The Moth Presents: Occasional Magic: True Stories About Defying the Impossible

The Moth Presents: Occasional Magic: True Stories About Defying the Impossible

The Moth Presents: Occasional Magic: True Stories About Defying the Impossible

The Moth Presents: Occasional Magic: True Stories About Defying the Impossible


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NEW YORK TIMES BESTSELLER • From storytelling phenomenon and hit podcast The Moth—and featuring contributions from Meg Wolitzer, Adam Gopnik, Krista Tippett, Andrew Solomon, Rosanne Cash, Ophira Eisenberg, Wang Ping, and more—a new collection of unforgettable true stories about finding the strength to face the impossible, drawn from the very best ever told on its stages

Carefully selected by the creative minds at storytelling phenomenon The Moth, and adapted to the page to preserve the raw energy of stories told live, onstage and without notes, Occasional Magic features voices familiar and new. Inside, storytellers from around the world share times when, in the face of seemingly impossible situations, they found moments of beauty, wonder, and clarity that shed light on their lives and helped them find a path forward. 

From a fifteen-year-old saving a life in Chicago to a mother of triplets trekking to the North Pole to a ninety-year-old Russian man recalling his standoff with the KGB, these storytellers attest to the variety and richness of the human experience, and the shared threads that connect us all. With honesty and humor, they stare down their fear, embrace uncertainty, and encourage us all to be more authentic, vulnerable, and alive.

Product Details

ISBN-13: 9781101904428
Publisher: Crown Publishing Group
Publication date: 03/19/2019
Series: The Moth Presents , #2
Pages: 368
Sales rank: 138,126
Product dimensions: 5.40(w) x 7.70(h) x 1.20(d)

About the Author

THE MOTH is an acclaimed not-for-profit organization dedicated to the art and craft of storytelling. It is a celebration of both the raconteur, who breathes fire into true tales of ordinary life, and the storytelling novice, who has lived through something extraordinary and yearns to share it. At the center of each performance is the story, and The Moth's directors work with each storyteller to find, shape, and present it. Since its launch in 1997, The Moth has presented thousands of stories, told live and without notes, to standing-room-only crowds worldwide. The Moth received the MacArthur Award for Creative and Effective Institutions in January 2012. CATHERINE BURNS is artistic director of The Moth and the editor of The Moth: 50 True Stories and The Moth Presents All These Wonders.

Read an Excerpt

Phyllis Marie Bowdwin

Quiet Fire

It was 1979, and it was summer in New York City. I was interviewing for a promotion from secretary to coordinator of daytime casting at ABC. I was thrilled. I put on a beautiful new blouse and matching skirt and two-inch heels.

I was ready.

But there were some who felt that I wasn’t tough enough to manage a job like that. And somewhere deep inside there was a small part of me that suspected they might be right.

I actually had one friend, a colleague at the office, blurt out, “Phyllis, you’re just too nice.”

I said, “Thank you.”

I was supposed to meet a friend across the street for lunch before my interview. When I got across the street, there was this horde of people filling up the sidewalk. They formed a human oval three people deep.

I didn’t know what was going on, but I needed to get into the building. So I found a gap and I worked my way through, got into the opening, and was about to climb the stairs to go in when someone came up behind me and pinned my arms to my sides and prevented me from moving. I looked over both shoulders to try to figure out who it was, but I couldn’t see anything, so I struggled, and the more I struggled, the tighter the grip became on my body.

When I looked out, I saw a sea of faces, and I was searching them for some clue about what was wrong, who was holding me, what was going on, but they were just eating their lunches, chewing, and watching me.

Suddenly the pressure eased, and a set of rough hands groped my entire body and then gave me a sharp push in my lower back. I stumbled forward, almost falling, but I regained my balance and whirled around and found a six-foot mime leering at me.

He was in full dress, with the beret, the striped shirt, the suspenders, the black pants, and the black sneakers, and he was dancing and bobbing and weaving around this human oval. He bent over, and he started to show me his behind, and he beckoned to me: Come and hit me. That’s what he was indicating.

