Madeleine Velguth analyzes the representation of women in the first six novels of Raymond Queneau (1903-1976) in the context of the social and intellectual climate of early twentieth-century France. Her balanced approach shows how surrealism, psychoanalysis and autobiography inform Queneau's sympathetic and finely-drawn portraits of women. Revealing previously unnoticed structures, Velguth's study presents these works as an organic whole: six variations on the theme of the slow maturing of the man and the artist.
|Publisher:||Lang, Peter Publishing, Incorporated|
|Series:||American University Studies Series: Series 2: Romance Languages and Literature , #133|
Table of Contents
Contents: The Status of Women in the France of Raymond Queneau's Early Novels: 1903-1940 - Women in Queneau's Life - Mothers and Mediators - The Autobiographical Novels: A Focus on Women.
This book is the first to analyze Queneau's portrayal of women and the first to organize hitherto fragmented biographical data into a narrative. It will interest specialists in twentieth-century French literature, autobiographical studies and women's studies, as well as the educated general reader who knows some French and is familiar with Queneau's work.