The Lion Women of Tehran

by Marjan Kamali

Overview

Notes From Your Bookseller

Evocative prose delivers this gripping story of an unlikely friendship, courage and hope for a better future. Capturing Iran on the verge of revolution, this is a cautionary tale centering around women’s rights during a tumultuous time.

An “evocative read and a powerful portrait of friendship, feminism, and political activism” (People) set against three transformative decades in Tehran, Iran—from nationally bestselling author Marjan Kamali.

In 1950s Tehran, seven-year-old Ellie lives in grand comfort until the untimely death of her father, forcing Ellie and her mother to move to a tiny home downtown. Lonely and bearing the brunt of her mother’s endless grievances, Ellie dreams for a friend to alleviate her isolation.

Luckily, on the first day of school, she meets Homa, a kind girl with a brave and irrepressible spirit. Together, the two girls play games, learn to cook in the stone kitchen of Homa’s warm home, wander through the colorful stalls of the Grand Bazaar, and share their ambitions of becoming “lion women.”

But their happiness is disrupted when Ellie and her mother are afforded the opportunity to return to their previous bourgeois life. Now a popular student at the best girls’ high school in Iran, Ellie’s memories of Homa begin to fade. Years later, however, her sudden reappearance in Ellie’s privileged world alters the course of both of their lives.

Together, the two young women come of age and pursue their own goals for meaningful futures. But as the political turmoil in Iran builds to a breaking point, one earth-shattering betrayal will have enormous consequences.

“Reminiscent of The Kite Runner and My Brilliant Friend, The Lion Women of Tehran is a mesmerizing tale” (BookPage) of love and courage, and a sweeping exploration of how profoundly we are shaped by those we meet when we are young.

Product Details

ISBN-13:	9781668036594
Publisher:	Gallery Books
Publication date:	08/05/2025
Pages:	352
Product dimensions:	5.50(w) x 8.38(h) x 0.90(d)

About the Author

Marjan Kamali, born in Turkey to Iranian parents, spent her childhood in Kenya, Germany, Turkey, Iran, and the United States. She holds degrees from UC Berkeley, Columbia University, and New York University. She is the 2022 recipient of the National Endowment for the Arts Creative Writing Award. She is the author of The Lion Women of Tehran, The Stationery Shop, and Together Tea. Marjan lives with her husband in the Boston area. They have two children.

Read an Excerpt

Chapter One December 1981

I stood on the lacquered floor—a small woman in black with a rectangular name badge on my chest. My coiffed, contented look was calculated so I’d appear not just satisfied but quietly superior. In America, I’d learned the secret to being a successful salesperson was to act like one of the elite, as if spritzing perfume on customers’ blue-veined wrists were doing them a favor.

A sea of haughty New Yorkers swerved to avoid my spray. Thank God for the more down-to-earth women—the cooks and bakers coming up to the first floor from the basement home goods section—they were too polite to reject the fragrant droplets I offered. Orange, lily, jasmine, and rose notes nestled in the lines of my palms and the fibers of my clothes.

“Look at you, Ellie! Soon you’ll take over this whole brand. I better watch my back!” My friend and coworker Angela, returning from her cigarette break, sidled up and whispered in my ear. The scent of her Hubba Bubba gum couldn’t hide the smoke on her breath.

I shivered at the reek of tobacco. The bitter, sour notes would forever remind me of one long-ago night in Iran. The night when an act of betrayal changed the entire course of my friendship with Homa and both of our lives.

From the moment I’d read Homa’s letter last night, I’d been a wreck.

I batted away Angela’s compliments, said I wasn’t doing all that well, really, and that I had a headache because I hadn’t eaten all day.

“I just might faint,” I added with a touch of melodrama.

It was a relief when Angela was whisked away by a needy customer.

My mother always said the envy of others invites the evil eye to cast doom on us. She’d often told me that being perceived as too competent, happy, or successful could summon misfortune. I knew belief in the powers of other people’s jealousy and the jinxing of an evil eye needed to be cast off. But at the age of thirty-eight, in the middle of that massive Manhattan department store, I was still unwittingly beholden to superstition.