So I obliged.

I wrapped the strap of my bag around my hand, and I swung at him. The minute the bag was about to make contact, he sprang away and moved to another side of the oval.

Then he did it again: beckoned, pointed, beckoned. 

I went after him this time in such earnest, and I swung my bag so hard that when he dodged (and he did dodge), I was pulled forward by the momentum and stumbled, and the crowd began to laugh.

I was so embarrassed. So when he invited me a third time, common sense prevailed. I was in a straight skirt with heels on, and he was bouncing around like a ball. I was outmatched.

I said, “You got it.” 

I turned around and proceeded to go up the stairs when he rushed up, squeezed my behind, and then darted to safety in another part of the oval.

People laughed. I stood there so humiliated that waves of rage began to run through my body. But I finally got myself together, went up the stairs, went into the building, and went to the cafeteria, where they were serving my favorite dish, turkey Tetrazzini. 

But I couldn’t eat. 

I sat down at that table feeling so dejected about what had just happened. I had been blindsided, bullied, and blatantly violated by a strange man in front of a group of strangers in the street.

I said to myself, They must be giving him really big tips for him to do such a thing to me. I couldn’t defend myself. I couldn’t protect myself in any way. So I just sat there feeling powerless.

Then I remembered something that I had dropped in my purse about four months ago. I had bought it in the 99-Cent Store as a joke. So I started digging down in the bag. And when my fingers made contact with that cold canister, I figured I had some options after all.

I pulled it out, wrapped a paper napkin around it, said, “Got to go,” and I turned around and rushed outside to see if he was still there. 

Of course he was. And by now the human oval had grown to five people deep. He had lots more audience.

As I looked at him, another woman cut in, a beautiful blond woman with a flared red dress on. She came through the crowd just as I had, and she was about to climb those stairs when this man got down on the ground and insinuated himself between her legs and stood up. 

I was astounded. He basically had her mounted on his lower back like a rider on a horse. He grabbed her legs and proceeded to gallop around the oval. And the poor woman’s arms were flailing as she was trying to hold on to her purse and keep from falling backwards. He let her down and promptly lifted her dress up over her head and held it there to the hoots and whistles from the crowd. When he finally let her go, the woman staggered into the building and disappeared.

I was saying to myself, Is this New York City in 1979, or am I in the Twilight Zone? How could this happen here in the city, in broad daylight? Where are the police?

And just as I thought that, an elderly gentleman—tall, handsome, salt-and-pepper gray, maybe about eighty-five—stepped out from the oval, and he approached the mime with an elderly woman in tow. She was holding on to his jacket, and she was peering out at the mime and cringing, peering out and cringing.

And I thought, I wonder what he did to that old woman. Sure enough, the man walked up to the mime, and he was shaking his finger in the mime’s face and chastising him. 

The mime feigned innocence. He threw his hands up in the air, and he put on that sad face, and he mimed crying.

Somebody from the crowd yelled, “Boo, BOO! Leave the mime alone!”

And the crowd picked up the chant: “BOO, BOO! Leave the mime alone!” The man looked up, startled, into the hostile eyes of the wolf pack consisting of executives, messengers, and clerks. 

There was a UPS driver there, a postal worker, men of all ages, all races, out there enjoying the show. The man shook his head and gently took the woman by her hand and led her out of the crowd.

By then I was beginning to understand that this was a show, this was theater in the round, and any woman who made the mistake of stepping through that crowd became a player, whether she liked it or not. That woman, any woman, became the catch of the day on the mime’s lunchtime menu for entertaining his patrons.

So when he started looking around for a new player, I stepped back into the arena, and I waited for him to see me. Sure enough, he saw me out of the corner of his eye, and he started coming toward me.

When he got a little closer, his eyes narrowed, and I couldn’t tell whether it was because he remembered me from our past encounter or whether he was trying to figure out how he was going to launch a frontal attack, because every time he did something, he always attacked from behind.

