2021 Indie Next List selection
Fantasy Book Café 10 Best Books of 2022
2021 Publishers Weekly Top-10 Sci-Fi/Fantasy Forthcoming Books
BookPage Best Science Fiction & Fantasy of 2021
[STARRED REVIEW] “Liu (the Monstress series) charms with this spellbinding collection of six short stories and one novella. The standouts are ‘The Briar and the Rose,’ a darkly fascinating retelling of ‘Sleeping Beauty,’ in which a female duelist discovers her witch employer is living in the stolen body of Princess Rose, and helps Rose to regain it; and ‘Call Her Savage,’ a steampunk western set during the Opium Wars and following half-Chinese antiheroine Lady Marshal as she struggles to be the hero others need her to be. Also of note are the haunting and eerie, ‘Sympathy for the Bones’; ‘The Last Dignity of Man,’ about a would-be supervillain who realizes he must be his own superman; and two stories set in the world of Liu’s Dirk and Steele paranormal romance series: the atmospheric historical fantasy, ‘Where the Heart Lives,’ which serves as a prequel to the series, and the dystopian ‘After the Blood,’ about Amish vampires, set in the series’s future. The title novella offers a more standard secondary world fantasy, about a runaway princess drawn to an enchanted forest, but uses this familiar plot to probe the character’s feelings of being trapped. Liu’s mastery of so many different subgenres astounds, and her ear for language carries each story forward on gorgeously crafted sentences. This is a must-read.”
—Publishers Weekly,
[STARRED REVIEW] “A collection of short stories exploring the emotional complexity, diverse physicality, and layered sexuality of resourceful women. In ‘Sympathy for the Bones,’ Clora is old Ruth’s unwilling apprentice witch in Kentucky, forced to murder men with hoodoo magic or surrender her soul. Having lost her family, Clora longs to know what it feels like to love and be loved, even as she plans her escape. Another kind of escape is brewing in ‘The Briar and the Rose,’ a retelling of ‘Sleeping Beauty,’ only this time the charming prince is a brown warrior-woman who must walk the dangerous line between freeing the woman she’s come to love and her duty to her mistress¬—the sorceress who inhabits Rose’s body six days out of seven. In ‘Call Her Savage,’ a striking magical alternate history, ex–Lady Marshall Xing MacNamara—who comes from New China, on the Pacifica coast of an America allied with its Native peoples—must kill her former lover Maude in order to stop the Redcoats from colonizing the world. Rounding out the collection are a story about Amish vampires and a secret marriage in a plague-ridden future that gingerly explores trauma and strength; a gay wannabe-supervillain looking for a superhero to love him in a story that asks what true vulnerability can awaken; and a princess, determined to forge her own path through sentient trees and evil queens, who wrestles with how to remain true to duty, heart, and mind. Within each tale, author Liu gives a masterclass in the art of storytelling. She doesn’t waste a word or a comma, nor does she miss an opportunity to dive into what makes us human, no matter who we are or who we love. In the title novella, the protagonist learns that ‘some trees are bark and root, and some trees have soul and teeth.” So, too, will readers find that Liu’s writing is all “soul and teeth.” Neither will release them quickly. The only drawback to these seven stories is that readers will want far more time in each world.”
—Kirkus
[STARRED REVIEW]“Marjorie Liu gathers six previously published short stories and an original novella in a powerful collection of speculative fiction, showcasing the talent that's won her several Eisner and Hugo awards. With a range of themes and settings, the stories in The Tangleroot Palace showcase immersive world building and emotionally evocative prose, the same writing that has made her so successful in her paranormal romance novels and in powerhouse comics like Monstress (with Sana Takeda).”
—Shelf Awareness
[STARRED REVIEW] “Marjorie Liu’s haunting collection of short stories, The Tangleroot Palace, is an astonishing foray into fantastical escapism. These are reworkings of older works of short fiction, and together they create both a love letter to Liu’s illustrious career and a curious and joy-filled glimpse into the future. Readers who want to be immersed in otherworldly adventures with feminist themes will find a gifted and enchanting guide in Liu.”
