in the Sixth Ward - home to the notorious Five Points and more. Wilde has been hired on based on the recommendation of his bigger than life brother, Valentine. And also on his knowledge of 'flash'. " Flash, or flash-patter, is the curious dialect spoken by foisters, panel thieves, bruisers, dice burners, confidence men, street rats, news hawkers, addicts, and Valentine.....It's not a language, exactly - it's more like a code." Faye provides us with a mini lexicon in the beginning of the book, based on George Washington Matsell's actual book from 1859. (Take the Penguin 'Flash" quiz here.)Matsell is also a character in the book. I loved the amount of history and detail that Lyndsay Faye has woven into her book. It brought the time period to life - the political machinations, the religious unrest, the racial prejudice and the social fabric of the time provided a engrossing backdrop for a delicious plot. Faye's prose paint vivid pictures: (It's a long passage but especially good!) "If there's a wider street on earth than Broadway, a street more roiling, a street with a more dizzying pendulum swing between starving opium fiends with the rags rotting off of them and ladies in walking gowns bedecked like small steamships, I can't imagine it nor do I want to. Colored footmen sitting atop phaetons and wearing summer straw hats and pale green linen coats whirred past me that morning, one nearly colliding with a Jewess selling ribbons from a wide hinged box hung around her neck. Ice delivery men from the Knickerbocker Company, shoulders knotted with painful-seeming muscles, strained with iron tongs to hoist frozen blocks onto carts and then wheeled their cargo into the opulent hotels before the guests awoke. And weaving in and out, mud-crusted and randy and miraculously nimble, trotted the speckled pigs, rubbery snouts nuzzling the trampled beet leaves. Everything begrimed but the storefront window panes, everything for sale but the cobblestones, everyone pulsing with energy but never meeting your eye" But what really grabbed me were the characters. Timothy's life changes radically over the course of the book. From a bartender saving his coins, dreaming of marriage and a small piece of land to being consumed with solving the child murder cases that have fallen in his lap - and finding out he's very good at it. "I wanted to know how they came to be there like very little else I've ever wanted, and I'd never felt so about a puzzle before....this was a single goal, a mountain to climb and see the top with your own eyes, and I needed to know." The relationship between Timothy and his brother Valentine is a mystery to be solved as well. I loved the cast of eclectic supporting characters - especially Mr. Piest and George Matsell. Lyndsay Faye has combined a great mystery with a fascinating look at history and engaging characters, all of which kept me up late, rapidly turning 'just one more page'. I truly hope that that Faye has plans to continue on with these characters. **Just found in an interview with Kirkus reviews...."The first draft of the sequel is finished, actually. It’s the winter of 1846, about six months later, and in it I merrily continue to do terrible, terrible things to Tim and Val." Fans of Caleb Carr's The Alienist would enjoy this book. And author Michael Connelly says "A wonderful book. Lyndsay Faye's command of historical detail is remarkable and her knowledge of hum"A wonderful book. Lyndsay Faye's command of historical detail is remarkable and her knowledge of human character even more so. I bought into this world in the opening pages and never once had the desire to leave. It's a great read." Five stars for me!
Anonymous More than 1 year ago
Left my living room eagerly by the second paragraph and returned from 1845 New York City begrudgingly every hundred pages or so. Unseasonably warm, gorgeous spring weather did not entice me to leave this story unread. Perfect balance of real characters, unexpected plotting and masterful command and pacing of prose place this book at the top of my recommend list.
Gracie_L More than 1 year ago
Expertly written and devilishly engrossing. I could not have asked for a better novel. The characters are believeable, loveable and dramatically human. They make mistakes and they grow. They learn and they love. This is a perfect piece of historical fiction that makes the reader feel as if they are actually in New York in 1845. Lyndsay Faye is an excellent writer and it is so refreshing to read something with that much depth. You can read the books overview above, so I won't go into detail about that. But I will tell you that it has been a while since I have read a book that captured and captivated me since page one. You won't be disappointed.
