The Story of Kullervo

by J. R. R. Tolkien, Verlyn Flieger (Editor)

Overview

The first publication of a previously unknown work of fantasy by J.R.R. Tolkien

Kullervo, son of Kalervo, is perhaps the darkest and most tragic of all J.R.R. Tolkien’s characters. "Hapless Kullervo," as Tolkien called him, is a luckless orphan boy with supernatural powers and a tragic destiny. 
  
Brought up in the homestead of the dark magician Untamo, who killed his father, kidnapped his mother, and tried three times to kill him when he was still a boy, Kullervo is alone save for the love of his twin sister, Wanona, and the magical powers of the black dog Musti, who guards him. When Kullervo is sold into slavery he swears revenge on the magician, but he will learn that even at the point of vengeance there is no escape from the cruelest of fates. 
  
Tolkien himself said that The Story of Kullervo was "the germ of my attempt to write legends of my own," and was "a major matter in the legends of the First Age." Tolkien’s Kullervo is the clear ancestor of Túrin Turambar, tragic incestuous hero of The Silmarillion. Published here for the first time with the author’s drafts, notes, and lecture essays on its source work, the Kalevala, The Story of Kullervo is a foundation stone in the structure of Tolkien’s invented world.

Product Details

ISBN-13:	9780544706262
Publisher:	HMH Books
Publication date:	04/05/2016
Pages:	192
Product dimensions:	5.80(w) x 8.30(h) x 0.90(d)

About the Author

J.R.R. TOLKIEN (1892–1973) is the creator of Middle-earth and author of such classic and extraordinary works of fiction as The Hobbit, The Lord of the Rings, and The Silmarillion. His books have been translated into more than fifty languages and have sold many millions of copies worldwide.

Date of Birth:

January 3, 1892

Date of Death:

September 2, 1973

Place of Birth:

Bloemfontein, Orange Free State (South Africa)

Place of Death:

Oxford, England

Education:

B.A., Exeter College, Oxford University, 1915; M.A., 1919

Editorial Reviews

02/15/2016
Aimed more at scholars than at the casual reader, this new edition of an early short story—which dates to the years 1912–1916—offers a taste of fantasies to come from the master of Middle-Earth. Tolkien adapted this fragment from an episode of the Finnish epic Kalevala, and his account of the young son of a fratricide and his tragic destiny would ultimately inform the characters and events of the Silmarillion, the narrative framework for all of his fiction. The story is muddled by name changes midway through its telling and completed from Tolkien’s sketchy notes, but it nevertheless evokes the mythic grandeur that would come to characterize his forays into the fantastic. Transcriptions of Tolkien’s Oxford University lectures on the Kalevala, and editor Flieger’s essay, “Tolkien, Kalevala, and The Story of Kullervo”—in which she describes the tale as “an essential step on Tolkien’s road from adaptation to invention”—provide context for appreciating the nascent genius of one of the 20th century’s greatest fantasists. (Apr.)

Publishers Weekly

"The tale blends Tolkien’s trademark prose and epic poetry, and it is fascinating to catch this tantalizing glimpse into his brilliant mind . . .Will please readers who wish to unveil how Tolkien’s creative process evolved."— Booklist

"Evokes the mythic grandeur that would come to characterize [Tolkien's] forays into the fantastic."—Publishers Weekly

"Brings these first fruits of Tolkien's fertile mind into the public eye at last . . . a fascinating read . . . Tolkien geeks will find plenty to geek out about . . . Tolkien's version of the Kullervo story and his writings about it have never been available to the public before, and to those who get a kick out of tracing the history of Tolkien's invented world of Middle-Earth, this edition is a great find. Flieger's edition lets Tolkien's text speak for itself, with all its imperfections and archaicisms; her beautifully precise notes easily clear up any confusion for the modern reader."—NPR.org
 

From the Publisher

11/15/2015
Begun by Tolkien in his Oxford years and left unfinished, this newly discovered work features a tragic orphan boy named Kullervo, inspired by a character in the great Finnish epic Kalevala and in turn the impetus behind Túrin Turambar in The Silmarillion. Drafts of a Tolkien lecture on the Kalevala add scholarly force; indeed, this book might have more specialist appeal, as the 20,000-copy first printing suggests. But decidedly newsworthy; watch what happens. Published in the UK in August.

Library Journal

2016-01-18
Hobbitmeister Tolkien's first effort at fantasy, surrounded by scholarly scaffolding. Somewhere around 1912—the chronology is a little fuzzy—Tolkien immersed himself in the body of Finnish mythology called the Kalevala and then set to work writing a story in its general style, full of moody portent but at least light on dragons. Imagine Longfellow in collision with Tennyson and Washington Irving, and you might arrive at something approaching Tolkien's result: "And therewith he devised all manner of evil for the boy (for so already did the babe appear, so sudden and so marvellous was his growth in form and strength) and only his twin sister the fair maid Wanona (for so already did she appear, so great and wondrous was her growth in form and beauty) had compassion on him…." The diction varies between that kind of flat modernism and faux-King James: "Break thou the teeth of Sari O flint: rend thou the tongue of Kampa's son that speaketh always harshness and knows of no respect to those above him." At times, Tolkien turns to verse, taking his miniature saga into fog and mist and death in just three dozen pages. Added to this are two related papers, separated in time, by Tolkien on the Kalevala, against which he compares the Finnish mythic cycle to similar bodies of work in Welsh, Irish, Norse, and other traditions, as well as scholarly notes that link the hero with Túrin Turambar of The Silmarillion. Of particular interest to die-hard fans of Tolkien's are his notes on the story, mapping out alternate endings and plot points and revealing the beginnings of a dark mythical vision that will find full force a couple of decades later with the Lord of the Rings cycle. Tolkien compleatists will want to have this, of course, but serious students of his work and of world folklore will appreciate this more than will general readers.

Kirkus Reviews

Read More