The Penguin Book of Italian Short Stories

by Jhumpa Lahiri (Editor)

Overview

A landmark collection of stories-nearly half appearing in English for the first time—selected and introduced by Pulitzer Prize winner Jhumpa Lahiri

A Penguin Classic

When Jhumpa Lahiri decided to read exclusively in Italian, a language she had studied for many years, her life as a reader—and writer—took a surprising turn. Complete immersion in this rich literary heritage brought fresh insight and unexpected freedom.

This collection brings together forty writers who have shaped her love of the Italian language and profound appreciation for its literature. More than half of the stories featured in this volume have been translated into English for the first time, and the wide-ranging selection includes well-known authors such as Italo Calvino, Elsa Morante, and Luigi Pirandello alongside many captivating rediscoveries.

Poets, journalists, visual artists, musicians, editors, critics, teachers, scientists, politicians, translators: the writers that inhabit these pages represent a dynamic cross-section of Italian society. Together they reflect more than a hundred years of Italy's vibrant and diverse short-story tradition, their powerful voices resonating through regional landscapes, private passions, and the dramatic political events of the twentieth century.

Product Details

ISBN-13:	9780241299852
Publisher:	Penguin Publishing Group
Publication date:	09/15/2020
Pages:	528
Sales rank:	166,786
Product dimensions:	5.00(w) x 7.70(h) x 1.10(d)

About the Author

Jhumpa Lahiri is the author of four works of fiction: Interpreter of Maladies, The Namesake, Unaccustomed Earth, and The Lowland, which was shortlisted for the Man Booker Prize, the Baileys Women's Prize for Fiction, and the National Book Award. She has received numerous awards, including the Pulitzer Prize; the PEN/Hemingway Award; the Frank O'Connor International Short Story Award; the Premio Gregor von Rezzori; the DSC Prize for South Asian Literature; a 2014 National Humanities Medal, awarded by President Barack Obama; and the Premio Internazionale Viareggio-Versilia for In Other Words, her memoir about learning Italian. She was a finalist for the 2018 National Book Award for Translated Literature for her translation from the Italian of Domenico Starnone's novel Trick.

Hometown:

New York, New York

Date of Birth:

1967

Place of Birth:

London, England

Education:

B.A., Barnard College; M.A., Ph.D., Boston University

Read an Excerpt

Contents

Introduction by Jhumpa Lahiri
A Note on the Citation of Titles and Their Translations 

  •“Names and Tears” by Elio Vittorini
  •“Picturesque Lives” by Giovanni Verga
  •“The Siren” by Giuseppe Tomasi di Lampedusa
  •“Against Time” by Antonio Tabucchi
  •“Generous Wine” by Italo Svevo
  •“The Long Voyage” by Leonardo Sciasci
   • “Bago” by Alberto Savinio 
  •“The Hen” by Umberto Saba
  •“The Lady” by Lalla Romano
  •“The Tower” by Fabrizia Ramondino
  •“The Trap” by Luigi Pirandello
  •“Wedding Trip” by Cesare Pavese
  •“Melancholy” by Goffredo Parise
  •“Silence” by Aldo Palazzeschi
  •“A Pair of Eye/glasses” by Anna Maria Ortese
  •“The Other Side of the Moon” by Alberto Moravia
  •“The Ambitious Ones” by Elsa Morante
  •“Sixteen, Twenty-one, Twenty-eight and Thirty-seven” from Centuria by Giorgio Manganelli
   • “Quaestio de Centauris” by Primo Levi
  •“Gogol’s Wife” by Tommaso Landolfi
  •“My Husband” by Natalia Ginzburg
  •“The Mother” by Carlo Emilio Gadda
  •“A Martian in Rome” by Ennio Flaiano
  •“The Smell of Death” by Beppe Fenoglio
  •“Life as a Couple” by Luce D’Eramo
  •“The Milliner” by Antonio Delfini
  •“The Hind” by Grazia Deledda
  •“Invitation to Dinner” by Alba de Céspedes
  •“Elegy for Signora Nodier” by Silvio D’Arzo
  •“Malpasso” by Fausta Cialente
  •“At the Station” by Carlo Cassola
  •“The Golden Nut” by Cristina Campo
  •“Dialogue with a Tortoise” by Italo Calvino
  •“And Yet They Are Knocking at Your Door” by Dino Buzzati
  •“The Miraculous Beach, or, Prize for Modesty” by Massimo Bontempelli
  •“A Geographical Error” by Romano Bilenchi
  •“The Streetwalker” by Luciano Bianciardi
  •“Miss” by Anna Banti
  •“The Baboon” by Giovanni Arpino
  •“Barefoot” by Corrado Alvaro