The truth of who I was could not be escaped. Nor could the flaw I had spent years trying to quash and erase.

The guilty one had always been me.

Earlier that morning, in our apartment on the Upper East Side of Manhattan, my husband, Mehrdad, had tried to comfort me with breakfast. He prepared toast with feta cheese and cherry jam. He brewed bergamot tea. But I couldn’t eat or drink. The jam was made from Homa’s recipe. The bergamot tea in the white teapot adorned with two pink roses reminded me of her. With the arrival of her letter, her absence dominated my life all over again.

When I had first seen the red-and-blue-bordered airmail envelope, I’d assumed it was from Mother and would contain the usual mix of laments and updates about the dangerous political situation in Iran. I knew those letters were probably opened and read by regime forces, but my mother often didn’t care and wrote bluntly: Aren’t you lucky, Ellie? You left and escaped the violent demonstrations and deafening riots. You skipped our country’s slide back into medieval times. Women have lost decades, no, centuries, of rights in this country. I’m glad you’re sitting comfortably with your professor husband in America. Thank goodness you got out!

But when I pulled the onionskin paper from the envelope and unfolded it, my heart almost stopped. For there on the page was the unmistakable curlicue handwriting of my old friend, Homa.

As girls, we’d sat on the same elementary school bench in downtown Tehran. Together we scratched out hopscotch grids in our neighborhood alley and raced to school with satchels bouncing against our hips. With Homa, I had zigzagged through the mazes of the Grand Bazaar and shared ice cream sandwiches and dreams for the kind of women we’d become. In her stone kitchen, I learned to cook. With her hand in mine, I jumped over the largest bonfires. When we’d hiked up Alborz Mountain and seen Tehran laid out beneath us, it felt like the world could be entirely ours.

Until one moment of striking carelessness ruined it all.

For the past seventeen years, we had been ghaar—purposefully estranged—with no contact save one unplanned encounter. Now her letter was in my hands. How did she know where to find me? She must have gotten my address from Mother.

One page of Homa’s letter was filled with questions about my life in America. And another was about her situation in Iran. Her health was good (pressure in the sinuses but nothing more), the weather (cold and yet delicious in the mountains—remember the teahouse we went to?) was fitting for the season, her job as a teacher kept her busy. But her mind was not at ease (You wouldn’t recognize this country, Ellie. I don’t know where we went wrong). At the bottom was a sentence about Bahar, her daughter, and how she loved to sing. She closed the letter with Can you call me, Ellie? Please. My number is 272963. I need to speak to you. It’s urgent.

After I told Mehrdad about the letter, he held me close and said gently, “It’s good she’s reached out. You were the best of friends. Time to air it all out, Ellie. Speak to her.”

How I wish it were so simple.

I couldn’t blame Homa for cutting contact. But now she had flown back into my life all innocence and zest, creating a crater of questions with her sign-off. It’s urgent.

At the end of my shift, I removed my name pin, put it in the counter drawer, then pulled on my warm camel coat and striped leg warmers.

As I rushed outside toward the subway station, the cold December air carried the scent of roasted nuts from food carts and diesel fumes from hissing city buses. Large-bellied, tired-looking men dressed as Santa Claus rang bells, pointing to their kettle buckets and shouting, “Merry Christmas!” Gold and silver tinsel framed the insides of shop windows and trees with shiny ornaments winked behind glass displays. There was a chill in the air that made my breath float in visible rings.

The words in Homa’s letter ran through my head. Suddenly a taxi swerved far too close to me and honked loudly. My heart fell as I remembered another time a car had almost hit me. But this time, the only damage done was sludgy puddle water soaking through my leg warmers.

A neon pizza sign flashed red and yellow close to the subway entrance. I got giddy at the thought of a slice.

Since arriving in New York almost four and a half years ago, I’d strolled through Central Park, visited museums filled with global art, and dined in a few fancy restaurants. But no cultural experience topped eating a salty, cheesy, hot slice of New York pizza. Every pizzeria seemed to be in on the secret recipe for tangy tomato sauce and a perfectly foldable crust.

