Beautiful and powerful work at the intersection of fine art, science, and philosophy, spanning seven continents and exploring issues of deep time, permanence and impermanence, and the interconnectedness of life. With an artist’s gift for ‘aesthetic force’ and a scientist’s rigorous respect for truth, Sussman straddles a multitude of worlds as she travels across space and time to unearth Earth’s greatest stories of resilience, stories of tragedy and triumph, past and future, but above all stories that humble our human lives.
I am in awe—awe staring at my planet's old sages, who know the way things were, will be, and should be—awe when I appreciate Rachel Sussman's epic quest to round them all up and her daring in stealing their soul with her photographs.
Longevity means continuity. Long-lived people connect generations for us. Really long-lived organisms, like the ones Sussman has magnificently collected photographically, connect millennia. They put all of human history in living context. And as Sussman shows, they are everywhere on Earth. This book embodies the Long Now and the Big Here.
As a kind of time-traveling expeditionist — a chrononaut? —Sussman lets us drink from primeval wells. One of the great satisfactions of her book is that it allows us to peer at the almost eternal even as we’re mired in a culture quick to praise the new and ephemeral.
“The Oldest Living Things in the World adds in dramatic manner a fascinating new perspective—literally, dinosaurs—of the living world around us.
“The Oldest Living Things in the World serves us the humbling profundity and pathos of things that live almost forever. We see our abstract selves and feel the terrible bludgeon of that which we cannot have and are fated only to behold. Rachel Sussman brings you to the place where science, beauty, and eternity meet.
Something astounding happens when Rachel Sussman photographs the most ancient organisms to be found across our planet. A fraction of a second of time in her photographic exposures animates forms that have evolved across nature's deep time to create a profound experience of being alive. Sussman's ten-year investigation of the symbols of the earth's ecology is rigorous and exploratory, realized with such generosity to the reader and her ambitions make an impossibly vast subject both felt and understood.
A gorgeous book of stunning portraits which almost seem to capture the wise, wizened personalities of these scraggy pines, rippling sea grasses, and otherworldly mosses. Accompanying the photo are Sussman’s essays, which serve as both a scientific explainer and a captivating travelogue, transporting the reader to often freakishly remote locations on all seven continents. The book and its subjects are at once inspiring and terrifying—a testament to the resiliency of nature, of course, but also a reminder of its fragility.
The images, collected in The Oldest Living Things in the World, are vast in size and accomplishment, the colours startling. Readers are left with a sense of wonder at these miracles and at Sussman’s retelling of her journey.
The series, and now book, is part art, part science, and part travelogue, but the whole is greater than the sum of its parts. Because whether you look at these as documentary photography or scientific snapshots of millennia-old species that are now being threatened by the looming specter of climate change, there’s something in this book for everyone.
Sussman’s ten-year journey going back in time thousands of years through photographs offers a unique perspective that will inspire current and future biologists. Recommended.
At a time when science is increasingly specialized, her artist’s vision transcends the divides between disciplines, and she highlights the importance of analyzing longevity across species as a way of understanding our world.
Anyone who sees Sussman’s images will be struck by their beauty, but the photos also have the power to make one ponder our fate, and the planet’s.
The photos are beautiful, and even more so when you learn how ancient each living thing is. Her youngest subjects are 2,000 years old (such as brain coral she found in Tobago, and a strange exotic plant called welwitschia spotted in Namibia), and these are mere toddlers compared to their elders, like the 80,000-year-old aspen trees from Utah (pictured above) and the 400,000-600,000 year-old continually living Siberian bacteria! A photography book filled only with these incredible miracles of nature would have certainly made for a gem to be displayed. But Sussman surprised me with what most coffee table books don’t do – she told an engaging story, filled with humor, intrigue, and fascinating science, based on her experience over the last 10 years researching, traveling and photographing this book. If Oldest Living Things contained no photos, her story would still easily stand on its own as a captivating memoir … or an engaging science textbook … or both, actually.
There’s a sense of wonder imbued in these photographs of organisms that seem to be a physical record of time, but there’s also a call to action. Many of these subjects of Sussman’s portraits are under threat from habitat loss or climate change or simple human idiocy.
This unique, ambitious book sets out to review the interdisciplinary and fragmented work of those who have discovered by accident or purse perseverance an incredibly ancient living thing. . . . Sussman’s quirky catalog of travel and photo-documentation is both artistically and scientifically one of a kind.
We need more artists, musicians, dancers, and poets to give humanistic expression to the pursuit of environmental knowledge. I wish major research institutions supported artist-in-residence programs alongside labs. Sussman believes that ‘[t]he best art and science projects enhance and extend each other, bringing something new to both; they are not about simply making the research pretty, or making artworks using novel scientific tools.’ By this measure, The Oldest Living Things in theWorld is a work for the ages.
Photographer Sussman has spent the past decade looking for the oldest things alive. Her search has led her to every continent, to specimens such as a 2,400-year-old fungus in Oregon to an ancient shrub in Tasmania (age: 43,600). She documents 30 of those organisms in her new book, The Oldest Living Things in the World. To find them, she enlisted the help of biologists and explorers—and even collaborated with the Polar Geospatial Center to get arctic satellite maps to reach a rare moss.
“Anyone who sees Sussman’s images will be struck by their beauty, but the photos also have the power to make one ponder our fate, and the planet’s.
“We need more artists, musicians, dancers, and poets to give humanistic expression to the pursuit of environmental knowledge. I wish major research institutions supported artist-in-residence programs alongside labs. Sussman believes that ‘[t]he best art and science projects enhance and extend each other, bringing something new to both; they are not about simply making the research pretty, or making artworks using novel scientific tools.’ By this measure, The Oldest Living Things in theWorld is a work for the ages.
“Photographer Sussman has spent the past decade looking for the oldest things alive. Her search has led her to every continent, to specimens such as a 2,400-year-old fungus in Oregon to an ancient shrub in Tasmania (age: 43,600). She documents 30 of those organisms in her new book, The Oldest Living Things in the World. To find them, she enlisted the help of biologists and explorers—and even collaborated with the Polar Geospatial Center to get arctic satellite maps to reach a rare moss.
“There’s a sense of wonder imbued in these photographs of organisms that seem to be a physical record of time, but there’s also a call to action. Many of these subjects of Sussman’s portraits are under threat from habitat loss or climate change or simple human idiocy.