Notes
Chronology
Further Reading
Acknowledgments
About the Translators

Table of Contents

Introduction Jhumpa Lahiri ix

A Note on the Citation of Titles and Their Translations xxiii

Name and Tears Elio Vittorini 3

Picturesque Lives Giovanni Verga 9

The Siren Giuseppe Tomasi Di Lampedusa 19

Against Time Antonio Tabucchi 45

Generous Wine Italo Svevo 57

The Long Voyage Leonardo Sciascia 75

Bago Alberto Savinio 83

The Hen Umberto Saba 91

The Lady Lalla Romano 101

The Tower Fabrizia Ramondino 113

The Trap Luigi Pirandello 125

Wedding Trip Cesare Pavese 135

Melancholy Goffredo Parise 151

Silence Aldo Palazzeschi 159

A Pair of Eyeglasses Anna Maria Ortese 173

The Other Side of the Moon Alberto Moravia 191

The Ambitious Ones Elsa Morante 199

Sixteen, Twenty-one, Twenty-eight and Thirty-seven from Centuria Giorgio Manganelli 209

Quaestio de Centauris Primo Levi 217

Gogol's Wife Tommaso Landolfi 231

My Husband Natalia Ginzburg 245

The Mother Carlo Emilio Gadda 261

A Martian in Rome Ennio Flaiano 275

The Smell of Death Beppe Fenoglio 289

Life as a Couple Luce D'Eramo 299

The Milliner Antonio Delfini 309

The Hind Grazia Deledda 317

Invitation to Dinner Alba De Céspedes 327

Elegy for Signora Nodier Silvio D'Arzo 337

Malpasso Fausta Cialente 347

At the Station Carlo Cassola 355

The Golden Nut Cristina Campo 361

Dialogue with a Tortoise Italo Calvino 375

And Yet They Are Knocking at Your Door Dino Buzzati 381

The Miraculous Beach, or, Prize for Modesty Massimo Bontempelli 395

A Geographical Error Romano Bilenchi 403

The Streetwalker Luciano Bianciardi 415

Miss Anna Banti 435

The Baboon Giovanni Arpino 449

Barefoot Corrado Alvaro 457

Notes 463

Chronology 467

Further Reading 479

Acknowledgements 481

Copyright Information 485

About the Translators 491

Editorial Reviews

The perfect companion whenever I get around to that trip to Rome.” —Jeva Lange, The Week

“An excellent introduction to Italy—a sentimental Baedeker useful for traveling into the mind of a fascinating if elusive nation . . . To have re-discovered, edited, and re-proposed these authors is laudable. But Lahiri went further: she understood them. And she shares a deep appreciation for their common denominator: Italy. . . . This is the real Italy. And The Penguin Book of Italian Short Stories demonstrates this better than any travel guide does.” —Beppe Severgnini, Air Mail

“A remarkable introduction to Italian literature and a great gift to the English-speaking reader . . . Each story in this volume is a jewel.” —Kirkus Reviews, starred review

