The Good Sister: A Novel

The Good Sister: A Novel

by Jamie Kain

Hardcover(First Edition)

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Product Details

ISBN-13: 9781250047731
Publisher: St. Martin's Press
Publication date: 10/07/2014
Edition description: First Edition
Pages: 304
Product dimensions: 5.40(w) x 8.40(h) x 1.10(d)
Age Range: 14 - 17 Years

About the Author

JAMIE KAIN grew up in Louisville, Kentucky but has had a nomadic adulthood. After many moves, she is now happily and permanently settled in Northern California with her husband and two children. Wherever she goes, her devoted writing and jogging partner, a pit bull mix named Reno, can nearly always be found at her side. The Good Sister is Jamie's debut young adult novel.

Read an Excerpt

The Good Sister


By Jamie Kain

St. Martin's Press

Copyright © 2014 Jamie Kain
All rights reserved.
ISBN: 978-1-250-04773-1


CHAPTER 1

Sarah Jade Kinsey


It's strange how someone you never knew and will never know can change the course of your life forever.

For me that someone's name was Brandon.

But before I can explain about him, I have to explain about me.

And what is there to say about me?

The truth is vastly more complicated than it ever was before the night a guy named Brandon, whom I never knew and would never know, appeared in my life and disappeared again in a brief and violent instant.

Life, it turns on a complicated array of delicate gears we cannot see. A heart that beats can go still in the space of a moment. Breath can vanish before we've had a chance to say good-bye.

My name is Sarah Kinsey.

I am, or was, the oldest of three sisters.

To tell my story, I must wrestle with this question of verb tense, past or present, tedious and mundane as it is. I don't know if I, the person, still exist in any way I can explain, so I stumble over mere words, desperate in death—as in life—to understand and to be understood.

Death is the twist of the knife that makes life so sweet, some say, though I am not sure I would agree.

Imagine a place where you neither sleep nor wake up. Imagine the life you would have lived, could have lived, playing before your eyes like a movie, only not.

Imagine none of this, or all of it.

The truth—if such a thing exists—eludes me.

Death has cut clean through my life, so that now I am no longer Sarah. I am the bloodred tulip tilting in the wind, I am the brown-black earth of a thousand years, I am the welcome rain on a parched day. I am a grain of sand, and I am the entire ocean. I am the beginning and the end of me.

Here is what you have to understand. Although I spent much of my life imagining what dying would be like in a far more concrete way than most people ever do, when it finally happened, it wasn't for the reason anyone expected. It wasn't at all how I imagined it would be.

It did not come from the slow decay of my body, not from cancer eating me away from the inside or wearing down my body's ability to fight. It came from gravity, that simple force we all take for granted, the one that binds us to the earth and all we hold dear.

A moment before, my feet were planted on the earth, and a moment later, they were not. It was that simple.

No, that's not exactly true. It is not so simple, not really. Love had a lot to do with it. Also grief, guilt, and no small amount of reckless, youthful foolishness.

And then there was Brandon, a horrible twist of fate I did not see coming.

But gravity, not cancer, brought me here, wherever here may be.

CHAPTER 2

Asha Nadine Kinsey


Today, March 29, is the day of my sister's funeral, and I am getting a new tattoo. I hold dead still as I watch the needle pierce my skin, laying down black ink in a straight line along the edge of a stenciled star. It stings like hell, and like so much of my life lately, I watch and consider the pain as if it were happening to someone else.

The needle's buzzing sound reminds me of bees.

Bees, bees, we need to save the bees. Life as we know it will end if we don't, or at least that's what I hear. They are a keystone species, holding our world in the balance with their tiny acts of pollination. And Sarah was the keystone of our family—the one who held us together.

Remove her, and we fall apart.

But actually the needle and the bees don't sound alike. Mostly it's the sensation, so much like a bee sting that won't stop, that makes me think of industrious flying insects, and honey, and hives, and the fate of the world. Lavender honey on fresh sourdough bread was Sarah's favorite treat in the world.

Was.

This word sounds wrong in my head, and I blink away barely-there tears that won't come anyway. I am an emotional desert—bereft, barren, possessing little sign that anything here survives.