I looked at my wristwatch. No point in getting into the train hungry and drained of energy. I slipped into the pizza place and waited in line to order. After paying my seventy-five cents, I walked out with a cheese slice snug in a triangular cardboard box. I opened the box to take my first bite.

I heard her before I saw her. She moaned rhythmically as though in pain. Under the dim light of the streetlamp near the subway station, I made her out: an old woman huddled against the lamppost, two plastic bags on her feet, a flowered headscarf barely covering her hair. In between moans she asked unresponsive passersby in a weak voice on mechanical repeat: “Madam, can you spare a dime? Mister, can you spare a nickel?”

I wanted to get to my train. Get home. I needed to think, to decide whether I would call my old friend. But how could I ignore this woman? I went to her and stooped down. She smiled, and I was surprised to see straight and perfect teeth. The old woman held my gaze. Her eyes were watery and opaque-looking. She shrugged slightly. In that small movement, I detected a silent acknowledgment of the randomness of the wheel of fortune.

I handed her my triangular cardboard box—the pizza in it still hot and untouched. From my bag, I found the kiss-lock purse Mother had given me as a child in Iran, opened it, and took out all the coins and a few scrunched-up bills. American money still appeared strange to me: so green and thick compared to our bills back home. The lady took the pizza, coins, and bills I offered with a look of bewilderment.

I got up and walked away. As I descended the subway station steps, I turned around only once.

She was eating the pizza quickly—her face an expression of complete relief.

When the train rushed into the tunnel and screeched to a stop, we all jostled and hustled to get inside. The crowded subway car smelled of urine and damp wool. Thankfully, I got a seat. Wedged between strangers, I was grateful for the anonymity. Not one person in that dirty, busy, fascinating, energetic, depressing, alluring city knew about my past or the guilt and regret that swallowed me whole.

The train lurched and blasted forward. Someone by the door sneezed and a gentleman in a baseball cap hummed a tune that was strangely cheerful.

I closed my eyes. I remembered all of it—every single bit. Those days of connection and chaos that had shaped our friendship could never be forgotten.

Editorial Reviews

An emotionally captivating page-turner about women’s friendship and the fight for women’s rights...a must-read.” —Denny S. Bryce, NPR (A Best Book of the Year)

"Elegant...A tender, beautifully written examination of two women—and their choices—over more than 30 years." —Oprah Daily

“Riveting...Reminiscent of The Kite Runner and My Brilliant Friend, The Lion Women of Tehran is a mesmerizing tale featuring endearing characters who will linger in readers’ hearts.” —BookPage

“Kamali tells a moving story of an unforgiving time, an unlikely friendship, and how a country’s transformation, in turn, transforms the lives of two unforgettable women. Simultaneously heartbreaking and life affirming, it’s a book that you won’t be able to put down until you’ve read every word.” —Adrienne Brodeur, New York Times bestselling author of Little Monsters

"With this masterful, heart-centered novel, Marjan Kamali has crafted a deeply honest look at the true meaning of friendship. Through Homa and Ellie we see the nuances of a perfectly imperfect love that withstands class differences, personal trauma, jealousy, war, and revolution. Their souls are forever intertwined and as a reader it is an honor to bear witness. This book made me incredibly proud to be an Iranian woman—a Lion Woman too." —Shideh Etaat, author of Rana Joon and the One and Only Now

"Marjan Kamali is at it again, this time bringing us a story of friendship and love set against the tumult and terror of the Iranian Revolution. The Lion Women of Tehran is a novel about two girls, who grow up wanting very different things but are united by their affection for each other and their shared desire for a more egalitarian Iran. Kamali is a gifted storyteller at the height of her powers, who manages to connect the country’s complicated history with its present and sing the praises of Iranian women who, even today, are fighting for the most basic of freedoms. If you liked The Stationery Shop, you’ll love The Lion Women of Tehran." —Rachel Beanland, author of Florence Adler Swims Forever and The House is On Fire

