It's 1907 Los Angeles. Mischievous socialite Anna Blanc could match wits with Sherlock Holmes, but in her world women are not allowed to hunt criminals. Determined to break free of the era's rigid social roles, she buys off the chaperone assigned by her domineering father and, using an alias, takes a job as a police matron with the Los Angeles Police Department. There she discovers a string of brothel murders, which the cops are covering up. Seizing her one chance to solve a crime, she takes on the investigation herself.
If the police find out, she'll get fired; if her father finds out, he'll disown her; and if her fiancé finds out, he'll cancel the wedding and stop pouring money into her father's collapsing bank. Midway into her investigation, the police chief's son, Joe Singer, learns her true identity. And shortly thereafter she learns about blackmail.
Anna must choose--either hunt the villain and risk losing her father, fiancé, and wealth, or abandon her dream and leave the killer on the loose.
|Product dimensions:||5.50(w) x 8.10(h) x 1.10(d)|
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The Secret Life of Anna Blanc
By Jennifer Kincheloe
Prometheus BooksCopyright © 2015 Jennifer Kincheloe
All rights reserved.
Los Angeles, 1907
Anna Blanc wore a six-inch hairpiece made from the tresses of a yak. She had crowned the abundant puffs and curls with the largest ostrich feather hat in Los Angeles. The look was dramatic, the latest from Vionnet at the House of Doucet, and a terrible choice when running for a train. She sprinted along the moonlit tracks, her big hair bun bouncing, her feathers shaking, her satin gown trailing an undignified sprig of rosemary snagged from the bush where she'd been hiding. Above her, the majestic dome of La Grande Station rose from the expanse of dust and steel, menacing her like some giant guardian of propriety. As she flew past a palm tree, her veil caught on a frond and tore, revealing an eye, a nose, a cheek. "Biscuits!" she swore.
It had occurred to Anna that she should wait to board the train until the last possible moment, so it would be harder for any pursuer to drag her back off. But, just as the last passengers were stepping on board the late-night train, and Louis Taylor was waving frantically from a car window, two men had approached from the tracks carrying a tin bathtub. One was very thin. One was a cop. This gave Anna pause. She had always admired policemen and wanted to be one, but not this one. His face was scarred, like he had been mauled by a dog. More importantly, he might have come to hunt Anna but had gotten hung up by whatever was in the tub, in which case she needed to stay in the bushes.
As they passed closer to Anna, beneath a sputtering gaslight, she rose on tiptoes, peeking through the leaves of a hibiscus bush, and saw a large, lumpy sack oozing in the tub. It looked violent and disgusting and made her feel ill. It could be a deer, but she thought not. No one called the police when a train hit an animal. It had to be a corpse, likely a woman or a child, because the lumps were too small to be a man ... unless parts were missing. She resented the sickening lumps for turning her stomach on this most special of all nights.
By the time the policeman had left, the train was rolling. Anna popped from the bush. She charged through the warm December night in glamorous shoes, her taffeta petticoats thrashing down the rails. She felt the rumble of the locomotive in her pounding pulse. It belched black smoke, filling her panting, petal lips with grit, showering her with dirty ash.
Louis hung from the door of the car, bareheaded, reaching for her as she sprinted, his eyes bulging, his tongue tip pasted to the corner of his mouth, his striped, silk necktie flapping in the wind. She grabbed his hand and leapt, losing one François Pinet shoe.
Louis leaned against the oak paneled wall, sweating, heart pounding, and exhaled deeply, as if he'd been holding his breath. He grabbed a perfect Homburg hat from the luggage rack and flipped it on. "So much for a quiet departure. There wasn't a person at the station who didn't see you board."
Anna collapsed against the wall next to him, her mind racing with dangerous possibilities. "He might find out I was on the train, but he won't know where I got off." Even as she said it, she didn't believe it. She half believed that there was nowhere beyond the reach of her father, the man who restricted her freedoms, down to the very books she read. She felt a quivering panic in her chest, and wetness spread under her arms. She looked down at her shoeless foot and made a little sound of distress.