—BookPage
“The Tangleroot Palace is charming and ruthless. Tales that feel new yet grounded in the infinitely ancient, a mythology for the coming age.”
—Angela Slatter, author of The Bitterwood Bible
“This is a superb collection from start to finish. Mysterious, beautiful and strange, harsh and charming, it fires the emotional palate.”
—Charles de Lint, author of the Newford series
“Marjorie Liu captivates with her evocative language an instinct for adjusting the story’s tone according to its content and the ideal narrative perspective.”
—Ancillary Review of Books
“A spellbinding collection.”
—Book Riot
“The Tangleroot Palace is one of the best short story collections or anthologies I’ve ever read.”
—Fantasy Cafe
“Some authors excel at one thing; others can do it all. Whether it's fairy tales or superheroes or the post-apocalypse, Liu always delivers, and with her own unique spin.”
—Marie Brennan, author of Driftwood
“I am utterly ashamed to say this is the first time I have read Liu’s work, but it won’t be the last. I was blown away by her skill. I loved every story, the steady pacing and reveal, what is revealed or withheld.”
—British Fantasy Society
“Beautifully written, deeply engaging, and full of wonder and strong female characters.”
—Grimdark Magazine
“Rich and evocative tales with just the right amount of bite.”
—Kelley Armstrong, author of Bitten
“This is a superb collection from start to finish. Mysterious, beautiful and strange, harsh and charming. And timeless. Utterly timeless.”
—Fantasy & Science Fiction
“Gorgeous, with a lyricism akin to Ursula K. Le Guin and the dark fantasy sensibility of Neil Gaiman.”
—Strange Horizons
“Along with her remarkable versatility as a writer, it is above all this ability to make her readers question the seemingly obvious that sets Liu’s stories apart from others of the same kind.”
—Shoreline of Infinity
“5/5 stars. Absolutely mesmerizing storytelling.”
—Ash and Books
“Excellent.”
—Book Lover’s Boudoir
“Vivid writing that lights up my brain. Evocative settings. Memorable characters engaged in dark struggles. When I read Marjorie Liu’s stories, I know I’m in the hands of a master.”
—Carrie Vaughn, author of the Kitty Norville series
“Liu’s astonishing range reaches stunning heights of savagery and tenderness, with groundbreaking visions of fairy tales, alternate history, and high fantasy, even challenging the conventions of feminism itself. Longtime fans and new readers alike will be swept away by the tragic romance, nail-biting adventure, and dread-inducing terror found within these boundary-pushing texts, where representation is the key ingredient to supremely engaging storylines, accessible to all.”
—Cemetery Dance
5/5 stars. “Fans of genre fiction and short stories should pick this one up. Liu’s talent with world building alone make this collection a must read.”
—Allusory Book Reviews
5/5 Stars. “Each tale brought something beautiful and totally original to the table and I truly felt completely immersed in every sentence Liu wrote.”
—A Series of Various Events
Praise for Monstress
“Brilliant . . . Stuffed with intricate myths, dense history, crisscrossing political relationships and magical technology, the world of Monstress is everything a fantasy reader could want.”
—NPR Books
“[T]his is a book that will be wildly embraced by all fans of graphic literature.”
—School Library Journal
“With Monstress, the Chinese-American writer and her Japanese illustrator now have a platform that allows them to represent the breadth of their cultures and aesthetic interests.”
—LA Review of Books
“Monstress might be the most ambitious comic book on the market. It takes guts to go all out and create a swirling fantasy adventure at a time when the industry is trending toward sci-fi, superhero, and more grounded stories.”
—VOX
“Stories in this volume evoke everyone from William Goldman to Tanya Huff, from Hayao Miyazaki to Kevin Smith.”
