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The Pursuit of Love and Love in a Cold Climate

The Pursuit of Love and Love in a Cold Climate

by Nancy Mitford

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Few aristocratic English families of the twentieth century enjoyed the glamorous notoriety of the infamous Mitford sisters. Nancy Mitford's most famous novels, The Pursuit of Love and Love in a Cold Climate, satirize British aristocracy in the twenties and thirties through the amorous adventures of the Radletts, an exuberantly unconventional family closely


Few aristocratic English families of the twentieth century enjoyed the glamorous notoriety of the infamous Mitford sisters. Nancy Mitford's most famous novels, The Pursuit of Love and Love in a Cold Climate, satirize British aristocracy in the twenties and thirties through the amorous adventures of the Radletts, an exuberantly unconventional family closely modelled on Mitford's own.

The Radletts of Alconleigh occupy the heights of genteel eccentricity, from terrifying Lord Alconleigh (who, like Mitford's father, used to hunt his children with bloodhounds when foxes were not available), to his gentle wife, Sadie, their wayward daughter Linda, and the other six lively Radlett children. Mitford's wickedly funny prose follows these characters through misguided marriages and dramatic love affairs, as the shadow of World War II begins to close in on their rapidly vanishing world.

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Knopf Doubleday Publishing Group
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5.05(w) x 7.95(h) x 0.95(d)

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Chapter 1

There is a photograph in existence of Aunt Sadie and her six children sitting round the tea-table at Alconleigh. The table is situated, as it was, is now, and ever shall be, in the hall, in front of a huge open fire of logs. Over the chimney-piece plainly visible in the photograph, hangs an entrenching tool, with which, in 1915, Uncle Matthew had whacked to death eight Germans one by one as they crawled out of a dug-out. It is still covered with blood and hairs, an object of fascination to us as children. In the photograph Aunt Sadie's face, always beautiful, appears strangely round, her hair strangely fluffy, and her clothes strangely dowdy, but it is unmistakably she who sits there with Robin, in oceans of lace, lolling on her knee. She seems uncertain what to do with his head, and the presence of Nanny waiting to take him away is felt though not seen. The other children, between Louisa's eleven and Matt's two years, sit round the table in party dresses or frilly bibs, holding cups or mugs according to age, all of them gazing at the camera with large eyes opened wide by the flash, and all looking as if butter would not melt in their round pursed-up mouths. There they are, held like flies in the amber of that moment--click goes the camera and on goes life; the minutes, the days, the years, the decades, taking them further and further from that happiness and promise of youth, from the hopes Aunt Sadie must have had for them, and from the dreams they dreamed for themselves. I often think there is nothing quite so poignantly sad as old family groups.

When a child I spent my Christmas holidays at Alconleigh, it was a regular feature of my life, and, while some of them slipped by with nothing much to remember, others were distinguished by violent occurrences and had a definite character of their own. There was the time, for example, when the servants' wing caught fire, the time when my pony lay on me in the brook and nearly drowned me (not very nearly, he was soon dragged off, but meanwhile bubbles were said to have been observed). There was drama when Linda, aged ten, attempted suicide in order to rejoin an old smelly Border Terrier which Uncle Matthew had had put down. She collected and ate a basketful of yew-berries, was discovered by Nanny and given mustard and water to make her sick. She was then "spoken to" by Aunt Sadie, clipped over the ear by Uncle Matthew, put to bed for two days and given a Labrador puppy, which soon took the place of the old Border in her affections. There was much worse drama when Linda, aged twelve, told the daughters of neighbours, who had come to tea, what she supposed to be the facts of life. Linda's presentation of the "facts" had been so gruesome that the children left Alconleigh howling dismally, their nerves permanently impaired, their future chances of a sane and happy sex life much reduced. This resulted in a series of dreadful punishments, from a real beating, administered by Uncle Matthew, to luncheon upstairs for a week. There was the unforgettable holiday when Uncle Matthew and Aunt Sadie went to Canada. The Radlett children would rush for the newspapers every day hoping to see that their parents' ship had gone down with all aboard; they yearned to be total orphans--especially Linda, who saw herself as Katie in What Katie Did, the reins of the household gathered into small but capable hands. The ship met with no iceberg and weathered the Atlantic storms, but meanwhile we had a wonderful holiday, free from rules.

