02/25/2019
In Burton’s debut, a retelling of “The Twelve Dancing Princesses,” the sisters carry on after the death of their mother, “a woman of many words and driver of a racing car.” Blaming his wife’s death on her curiosity and sense of adventure, King Alberto secures his daughters in a windowless room with only a portrait of their mother, “as if to remind the girls what might happen if they ever tried to go faster than was appropriate.” But a door behind it leads to a joyous celebration where the siblings dance until dawn. Discovering that his daughters’ slippers are ruined each night, as if from dancing, the King demands their secret be revealed. Burton offers a richly imagined feminist fairy tale, laden with allusions to contemporary concerns about autonomy, gender roles, and power dynamics, that is extended in Barrett’s lush scenes of the clever sisters and their revels. Ages 8–12. (Mar.)
A riveting feminist retelling, filled with excitement, imagination, magic, and just the right touch of darkness. These twelve fierce heroines will be a pleasure to return to again and again.” —Madeline Miller, #1 New York Times bestselling author of CIRCE
“The Restless Girls is wild, wise, generous, ferocious kind of story. It's a tale to read to your children (of both genders) over and over, and for them to read to theirs. It's a book that glows.” —Katherine Rundell, author of THE WOLF WILDER and THE EXPLORER
"[A] story of female empowerment, agency and sisterhood. . . . ‘The Restless Girls’ is one of the prettiest books I’ve seen in a long time. Barrett’s artwork is exquisite, and provides another layer to the story that is not explicitly in the text." - The New York Times Book Review
“The richly described settings . . . make this a fine read aloud . . . with a feminist viewpoint.” —School Library Journal
“A richly imagined feminist fairy tale, laden with allusions to contemporary concerns about autonomy, gender roles, and power dynamics, that is extended in Barrett's lush scenes of the clever sisters and their revels.” —Publishers Weekly
“A modern twist on a classic fairy tale” —School Library Connection
“A sly, sparkling delight that celebrates imagination, adventurous spirit, and (of course) dancing” —BCCB
“Lush, detailed illustrations . . . An empowering retelling.” —Booklist
“A complex, vividly drawn tale.” —Publishers Weekly on THE MUSE
“[A] smart blend of literary and commercial fiction.” —Booklist on THE MUSE
“Burton conjures every scent and crackle of Nella's world.” —Entertainment Weekly on THE MINIATURIST
“Expressive and descriptive.” —Library Journal on THE MINIATURIST
“Full of exquisite color and detail.” —Starred review, Kirkus Reviews on THE MOST WONDERFUL THING IN THE WORLD
“Barrett . . . conjures a magical mood.” —Starred review, Publishers Weekly on THE MOST WONDERFUL THING IN THE WORLD
“Children will enjoy . . . the beautifully composed pictures for their intricacy and their sometimes surprising details.” —Starred review, Booklist on THE MOST WONDERFUL THING IN THE WORLD
11/01/2018
Gr 4–6—The traditional tale of 12 princesses who secretly dance each night until their shoes are ruined is retold and fleshed out as an illustrated short novel. Each girl has a special talent ranging from artistic and agricultural to mechanical and botanical skills. After their fiercely supportive, sage mother's death, the girls are locked away by their father, the king; "not a bad man, but a lost one." Soon they discover a portal to a world behind a portrait of their mother, and they bravely going deeper into the magical realm headed by a wise lioness. In this version, it is the eldest sister, Frida, who proves that intellect and wisdom are enough to succeed. She leaves but returns to the kingdom in an airplane to assume leadership. This retelling includes more contemporary elements, while still offering a classic fairy-tale sensibility. The princesses are given names and particular skills though the only truly distinctive character is Frida. The richly described settings, however, make this a fine read aloud. VERDICT A pleasant addition where contemporary fairy-tale retellings are in demand, especially those with a feminist viewpoint.—Maria B. Salvadore, formerly at District of Columbia Public Library