bookchickdi More than 1 year ago
If you were a fan of TV's NYPD Blue, and you like historical fiction then Lyndsay Faye's novel The Gods of Gotham is for you. Set in 1845, it tells the story of the origins of the NYPD through the story of Timothy Wilde. (If Andy Sipowicz were around in 1845, he'd fit right in.) Tim is genial bartender who knows everyone in the neighborhood.  He is seriously injured in a fire, and after recuperating, his brother Val gets him a job in the newly formed New York Police Department, called "the copper stars" after the copper badges they carry. Hence, the slang "copper" for police. Tim is none too pleased with his job. Cops are looked upon with suspicion by the general public, and he is assigned to the worse section of the city, the slums in Five Points. Not to mention that he is in great pain from his burns. One night he runs into a small girl covered in blood. She is too traumatized to tell him what happened, so he takes her to his apartment where his landlady helps to care for the girl. She tells Tim that there are several bodies of young children buried in the woods; a serial killer is on the loose. The Gods of Gotham drops the reader right smack into the middle of 1845 New York City, with interesting characters trying to solve a crackling good murder mystery. We meet a doctor who uses early forensic methods to determine how and who killed these children,  a priest whose church is the site of a horrible murder and a young female charity worker named Mercy who is a romantic interest for Tim. The writing evokes sensory reactions in the reader. We can smell the rot of the slums and feel the shame of the daily taunts and slights that the Irish immigrants are subjected to as they try to assimilate and make lives for themselves and their families. The Irish became 'coppers' because it was not thought to be a respectable job, and therefore no decent man would want to do it. Through the NYPD, the Irish gained a foothold politically, and the corruption that follows is a theme in this fascinating novel. I liked the character development; Tim and his brother Val's relationship is particularly well done. The plot is well-paced and although I do not like blood and gore, what is here is essential to the story and not overdone. One particularly memorable scene involves a mother and her baby that is so very sad, it made my heart ache. The attention to historical detail is impeccable. I could study the map of 1845 New York City on the inside cover for hours, and the quotes at the beginning of each chapter are interesting as well. Fans of historical literary murder mysteries, like Caleb Carr's The Alienist, will love  The Gods of Gotham. I'm not the only one who feels this way; Faye was nominated for a 2012 Edgar Award for this enthralling mystery. And I was not surprised to find that this book was originally published by Amy Einhorn; she always finds the good ones.
Anonymous More than 1 year ago
Loved it! Such a great story, with wonderful characters. If you liked Devil in the White City, you'll like this. Faye describes everything in such a magical way, you will not be disappointed. I highly recommend it.
Anonymous More than 1 year ago
Author is to be commended for her research into life in New York during the 1840s. However, it seemed like I was just reading a book on American History. The plot was weak and there was little incentive to Get back to it. I learned a lot about my ancestors but was not too entertained in a literary fashion.
TuleLove More than 1 year ago
What can I say....Loved It!
Anonymous More than 1 year ago
I loved this story. If you enjoyed Caleb Carr's The Alienist then you'll love this book. I hope this isn't the last we see of these characters.
2-Psychos More than 1 year ago
Excellent story telling. It was very exciting to follow along with the birth of not only a New York Police force but also the development of a Sherlock Holmes type of Detective. Timothy Wilde proves to be a quick study of detective by observation and guile to solve what appears to be several murders. Without DNA, fingerprints or any other "forensic" type assistance he pursues the case to its conclusion. He experiences many heartfelt emotions both uplifting and throughly depressing. However, he does overcome it all to successfully solve the mystery. The style of writing flows smoothly thru a New York City that is in the becoming of a major metropolis in the new America. The problems of the melting pot country are used as a backdrop for this fascinating story. We see the conflicts of a changing map of the City, politically, culturally, and religiously. All in all I can't wait to see if Timothy returns for more mystery and adventure. And I would like to know how Bird and Mercy make out in their new pursuits.
MMMNJ More than 1 year ago
Take a gander! Completely Flash! Savvy? Love the language and the turns of phrase. Well done.
Anonymous More than 1 year ago
This author successfully puts the reader right into the story while slyly explaining all that needs to be understood about the historical time and place. I will read more of Lyndsay Faye's work.
mab67 More than 1 year ago
I like that the author used history of our early nation as a backdrop the unlikely hero and the shocking villain are woven into the story as result of love and the deep seed hate for what one does not understand . I like it and you want be disappointed highly recommend
Anonymous More than 1 year ago
An interesting story but the plotline and characters are too dark and disturbing to make it an enjoyable read. While the author is to be commended for his research, it's a case of TMI on every page. The heavy detail bogs down the story.