But the Christmas I remember most clearly of all was when I was fourteen and Aunt Emily became engaged. Aunt Emily was Aunt Sadie's sister, and she had brought me up from babyhood, my own mother, their youngest sister, having felt herself too beautiful and too gay to be burdened with a child at the age of nineteen. She left my father when I was a month old, and subsequently ran away so often, and with so many different people, that she became known to her family and friends as the Bolter; while my father's second, and presently his third, fourth and fifth wives, very naturally had no great wish to look after me. Occasionally one of these impetuous parents would appear like a rocket, casting an unnatural glow upon my horizon. They had great glamour, and I longed to be caught up in their fiery trails and be carried away, though in my heart I knew how lucky I was to have Aunt Emily. By degrees, as I grew up, they lost all charm for me; the cold grey rocket cases mouldered where they had happened to fall, my mother with a major in the South of France, my father, his estates sold up to pay his debts, with an old Rumanian countess in the Bahamas. Even before I was grown up much of the glamour with which they had been surrounded had faded, and finally there was nothing left, no foundation of childish memories to make them seem any different from other middle-aged people. Aunt Emily was never glamorous but she was always my mother, and I loved her.

At the time of which I write, however, I was at an age when the least imaginative child supposes itself to be a changeling, a Princess of Indian blood, Joan of Arc, or the future Empress of Russia. I hankered after my parents, put on an idiotic face which was intended to convey mingled suffering and pride when their names were mentioned, and thought of them as engulfed in deep, romantic, deadly sin.

Linda and I were very much preoccupied with sin, and our great hero was Oscar Wilde.

"But what did he do?"

"I asked Fa once and he roared at me--goodness, it was terrifying. He said: 'If you mention that sewer's name again in this house I'll thrash you, do you hear, damn you?' So I asked Sadie and she looked awfully vague and said: 'Oh, duck, I never really quite knew, but whatever it was was worse than murder, fearfully bad. And, darling, don't talk about him at meals, will you?'"

"We must find out."

"Bob says he will, when he goes to Eton."

"Oh, good! Do you think he was worse than Mummy and Daddy?"

"Surely he couldn't be. Oh, you are so lucky to have wicked parents."

i stumbled into the hall blinded by the light after a six-mile drive from the station. Aunt Sadie and the children were having tea, under the entrenching tool, just like in the photograph. It was the same table and the same tea-things, the china with large roses on it, the tea-kettle and the silver dish for scones both kept hot over flickering flames; the human beings were five years older. That is to say the babies had become children, the children were growing up. There had been an addition in the shape of Victoria, now aged two. She was waddling about with a chocolate biscuit clenched in her fist, her face was smothered in chocolate and was a horrible sight, but through the sticky mask shone unmistakably the blue of two steady Radlett eyes.

There was a tremendous scraping of chairs as I came in, and a pack of Radletts hurled themselves upon me with the intensity and almost the ferocity of a pack of hounds hurling itself upon a fox. All except Linda. She was the most pleased to see me, but determined not to show it. When the din had quieted down and I was seated before a scone and a cup of tea, she said:

"Where's Brenda?" Brenda was my white mouse.

"She got a sore back and died," I said. Aunt Sadie looked anxiously at Linda.

"Had you been riding her?" said Louisa, facetiously. Matt, who had recently come under the care of a French nursery governess, said in a high-pitched imitation of her voice: "As usual, it was kidney trouble."

"Oh, dear," said Aunt Sadie, under her breath.

Enormous tears were pouring into Linda's plate. Nobody cried so much or so often as she; anything, but especially anything sad about animals, would set her off, and, once begun, it was a job to stop her. She was a delicate, as well as a highly nervous child, and even Aunt Sadie, who lived in a dream as far as the health of her children was concerned, was aware that too much crying kept her awake at night, put her off her food, and did her harm. The other children, and especially Louisa and Bob, who loved to tease, went as far as they dared with her, and were periodically punished for making her cry. Black Beauty, Owd Bob, The Story of a Red Deer, and all the Seton Thompson books were on the nursery index because of Linda, who, at one time or another, had been prostrated by them. They had to be hidden away, as, if they were left lying about, she could not be trusted not to indulge in an orgy of self-torture.

Wicked Louisa had invented a poem which never failed to induce rivers of tears:

"A little, houseless match, it has no roof, no thatch,

It lies alone, it makes no moan, that little, houseless match."