Louis took her arm and cooed, "Don't fret, darling. Your father can't stop us from marrying, you know. It's the twentieth century, and he isn't in France anymore. This is Los Angeles."
She looked up, dread clouding her grey eyes. "You have no idea what he can do."
Louis raised one eyebrow, which, together with his spanking fine mustache, looked very debonair. "Darling, once the deed is done, it's done."
* * *
The car insides were cozy, like a nice hotel, with polished wood, vaulted ceilings, and emerald velvet seats. Anna scanned the faces on her getaway train. To her relief, she recognized no one among the traveling suits and black derbies. She barely recognized Louis, whom she'd spoken to only twice, though they'd attended the same balls and exchanged a dozen mushy letters. They'd kept their affair entirely secret.
Anna's father set a high price on her beauty, and would just as soon keep her as an ornament, like a prized Ming Vase, as relinquish her to another man. He'd driven away every suitor who had shown up on his doorstep with violets and honorable intentions. This being widely known, Louis had taken a different approach. He'd delivered his passionate declarations through Anna's friend Clara, while studiously ignoring Anna in public and never coming to call.
Anna limped on one heeled shoe as Louis urged her down the aisle to an empty row at the back of the car. He walked so closely behind her that when she swayed with the train she fell against him. He had a man smell, humid and spicy, like her father's Bay Rum aftershave.
"Someone was hit by the train," she said. "That's why the train was late."
Louis shook his head. "Yes, I know. Let's not speak of it. I mean, it's not a nice topic for a lady." He raised his eyebrows hopefully. "Unless you want to."
"No. It's just ... it's hard to get hit by a train unless you try."
He nodded soberly.
Anna would have said a prayer for the deceased, but there was no point. All suicides went to hell. Plus, suicide by train was bad manners, as someone else had to clean it up. A considerate person would take too much laudanum or something, and die in their bed, or drown at sea, so as not to inconvenience other people. She opened her mouth to say so, but Louis clapped his hands over her eyes. "Don't look."
Anna smiled indulgently. "Why not?"
"Because my darling is a lady."
This seemed like a bad reason for anything. Anna peeled his fingers off her eyes too late. The train was passing through a gully, and all she could see was darkness and scrub. She looked inquisitively at Louis.
He whispered, "Alameda Street. You know. The women, um, shall we say, wave at the train."
Anna took her seat, scrunching her forehead, knowing there must be more to the story. It was long past midnight. Louis slid in closer than was strictly proper, turned his face to hers, and raised his eyebrows. Their legs touched through nine blessed layers of fabric. Anna blushed. A girl was supposed to object and scoot away, but she didn't. She found she didn't mind at all. His thigh was curiously hard and warm beneath his wool trousers. What she wanted to do was touch it.
"I haven't had a single moment alone with you, and I intend to make up for it." He gazed into her eyes as if checking to see if they were green or gray or blue, and whispered, "Take off your glove."
Anna glanced up the aisle of the near-empty car and saw nothing but the backs of heads. She quickly peeled off her glove. He took her hand, hid it beneath the fold of his coat, and began to draw figure eights on her naked palm with one slow finger, sending shivers from her wrists to her lips, and to other parts.
"When the lights go out, I'm going to kiss you," he said. Anna felt like she was still sprinting for the train.
A heavy bump, bump made the lovers start. Anna's eyes cut to an old woman, who hobbled down the aisle, dragging a monogrammed Louis Vuitton case as cracked as her powdered face. Her dress had layers and layers of horrid black pleats and was so long out of fashion she could have worn it to Lincoln's funeral. The old lady parked herself one row in front of Anna and Louis in the otherwise empty back of the train. She turned around and stared at them from under wiry gray eyebrows. Sour old lady breath floated over the seat. Louis glared back at her. She clucked in disapproval and turned to face forward. In a few minutes, her head nodded and she began to snore, snorting in, whistling out.
