This is the first critical examination of Pablo Picasso's use of religious imagery and the religious import of many of his works with secular subject matter. Though Picasso was an avowed atheist, his work employs spiritual themesand, often, traditional religious iconography.
In five engagingly written, accessible chapters, Jane Daggett Dillenberger and John Handley address Picasso's cryptic 1930 painting of the Crucifixion; the artist's early life in the Catholic church; elements of transcendence in Guernica; Picasso's later, fraught relationship with the church, which commissioned him in the 1950s to paint murals for the Temple of Peace chapel in France; and the centrality of religious themes and imagery in bullfighting, the subject of countless Picasso drawings and paintings.
|Publisher:||University of California Press|
|Edition description:||First Edition|
|Product dimensions:||6.00(w) x 8.90(h) x 0.40(d)|
About the Author
Jane Dillenberger is professor emerita of art and religion at the Graduate Theological Union in Berkeley. She studied at the University of Chicago and is author of The Religious Art of Andy Warhol (1998), Style and Content in Christian Art (2004), and Secular Art with Sacred Themes (1969). She curated several exhibitions for the Berkeley Art Museum during the 1970s on spirituality and art.John Handley completed his PhD at the Graduate Theological Union in 2012; his dissertation focused on the religious art of Stephen De Staebler.
Table of Contents
Michael Morris, OP
1. The Crucifixion
2. The Early Years
3. Picasso and the Church
4. Guernica: Ultimate Concern
5. The Corrida and the Sketchbooks of the 195s
List of Illustrations