The late 1960s. Celebrity playwright Oliver Lindall has assembled his team of players for the premiere of his new play When Winter Comes. For the author, first-night nerves won’t be his only obstacle. Among his troupe is Simon Baird, chosen for his acting skills, yet known for his reputation. Baird has brooding class resentments and is as likely to wreak destruction as shine in any new production. When the play finally premieres, we still don’t know what it will be: more plaudits for Oliver Lindall, or chaos at the hands of the hugely talented, mercurial Simon Baird? In the climax of O’Connor’s The Terrorist we are delivered not only a verdict, but one further question: who actually owns the finished production – the playwright, the players, or the audience played to? Simon Baird has his answer, and demonstrates it graphically.