The Science Of Acting

What is good acting? How does one create believable characters? How can an actor understand a character if they do not understand themselves?

In The Science of Acting, Sam Kogan uses his theories on the relationship between neuroscience, psychology and acting to answer these questions. Practical exercises provide a step-by-step guide to developing an actor's ability, culminating in Ten Steps to Creating a Character.

He presents the reader with a groundbreaking understanding of the subconscious and how it can be applied to their acting. The author’s highly original perspective on Stanislavski's teaching gives readers a unique insight into their character’s minds.

Sam Kogan studied at the Moscow Institute of Theatre Arts (now the Russian Academy of Theatre Arts) under the tutelage of Professor Maria Knebel. He established The Science of Acting, a complete stand-alone technique.

Helen Kogan is the chair and former principal of The Academy of Science of Acting and Directing, has helped to shape her father's words and work for the publication of this book.

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The Science Of Acting

What is good acting? How does one create believable characters? How can an actor understand a character if they do not understand themselves?

In The Science of Acting, Sam Kogan uses his theories on the relationship between neuroscience, psychology and acting to answer these questions. Practical exercises provide a step-by-step guide to developing an actor's ability, culminating in Ten Steps to Creating a Character.

He presents the reader with a groundbreaking understanding of the subconscious and how it can be applied to their acting. The author’s highly original perspective on Stanislavski's teaching gives readers a unique insight into their character’s minds.

Sam Kogan studied at the Moscow Institute of Theatre Arts (now the Russian Academy of Theatre Arts) under the tutelage of Professor Maria Knebel. He established The Science of Acting, a complete stand-alone technique.

Helen Kogan is the chair and former principal of The Academy of Science of Acting and Directing, has helped to shape her father's words and work for the publication of this book.

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The Science Of Acting

The Science Of Acting

The Science Of Acting

The Science Of Acting

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Overview

What is good acting? How does one create believable characters? How can an actor understand a character if they do not understand themselves?

In The Science of Acting, Sam Kogan uses his theories on the relationship between neuroscience, psychology and acting to answer these questions. Practical exercises provide a step-by-step guide to developing an actor's ability, culminating in Ten Steps to Creating a Character.

He presents the reader with a groundbreaking understanding of the subconscious and how it can be applied to their acting. The author’s highly original perspective on Stanislavski's teaching gives readers a unique insight into their character’s minds.

Sam Kogan studied at the Moscow Institute of Theatre Arts (now the Russian Academy of Theatre Arts) under the tutelage of Professor Maria Knebel. He established The Science of Acting, a complete stand-alone technique.

Helen Kogan is the chair and former principal of The Academy of Science of Acting and Directing, has helped to shape her father's words and work for the publication of this book.


Product Details

ISBN-13: 9781135257682
Publisher: Taylor & Francis
Publication date: 09/10/2009
Sold by: Barnes & Noble
Format: eBook
Pages: 296
File size: 961 KB

About the Author

Sam Kogan studied at the Moscow Institute of Theatre Arts (now the Russian Academy of Theatre Arts) under the tutelage of Professor Maria Knebel. He established The Science of Acting, a complete stand-alone technique.

Helen Kogan is the chair and former principal of The Academy of Science of Acting and Directing, has helped to shape her father's words and work for the publication of this book.

Table of Contents

List of illustrations, About this book, Preface, Acknowledgements, Introduction, PART ONE: The Foundations, ONE. COMPLEXES, TWO. AWARENESS, THREE. EVENTS, FOUR. PURPOSES, FIVE. THE FORMATION OF CONSCIOUSNESS, SIX. MINDPRINT, SEVEN. ACTIONS, EIGHT. FINISHING-OFF THINKING, NINE. TEMPO-RHYTHM, PART TWO: Qualities of an Actor, TEN. IMAGINATION, ELEVEN. ATTENTION, TWELVE. FREE BODY, THIRTEEN. TALENT, PART THREE: Working on a Script, FOURTEEN. THE TEN STEPS, A Marriage Proposal by Anton Chekhov, Author’s Afterword, Final Word, Appendix 1: List of Purposes and their definitions, Appendix 2: List of Actions, Appendix 3: The Ten Steps table, Glossary, Notes and bibliography, Index
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