"Almost Homeric in its brilliance... Refreshingly modern... Ms Barker [switches] nimbly between the daily drudgery of the camp and the horrors of conflict... Venerable scenes and mythic names magically become new... Domestic details are piercingly described, bringing the squalor of the camp to life... A masterful and moving novel."
—Annalissa Quinn, NPR
“Well-written as anything Barker has done before…The Silence of the Girls is a novel that allows those who were dismissed as girls—the women trapped in a celebrated historical war—to speak, to be heard, to bear witness. In doing so, Barker has once again written something surprising and eloquent that speaks to our times while describing those long gone.”
—Bethanne Patrick, Washington Post
"A very good, very raw rendition of the Trojan War from the point of view of the women."
—Kate Atkinson, New York Times Book Review
“An impressive feat of literary revisionism that should be on the Man Booker longlist…Why isn’t Pat Barker’s The Silence of the Girls on this year’s Man Booker longlist? There are always going to be contentious omissions, I know, but Barker’s not only a veteran—she won in 1995 for The Ghost Road, the final volume of her magnificent First World War-set Regeneration trilogy—this latest work is an impressive feat of literary revisionism that reminds us that there are as many ways to tell a story as there are people involved…this is a story about the very real cost of wars waged by men: ‘the brutal reality of conquest and slavery.’ In seeing a legend differently, Barker also makes us re-think history.”
—Lucy Scholes, The Independent
"Evocative... The powerful story line is merely the framework; what make this novel so fascinating are all the interstitial details."
—John Greenya, The Washington Times
"This is an important, powerful, memorable book that invites us to look differently not only at The Iliad but at our own ways of telling stories about the past and the present, and at how anger and hatred play out in our societies. 'The defeated go down in history and disappear, and their stories die with them.' Barker's novel is an invitation to tell those forgotten stories, and to listen for voices silenced by history and power."
—Emily Wilson, translator of The Odyssey
"Brilliant, beautifully written... Both lyrical and brutal, Barker's novel is not to savor delicately."
—Library Journal, starred review
“In The Silence of the Girls, [Barker] now gives a voice to the voiceless…It is not generally known that the omission of Pat Barker’s Regeneration from the 1991 Booker shortlist by the all-male panel of judges was the trigger for the foundation of the Orange (now Women’s) Prize. Barker’s omission from this year’s Booker longlist is a decision equally lamentable, for The Silence of the Girls is a book that will be read in generations to come.”
—Amanda Craig, Daily Telegraph
“This book weaves strands from across Barker’s work, foregrounding female experience on a vividly evoked battleground.”
—The Sunday Times
“The Silence of the Girls is brilliant—fascinating, riveting and blood chilling in its matter-of-fact attitude toward war and those who are its spoils. I loved the book for its craftsmanship, as well is its wonderful evocation of the ancient world and the not-so-ancient minds of the people inhabiting it.”
“In graceful prose, Man Booker Prize winner Barker, renowned for her historical fiction trilogies, offers a compelling take on the events of The Iliad, allowing Briseis a first-person perspective. Briseis is flawlessly drawn as Barker wisely avoids the pitfall so many authors stumble into headlong, namely, giving her an anachronistic modern feminist viewpoint. The army camp, the warrior mindset, the horrors of battle, the silence of the girls—Barker makes it all convincing and very powerful. Recommended on the highest order.”
"There’s a bluntness to Barker’s prose that feels appropriate to this tale of women’s fates during wartime. But if it insists on the importance of bearing witness, it’s also about choosing life.”
—Mail On Sunday
"Wryly observant and wholly cognizant... Barker's retelling of some of the most famous events of The Iliad feels strangely relevant to today—displaced peoples, war refugees, abandoned women and children, sexual violence—and assures us that women's voices will be silent no longer."
“Amid the recent slew of rewritings of the great Greek myths and classics Barker’s stands out for its force of purpose and earthy compassion… Barker puts a searing twist on The Iliad to show us what the worst fate can be.”
—Peter Kemp, The Times
"The arrival of The Silence of the Girls couldn't be more apropos... Barker has a knack for capturing the voices of women in everyday life."