YellowLeaf73 More than 1 year ago
I LOVED this book! I can't really add anything more to the Overview above. Be sure to check that out! I read THE GODS OF GOTHAM the week it was published. (I had just finished Faye's first novel, DUST AND SHADOW, a "newly discovered" Sherlock Holmes story -- which I give a 5 star rating to as well -- so I quickly recognized Faye's name.) I raved about both books to my friends, and I predicted to them that THE GODS OF GOTHAM will win book awards this year! It's that good on many levels! So I'm wishing that the Barnes and Noble stores will do a little more to "push" awareness of this book. I'd love to see a stack featured on an individual table! Perhaps put both of her books on a small feature table. They are that good! Lyndsay Faye is a superb writer who, I'm sure, will eventually be recognized as a major "new" talent. Let's make her famous now! I understand that THE GODS OF GOTHAM will be the first book in a series that will continue the story of Timothy, his brother, and the beginnings of the NYPD. I'm hooked and eagerly await her next book.
DesperatelySeekingReader More than 1 year ago
Loved it! Well written, interesting characters and a plot that moves right along. The depiction of early NYC and the formation of the police department was very colorful and very interesting. The plot had some interesting twists and turns and I look forward to another book by the this other with these characters. I'm told the movie Gangs of New York covers similar ground. This book arouses my interestest in the given period and locale. I only give 5 stars for a book that is destined to be a classic, even if only in my opinion, and one I may reread down the road.
Anonymous More than 1 year ago
Wonderfully written historical novel with real, well rounded, absorbing , flawed characters. Read in two nights and certainly hope to read more about Timothy in future novels. A must buy. Enjoy.
readingwithtea on LibraryThing More than 1 year ago
"Hope, I've discovered, is a sad nuisance. Hope is a horse with a broken leg." In 1845, Timothy Wilde becomes member of the newly minted New York Police force after a fire destroys his home, his employment and his looks. Despairing of ever winning the delightful Miss Underhill¿s regard, and seeking to avoid his louche brother Valentine at all times and costs, Timothy tries enforce some law and order while being kind to the impoverished Irish immigrants. When a girl in a blood-drenched lace nightgown crashes into his knees one night in full flight, he finds a purpose to his employment: to avenge a terrible evil. Tim is a standard tragic protagonist: good-hearted and cursed; nevertheless, he is likeable, realistic and pleasantly articulate. Mercy is a touch twee, always buried in Harper Brothers¿ latest or charmingly tucking a strand of hair behind an ear, and I thought a few of her actions towards the end of the book were inconsistent with the persona that had been constructed for her thus far. Valentine rides the line between good and evil marvellously, and the reader isn't sure right until the end whether he might be the villain. The revelation of the villain, when it eventually comes, is somewhat anticlimactic, and it is immediately obvious to the reader that he cannot be responsible for one of the deaths. I'm still not happy with the answer of who committed the final crime, nor any motive or means for doing so (maybe I was reading too fast). Nevertheless, the denouement fit my criteria of fitting hints which had been available, without being obvious to me. Faye¿s novel slips into 1840s New York with ease: the rickety buildings full of Irish immigrants, the news-sellers with their cigars and flash language. The writing is too rich at times, stuffed with simile and metaphor, but smooth; the plot is well-paced without racing. Faye strides the historical crime path with confidence and well; this is a most absorbing debut. Additional info: This book was supplied by the magazine We Love This Book, where a shorter version of this review will appear.
michigantrumpet on LibraryThing More than 1 year ago
Absolutely gripping - I read it in one gulp over a day. Characters and a plot to care about - mutilated children's bodies turning up in mid-19c New York City. A huge challenge for a fledgling NYC police force and a fledgling patrolman hellbent on finding the killer, while fighting his own demons. Throw in an articulate, independent lady reformer with a secret and we have a snapping tale capturing all of our animosity against the immigrant, political manipulation and an underlying decency. Just like today.
