The Mistresses of Cliveden: Three Centuries of Scandal, Power, and Intrigue in an English Stately Home

The Mistresses of Cliveden: Three Centuries of Scandal, Power, and Intrigue in an English Stately Home

by Natalie Livingstone
The Mistresses of Cliveden: Three Centuries of Scandal, Power, and Intrigue in an English Stately Home

The Mistresses of Cliveden: Three Centuries of Scandal, Power, and Intrigue in an English Stately Home

by Natalie Livingstone

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Overview

For fans of Downton Abbey comes an immersive historical epic about a lavish English manor and a dynasty of rich and powerful women who ruled the estate over three centuries of misbehavior, scandal, intrigue, and passion.

Five miles from Windsor Castle, home of the royal family, sits the Cliveden estate. Overlooking the Thames, the mansion is flanked by two wings and surrounded by lavish gardens. Throughout its storied history, Cliveden has been a setting for misbehavior, intrigue, and passion—from its salacious, deadly beginnings in the seventeenth century to the 1960s Profumo Affair, the sex scandal that toppled the British government. Now, in this immersive chronicle, the manor’s current mistress, Natalie Livingstone, opens the doors to this prominent house and lets the walls do the talking.

Built during the reign of Charles II by the Duke of Buckingham, Cliveden attracted notoriety as a luxurious retreat in which the duke could conduct his scandalous affair with the ambitious courtesan Anna Maria, Countess of Shrewsbury. In 1668, Anna Maria’s cuckolded husband, the Earl of Shrewsbury, challenged Buckingham to a duel. Buckingham killed Shrewsbury and claimed Anna Maria as his prize, making her the first mistress of Cliveden.

Through the centuries, other enigmatic and indomitable women would assume stewardship over the estate, including Elizabeth, Countess of Orkney and illicit lover of William III, who became one of England’s wealthiest women; Augusta of Saxe-Gotha, the queen that Britain was promised and then denied; Harriet, Duchess of Sutherland, confidante of Queen Victoria and a glittering society hostess turned political activist; and the American-born Nancy Astor, the first female member of Parliament, who described herself as an “ardent feminist” and welcomed controversy. Though their privileges were extraordinary, in Livingstone’s hands, their struggles and sacrifices are universal.

Cliveden weathered renovation and restoration, world conflicts and cold wars, societal shifts and technological advances. Rich in historical and architectural detail, The Mistresses of Cliveden is a tale of sex and power, and of the exceptional women who evaded, exploited, and confronted the expectations of their times.

Praise for The Mistresses of Cliveden

“Theatrical festivities, political jockeying and court intrigues are deftly described with a verve and attention to domestic comforts that show the author at her best. . . . [Livingstone’s] portraits of strenuous and assertive women who resisted subjection, sometimes deploying their sexual allure to succeed, on other occasions drawing on their husband’s wealth, are astute, spirited, and empathetic.”The Wall Street Journal

“Missing Downton Abbey already? This tome promises ‘three centuries of scandal, power, and intrigue’ and Natalie Livingstone definitely delivers.”Good Housekeeping

“Lively . . . The current chatelaine—the author herself—deserves no small credit for keeping the house’s legend alive. . . . Any of her action-filled chapters would merit a mini-series.”The New York Times Book Review

“Though the personal tales and tidbits are fascinating, and the sensational details of these women’s lives will intrigue Downton Abbey devotees, the real star of the story is Cliveden.”Booklist

“Lovers of modern English history and the scandals that infiltrated upper-crust society will find much to enjoy in this work.”Library Journal

Product Details

ISBN-13: 9780553392074
Publisher: Random House Publishing Group
Publication date: 06/14/2016
Pages: 512
Sales rank: 638,532
Product dimensions: 6.10(w) x 9.30(h) x 1.70(d)

About the Author

Natalie Livingstone was born and raised in London. She graduated with a first-class degree in history from Christ’s College, Cambridge, in 1998. She began her career as a feature writer at The Daily Express and now contributes to Tatler, Harper’s Bazaar, Vogue, Elle, The Times, and The Mail on Sunday. She lives in London with her husband and two children. The Mistresses of Cliveden is her first book.