Anna giggled at this a little maniacally, fueled by the excitement of running away, of holding his hand. She had never touched Louis before — or any man except her father. Not without a glove. She felt dizzy, almost drunk, sitting next to him, fingers entwined and caressing, and she had not foreseen it. As eager as she was to marry Louis, it had never been because of love. She chose him because he was well regarded, dressed well — a real Beau Brummell — and was clever enough to circumvent her possessive father. People said lots of nice things about Louis in spite of his poverty — how presentable he was, how sympathetic and well mannered, and how that rumor about his mother, which had traveled clear across the Atlantic, couldn't possibly be true.
Despite Clara's romanticizing the affair, Anna had accepted his proposal not so she could have a life with him in particular, but so she could have a different life. She'd never confess this to Clara, who loved her own husband to distraction — almost as much as she loved Anna. Good, complicit Clara, who had smuggled Anna's trunks out of the house and had them sent to Louis's apartment in Glendale.
Being with Louis now, it occurred to Anna that she didn't not-love him. And it was rather thrilling to be holding his hand, alone on a rough velvet seat, at night, in the back of a vibrating train.
When the lights finally went out, he kissed her in the dark, one soft brush of lips on lips. With dreamy, heavy eyes, he cooed, "You are the dandiest girl on earth."
Anna sighed and held her face up for another, but he placed two fingers on her puckered lips and smiled. "No more kisses," he whispered. "I'm afraid I'd cause a scandal."
Anna flushed. He'd already caused a scandal by stealing her away, and, if no one were looking, she didn't see why he shouldn't kiss her again and for longer. Instead, he removed her hat, plucking out hatpins one by one, and coaxed her cheek down onto his itchy, tweeded shoulder. Her enormous, yak-hair bun crushed against his face, but he didn't seem to mind.
"Now, go to sleep." His voice was silky and low. "I don't want you tired when I kiss you tomorrow night."
Anna bit her lip. He was even more handsome than she had thought before, like a hero in a book. His hands were so lovely caressing hers. She couldn't possibly sleep with him so near. She might never sleep again. She might actually be in love with him. Anna said a silent, sheepish prayer of thanks to Saint Valentine of Rome, patron saint of lovers, and promised to go to confession for deceiving her father and running off with a Protestant.
* * *
The train rattled through fragrant lemon groves, cool air whistling through a slightly opened window. Anna awoke to the pungent perfume, with her face pressed onto Louis's chest, one hand in his lap. His head was thrown back, mouth slightly open, his thin mustache quivering with each exhalation. She reluctantly withdrew her hand, straightened up, and, to her horror, found drool on his shirt where her mouth had been. After dabbing a trail of spit from her cheek, she adjusted her towering, lopsided hair in a hand mirror and shook him awake. He opened his eyes with a yawning, "Good morning, darling," and a crooked smile that said, "We just spent the night together." Anna matched it with one of her own.
The train made a grinding, screeching sound as it pulled into the station at Riverside. Louis gathered up his coat. "This, my queen, is the beginning of a dream come true. We're young. We have money. We finally have control of our lives."
Anna smiled, but reserved her exhilaration for when the deed was done. Louis reached out to touch her cheek. He recalled his hand as the old woman one seat up turned her eyes on him. "In my day," she said in a guttural Russian accent, "people didn't make love on trains."
Louis smirked. "In your day, madam, there were no trains."
Anna's eyes widened. She pressed her lips to prevent them from smiling, an act that she could not condone. The old woman harrumphed and looked at her old leather case. She looked at Louis, then to her bag, and back again. It was a gesture of command. Louis brushed past the old woman as if she were not there.
"In my day, gentlemen helped ladies with their bags!" the old woman called after him.
For the first time, Anna noticed the monogrammed letters on the woman's case — TLS. She smiled and bobbed. "Good day, Mrs. Smucker." Anna picked up the bag and carried it to the platform.
It was cool in the desert, though the morning sun made the bare, stony mountains golden. Anna hurried to catch up with Louis. He stood beneath a stand of fruited date palms, smoking a cigarette, waiting as a porter brought their trunks. He exhaled a stream of smoke. "Nasty old thing."
Anna rubbed her arms beneath her satin wrap. "Shhh, Louis. She's not some laundress. Her son's the mayor of Los Angeles."
"You know her?"