—Green Man Review
“Marjorie Liu is incredibly talented and this book gives a taste of all the things she’s capable of. She easily goes from horror to fairy tale to post-apocalyptic paranormal, and why not throw in some superhero-inspired story, a handful of zombies and a defiant princess in there.”
—SFF Reviews
“Liu’s dynamic writing style and clever story concepts are the real standouts—she is just as capable of producing evocative, romantic writing as she is pounding out gritty, electric scenes of violent revenge.”
—Locus
5/5 stars. “Each story is its own world, fully fleshed out, full of the scene-setting lush prose I expect from Liu.”
—K. Bird Lincoln, What I Should Have Said
“Short story collections are truly a savior for me whenever I’m struggling to read, and this one is one of my favorites!”
—Forever and Everly
★ 2021-02-10
A collection of short stories exploring the emotional complexity, diverse physicality, and layered sexuality of resourceful women.
In “Sympathy for the Bones,” Clora is old Ruth’s unwilling apprentice witch in Kentucky, forced to murder men with hoodoo magic or surrender her soul. Having lost her family, Clora longs to know what it feels like to love and be loved, even as she plans her escape. Another kind of escape is brewing in “The Briar and the Rose,” a retelling of “Sleeping Beauty,” only this time the charming prince is a brown warrior-woman who must walk the dangerous line between freeing the woman she’s come to love and her duty to her mistress—the sorceress who inhabits Rose’s body six days out of seven. In "Call Her Savage," a striking magical alternate history, ex–Lady Marshall Xīng MacNamara—who comes from New China, on the Pacifica coast of an America allied with its Native peoples—must kill her former lover Maude in order to stop the Redcoats from colonizing the world. Rounding out the collection are a story about Amish vampires and a secret marriage in a plague-ridden future that gingerly explores trauma and strength; a gay wannabe-supervillain looking for a superhero to love him in a story that asks what true vulnerability can awaken; and a princess, determined to forge her own path through sentient trees and evil queens, who wrestles with how to remain true to duty, heart, and mind. Within each tale, author Liu gives a masterclass in the art of storytelling. She doesn’t waste a word or a comma, nor does she miss an opportunity to dive into what makes us human, no matter who we are or who we love. In the title novella, the protagonist learns that “some trees are bark and root, and some trees have soul and teeth.” So, too, will readers find that Liu’s writing is all “soul and teeth.” Neither will release them quickly.
The only drawback to these seven stories is that readers will want far more time in each world.
Catherine Ho narrates a collection of dark fairy tales featuring witches, warriors, princesses, and more. Most of the stories in this collection lean into the darker and creepier side of Liu’s aesthetic, which Ho excels at. Standouts include “Sympathy for the Bones,” in which Ho digs into the bitter desperation of a young woman who refuses to succumb to it; “The Last Dignity of Man,” a disturbing twist on the Lex Luthor mythos that allows Ho to explore identity; and the title novella, which is a fairy tale about a runaway princess that allows Ho to voice both a menacing enchantress and a plucky heroine. As with any collection of shorter works, some are stronger than others, but Ho’s performance remains outstanding throughout. K.M.P. © AudioFile 2021, Portland, Maine
Catherine Ho narrates a collection of dark fairy tales featuring witches, warriors, princesses, and more. Most of the stories in this collection lean into the darker and creepier side of Liu’s aesthetic, which Ho excels at. Standouts include “Sympathy for the Bones,” in which Ho digs into the bitter desperation of a young woman who refuses to succumb to it; “The Last Dignity of Man,” a disturbing twist on the Lex Luthor mythos that allows Ho to explore identity; and the title novella, which is a fairy tale about a runaway princess that allows Ho to voice both a menacing enchantress and a plucky heroine. As with any collection of shorter works, some are stronger than others, but Ho’s performance remains outstanding throughout. K.M.P. © AudioFile 2021, Portland, Maine