Read an Excerpt

Chapter 1

The Duel

Barn Elms, 16 January 1668

In the thin light of a January morning, the Duke of Buckingham galloped towards Barn Elms, the appointed site for the duel he had so long awaited. In springtime and summer, revellers flocked to Barn Elms with their bottles, baskets and chairs, recorded the diarist Samuel Pepys, ‘to sup under the trees, by the waterside’, but in winter the ground next to the Thames was frozen and deserted. Nevertheless, there was still activity on the river. Nearby Putney was famous for its fishery and was also the point at which travellers going west from London disembarked from the ferry and continued by coach. The harried cries of watermen and the shouts of fishermen returning from dawn trips filled the air as Buckingham neared his destination.

The grounds of the old manor of Barn Elms lay on a curve in the river just west of Putney. The land was divided into narrow agricultural plots – some open, others fenced off by walls or hedgerows. Pepys recorded that the duel took place in a ‘close’, meaning a yard next to a building or an enclosed field – somewhere screened off from passers-by. 

But as his horse’s hoofs thundered along the icy riverbank, Buckingham’s thoughts lay on a more distant turf. Anna Maria, the woman who had provoked the duel, was 270 miles away, in self-­imposed exile in a convent in France. Nine years before, in 1659, Anna Maria Brudenell had married Francis Talbot, 11th Earl of Shrewsbury, but the union had been an unhappy one. He was 36, a wealthy but sedate landowner; she was a pleasure-loving 16-year-old already conscious of her seductive charms. Anna Maria kept a series of lovers but Shrewsbury turned a blind eye, making himself a laughing stock at court. During a trip to York in 1666, she began a new affair, this time with the flamboyant courtier George Villiers, 2nd Duke of Buckingham, and the following summer sexual rivalry between him and another of her paramours, the hot-headed rake Henry Killigrew, exploded in a violent scuffle. This very public fracas made it abundantly clear that Anna Maria had been serially unfaithful, and Shrewsbury’s failure to challenge either man to a duel was seen as a dereliction of his role as a noble husband. Anna Maria fled to France in shame. 

Amid reports that Buckingham was actually hiding Anna Maria in England, Shrewsbury at last summoned the courage to defend his marriage and his name. He challenged Buckingham to a duel and the duke eagerly accepted. Anna Maria exerted an extraordinary hold over a great number of men but she quite simply possessed the duke. ‘Love is like Moses’ serpent,’ he lamented in his commonplace book, ‘it devours all the rest.’ 

Pepys reported that King Charles II had tried to dissuade Buckingham from fighting the duel but the message was never received. Even if it had been delivered, Buckingham would probably have taken little heed of the king’s wishes. Charles II was more like his brother than his monarch. Buckingham’s father, also George Villiers, had been made a duke by Charles I and, when Villiers senior was assassinated in 1628, the king took the Buckingham children into his household. Young George became a close friend of the future king and many of Charles’s happiest childhood memories involved Buckingham. The pair spent their student days at Cambridge University and their names appear side by side in the records of matriculation at Trinity College. Buckingham felt little obligation to defer to the king, while Charles tended to turn a blind eye to Buckingham’s reckless conduct. 

Unknown to Shrewsbury, Buckingham had another reason to be riding to Barn Elms that January day in 1668. Shortly after the start of his affair with Anna Maria, Buckingham had viewed a magnificent estate next to the Thames. The site, then owned by the Manfield family, was within easy boating distance of London and included two hunting lodges set in 160 acres of arable land and woods. The estate was known as Cliveden, or Cliffden, after the chalk cliffs that rose above the river. From the lodges the ground dropped sharply towards the Thames, and on the far side of the river flooded water meadows and open land spread out for miles beyond. There had once been a well-stocked deer park on the site and Buckingham knew he could restore the estate to its former glory. He intended to replace the lodge with a large house that would boast the best views in the kingdom.

Buckingham bought Cliveden with the pleasures of the flesh at the forefront of his mind. This, he fantasised, would be his grand love nest with Anna Maria, a place for them to freely indulge in their affair – hunting by day, dancing by night. It was Buckingham’s obsession with Anna Maria and his dream of a gilded life with her at Cliveden that led him to accept Shrewsbury’s challenge.