When Aunt Sadie was not around the children would chant this in a gloomy chorus. In certain moods one had only to glance at a match-box to dissolve poor Linda; when, however, she was feeling stronger, more fit to cope with life, this sort of teasing would force out of her very stomach an unwilling guffaw. Linda was not only my favourite cousin, but, then and for many years, my favourite human being. I adored all my cousins, and Linda distilled, mentally and physically, the very essence of the Radlett family. Her straight features, straight brown hair and large blue eyes were a theme upon which the faces of the others were a variation; all pretty, but none so absolutely distinctive as hers. There was something furious about her, even when she laughed, which she did a great deal, and always as if forced to against her will. Something reminiscent of pictures of Napoleon in youth, a sort of scowling intensity.

I could see that she was really minding much more about Brenda than I did. The truth was that my honeymoon days with the mouse were long since over; we had settled down to an uninspiring relationship, a form, as it were, of married blight, and, when she had developed a disgusting sore patch on her back, it had been all I could do to behave decently and treat her with common humanity. Apart from the shock it always is to find somebody stiff and cold in their cage in the morning, it had been a very great relief to me when Brenda's sufferings finally came to an end.

"Where is she buried?" Linda muttered furiously, looking at her plate.

"Beside the robin. She's got a dear little cross and her coffin was lined with pink satin."

"Now, Linda darling," said Aunt Sadie, "if Fanny has finished her tea why don't you show her your toad?"

"He's upstairs asleep," said Linda. But she stopped crying.

"Have some nice hot toast, then."

"Can I have Gentleman's Relish on it?" she said, quick to make capital out of Aunt Sadie's mood, for Gentleman's Relish was kept strictly for Uncle Matthew, and supposed not to be good for children. The others made a great show of exchanging significant looks. These were intercepted, as they were meant to be, by Linda, who gave a tremendous bellowing boo-hoo and rushed upstairs.

"I wish you children wouldn't tease Linda," said Aunt Sadie, irritated out of her usual gentleness, and followed her.

The staircase led out of the hall. When Aunt Sadie was beyond earshot, Louisa said: "If wishes were horses beggars would ride. Child hunt tomorrow, Fanny."

"Yes, Josh told me. He was in the car--been to see the vet."

My Uncle Matthew had four magnificent bloodhounds, with which he used to hunt his children. Two of us would go off with a good start to lay the trail, and Uncle Matthew and the rest would follow the hounds on horseback. It was great fun. Once he came to my home and hunted Linda and me over Shenley Common. This caused the most tremendous stir locally, the Kentish week-enders on their way to church were appalled by the sight of four great hounds in full cry after two little girls. My uncle seemed to them like a wicked lord of fiction, and I became more than ever surrounded with an aura of madness, badness, and dangerousness for their children to know.

The child hunt on the first day of this Christmas visit was a great success. Louisa and I were chosen as hares. We ran across country, the beautiful bleak Cotswold uplands, starting soon after breakfast when the sun was still a red globe, hardly over the horizon, and the trees were etched in dark blue against a pale blue, mauve and pinkish sky. The sun rose as we stumbled on, longing for our second wind; it shone, and there dawned a beautiful day, more like late autumn in its feeling than Christmas-time.

We managed to check the bloodhounds once by running through a flock of sheep, but Uncle Matthew soon got them on the scent again, and, after about two hours of hard running on our part, when we were only half a mile from home, the baying slavering creatures caught up with us, to be rewarded with lumps of meat and many caresses. Uncle Matthew was in a radiantly good temper, he got off his horse and walked home with us, chatting agreeably. What was most unusual, he was even quite affable to me.

"I hear Brenda has died," he said, "no great loss I should say. That mouse stank like merry hell. I expect you kept her cage too near the radiator, I always told you it was unhealthy, or did she die of old age?"

"She was only two," I said, timidly.

Uncle Matthew's charm, when he chose to turn it on, was considerable, but at that time I was always mortally afraid of him, and made the mistake of letting him see that I was.

"You ought to have a dormouse, Fanny, or a rat. They are much more interesting than white mice--though I must frankly say, of all the mice I ever knew, Brenda was the most utterly dismal."

"She was dull," I said, sycophantically.

"When I go to London after Christmas, I'll get you a dormouse. Saw one the other day at the Army & Navy."

Meet the Author

Nancy Mitford (1904-1973) was born in London, the eldest of Lord Redesdale's seven children. By her twenties she was a friend of Evelyn Waugh and his circle and had begun writing novels.

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