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The Reed Cutter and Captain Shigemoto's Mother: Two Novellas
     

The Reed Cutter and Captain Shigemoto's Mother: Two Novellas

by Junichiro Tanizaki, Anthony H. Chambers (Translator)
 

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With a precision and brilliance unmatched perhaps by any other novelist of the twentieth century, Junichiro Tanizaki interweaves a sense of his country's deep past with the kind of pathologies and obsessions we are likely to think of as modern. Here, in two eerie and beautiful novellas, he displays this skill at its most elegant and affecting.
 
The

Overview

With a precision and brilliance unmatched perhaps by any other novelist of the twentieth century, Junichiro Tanizaki interweaves a sense of his country's deep past with the kind of pathologies and obsessions we are likely to think of as modern. Here, in two eerie and beautiful novellas, he displays this skill at its most elegant and affecting.
 
The Reed Cutter has a contemporary setting, though it might have taken place any time in the past thousand years. On a fine September evening, the narrator decides to make a solitary excursion to the site of an ancient imperial palace south of Kyoto, a place now lost and overgrown near the banks of a river. Musing upon old poems, passages of history, and topographical antiquities, he eventually finds himself among the reeds of a sandbar sipping sake from the bottle he has brought with him, watching the moon rise over the river, and scribbling bits of verse in his notebook. Suddenly he is surprised to discover that he is not alone. A strange man joins him and begins to tell a most extraordinary tale about his father, about a scene glimpsed in a moonlit garden forty years before, and about a mysterious woman who has become a lasting obsession.
 
Captain Shgemoto's Mother is more violent but no less strange. It takes place in tenth-century Kyoto, in a world in which poetry and brutality, power and sexual impulse, shape the lives of the courtiers. Beginning in an almost whimsical vein with an account of the amorous exploits of a Heian Don Juan called Heiju, it gradually shifts mood to focus on three people—Shihei, the powerful Minister of the Left; his doddering uncle Kunitsune; and Kunitsune's ravishing and much-younger wife, a woman known only as Shigemoto's mother. How Shihei succeeds in taking Kunitsunes' wife away from him in the course of a bizarre and drunken party is a story as shocking—and memorable—as anything Tanizaki ever wrote.

Editorial Reviews

Publishers Weekly - Publisher's Weekly
These charming but brittle novellas highlight Tanizaki's fascination with courtly Japanese history. ``The Reed Cutter,'' originally published in 1932, is narrated by a contemporary traveller who finds a peaceful sandbar on which to meditate about ancient poetry and courtesans. The narrator is joined by an Osaka antiques dealer, who relates the story of a strange love triangle involving his father, his father's wife and her sister, the aristocratic and lovely Miss Oyu. In ``Captain Shigemoto's Mother'' (1949-50), a craven, high-ranking 10th-century diplomat steals away the young wife of his septuagenarian uncle, separating her from her four-year-old son. Tanizaki describes this peculiar event in compelling detail, then explains how it affected the principal players' subsequent lives, closing with the moving reconciliation of the adult Captain Shigemoto and his elderly mother. The stories are learned and oddly pleasing, although obscure references and occasionally precious writing (perhaps the fault is in the translation) will limit their appeal. (Feb.)

Product Details

ISBN-13:
9780679757917
Publisher:
Knopf Doubleday Publishing Group
Publication date:
06/28/1995
Series:
Vintage International
Edition description:
Reprint
Pages:
192
Sales rank:
1,047,707
Product dimensions:
5.25(w) x 8.00(h) x 0.40(d)

Meet the Author

Junichiro Tanizaki was born in Tokyo in 1886 and lived there until the earthquake of 1923, when he moved to the Kyoto-Osaka region, the scene of his novel The Makioka Sisters (1943-48). Among his works are Naomi (1924), Some Prefer Nettles (1928), Quicksand (1930), Arrowroot (1931), A Portrait of Shunkin (1933), The Secret History of the Lord of Musashi (1935), modern versions of The Tale of Genji (1941, 1954, and 1965), Captain Shigemoto's Mother (1949), The Key (1956), and Diary of a Mad Old Man (1961). By 1930 he had gained such renown that an edition of his complete works was published, and he was awarded Japan's Imperial Prize in Literature in 1949. Tanizaki died in 1965.

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