Buckingham’s fight with Shrewsbury was not to be an impulsive brawl of the sort seen every night across London’s streets and taverns, but a carefully calibrated episode of violence. Although there had been medieval precedents for settling disputes through combat, the duel of honour was essentially a Renaissance invention, imported from Italy. Duelling formalised conflicts between aristocrats, replacing cycles of revenge, usually romantic in nature, with a single, rule-bound encounter. Its outcome served to resolve and annul any other grievances. The duel was part of a new court culture, which placed heavy emphasis on civility and courtesy; when these principles were ignored, duelling provided a means of redress. In the 1660s, after the monarchy was restored, duels became more common and attracted significant public interest and press comment, even if the participants lacked any kind of celebrity status.8 Charles II did issue an anti-duelling proclamation in 1660: ‘It is become too frequent,’ this stated, ‘especially with Persons of quality, under a vain pretence of Honour, to take upon them to be the Revengers of their private quarrels, by Duel and single Combat.’ In reality, however, Charles II had no moral objection to the culture of romantic fighting, and in the absence of effective legislation from Parliament, duels were judged on a case-by-case basis. 

A duel was conventionally initiated with a challenge from the aggrieved party, whose complaint could be anything from the monumental to the trivial. The philosopher Thomas Hobbes wrote that men fought duels ‘for trifles, as a word, a smile, a different opinion, and any other sign of undervalue in their Kindred, their Friend, their Nation, their Profession or their Name’. Even if a challenge were accepted, the duel itself could be avoided, either by one of the parties backing down or by a third party intervening. When a fight did take place, the duellists were each required to select two men as ‘seconds’. In earlier times the seconds had merely an auxiliary role, carrying weapons and arbitrating, but by the 1660s it had become fashionable for them to engage at the same time as the main combatants – turning the duel into a ritualised piece of gang violence. Nominally, the aim was to prove one’s honour by exposing oneself to danger, not to kill the opponent, but inevitably some duels ended in serious injury or death. 

Table of Contents

Cast of Characters vii

Timeline xii

Introduction 1

Part I Anna Maria

1 The Duel 9

2 'Beds of Jewels and Rich Mines of Gold' 15

3 'He Came, He Saw and Conquered' 21

4 A London Love Triangle 31

5 The Drama of Politics 43

6 Conception 49

7 Betrayals 57

8 'Your Most Unhappy Mother' 61

9 Construction 66

10 The Lost Mistress 74

Part II Elizabeth

1 From Richmond to 'Royal Whore' 81

2 The End of the Affair 91

3 Favours 103

4 Rebuilding 109

5 'This Place Is Too Engaging' 115

6 'The Wisest Woman I Ever Saw' 124

7 'I Have Tired Myself with Fright' 129

8 The Green Revolution 137

9 "It Was as if His Majesty Had Lived Here' 143

10 'The Shock Is Greater Than I Ever Had in My Life' 148

Part III Augusta

1 Rule, Britannia! 155

2 Rise 164

3 'A Profusion of Finery' 173

4 A Hanoverian Soap Opera 179

5 The Queen Is Dead, Long Live the Queen 189

6 The Charms of Sylvia 196

7 Fall 203

8 'A Site of Ruin' 212

Part IV Harriet

1 'Goodbye, Castle Howard!' 221

2 Reform and Revolution 228

3 Fear in a Time of Cholera 236

4 North and South 242

5 'A Leviathan of Wealth' 250

6 Crisis in the Bedchamber 260

7 A Marriage, a Death and a Blaze 267

8 A Resurrection 272

9 'Thou Hypocrite' 280

10 'What a Hold a Place Has Upon One' 287

11 An Independent Widow 298

12 Garibaldi-mania 304

13 The Pushing Stick 312

Part V Nancy

1 The Chronicles of Cliveden 323

2 The Thrill of the Chase 335

3 There's No Place Like Home 341

4 Life Among the Ruins 352

5 'A Lady for Parliament' 360

6 'A Rattlesnake in the House' 368

7 The Domestic Despot 375

8 Convictions 384

9 The Cliveden Set Up 391

10 Cartwheels in the Bunker 402

11 Farewell to Both My Houses 409

12 School for Scandal 425

Notes 439

Select Bibliography 467

Picture Credits 483

Index 486

Acknowledgements 494

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