Hugo Award–winning author Elizabeth Bear returns to the epic fantasy world of the Lotus Kingdoms with The Red-Stained Wings, the sequel to The Stone in the Skull, taking the Gage into desert lands under a deadly sky to answer the riddle of the Stone in the Skull.
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The Gage and the Dead Man brought a message from the greatest wizard of Messaline to the ruling queen of Sarathai, one of the Lotus Kingdoms. But the message was a riddle, and the Lotus Kingdoms are at war.
Elizabeth Bear created her secondary world of the Eternal Sky in her highly praised novel The Range of Ghosts and its sequels.
The Lotus Kingdoms
#1 The Stone in the Skull
#2 The Red-Stained Wings
The Eternal Sky Trilogy
#1 Range of Ghosts
#2 Shattered Pillars
#3 Steles of the Sky
At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
About the Author
Elizabeth Bear shares a birthday with Frodo and Bilbo Baggins. This, coupled with a tendency to read the dictionary as a child, doomed her early to penury, intransigence, friendlessness, and the writing of speculative fiction. She was born in Hartford, Connecticut, and grew up in central Connecticut with the exception of two years (which she was too young to remember very well) spent in Vermont's Northeast Kingdom, in the last house with electricity before the Canadian border.
She's a second-generation Swede, a third-generation Ukrainian, and a third-generation Transylvanian, with some Irish, English, Scots, Cherokee, and German thrown in for leavening. Elizabeth Bear is her real name, but not all of it. Her dogs outweigh her, and she is much beset by her cats.
Bear was the recipient of the John W. Campbell Award for Best New Writer in 2005. She has won two Hugo Awards for her short fiction, a Sturgeon Award, and the Locus Award for Best First Novel. She is the author of the acclaimed Eternal Sky series, the Edda of Burdens series, and coauthor (with Sarah Monette) of the Iskryne series. Bear lives in Brookfield, Massachusetts.
Read an Excerpt
Over the gold stone walls of Sarathai-tia, the long night darkened toward sunrise. The Veil rose across the sky and the light of the heavenly river dimmed. Phosphorescence crawled along the top of the battlements, where the Dead Man was careful not to lean.
That glow revealed the presence of shards of dragonglass embedded edgewise in the mortar: quick as razors, and slow poison to whatever they might slice.
The Dead Man rested a hand on the butt of one of his twin pistols, instead. If the gesture was a threat, the threat was not one he consciously intended. He gazed outward, across the plain and the river that ran silt-white between its banks beyond. He had lowered his veil, and breathed the rainy air unfiltered.
That was a threat, or a statement, and it was an intentional one.
The Dead Man was waiting for the war to come.
He looked out over a city designed to be defended, which was a small but solid blessing. The Alchemical Emperor, in his day, had raised his throne city above the rich mud of the broad and flooding river valley by summoning the small mountain it stood upon from the very bones of the earth. Sarathai-tia's outer walls were living rock, the same living rock as the steep terraced slopes that rose within them. A single road spiraled from the base of the city to the palace at its peak, joined to itself at intervals by alleys lined with overhanging shops and houses. The alleys would be easy to block with rubble, forcing an invading force to fight uphill the entire length.
The city was surrounded by the mighty river on three sides, and connected to the mainland only by a broad causeway that would normally be flooded in the rainy season, and all of which was in range of the city's cannon. The villages that surrounded Sarathai-tia were built on stilts or floated on houseboats, and the farms grew rich between them when the annual floods receded.
Sarathai-tia's outer wall was pierced by only two gates: the main gate that faced the causeway, away from the river ... and the Queen's Gate, the water gate, reached by a stair that ran down from the palace to the Mother River, surrounded by hanging gardens and suspended on pillars. The back side of the mountain was even steeper than the fore, and it would be quick work indeed to knock the stair off its pillars and use the resulting rubble to fill up more alleys and build barricades.
Sad, to destroy an architectural marvel, but sadder things happened in wars.