"Not by sight, but I know Mayor Smucker has a home in Riverside. His daughter Tasha, who was in my class, is named after her paternal grandmother. Tasha is a Russian name — like Natasha in War and Peace. This woman rolls her rs like a Russian. I know the mayor's mother has a very hard time keeping servants ..."
Louis gave Anna a sideways smile. "Clara warned me about this."
Anna's words tumbled out with increasing speed. "The mayor's housekeeper calls our housekeeper every few weeks in search of new staff for his mother. It's sort of a joke among the servants. Even a bad-tempered person can keep staff if she pays them well, so let's suppose that she does not pay them well. She certainly has the money. So, let's say she's a miser. This woman's bag is worn past respectability, but it's a Louis Vuitton and cost a bundle. Her dress, too, was expensive, last century. This suggests either a change in fortune, or that its owner does not care to spend the money to replace it. I favor the latter explanation as her bag is monogrammed TS — Tasha Smucker." Anna took a deep breath. "Which has no ring to it, whatsoever. I could never marry a man named Smucker."
Louis grinned and hailed a cab. "Then I'm lucky I'm not named Smucker."
The cab driver motored Anna and Louis through streets lined with feathered palms to the Mission Inn. The hotel catered to the East Coast rich, who came in droves to winter in sunshine and to see about their lucrative citrus groves. Louis chose it not only because it was fashionable, but because it had a chapel. It reminded Anna of a Spanish castle, with its wrought iron railings and gardens of purple bougainvillea. It dripped with bells. Anna stared up at the dozens of campañas adorning every arch, tower, and alcove beneath the red tile roof and wondered if they would ring for her when she was pronounced Mrs. Louis Taylor.
The couple passed through towering oak doors into the grand lobby. They strolled arm in arm, Anna hobbling on one shoe, ostrich feathers bobbing, her coat sooty, her satin frock looking slept in, her big hair tipping south. A fourteen-foot Christmas tree scented the room, adorned with baubles and tiny candles, waiting to be lit. There were bowls of oranges, red poinsettias, and elegant guests reading newspapers in leather chairs.
Louis sauntered up to a marble counter, wearing Anna like a badge of honor. "Mr. and Mrs. Louis Taylor. We have the honeymoon suite."
The clerk took in the couple with one broad stroke. He frowned his disapproval. "Welcome, Mr. ... I'm sorry."
"Taylor," Louis said.
The clerk found the name on a list and handed Louis a pen to sign the register. "I see you've reserved the chapel, Mr. and Mrs. Taylor."
Somewhere in the lobby behind them, two men began a conversation. Anna heard snippets.
"... California has her grip on me ... I bought citrus farms ..." "Riverside's a world away from Boston ..."
"... my home's being built in Los Angeles."
"Following the oil? The oil money? You and everybody else. We're finding our place in the world. First city with electric lights. The streetcars are the best in the nation. Telephone system, too ..."
"... I'm just here for the weather and the fruit ..."
"Following the oil? The oil money? You and everybody else. We're finding our place in the world. First city with electric lights. The streetcars are the best in the nation. Telephone system, too ..."
Excerpted from The Secret Life of Anna Blanc by Jennifer Kincheloe. Copyright © 2015 Jennifer Kincheloe. Excerpted by permission of Prometheus Books.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.
