Stephen Greenblatt
…the novelist's art is a cunning ability to lure the reader into treating counterfeit bills as if they were current. And this particular novel—a fictional memoir posing as a fraudulent introduction to a forged play—is a spectacular instance of the confidence game. It is a tribute to Arthur Phillips's singular skill that his work leaves the reader not with resentment at having been tricked but rather with gratitude for the gift of feigned wonder.
—The New York Times Book Review
Michiko Kakutani
…Arthur Phillips has found the perfect vehicle for his cerebral talents: his ingenuity; his bright, elastic prose; and, most notably, his penchant for pastiche—for pouring his copious literary gifts into old vessels and reinventing familiar genres…With The Tragedy of Arthur Mr. Phillips has created a wonderfully tricky Chinese puzzle box of a novel that is as entertaining as it is brainy. If its characters are a little emotionally predictable, we don't mind all that much: we're more interested in seeing how the author cuts and sands his puzzle pieces, assembles them into a pretty contraption and then inserts lots of mirrors and false bottoms.
—The New York Times
Michael Dirda
I suspect that most readers will greatly enjoy Phillips's easygoing and digressive, if admittedly self-absorbed introduction. Just think of the joyless academic prose that a professional Elizabethan might have produced!…The Tragedy of Arthur, however you view it, shows off a writer at the top of his game.
—The Washington Post
From the Publisher
[Balances] a moving story of familial and romantic love on a deliberately unsteady fictional edifice . . . [an] exuberant chimera of a novel.”—The New Yorker
“Splendidly devious.”—The New York Times Book Review
“Wily and witty . . . an engrossing family saga [with] sparkling and imaginative prose. Shakespeare would applaud a man who does him so proud.”—The Boston Globe
“Arthur Phillips has found the perfect vehicle for his cerebral talents: his ingenuity; his bright, elastic prose; and, most notably, his penchant for pastiche—for pouring his copious literary gifts into old vessels and reinventing familiar genres.”—The New York Times
“Devious and exhilarating . . . an irresistible family drama bundled into an exploration of fraud and authenticity.”—The Wall Street Journal
“A circus of a novel, full of wit, pathos and irrepressible intelligence.”—Minneapolis Star Tribune
“The story of a family that is Shakespearean in several senses . . . [The Tragedy of Arthur] contains literary echoes of Nabokov, Stoppard and even . . . Thomas Pynchon.”—San Francisco Chronicle
JUNE 2011 - AudioFile
Twins Arthur and Dana have been immersed their entire lives in their father's obsession with Shakespeare. Now the literary ex-con claims to have discovered a lost Shakespeare play—THE TRAGEDY OF [KING] ARTHUR. But twin Arthur thinks the work is a forgery. His sister, Dana, on the other hand, deeply believes in her father. Portraying the skeptical twin, David Baker voices a cynical wit with a weary sardonic tone. He gives Dana a lighter voice and makes the story’s other characters sound distinctive as well. The novel is presented as a memoir by twin Arthur, which has been published as the "introduction" to the new play—which is also part of the book. The building suspense over the authenticity of the Shakespearean scholarship is accompanied by sharp jabs to the publishing industry. Baker’s fluency enhances a fascinating tale. A.W. Winner of AudioFile Earphones Award © AudioFile 2011, Portland, Maine