I didn’t wait. When he got two feet closer, I said, “Hi. Remember me?”

And I smiled.

And lifted my can of pepper spray.

And I sprayed him in his face.

His eyes got wide, and he reached for my throat, and I stepped backwards, and I sprayed him again and again.

I sprayed him like a roach.

He began coughing, and sneezing, and wheezing, and staggering about, because now he couldn’t see, and he started heading towards the street.

His loyal supporters parted, and they let him go. He landed on the hood of a parked car, coughing, sneezing, wheezing. But while I was enjoying watching him, someone karate-chopped my right hand, and I dropped my canister. 

And I turned around, and it was another mime, only this one was twice the size of the first one, and this hulking Goliath of a man was glowering at me and looked like he wanted to kill me.

We both heard the canister rolling slowly but noisily down the sidewalk, and he lumbered toward it. I turned around, and I started rushing toward it, and the two of us scrambled to get to that canister, but I got there first. And I grabbed it, and I scooped it up, and I looked at him. He came at me, and I stepped back, and I took a wide stance, and I got all the way down on the ground, and I started rocking back and forth on my heels, and said:

Table of Contents

Foreword Meg Wolitzer xiii

Introduction Catherine Burns xv

Put Your Curry Down, Sweetheart

Quiet Fire Phyllis Marie Bowdwin 3

Real Men Don't Rob Banks Liel Leibovitz 10

Opposing Forces Martha Ruiz-Perilla 17

Me and Mama vs. Christmas Peter Aguero 25

Theory of Change Journey Jamison 32

Before Fergus Lynn Ferguson 39

Spicy David Montgomery 46

The Pain of the Jump Is Nothing

What I Wore to My Divorce Faith Salie 57

Leaving Baghdad Abbas Mousa 63

The Value of Words Maris Blechner 69

HOW to Say It Bess Stillman 77

"Have You Met Him Yet?" David Litt 81

C'est la Vie Terrance Flynn 91

The Magic of Maggie Larry Kerr 97

This Place Is Bold, This Place Is Brave

Until the Real You Shows Up Rosanne Cash 107

Surviving Comrade Stalin Victor Levenstein 113

Outdoor Camp Vin Shambry 119

I Know It by Heart Emma Gordon 124

Living in the Extreme Ann Daniels 130

The Haunted Freezer George Dawes Green 137

When the Heart Is Full Fatou Wurie 143

On the Other Side of That Wall

The Freedom Riders and Me Barbara Collins Bowie 151

Curses Jon Benneti 157

Bearing Witness D. Parvaz 165

And How Does That Make You Feel? Dan Kennedy 172

A Moment in Silence Leland Melvin 180

Seven Shades of Blue Beth Nielsen Chapman 186

It's Messy, But It Works

My Post-Nuclear Family Andrew Solomon 197

You Can Come Back Joshua Wolf Shenk 205

Our Normal Mary Theresa Archbold 212

Reclaiming Fear Magda Szubanski 218

The Junkie and the Monk Mike Destefano 224

Can I Get a Witness? Jeni De Lao 232

Pastels and Crayons Aleeza Kazmi 240

The Wattage of Our Inner Light

True Justice Sheila Calloway 247

Jump from a Plane Ana Del Castillo 255

Charlie Ravioli Adam Gopnik 262

Operation Babylift Jason Trieu 268

Gaggy's Blessing Krista Tippett 274

Inside Joke Ophira Eisenberg 281

The Patriots' Game Ali Al Abdullatif 287

We'll Come with Lions

The Care Package Leonard Lee Smith 295

Are We There Yet? Abeny Mathayo Kucha 303

Honku Aaron Naparstek 308

Love Wins Jim Obergefeli 315

Roadside Dylan Park 323

The Book War Wang Ping 332

About The Moth's Directors 339

Acknowledgments 343

About The Moth 347

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