From his perch on the heights, the Dead Man could see a long way indeed across the flat, white river and the endless bottomlands it meandered through. He could see the villages and the piers lining the Mother River — called Relentless, called Deep-Hearted, called Butter of the Earth — on both sides. He could see the long, rich fields and the river so wide and slow and clotted with rafts of roots and lotus that it had become a slowly moving garden as the summer wore on.
The vanguard of the enemy reached the river's far shore as those of Mrithuri's people who had not yet evacuated to the fortress city were still setting flame to huts and bridges and whatever boats they could get to, under a hail of enemy arrows. They were leaving as little behind for the enemy's forces to use as they could.
"Burn them," the Dead Man had said. So now, as was his duty, he stood and watched as the livelihood of Mrithuri's people floated away on the breast of the wide white Sarathai, blazing atop the reflections of their own flames. If his cheeks were damp, and it was not with sweat, there was no one present now to question him.
Until there was.
A step scraped the stones behind him. He was not startled; the battlements were well-manned and he had not thought himself entirely alone. He fastened the end of his veil across his face with a practiced gesture before he turned. His right hand did not leave the gun until he saw who came toward him.
A woman, the skin of her muscled arms silk-dark against the white of her sleeveless tunic, hurrying. Her tight, steel-colored curls gave a lie to her unlined face, and bangles on her wrists chimed merrily although her expression was stern. The Aezin Wizard, Ata Akhimah.
She paused to stare over the Dead Man's shoulder — suddenly, as if distracted from whatever it was that she had come so urgently to say. She shook her head. "Who wages war in the rainy season?"
"It does seem an unfathomable choice."
"Maybe cholera will thin their ranks for us." She sounded as if the prospect pleased her.
The Dead Man couldn't fault the sentiment. He cleared his throat. "Were you seeking me?"
The Wizard gestured toward the distance. "Was that what you were looking at?"
He knew without turning what she meant, but he turned anyway rather than stand with his back to it. The gates in the city's outer walls, a catapult's throw and a bit more away from the walls of the palace, still stood open. Farmers and fishers and tradespeople from the surrounding countryside poured into Sarathai-tia — those who had not chosen to take to their boats, or take their chances on the open road rather than in the squalor and starvation of a besieged city.
Beyond the bustle of boats and wagons, beyond the rivers of humanity and the river of pale water, beyond the flames consuming one stilt-legged hut after another, beyond the first jeering vanguards of the enemy — the main bulk of the advancing army had not yet come into view over the horizon. What was plainly visible was a long, black smudge against the sky, in the wrong direction to be the edge of the Veil sliding across the brilliant night.
It looked like smoke, but smoke never moved with such volition. Such sinister coordination: the flocking of many minds into a single consensus. Tendrils sought out from the dark mass, seethed and lifted, collapsed back. The body roiled and dappled, showing glimpses of sky beyond.
Carrion birds tracked the advancing forces, heralding the army as thunder heralds the storm.
At that moment, a shrill sound rent the air. A woman's scream, meant to carry. Not in the city, or beyond the walls, as might be expected — but in the extensive, rain-soaked palace garden below and behind Ata Akhimah.
The Dead Man eyeballed the Wizard.
The Wizard sighed. "I guess we had better go see what's fucked up this time."
* * *
They ran. Side by side, wet soles slapping. Other defenders of the palace might be closer, it was true. But other defenders of the palace might not be as equipped to deal with the sorts of oddities that seemed to be making a more and more frequent appearance at Mrithuri Rajni's court in these strange days.
There came no second cry.
Their pelting steps carried them into the garden grounds, out of breath and slipping in the mud. The Dead Man's veil sucked annoyingly against his mouth with each gasp for breath, the fabric slack and moist in the humid atmosphere. As he had expected, they were not the only searchers in the garden. Men and women carrying torches and lanterns fanned out along the gravel trails. Ata Akhimah glanced about at the bobbing pools of light, sighed, and outstretched one hand, pale palm upright.
A column of yellow-white light flared upward, hissing and shedding sparks, too bright to look at directly. It rose to the treetops and flowered, spreading brilliant chrysanthemum petals in every direction. It wasn't a witchlamp such as the Dead Man had seen Rasan Wizards hang, but more like a captive lightning bolt, and it sounded angry as a trapped cat.
