The Outside Thing: Modernist Lesbian Romance

The Outside Thing: Modernist Lesbian Romance

by Hannah Roche

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In a lecture delivered before the University of Oxford’s Anglo-French Society in 1936, Gertrude Stein described romance as “the outside thing, that . . . is always a thing to be felt inside.” Hannah Roche takes Stein’s definition as a principle for the reinterpretation of three major modernist lesbian writers, showing how literary and affective romance played a crucial yet overlooked role in the works of Stein, Radclyffe Hall, and Djuna Barnes. The Outside Thing offers original readings of both canonical and peripheral texts, including Stein’s first novel Q.E.D. (Things As They Are), Hall’s Adam’s Breed and The Well of Loneliness, and Barnes’s early writing alongside Nightwood.

Is there an inside space for lesbian writing, or must it always seek refuge elsewhere? Crossing established lines of demarcation between the in and the out, the real and the romantic, and the Victorian and the modernist, The Outside Thing presents romance as a heterosexual plot upon which lesbian writers willfully set up camp. These writers boldly adopted and adapted the romance genre, Roche argues, as a means of staking a queer claim on a heteronormative institution. Refusing to submit or surrender to the “straight” traditions of the romance plot, they turned the rules to their advantage. Drawing upon extensive archival research, The Outside Thing is a significant rethinking of the interconnections between queer writing, lesbian living, and literary modernism.

Product Details

ISBN-13: 9780231547697
Publisher: Columbia University Press
Publication date: 05/28/2019
Series: Gender and Culture Series
Sold by: Barnes & Noble
Format: NOOK Book
File size: 10 MB

About the Author

Hannah Roche is lecturer in twentieth-century literature and culture at the University of York. She has published articles on lesbian modernism in Textual Practice and Modernist Cultures.
Hannah Roche is a Postgraduate Research Student in the School of English at the University of Leeds, where she defended her dissertation in 2016 under the supervision of Jay Prosser. She is the author of “An ‘ordinary novel’: Genre Trouble in Radclyffe Hall's The Well of Loneliness”, Textual Practice 31:5, 2017 and “The Making of an American (in France): Gertrude Stein and the (Ex)Patriot Paradox”, in Mapping the Self: Place, Identity, Nationality, ed. by Alex Goody, Anna Hewitt, and Nissa Parmar (Cambridge Scholars Publishing, 2015).

Table of Contents

List of Illustrations
Introduction: Locating the Lesbian Writer, or “We Inside Us Do Not Change”
Part I: Gertrude Stein
1. “The Outside Thing” and Things As They Are: Gertrude Stein’s Lesbian Romance
2. “No There There”: Inside the Marriage Plot
Part II: Radclyffe Hall
3. Strange Soil and Novel Ground: Radclyffe Hall’s Romance Plots
4. Romantic Emblems and “The Real Thing”: Writing the Souline Affair
Part III: Djuna Barnes
5. From Lesbian Reading to Bisexual Writing: Switching Tracks with Djuna Barnes
6. The Trapeze Effect: Djuna Barnes’s Bisexual Romance
Coda: A Happy Ending?

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