Most Helpful Customer Reviews
I received an Audible copy of The Secret Life of Anna Blanc through Audiobookworm Promotions in exchange for an honest review during the blog tour! I got really excited about this book, because a lot of reviewers compared it to the Miss Fisher’s Murder Mysteries show that I have fallen head over heels in love with on Netflix. I didn’t love this quite as much as I loved the tv show, but it was still a good mystery, where the murderer actually surprised me. Also a trigger warning for gaslighting, rape, abuse, suicides that turn out to be murders, and Anna saying repeatedly that a good woman would never commit suicide by slashing her throat. Yeah. She said that. A lot. While she was right that the “suicides” were not what they seemed, her repeating over and over again that women shouldn’t commit suicide that way because it’s too much work for other people almost made me DNF the book twice, before I was 30% into the book. Luckily, she gets a lot better, mostly thanks to Mr. Melvin and Joe. I regularly wanted to shake Anna by her shoulders to knock some sense into her. She was very smart, but she was so completely out of touch with the people she was working with, and so Catholic it hurt. . Despite her growth as a human being, I still regularly wanted to shake her. She was not a very likable character, through her sheer materialistic desires, but that might be someone else’s thing more than mine. I don’t want you to think I hated this book though. Reading what I wrote, I know it sounds like it, but there were a lot of good elements. I loved the side characters, I loved seeing 1907 Los Angeles, and Anna’s motivations – to escape from her controlling father – were great. Honestly, I almost expected Melvin to be the killer, which I was pleased to see he wasn’t. I also enjoyed the writing style. It worked for this novel. I also enjoyed Moira Quirk’s narration. She brought Anna’s silliness to life, while giving each character their own unique voice. I liked her voice for Detective Wolf the best, honestly. I thought it was weird to have him have a country accent, given he was in LA, but I’m not a linguistic expert so not the end of the world. The way he said “honey bun” gave me the giggles, though. This book would get a 3.5 if I did half stars, but since I don’t, it gets 4 stars from me! four stars and one empty one meant to signify a four star review If you want, you can check out the playlist that the author put together on Spotify. The next book, The Woman in the Camphor Trunk, is due to be out in 2017, and I may give it a shot. You can pick up a copy on audible, Amazon, Indiebound or at your other favorite bookseller.
I thought it was such an amazing book! It's about a lady in 1907, named Anna Blanc. During a time when women were not taken seriously and unable to have any kind of fredom. Anna joins the police force, and makes her voice be heard. There is a bit of romance as well. You fall in love with the characters! I was smiling the whole time!
For me, this book was not particularly "fast, funny, and fabulous" like reviews tout. The premise doesn't work very well, and the effect is uneven. Will pass the time if there is nothing else to read.
I absolutely loved The Secret Life of Anna Blanc. I originally read a copy from the library, then decided I had to add a hard copy to my own collection. Ms. Kincheloe's Anna possesses a savvy determination and keen humor as she responds to novel experiences as a police matron secretly tracking down a murdered in Los Angeles. Fans of Kerry Greenwood's Phryne Fisher or Elizabeth Peter's Amelia Peabody will revel in Anna's delightful adventures solving crime. Wonderful debut novel, I can't wait for Anna's next adventure.
In 2015 Los Angeles one can be as outrageous as one wants and everyone usually takes it all in stride. However, in 1907 Los Angeles, a woman was allowed to marry, raise children and help out in local charities. If that’s your cup of tea, read no further. But if you’ve got a bit of an imp loving to try new things and be a little crazy, then you’re going to find Anna Blanc lives what you may dream. In the beginning of her story, we see her eloping with a young man who says between having a lot of money and her spunk, he’ll be a happy man and they’ll be a happy couple. Right? Not quite! After this debacle ends, rich Daddy pretty much imprisons Anna and hires a series of chaperones to monitor Anna’s every move when she leaves home. But Anna is no wimp and finally makes a deal with one of those chaperones to exchange clothes and jewelry for six days. So what does Anna really want to do that she needs to do in secret? Actually Anna is not only vain and a shopaholic but also has dreams of making a difference. She wants to be like a friend who works in social service at a police station in L.A. but very, very few positions like this are open to the likes of Anna Blanc. Turns out that she’s in the right place at the right time, especially after getting arrested for marching in a suffragette parade and smoking a cigarette in public. No spoilers here – Anna is going to become involved in investigating the deaths of several young girls who have been coerced into prostitution out of terrible poverty. At first she’s viewed as a bothersome liberal but little by little as she proceeds with ruthless determination she becomes a highly respected member of the police force. In between those purposeful activities, however, Anna collects fiancés but must wait for quite a while before she finds the one she can truly love, admire, and respect, someone who has got Anna’s back in a secret but protective role. The Secret Life of Anna Blanc seems very, very contrived but this novel is actually a delight coupled with some witty social satire, as well as good sleuth work. Unusual, crafty and a very pleasant read, Jennifer Kincheloe