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The Half-Life of an American Essayist
     

The Half-Life of an American Essayist

by Arthur Krystal
 
In his first book, Agitations: Essays on Life and Literature, which was heralded by such diverse critics as Jacques Barzun and Morris Dickstein, Arthur Krystal demonstrated that the literary essay is alive and well. Conversational in tone, but capable of addressing the political and semiotic methods adopted by the academy, Krystal's clear and allusive style

Overview

In his first book, Agitations: Essays on Life and Literature, which was heralded by such diverse critics as Jacques Barzun and Morris Dickstein, Arthur Krystal demonstrated that the literary essay is alive and well. Conversational in tone, but capable of addressing the political and semiotic methods adopted by the academy, Krystal's clear and allusive style constituted a reprimand to the fashionable idea that literature is the theorists' domain. His new book, The Half-Life of an American Essayist, continues to demonstrate that the literary essay in the right hands can itself be a subset of literature. Whether he's examining the evolution of the typewriter, the nature of sin, the cultural implications of physiognomy, the works of Paul Valery and Raymond Chandler, or his own ineffable laziness, Krystal's buoyant prose always speaks to the common reader.

The twelve essays in Half-Life - the title is from Goethe's "Experience is only half of experience" - go deeper than the standard book piece; they hew to the line first drawn by Montaigne and later extended by Dr. Johnson, Hazlitt, Woolf and Orwell. Although there may be no preordained way of writing about literature, Krystal takes his cue from Edwin Denby, who maintained that the first duty of the critic is to be "interesting." No matter how large the subject - whether it is the history of boxing or the growth of the Holocaust industry, Krystal paints broad subjects with precise brushstrokes. Erudite, lettristic, and informative, his essays are still accessible to the general reader. The reason is simple: as Dr. Johnson noted, "What is written without effort is in general read without pleasure." To this one might add that thereis satisfaction to be had in the effort itself. How else could one write as committedly and entertainingly about Paul Valery's Cahiers as about Joe Louis's left jab?

Editorial Reviews

New York Times Book Review
Krystal makes a vigorous case for the virtues of old-fashioned literary criticism, twitting the navel gazers of "creative nonfiction," which he dismisses as just a fancy word for memoir. . . Krystal ranges widely, taking on subjects ranging from the typewriter to boxing, and he's not afraid of weighty topics: he slogs through the notebooks of Paul Valéry, ponders different theories of beauty and offers a defense of the seven deadly sins.
—Matthew Price

Product Details

ISBN-13:
9781567923285
Publisher:
Godine, David R. Publishers, Inc.
Publication date:
04/28/2007
Pages:
192
Product dimensions:
5.70(w) x 8.50(h) x 0.90(d)

Meet the Author

Arthur Krystal is a full-time essayist, part-time editor, and sometime screenwriter. He has edited Jacques Barzun's The Culture We Deserve and A Company of Readers, a selection of essays written by Barzun, W.H. Auden, and Lionel Trilling for The Readers' Subscription and Mid-Century Book Clubs. Krystal's own reviews and essays have appeared in The American Scholar, Harper's, The New Yorker, The New York Times Book Review, The Wall Street Journal, The Village Voice, The Washington Post Book World, The Times Literary Supplement, Sports Illustrated, and Arts & Antiques.

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