Here is something no one tells you about what happens when the person you love most dies. You all of a sudden start to see how pointless most moments are. We are so busy with bullshit, we fail to stop and recognize the profound. So busy with brushing teeth and buying groceries and washing dishes and watching YouTube and checking Facebook and texting and putting on makeup and driving to here or there and looking for lost keys, it starts to feel like what we are really doing is hiding from how totally fucking scary life is.

Like one minute you have a sister and the next you don't. That kind of scary.

Isn't that what we should all be stopping and noticing?

Doesn't our profoundly precarious existence deserve most of our attention?

I think it's just too big for us to hold in our mushy brains for long.

Too big for me, definitely.

I stare at the top of Sin's head, bent over my leg resting in his lap, as he focuses on the black star he is drawing there, just above my right ankle. It is the largest of a spray of stars that he has inked there over the past hour. His dark brown hair is a jumble of clumsy spikes today, the result of a haircut I gave him and his own affection for styling products. He is wearing a pink shirt with a white rabbit on the front, above the caption PLEASE DON'T EAT ME.

We have not talked in the minutes since he started the tattoo because he has to give the work all his concentration. He's still learning not to screw up, and I'm the perfect practice dummy since I don't really care if he does. The buzzing drone is accented by the sounds coming from the other room, of a stereo playing Bob Marley's "Could You Be Loved?"

Could I? I think I could if the right guy was asking the question.

To Sin's left is the funky wooden kitchen table that his mother, the not-so-famed artist Jess Lowenstein, has painted in a rainbow of colors and patterns, and on top of the table are his inks and the tattoo equipment he inherited after Jess gave up her short stint as a tattoo artist (turns out skin wasn't her medium, nor was the kitchen table).

Midday light pours through the sliding glass doors on the other side of the room. Outside, it's an offensively sunny day, as is often the case in this part of Northern California, even though it's still technically the rainy season. We have microclimates here, as Mr. Tobias, the geography teacher at school, would say. Which means that while it might be a foggy, cold day across the Golden Gate Bridge in San Francisco, or even a bit west in the San Geronimo Valley, here on this side of Mount Tam, in the little, Marin County, stuck-in-the-1970s hippie town where most of the members of my parents' old commune settled after their guru fled the country and everything fell apart, we have six months of warmth and sunshine from mid-April to mid-October and often long into the winter, regardless of the weather anywhere else.

Most of the time, I am fine with this, but today, I wish for a storm. I wish the sky would turn dark and rain would fall until no one could see anything and the streets were awash in an epic flood.

This only seems appropriate.

Sin hits a particularly sensitive spot with the buzzing needle, and I wince. Tears well up in my eyes once again, but a movement outside distracts me. On the other side of the sliding glass door sits Sin's cat, Buddha, who is neither Buddha-like nor catlike. His long, mangy gray fur and blue eyes remind me of some kind of northern sled dog, and he's nearly the size of a dog too. He stares at me vacantly, not in the reproachful way cats so often do, but in a way that suggests he doesn't really see me.

Maybe I am a ghost. Maybe the week since Sarah's death has actually been a horrible dream, and I am the one who died. I often imagined this, in the many years that we were as close as two sisters could be. I imagined what it would be like to take her place, to be the one with cancer, to die so she could live. I admit, I never wanted to do it, but I also could not imagine her gone.

I had never known—and do not want to know—a world without Sarah.

Another stabbing pain jars me back to the present, and I exhale a curse. It's real now, this pain, it's happening to me, and I'm relieved to at least be feeling something. He's working over bone now, where there's no layer of fat to dull the sensation of the needle.

Sin stops and looks up at me. "You need a break?"

"No, keep going. I'm fine," I lie, because I want to keep feeling the pain, or at least watch myself sort of feeling it.

Whatever it is I'm doing here.

Although Sinclair Tyler is my best friend, he is probably not someone I should trust to give me a tattoo. Not because he's inexperienced so much as because he is someone I shouldn't allow to leave any more permanent marks on my body. And yet I do. Again.

Something about our friendship feels almost dangerous, almost self-destructive, but I can never quite put my finger on what it is. It probably has something to do with the bottle of whiskey he has hidden under his bed. Or the way I feel a little frantic about the idea of him vanishing from my life.

