The Swing Era: The Development of Jazz, 1930-1945

The Swing Era: The Development of Jazz, 1930-1945

by Gunther Schuller


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Here is the book jazz lovers have eagerly awaited, the second volume of Gunther Schuller's monumental The History of Jazz. When the first volume, Early Jazz, appeared two decades ago, it immediately established itself as one of the seminal works on American music. Nat Hentoff called it "a remarkable breakthrough in musical analysis of jazz," and Frank Conroy, in The New York Times Book Review, praised it as "definitive.... A remarkable book by any standard...unparalleled in the literature of jazz." It has been universally recognized as the basic musical analysis of jazz from its beginnings until 1933.
The Swing Era focuses on that extraordinary period in American musical history—1933 to 1945—when jazz was synonymous with America's popular music, its social dances and musical entertainment. The book's thorough scholarship, critical perceptions, and great love and respect for jazz puts this well-remembered era of American music into new and revealing perspective. It examines how the arrangements of Fletcher Henderson and Eddie Sauter—whom Schuller equates with Richard Strauss as "a master of harmonic modulation"—contributed to Benny Goodman's finest Duke Ellington used the highly individualistic trombone trio of Joe "Tricky Sam" Nanton, Juan Tizol, and Lawrence Brown to enrich his elegant Billie Holiday developed her horn-like instrumental approach to singing...and how the seminal compositions and arrangements of the long-forgotten John Nesbitt helped shape Swing Era styles through their influence on Gene Gifford and the famous Casa Loma Orchestra. Schuller also provides serious reappraisals of such often neglected jazz figures as Cab Calloway, Henry "Red" Allen, Horace Henderson, Pee Wee Russell, and Joe Mooney.
Much of the book's focus is on the famous swing bands of the time, which were the essence of the Swing Era. There are the great black bands—Duke Ellington, Count Basie, Jimmie Lunceford, Earl Hines, Andy Kirk, and the often superb but little known "territory bands"—and popular white bands like Benny Goodman, Tommy Dorsie, Artie Shaw, and Woody Herman, plus the first serious critical assessment of that most famous of Swing Era bandleaders, Glenn Miller. There are incisive portraits of the great musical soloists—such as Art Tatum, Teddy Wilson, Coleman Hawkins, Lester Young, Bunny Berigan, and Jack Teagarden—and such singers as Billie Holiday, Frank Sinatra, Peggy Lee, and Helen Forest.

Product Details

ISBN-13: 9780195071405
Publisher: Oxford University Press, USA
Publication date: 09/01/2005
Series: History of Jazz Series , #1
Edition description: Reprint
Pages: 944
Sales rank: 421,471
Product dimensions: 9.25(w) x 6.06(h) x 1.44(d)
Lexile: 1500L (what's this?)

About the Author

Gunther Schuller began his professional career in 1943, at age seventeen, when he played French horn with the Cincinnati Symphony and later served as first horn in the Metropolitan Opera. A prominent American composer, he has written a wide range of orchestral and chamber music, as well as jazz compositions.

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The Swing Era: The Development of Jazz, 1930-1945 5 out of 5 based on 0 ratings. 1 reviews.
ehines on LibraryThing More than 1 year ago
This is by far the best music book I've ever read. It is scholarly, no doubt, but Schuller's joy in this music comes through on every page. A rudiemntary ability to read music is a plus with this book, but by no means necessary. Schuller is even-handed and open-minded but never abdicates the critic's responsibility to judge. And absolutely never abdicates the scholars responsibility to inform. A wonderful book on 1930s jazz.