There have been in the neighborhood of ten CD box sets devoted to Johnny Cash, released on Columbia, Bear Family, and Collectables (this does not count overseas releases by Sony, or budget-line repackagings of three albums into one box set). Since 2000 there have been roughly 15 new major-label compilations, and that number balloons to nearly 90 comps if various and sundry two-fers, budget-line releases, and imports are factored into the equation. Add to that number the three major reissue campaigns -- Columbia/Legacy's expanded reissues of proper '60s and '70s records, Varese's series of Sun LP re-releases, and Mercury's revival of his largely overlooked '80s albums for the label -- plus the CDs released in the '80s and '90s that are still in print -- and there's not only an enormous amount of Johnny Cash music on the market, but every phase of his career is extraordinarily well-documented and easily available.
With this in mind, it's initially hard to see the purpose of Columbia/Legacy's 2005 four-disc box set, The Legend. Sure, it's the first set to run the entire length of his career, from 1955 to 2002, but that statement in itself is a little misleading, suggesting that there's a significant sampling from his Rick Rubin-produced comeback recordings for American Records in the '90s, but that's not the case. In fact, there's nothing from those records, although there is a cut from the 1994 Red Hot + Country album and a smattering of other tracks he recorded in the last decade of his life included among the seven previously unreleased tracks on this 104-track box. So, this winds up being yet another repackaging of Cash's Columbia recordings, buttressed by several Sun standards ("Hey Porter," "Cry, Cry, Cry," "Luther Played the Boogie," "Get Rhythm," etc.). While this is familiar, this is by no means bad, since the music is not only good, but it's presented in an interesting manner, with each disc following a theme that's a little looser than Columbia's previous box, Love, God, Murder. Here, the first disc is called "Win, Place and Show -- The Hits," the second is "Old Favorites and New," the third is "The Great American Songbook," and the fourth is "Family and Friends." Although it's unclear what exactly separates the "hits" from the "favorites" -- if "Cry, Cry, Cry," "Get Rhythm," "Big River," and "I Got Stripes," all Top 15 country singles but all on the second disc, weren't hits, then what constitutes a hit? -- it seems that the former tends to favor funnier, poppier singles like "Ballad of a Teenage Queen," "A Boy Named Sue," and "The One on the Right Is on the Left," while the latter leans toward grittier numbers and standards that never charted (but even that isn't quite right, since the dark humor of "25 Minutes to Go" is on the second disc).
In any case, both of the first two discs are good listens, filled with many of Cash's biggest hits and best songs. The third disc is similarly strong, featuring several of Cash's best readings of such standards -- recorded anywhere from 1955 to 1980, with most dating from the late '50s and '60s -- as "The Wreck of the Old 97," "Rock Island Line," "Delia's Gone," "In the Jailhouse Now," "I'm So Lonesome I Could Cry," and "Time Changes Everything." However, despite a few good moments, such as his duet with Bob Dylan on "Girl from the North Country" from Nashville Skyline, the fourth disc isn't quite so compelling, largely because Johnny Cash is such an overpowering presence on record that he never made for a good duet partner. But even with the fourth disc being kind of weak, the other three are strong, which means this rivals Columbia's previous box set, 1992's The Essential Johnny Cash 1955-1983 as the best multi-disc retrospective of Cash's weighty career. That doesn't mean it's perfect -- that fourth disc won't be played much, some may gripe that it doesn't contain much from the '80s or '90s, and some big songs like "Five Feet High and Rising" and "The Rebel Johnny Yuma" are MIA -- but Cash recorded so much and so much of it was not only good, but popular, that it's hard to whittle it down to one set, even if it does stretch out over four discs.
The Legend does a very good job presenting the biggest and best of the prime of Johnny Cash's career -- enough to make it a good comprehensive introduction for the curious who want more than what the many, many very good single- or double-disc sets have to offer, enough to make it a nice overview for the casual fan who wants one set with much of his best in one place. But if you already have one or two Johnny Cash comps in your collection, think long and hard before picking this up, and if you have five, ten, or 20 Cash discs, you don't even need to consider adding this to your collection: you have almost all of this already and the packaging, while nice, isn't enough to make this necessary. [The Legend