I don't even know why I torture myself with the idea of him suddenly deciding not to be my friend, but I do. Often. I guess it's another of those things that make me feel something. And I was always so close to Sarah, I didn't make much effort to gather a big collection of friends.

Another stabbing pain, and another wince. I jerk my leg a little this time, and Sin has to stop and wait for me to be still again.

I'm only fifteen—turning sixteen this summer—but it's my third time going under the needle. The first was an infinity symbol my parents had tattooed on the bottom of my foot when I was five years old. I can still remember how hard I cried, how I tried to squirm away from the pain, but my dad (whom I now only call by his old hippie name, Ravi, because it pisses him off) held my leg tight and promised me all the ice cream I could eat when we were done.

Afterward, I ate an entire carton of rocky road from the 7-Eleven, then threw up—an event that to this day I'm sure my mother would deny having allowed. These days she's too aware of the evils of processed food to admit having ever entered a convenience store.

The second tattoo I had done a few months ago, a half-moon on my upper thigh that my mother does not know about. Sin put it there, his slight fingers working over areas no other guy has really touched. There was Ben Thomas, but he only groped me through my jeans in the backseat of his car before I wised up and got the hell out, which in my opinion doesn't count.

But Sin, he doesn't count either. I've never been attracted to him the way I am to other guys, the way I am to his brother. Sure, there is a little of the inevitable guy-girl tension between us, I guess, but from the time I first met him at the start of freshman year sitting in the row across from me in Honors English, I've never thought of him as a guy the way I do other guys. It's probably because he was wearing a purple dress that day, and he looked better in it than I would have.

Not that Sin is a full-time cross-dresser, but he is totally comfortable wearing girls' clothes whenever the mood strikes him. Mainly he does it to confuse people.

Our friendship feels natural, if a bit addictive. I'm used to being the unnoticed one because having a sister with cancer means you learn to get over yourself, and Sin is used to attracting attention. It's what he does best. He's teaching me things.

Also, I just like that in a sea of freaks, he manages to stand out from the crowd.

"I found one of Sarah's hairs in the sink this morning," I say out of the blue, and Sin takes this news in stride.

For days now he's been listening to me recount all the ways I can't believe my sister is gone.

"It was a really long one, so blond it looked white."

"God, I'd kill for her hair."

"You don't have to now—she doesn't need it anymore," I try to joke, but it falls flat, and I loathe the sound of my own words.

An image of her body, all burned up now, rendered into ash and crammed into an urn, invades my head, and I torture myself with it a little. How could my sister be inside an urn? It makes no sense.

Sarah had survived two battles with leukemia, and she'd been in remission for nearly five years. Miraculously, her hair had grown back even more beautiful than it had been before, long, silvery blond, capable of turning heads a mile away.

"I kept the hair and put it in my treasure chest. Is that weird?"

Sin stops his work and glances up at me for a half second. "It's only weird if you collect a bunch of them and crochet a memorial bikini with it."

He prides himself on topping my weirdness. I don't reward him with a response.

My treasure chest is one of those old-fashioned hope chests people used to give their daughters to store stuff in that they'd need when they got married. Mine is a carved Asian one that used to be my mother's, given to her by her parents before she rebelled and ran off to the commune. Years later, she gave it to me because my name means "hope" in Hindi, and she thought a hope chest would be the kind of thing I'd like.

It's the only nice thing I own, which is why I screamed and raged when Lena (that's my mother, but she's not the kind of woman who enjoys being called Mom—she considers it a restrictive and unnecessary label) tried to pawn it a few years ago to help pay the rent. In it, I store the things I don't want anyone else to take from me: my journals, a collection of coins my grandfather gave me before he died, and an odd selection of crap I've collected over the years.

Sin is filling in the largest star now, wiping blood away and inking in black. Over and over, he repeats the pattern. Ink, wipe, ink, wipe.

The stars are for Sarah, who liked to lie outside on the roof at night with me and stare up at the sky. She would say things that made my head hurt, things I could barely understand. Like "How can the universe go on forever?"

I never had an answer to that one, though I always wanted to. I didn't believe it went on forever because I couldn't wrap my mind around it, the same way I can't wrap my mind around my sister's being rendered into ash and stuck inside an urn.