Conveniently, at that moment, the cry came again.
This time, the Dead Man recognized the voice. "Chaeri," he said tiredly, and turned toward the sound.
Ata Akhimah was a step ahead of him. She darted into the strange, stippled shadows that fell hard-edged and jet-black where flowering branches, not yet fully leafed, broke the actinic light of her pillar. The Dead Man followed her, pistol in his hand.
They came to the garden wall and followed it along — just a few steps, into an open patch among flowering shrubs. Akhimah stepped to the side so that the Dead Man could come up with her — or possibly to clear his line of sight, and field of fire if necessary.
Chaeri, the queen's handmaiden, stood with her back to them. Her dark hair spiraled down her back in artfully casual locks. She wore a tunic and trousers that were wet with rainwater, and mud spattered her bare ankles among the jingling bracelets.
She faced down two men — a large and muscular one, mustached, sword-wearing, in what the Dead Man took to be some kind of local uniform, and a small and round one in the seamed and petal-skirted black coat of a Rasan Wizard. They seemed quite familiar. The Dead Man's chest itched as he realized that he had seen them only a few hours before. They had accompanied the assassin disguised as the poetess Ümmühan when she — he? — attempted to murder the young queen, Mrithuri.
The Dead Man had taken a pistol ball to the chest that had been intended for Mrithuri, and only the twinned lucks that that ball had first passed through her general, and that a Godmade priest had been near enough to work a miracle, had saved him.
These men he now looked at — or their likenesses — had vanished away when the assassin they accompanied was killed.
Studying them more closely, the Dead Man could see that the likenesses were not perfect. This captain and Wizard were considerably more haggard-looking and road-stained than the previous set. And the Wizard held a child-sized bundle of cloth to his chest, with light showing in the creases as if he shrouded a heatless, living coal.
Chaeri was drawing in her breath for one more good scream when the man with the mustache said, "Call her off. We surrender."
His Sarathai was accented, but comprehensible.
"They're spies!" Chaeri said. "Assassins!" She ducked back between Akhimah and the Dead Man. "I caught them coming over the wall again! Shoot them!"
"What's in the bundle?" Akhimah asked. It made the Dead Man feel kindly toward her, as he too was inclined to investigate the mysteries of the situation rather than acting precipitately.
"They came over the wall," Chaeri interjected. "If you let them talk, they'll Wizard you into believing their lies, like that other one."
"I believe I can withstand their blandishments," Akhimah said kindly. The light of her spitting tower of cold fire limned the strong bones of her face. "A persuasive tongue is one of the gifts of my order, rather than that of Dr. —"
"Tsering," the Rasan Wizard said. He stepped forward, still clutching his bundle. The Dead Man thought it moved.
The Rasan cleared his throat. "Tsering-la. This is Captain Vidhya. We are emissaries from Sayeh Rajni."
"Where's the poetess?" the Dead Man said.
Vidhya rocked back. "How do you know —?"
"One question at a time," Ata Akhimah said gently. And, indeed, everyone fell silent, including the slowly growing crowd of garden searchers. She nodded to Tsering-la, who fumbled with the luminescent cloth-wrapped object tucked under his arm. He pulled back a fold, and a bedraggled crimson-and-gold head emerged, hesitantly. A broken crest of feathers fluffed.
"Pretty bird?" the phoenix said faintly.
"Guang Bao," Tsering-la said. "He is Sayeh Rajni's familiar. She sent him with us to prove we were her men." He smiled. "Now it's your turn."
"Someone sent an apparition of the two of you, along with an assassin disguised by illusion to look like the poetess, to murder Her Abundance Mrithuri Rajni," Akhimah said.
A guard cleared his throat, or maybe it was one of the acrobats who were sheltering in the palace.
"Speak," Ata Akhimah said.
"Are these who they seem to be?" It was an acrobat, the Dead Man noticed. Amruth, the matriarch Ritu's son.
"I only engage in royal prophecy," Akhimah replied dryly.
"No Ümmühan this time," the Dead Man noted.