“Its magnificent final section can’t help but make you reflect on the cultural underpinnings of misogyny, the women throughout history who have been told by men to forget their trauma... You feel you are in the hands of a writer at the height of her powers, her only priority to enlarge the story.”
“A lot of these re-imaginings fall flat, but Barker’s new novel, The Silence of the Girls, is superb... It is as beautifully written as it is brutal in describing the blood-soaked horrors of war. It’s out next month and should have been put on the Man Booker longlist. Silly judges.”
—Robbie Millen, The Times
“If this book doesn’t win all the awards – I mean all ALL of them – it will be a travesty. Quite the most incredible thing I’ve read this year and I’ve read a lot of great books. Classic storytelling, amazing characters And such a lot to say about then – and now. Circe was a wonderful feminist romp and I loved it, but The Silence of the Girls is something else all together. For me, this is Pat Barker’s Handmaid’s Tale moment.”
—Sam Baker, author of The Woman Who Ran
“Barker’s innovation rests on the female perspective… Here she gives Briseis a wry voice and watchful nature… [The Silence of the Girls] hums with intelligence.”
"An extraordinary novel... [and] the current debate about power and control in sexual relationships makes it a very timely one. If this doesn't make every serious literary prize shortlist, I'll be very surprised."
—Alice O’Keefe, The Bookseller
Following the fall of her city to the Greek army, Briseis, former queen of Lyrnessus, sister city of Troy, is awarded to Achilles as his captive and concubine. She tells her story of slavery, rape, and survival as an insider witnessing the strategies of Achilles and his closest companion Petroclus. Achilles comes to value Briseis to the point of refusing to go to battle when Agamemnon demands her services. The Greek army, demoralized by the loss of their greatest warrior, begins to lose ground to the Trojan forces until Petroclus dons Achilles's armor, fighting and dying in his place. Grief-stricken, Achilles reenters the fray and Troy is conquered. Barker gives the ancient tale of the ten-year-long siege and inevitable fall of Troy new life by presenting the women's point of view, showing women as the most vulnerable, and in many ways, most courageous victims of war. Readers will come away from this brilliant, beautifully written novel convinced that the so-called glorious death in battle is less important than the strength and determination required to survive against all odds. VERDICT Both lyrical and brutal, Barker's novel is not to savor delicately but rather to be devoured in great bloody gulps. A must read! [See Prepub Alert, 3/26/18; "Editors' Fall Picks," LJ 8/18.]—Jane Henriksen Baird, formerly at Anchorage P.L., AK
An accomplished hand at historical fiction respins the final weeks of the Trojan War.For her 14th novel, Booker Prize-winning Barker plucks her direction from the first line of the Iliad: "Divine Muse, sing of the ruinous wrath of Achilles...." The archetypal Greek warrior's battle cries ring throughout these pages, beginning on the first. The novel opens as Achilles and his soldiers sack Lyrnessus, closing in on the women and children hiding in the citadel. Narrating their terrifying approach is Briseis, the local queen who sees her husband and brothers slaughtered below. She makes a fateful choice not to follow her cousin over the parapet to her death. She becomes instead Achilles' war trophy. Briseis calls herself "a disappointment...a skinny little thing, all hair and eyes and scarcely a curve in sight." But in the Greek military encampment on the outskirts of Troy, she stirs much lust, including in the commander Agamemnon. So far, so faithful to Homer. Barker's innovation rests in the female perspective, something she wove masterfully into her Regeneration and Life Class trilogies about World War I. Here she gives Briseis a wry voice and a watchful nature; she likens herself as a mouse to Achilles' hawk. Even as the men boast and drink and fight their way toward immortality, the camp women live outwardly by Barker's title. Their lives depend on knowing their place: "Men carve meaning into women's faces; messages addressed to other men." Barker writes 47 brisk chapters of smooth sentences; her dialogue, as usual, hums with intelligence. But unlike her World War I novels, the verisimilitude quickly thins. Her knowledge of antiquity is not nearly as assured as Madeline Miller's in The Song of Achilles and Circe. Barker's prose is awkwardly thick with Briticisms—breasts are "wrinkled dugs" or "knockers." And she mistakenly gives the Greeks a military field hospital, which was an innovation of the Romans.A depiction of Achilles' endless grief for Patroclus becomes itself nearly endless.