In my childish head, when I considered her question, the universe stopped on the edge of heaven. Wherever that was.

But for Sarah's sake, I'd stay quiet and try to imagine how something could have no end. Was the universe a big circle? Did it close in on itself, like my own life often felt as if it would at any moment? Did it collapse somewhere out there, unable to bear the weight of its own complexity?

So, stars for Sarah, who should have gone on forever, and maybe she does. Maybe now she's just a part of the endless universe she loved to talk about.

I close my eyes and wonder where my grief is. Except for an occasional welling up of tears, I've been dry-eyed since my sister's body was discovered washed up on Agate Beach in Bolinas, bloated, tangled in seaweed, and stuck facedown in the same tide pool I'd once visited on a field trip with my second-grade class.

This makes no sense. It's like a thunderstorm raging overhead, clouds black and heavy with water, but no rain coming down.

I want to cry, need to cry, but the storm won't come.

"You still okay?" Sin says, more solicitous than usual, as he wipes the tattoo clean one last time.

I leave my foot propped up on his lap because I know he still needs to put some antibacterial stuff on it.

"I'm fine," I lie.

He knows I'm not. "I mean about Sarah. You gotta go to the funeral after this, right?"

I don't know what to say. Do I have to go? What will happen if I don't?

If I don't mourn Sarah's death, does that mean she's not really dead?

If only I had such control.

Before I left the house this morning, Lena had given me a business card with the address of the memorial service and told me to be there at noon. It was already twelve thirty.

"You can't skip your own sister's funeral."

"Yes, I can."

He stops putting away his supplies and gives me a look. "That's messed up."

"I don't believe she's really dead, so I'm not going to mourn."

I sound ridiculous now, and I'm not fooling Sin for a second, but I don't want to say the stuff that needs to be said. Instead, I shrug and try to look defiant.

"You mean like you think someone else's body was just found out at the coast, and that someone just happened to look exactly like Sarah?"

I don't expect him to argue with me, and it takes me by surprise. I guess I was hoping I'd get sympathy, not a bitchy attitude.

"No, I mean ... I don't know what I mean."

It was easy to love Sarah, with her angelic blond beauty and her sweet, longsuffering nature. If I had been creating her life, the movie version, I couldn't have cast anyone more perfect for the role of cancer sufferer than Sarah Kinsey. And in the movie version, if Sarah had to die, it would have been from cancer, just like she was supposed to, or else she'd live on happily ever after. She would not have died unexpectedly from a fall off a cliff.


(Continues...)

Excerpted from The Good Sister by Jamie Kain. Copyright © 2014 Jamie Kain. Excerpted by permission of St. Martin's Press.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
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The Good Sister 4 out of 5 based on 0 ratings. 1 reviews.
Sandy5 More than 1 year ago
Three Sisters is a novel about a family dealing with issues hopefully not too many families have to deal with. Their older daughter Sarah is the golden child who has unfortunately been battling cancer for many years. Their middle daughter Rachel feels neglected and their youngest daughter Asha, I feel, is the freest of them all. There is this tension in the beginning of this novel, as the two youngest siblings prepare to attend the funeral of their older sister Sarah. Amazingly, Rachel comes off as judgmental and uptight while Asha’s feelings are carefree and flighty. Two totally opposite attitudes which had me wondering if there was some underlying issue(s) soon to be discovered. I really liked Asha’s relaxed attitude, I wish I could be so stress free. Rachel has a big chip on her shoulder but the more I read, the more I really liked Rachel. By the time the novel was finished, she was the character, I admired the most. Bitterness, yes. Hard, yes. Did she have a right to act the way she did, yes. Could she have been different, yes. But that is Rachel. Thinking about the title of the book, I wondered who actually would claim the title “Good Sister” and as I read and heard the voice of Sarah comes into the picture; I was torn between who would claim the crown. As I was digging deeper into the novel, the voices were ringing out and the stories were getting told. It was becoming clear exactly what occurred and the novel transformed into something much larger than what it originally started out from. Although slow at the beginning, it turned into an adventure and quite an entertaining story that changed quite a few lives.