ntempest on LibraryThing More than 1 year ago
THE GODS OF GOTHAM is set in New York City during 1845, a point in time when the first city-wide police department was finally formed, to great controversy, and when the population was in the midst of undergoing a rapid increase due to the rise in emigrants, primarily Irish escaping the potato famine. Faye has created a very real, vibrant rendering of the period, right down to the distinctive "flash" speak that was common upon certain New Yorkers of the day and that served as the roots for much of modern American vernacular. The book follows Timothy Wilde, a former bartender who saw his dreams and livelihood go up in a fire that caused severe damage to his face, and who rather reluctantly finds himself a newly minted copper star, thanks to his politically minded older brother, a Captain with the new force. His first real case involved the abandoned and mutilated corpse of a young child--a child prostitute--and rapidly grows into a horrific investigation that has wide-spread political ramifications for the city. I was completely engrossed in this book from beginning to end. Wilde's narrative voice is clear and compelling, his motives understandable, and his intelligence--even in the wake of mistakes--admirable. Faye depicts a difficult, politically and racially charged period of our history in a faithful manner without ever losing sight of the fact that she is also telling us a story.
Bookbets50 on LibraryThing More than 1 year ago
I loved this book. It took me a long time to read because I didn't want it to end. The time period of New York City in 1845, the background of the beginnings of the "copper stars" which is what the new police force were called, the trials and reality of being Irish in a city that really didnt want you...all of it was fascinating. The author kindly provided a glossary as she used the real slang aka "flash" but after a few chapters, it was easy to pick up the context without needing it. The characters of Tim and Valentine, Bird, Mercy Underhill as well as a host of secondary characters were all very well-done. I was very happy to read that author Lyndsay Faye is planning a sequel to this story.
zumanity on LibraryThing More than 1 year ago
A surprisingly good read. Id recommend it to anybody who enjoys a well written "Gangs of New York" era historical mystery. The novel features a strong protagonist who discovers his life's calling through tragedy and outstanding supporting characters. The mystery kept me guessing until the end. Very enjoyable and hard to put down.
eenerd on LibraryThing More than 1 year ago
I stayed up until midnight to finish this book, which I haven't done in a looong time. Great historical fiction about Timothy Wilde, a "copper star" in the newly formed New York Police Department in 1840's NYC. After a fire destroyed his home, work, and left him disfigured, Timothy begins to piece his life back together with the help of his roguish, handsome and famous fire-fighter brother, Valentine. Val moves him to the notorious Sixth Ward and he joins the brand-new police force. He is tested right away in his new profession when children, all Irish, begin to turn up dead--and then a mass grave of children in the woods and fields beyond Broadway show the direness of the situation. Lots of great characters, and it encompasses all the fascinating historic elements of the time: politics, immigration, prostitution, gangs, police, wealth, poverty and entertainment. Plus the writing is awesome, and the characters are completely engaging. Faye gets two thumbs up!!!
katiekrug on LibraryThing More than 1 year ago
This debut novel, a historical mystery set in New York City in 1845, is rich in period detail and language. Often brutal in its telling, whether describing the sights and smells of the streets of lower Manhattan or the violence done to women and children, this story is a fascinating fictionalized account of the early days of the New York City police. We learn about the urban politics of the day, the discrimination against the newly arriving Irish immigrants, the hostility against Catholics, the terrible living conditions of so many of the city¿s inhabitants, medical practices of the day, brothels, nativist gangs, charitable works, corruption¿. all of which is wrapped up in a pretty good mystery surrounding the deaths of children. The book was almost a 4.5 star read for me, but at times, I felt like Faye was trying to stick in a little too much of her research, and it became a tad clunky in parts. Still, an excellent read but not one for the faint of heart!
corgiiman on LibraryThing More than 1 year ago
The book had a very captivating story of the early New York City police department. I felt the grittiness and the darkness of the time but still a good and enthralling story. The one drawback was I found the jargon of the time distracting. But if you overlook that a very enjoyable read.
MarcusH on LibraryThing More than 1 year ago
The story takes places in late 19th century New York during a time of cultural and political upheaval. Due to the potato famine in Ireland, New York begins to see an influx of immigrants. To help with this the Democratic Party establishes police force known as the Copper Stars. The two factors alone are enough to create turmoil in the city, but there is also the discovery of a mass grave that Timothy Wilde, a newly minted Copper Star must find the truth about.Faye does an amazing job of blending history, mystery, and overall character development. At times, due to the use of colloquial language I found myself re-reading sections, but as that didn't bother me as it usually would. I found myself connecting with the historical aspects and in turn learning what a hard place New York in the 19th century was. Overall, the story is very well written, extremely entertaining, and makes the reader feel accomplished at the end. It's the best parts literary fiction and mystery rolled together into one story.