“A welcome addition to the shelf of Penguin anthologies of world literature . . . [Lahiri] features women, authors less-known or neglected, and those ‘who practiced the short form with particular vehemence and virtuosity.’ . . . The Penguin Book of Short Stories may reward the patient listener to the voices of these tellers.” —PopMatters

“Jhumpa Lahiri crowns her public turn as an Italophile and translator with [The Penguin Book of Italian Short Stories]. . . .  It could hardly come at a better time, when Elena Ferrante’s novels and the American revival of Natalia Ginzburg are igniting new interest in the literary traditions of the Belpaese.” —Lit Hub

“Rich . . . Eclectic . . . A feast . . . Her choice of 40 authors embraces familiar greats and sows them with fascinating additions. . . . They remind us of the short story’s playfulness, its ability to move us with unexpected sharpness while it experiments with voices, styles and boundaries.” —The Telegraph

“An enticing collection . . . The tales are by turns startling, moving, intriguing and provocative; they bring melancholy, humor and a dose of the uncanny.” —The Times Literary Supplement

“Refreshing and surprisingly contemporary . . . A map of Ferrante’s hinterland . . . Lahiri has pulled off something quite striking here: a literary anthology that sparkles with invention and variety, makes a remarkably convincing case for the vitality of the modern Italian short story and also beguiles, thanks to her sharp-eyed work as editor, compiler and part-translator. . . . There’s a gamut of register—comedy, fantasy, satire, psychological and social realism and more. . . . There are plenty of big hitters—Lampedusa, Svevo, Sciascia, Gadda, Calvino—though they are often represented with nicely unpredictable stories. . . . And there are captivating juxtapositions. . . . Throughout, Lahiri displays deft literary and linguistic touches. She is clearly enjoying this. She provides elegant one-page bios for all forty writers. . . . She writes with compelling force of the dense pluralism of voice in Italian language and literature. Crucially, she also makes a point of championing the extraordinary depth and quality of women’s voices.” —Literary Review

“This volume, which honors so many writer-translators, is as much a tribute to the Italian short story as it is a validation of the need—aesthetic, political, ethical—for translation itself. . . . Only works in translation can broaden the literary horizon, open doors, break down the wall.” —Jhumpa Lahiri, from the Introduction

From the Publisher

★ 2019-06-17
An anthology of 20th-century Italian literature.

Thanks largely to Elena Ferrante's Neapolitan novels, Italian literature has been experiencing a kind of renaissance in the United States. That makes this a propitious time for the release of a new anthology, edited by Lahiri (In Other Words, 2016, etc.), of Italian short stories in translation. Some of the names included here, like Primo Levi and Italo Calvino, will be familiar to American readers; others, like Elio Vittorini and Leonardo Sciascia, may be less so. In Levi's "Quaestio de Centauris," a centaur falls desperately in love with a human girl. In Sciascia's "The Long Voyage," a group of Sicilians pay 250,000 lire each to be ferried to America and are surprised to find themselves, in the end, somewhere else. In her introduction, Lahiri explains her criteria for the selections included here: She wanted "a wealth of styles, and a range of voices," and no living authors (nothing by Ferrante here). She's also made a concerted effort to include stories written by women. Writers like Elsa Morante and Natalia Ginzburg, whose books have recently been reissued in English, have been receiving increased attention; their stories, here, are a delight to read. There's also a wonderful story, "Generous Wine," by Italo Svevo, in which a man who has been ordered by his doctor to diet and abstain from drinking goes to a wedding and partakes, liberally, of everything. "I ate and drank," he says, "not out of hunger or thirst but out of eagerness for freedom. Each bite, each sip, had to be a declaration of independence." Later, of course, he's filled with regret. Taken one by one, each story in this volume is a jewel. Taken all together, the book is a remarkable introduction to Italian literature and a great gift to the English-speaking reader.

Remarkable stories from a wide range of writers describe the mundane and the fantastic, the everyday and the sublime.

Kirkus Reviews

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