Ata Akhimah reached into her pocket and produced a silver clip that seemed empty in the difficult light. She held it up, and the Dead Man surmised it must contain the single strand of silver hair that had been sewn into her jacket by unknown hands. "No, she must be captive. That's why she was the focus of the illusion."
"Yes," Vidhya said. "The poetess, our rajni, her heir, and Tsering's apprentice Nazia are all captive of Himadra." He turned his head and spat into wet moss. "Our kingdom lies in ruins — if there are even ruins there. We came to beg you for aid. Instead, we come flying before an army."
"A great volcano beneath the Bitter Sea has shaken the city down," Tsering-la said. "And then boiled it in a cloud of steam and poison."
The Dead Man spoke to Chaeri over his shoulder, in the politest tone he could muster. "Just out of curiosity, what were you doing in the bushes?"
"Feeding the songbirds," she said primly, as if recollecting herself. Perhaps his tone had not been polite enough. He heard her dusting off her hands.
There were, indeed, rather a lot of seeds scattered on the earth nearby, and trampled into the mud. No birds were in evidence, but then there was a lot of fuss going on.
"Is that Himadra's army in pursuit of you?" the Dead Man asked, returning his attention to Vidhya.
Sayeh's guard captain glanced up at him from beneath furrowed brows. "You mean you don't know already?"
"Only there are a number of armies wandering about the countryside lately, and this one rather came out of nowhere," the Dead Man snapped.
"Yes they did." Vidhya leaned against the stone wall as if nothing else kept him upright. "They've got an illusionist, I think."
"Yes," Akhimah said. "We found out."
"Anuraja. It's Anuraja's men."
"From the north?" said Akhimah.
The round little Rasan Wizard in his torn once-black coat shrugged hard enough to split the shoulder seam further. The phoenix made an indignant mumble.
Ata Akhimah sighed tiredly. "I think we'd better go inside and have a word with Her Abundance."
Tsering-la's answering sigh was one of relief. "Thank you."
Ata Akhimah slapped dust off her sleeve and let the tower of light die. "Don't thank me. You've arrived in a city that is about to be under siege. We can use all the Wizards we can get."
* * *
Clarity burned through the young rajni's veins with the lucid potency of venom. It made her restless. It made her ruthless. It made her fierce.
She sat among cushions and regarded her advisors, chafing her arms with her palms. Trying to drive the prickling heat through them. Syama, her bear-dog, lay against her hip — eyes sleepy, but brindled body quivering with the tension Mrithuri was communicating.
At least the venom gave Mrithuri concentration. Everything else was terrible.
She could not recall the last time she had really slept. She could not even imagine, any longer, what being rested might feel like except in absences. She vaguely remembered joints and eyes and thoughts that did not grit sluggishly and ache inside her.
The venom helped with that, too. Much more than the tea she now lifted from a low traylike table set among the rugs and cushions, all the while wishing very much that it were wine. Before her were arrayed most of her nearest and most trusted: sharp little Hnarisha with his delicate bones and rounded features; Yavashuri, the maid of the bedchamber who knew (probably literally) where the bodies were buried; Druja, the agent who traveled to foreign lands; her general, Pranaj; and her newly acquired dependent, the unexpectedly clever and wicked Lady Golbahar.
Oh, and that asshole Mi Ren, the Song princeling who thought Mrithuri ought to marry him, and who nobody could quite figure out how to get rid of without offending his powerful family, from whom he had requested troops and money on behalf of the rajni he supposed must inevitably become his ticket to true regal power.
Missing only were her body servant Chaeri, whom she had not seen since before this meeting when Chaeri brought her her Eremite serpents; her Wizard, Ata Akhimah; and the Dead Man, sent to her rescue by the foreign Wizard who had trained Ata Akhimah.
All of them — the ones who were present — were very upset about a siege that could not succeed. Mrithuri had explained that it could not succeed, because Sarathai-tia was raised above a floodplain, and the Mother River would inevitably rise and sweep any besiegers away. Her illustrious ancestor, the Alchemical Emperor, had designed his capital city that way.(Continues…)
Excerpted from "The Red-Stained Wings"
Copyright © 2019 Elizabeth Bear.
Excerpted by permission of Tom Doherty Associates.
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