"In The Lion Women of Tehran, Marjan Kamali brings to life the beauty and tragedy of Iran in the 1960s. From the delicious scent of spices simmering, to the colors of the bazaar, to the snowflakes landing on a certain character’s hair, this story came brilliantly alive to me from the very first page. Courage, friendship, loyalty, hardship, love—this novel has everything." —Mary Beth Keane, New York Times bestselling author of Ask Again, Yes

"Kamali's storytelling is both evocative and hauntingly beautiful, creating a vivid portrayal of the characters' lives and the cultural tapestry of Tehran. The Lion Women of Tehran is not merely a novel; it is a sweeping exploration of the enduring influence of early connections, the resilience of the human spirit, and the transformative power of love and courage in the face of political upheaval. This novel is a testament to Kamali's storytelling prowess and her ability to create a deeply moving and thought-provoking narrative. I loved this book!" —Jean Kwok, New York Times bestselling author of Searching for Sylvie Lee

"A moving tale of friendship, betrayal, and forgiveness, unfolding into a deep and powerful exploration of feminist protest in Iran. The contrast between Ellie and Homa’s voices is a narrative all of its own, and Homa deserves a place as one of the true heroines of literature.” —Erica Bauermeister, New York Times bestselling author of No Two Persons

"An evocative read and a powerful portrait of friendship, feminism, and political activism." —People

"More than a tale of friendship or a coming-of-age story, it’s a beautifully crafted and subtle exploration of love, family, friendship, ambition, betrayal and redemption in a socio-political powder keg...This finely written novel emphasizes the human experience in the face of turmoil.” —Bookreporter

From the Publisher

Mozhan Navabi performs this audiobook with the right tone and tempo. She narrates crisply and captures the guilt-ridden Ellie, who is tormented by her past. Ellie's best friend, political activist Homa, is voiced with a younger sound and tone (by Nikki Massoud). Her voice is fitting for the youthful Iranian revolutionary who champions women's rights and democracy and is jailed and abused for her beliefs. The novel captures the history of Iran from the 1950s through the 1970s. It indicts the Savak (secret police under the Shah) but skewers the religious zealots who replaced the Shah and pushed women's rights back centuries. The action, while predominantly in Iran, moves to New York City. The epilogue leaves the impression that those who ended up in the U.S. thrived. A.D.M. © AudioFile 2024, Portland, Maine

JUNE 2024 - AudioFile

2024-04-19
A lifetime of friendship endures many upheavals.

Ellie and Homa, two young girls growing up in Tehran, meet at school in the early 1950s. Though their families are very different, they become close friends. After the death of Ellie’s father, she and her difficult mother must adapt to their reduced circumstances. Homa’s more warm and loving family lives a more financially constrained life, and her father, a communist, is politically active—to his own detriment and that of his family’s welfare. When Ellie’s mother remarries and she and Ellie relocate to a more exclusive part of the city, the girls become separated. They reunite years later when Homa is admitted to Ellie’s elite high school. Now a political firebrand with aspirations to become a judge and improve the rights of women in her factionalized homeland, Homa works toward scholastic success and begins practicing political activism. Ellie follows a course, plotted originally by her mother, toward marriage. The tortuous path of the girls’ adult friendship over the following decades is played out against regime change, political persecution, and devastating loss. Ellie’s well-intentioned but naïve approach stands in stark contrast to Homa’s commitment to human rights, particularly for women, and her willingness to risk personal safety to secure those rights. As narrated by Ellie, the girls’ story incorporates frequent references to Iranian food, customs, and beliefs common in the years of tumult and reforms accompanying the Iranian Revolution. Themes of jealousy—even in close friendships—and the role of the shir zan, the courageous “lion women” of Iran who effect change, recur through the narrative. The heartaches associated with emigration are explored along with issues of personal sacrifice for the sake of the greater good (no matter how remote it may seem).

A touching portrait of courage and friendship.

Kirkus Reviews