The Persistence of Violence: Colombian Popular Culture
Colombia’s headline story, about the peace process with guerrilla and its attendant controversies, does not consider the fundamental contradiction of a nation that spans generosity and violence, warmth and hatred—products of its particular pattern of invasion, dispossession, and enslavement. The Persistence of Violence fills that gap in understanding. Colombia is a place that is two countries in one—the ideal and the real—summed up in the idiomatic expression, not unique to Colombia, but particularly popular there, "Hecha la ley, hecha la trampa" (When you pass a law, you create a loophole). Less cynically, and more poetically, the Nobel Laureate Gabriel García Márquez deemed Colombians capable of both the most noble acts and the most abject ones, in a world where it seems anyone might do anything, from the beautiful to the horrendous.The Persistence of Violence draws on those contradictions and paradoxes to look at how violence—and resistance to it—characterize Colombian popular culture, from football to soap opera to journalism to tourism to the environment.
 
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The Persistence of Violence: Colombian Popular Culture
Colombia’s headline story, about the peace process with guerrilla and its attendant controversies, does not consider the fundamental contradiction of a nation that spans generosity and violence, warmth and hatred—products of its particular pattern of invasion, dispossession, and enslavement. The Persistence of Violence fills that gap in understanding. Colombia is a place that is two countries in one—the ideal and the real—summed up in the idiomatic expression, not unique to Colombia, but particularly popular there, "Hecha la ley, hecha la trampa" (When you pass a law, you create a loophole). Less cynically, and more poetically, the Nobel Laureate Gabriel García Márquez deemed Colombians capable of both the most noble acts and the most abject ones, in a world where it seems anyone might do anything, from the beautiful to the horrendous.The Persistence of Violence draws on those contradictions and paradoxes to look at how violence—and resistance to it—characterize Colombian popular culture, from football to soap opera to journalism to tourism to the environment.
 
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Overview

Colombia’s headline story, about the peace process with guerrilla and its attendant controversies, does not consider the fundamental contradiction of a nation that spans generosity and violence, warmth and hatred—products of its particular pattern of invasion, dispossession, and enslavement. The Persistence of Violence fills that gap in understanding. Colombia is a place that is two countries in one—the ideal and the real—summed up in the idiomatic expression, not unique to Colombia, but particularly popular there, "Hecha la ley, hecha la trampa" (When you pass a law, you create a loophole). Less cynically, and more poetically, the Nobel Laureate Gabriel García Márquez deemed Colombians capable of both the most noble acts and the most abject ones, in a world where it seems anyone might do anything, from the beautiful to the horrendous.The Persistence of Violence draws on those contradictions and paradoxes to look at how violence—and resistance to it—characterize Colombian popular culture, from football to soap opera to journalism to tourism to the environment.
 

Product Details

ISBN-13: 9781978817517
Publisher: Rutgers University Press
Publication date: 07/17/2020
Pages: 232
Product dimensions: 6.00(w) x 9.00(h) x 0.60(d)
Age Range: 18 Years

About the Author

TOBY MILLER is Stuart Hall Professor of Cultural Studies, Universidad Autónoma de México—Cuajimalpa. The author and editor of over forty books, his most recent volumes are El trabajo cultural, Greenwashing Culture, Greenwashing Sport, and The Routledge Handbook of Global Cultural Policy.

Table of Contents

Introduction: The Persistence of Violence 1

1 The Absence and Presence of State Militarism: Violence, Football, Narcos Alfredo Sabbagh Fajardo 44

2 Industry Policy and Sex Tourism Meet the Case of the Destroyed Plaque Olga Lucia Sorzano Anamaria Tamayo-Duque 68

3 "I Myself Had to Remain Silent When They Threatened My Children": Colombian Journalists Meet Prime-Time Narcos Marta Milena Barrios Jesús Arroyave 97

4 Green Passion Afloat: The Magdalena River Marta Milena Barrios 125

Conclusion 146

Acknowledgments 157

Notes 159

References 165

Index 217

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