The Routledge Companion to Music, Mind, and Well-being

The Routledge Companion to Music, Mind, and Well-being

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Product Details

ISBN-13: 9781351674980
Publisher: Taylor & Francis
Publication date: 12/18/2018
Series: Routledge Music Companions
Sold by: Barnes & Noble
Format: NOOK Book
Pages: 330
File size: 4 MB

About the Author

Penelope Gouk is Honorary Research Fellow at the University of Manchester, UK, where she lectured until her retirement. Throughout her career the dominant theme of her research has been the intellectual history of music in early modern science and medicine. Most recently she has been investigating changing explanations for music's emotional effects, especially in Britain. Her publications include Music, Science and Natural Magic in Seventeenth-Century England (1999) and edited volumes Musical Healing in Cultural Contexts (2000) and, with Helen Hills Representing Emotions: New Connections in the Histories of Art, Music and Medicine (2005).

James Kennaway is Senior Research Fellow at the University of Roehampton in London, UK. He has written extensively on the history of medicine and music, notably in his 2012 monograph Bad Vibrations: The History of the Idea of Music as a Cause of Disease.

Jacomien Prins is Assistant Professor/Researcher at the Ca’Foscari University of Venice, Italy. She has worked extensively on the interaction between music theory and philosophy in the Renaissance. Her work includes Echoes of an Invisible World: Marsilio Ficino and Francesco Patrizi on Cosmic Order and Music Theory (2014), Sing Aloud Harmonious Spheres: Renaissance Conceptions of Cosmic Harmony (2017), and an edition and translation of Marsilio Ficino’s commentary on Plato’s Timaeus (Harvard University Press, the I Tatti Renaissance Library series (ITRL)).

Wiebke Thormählen is Area Leader in History at the Royal College of Music in London, UK. Her research focuses on the formulation of music as a language of emotions and its particular role in educational theories and policies since the eighteenth century. Recently awarded a three-year collaborative research grant from the Arts and Humanities Research Council (Music, Home and Heritage: Sounding the Domestic in Georgian Britain) she explores the interaction of the domestic with the public in musical arrangements, in devotional music and in the relationship between music as domestic social activity and amateur choral societies in Britain.

Table of Contents

1. Introduction: perspectives on music, emotions and well-being - Penelope Gouk, James Kennaway, Jacomien Prins, and Wiebke Thormählen

Section One: From Antiquity to the Twentieth Century

2. Music, mind and well-being in Antiquity - Francesco Pelosi

3. The regulative power of the harmony of the spheres in Medieval Latin, Arabic and Persian sources - Andrew Hicks

4. Girolamo Cardano on music as a remedy "for the troubles that result for the misery of human misfortune" - Jacomien Prins

5. Melancholy, music and the passions in English culture around 1600 - Penelope Gouk

6. Musical glasses, metal reeds, and broken hearts: two cases of melancholia treated by new musical instruments - Carmel Raz and Stanley Finger

7. Framing emotional responses to music: music-making and social well-being in early nineteenth-century England - Wiebke Thormählen

8. The use of music as a treatment for Gemüthskrankheit - Andrea Korenjak

9. Anna O.’s nervous cough: historical perspectives on neurological approaches to music - James Kennaway

10. "What is this music doing to me?": psychological experiments on the effects of music on mood in the first half of the twentieth century - Garcia García Quiñones

11. Music, body and emotion between well-being, manipulation and torture in the twentieth century - Juliane Brauer

Section Two: The Twenty-first Century

12. Emotional cccounts of musical experience and musical object: an introduction to the current debate on the relationship between music and emotion - Elvira Di Bona

13. Understanding music, mind and emotion from the perspective of psychoneuroimmunology - Daisy Fancourt

14. Approaches to music, well-being and emotion from psychology: theory, method and evidence - Alexandra Lamont

15. Please please me! The pleasure of music in the brain - Ole A. Heggli, Morten L. Kringelbach and Peter Vuust

16. Three controversies of music and emotions: neuroscience and psychology of sadness and music - Tuomas Eerola

17. Why we listen to sad-sounding music: philosopical perspectives, psychological functions and underlying brain mechanisms - Liila Taruffi and Stefan Koelsch

18. Music and language expressiveness: When emotional character does not suffice: the dimension of expressiveness in the cognitive processing of music and language - Ariadne Loutrari and Marjorie Lorch

19. Musical engagement and well-being in the early years of life - Beatriz Ilari

20. Music, emotion and learning - Jennie Henley

21. Music, cognition and well-being in the ageing - Susan Hallam

22. The goodness of small things: why we need longitudinal and ethnographic studies of music in dementia care - Mariko Hara and Tia DeNora

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