Riveting...Henderson immerses you in characters worthy of Flannery O’Connor...A masterful piece of storytelling.” — Seattle Times
“An absorbing epic of poor Georgia farm people and other folks they encounter in dicey, hardscrabble times. The elegant yet swift and crafty storytelling is spiked with so many surprises.” — Atlanta Journal-Constitution
“This is one of the most beautiful books, as an object, I’ve ever held. What’s inside is even more beautiful: beautifully told, beautifully written, a story that penetrates to the American heart, and all the light and darkness therein.” — Philadelphia Inquirer
“[A] superb novel whose roots can be traced to Harper Lee and Carson McCullers.” — O, the Oprah Magazine
“Affecting, profound...offers readers a rich, comprehensive portrait of the powerful forces at work in the Jim Crow South... Henderson does an incredible job.” — Nylon Magazine
“This engaging, expansive novel manages to feel historical and, sadly, up to the minute as it probes the sins at the heart of the American experience...This is the kind of novel you sink into, live inside. When you’re finished, it will live inside you. A bravura performance.” — Victor Lavalle, author of The Changeling
“Lyrical...mesmerizing, disturbing, and wonderfully persuasive. The world is brutal even as the landscape is lush and seductive...Unstinting in showing us the everyday savagery of Jim Crow, of poverty, and of family abuse. A riveting, consequential story full of complex secrets and unexpected turns.” — Dana Spiotta, author of Innocents and Others
“One of the deepest and most nuanced explorations of our shared humanity that I’ve read...The writing is so extraordinary it will make your teeth ache; the story is so compelling that you may gasp out loud...This is no ordinary novel. It is art of the highest order.” — Cristina Henríquez, author of The Book of Unknown Americans
“A family drama, a mystery, a Southern Gothic, and a searing study of the complexities of race in America...Cotton County is a dark place, tortured by its own secrets, and it’s in Henderson’s expert hand and penetrating eye that those secrets are carried into light.” — Bill Cheng, author of Southern Cross the Dog
“An intricate and fascinating tale of maternity and paternity, of race and blood, of two young women doing what they must do to survive...This is brave material, confronted with unblinking honesty and woven with intelligence and grace.” — Christopher Tilghman, author of The Right-Hand Shore
“Henderson’s highly recommended title delivers a powerful tale of social complexity told in radiant and precise prose.” — Library Journal (starred review)
“Totally immersing, provocative...The world of Twelve Mile Straight—the rural back road of this engrossing novel’s title, with its illegal distillery, chain gangs, and lynchings—will continue to haunt readers long after they finish the final page.” — Booklist
“Doesn’t exclude the true horrors women and people of color faced in 1930s Georgia, these tragedies depicted through a fictional town with fictional characters, facing the same stakes and complicated pasts as the real town with real people. The work is raw, aching and concerning...dauntless...timeless.” — The Ithaca Times
“Searing...The Twelve-Mile Straight takes readers to some remarkable places, always brought to life in Henderson’s lean, vivid prose.” — Paste Magazine
Riveting...Henderson immerses you in characters worthy of Flannery O’Connor...A masterful piece of storytelling.
A family drama, a mystery, a Southern Gothic, and a searing study of the complexities of race in America...Cotton County is a dark place, tortured by its own secrets, and it’s in Henderson’s expert hand and penetrating eye that those secrets are carried into light.
This is one of the most beautiful books, as an object, I’ve ever held. What’s inside is even more beautiful: beautifully told, beautifully written, a story that penetrates to the American heart, and all the light and darkness therein.
[A] superb novel whose roots can be traced to Harper Lee and Carson McCullers.
An intricate and fascinating tale of maternity and paternity, of race and blood, of two young women doing what they must do to survive...This is brave material, confronted with unblinking honesty and woven with intelligence and grace.
This engaging, expansive novel manages to feel historical and, sadly, up to the minute as it probes the sins at the heart of the American experience...This is the kind of novel you sink into, live inside. When you’re finished, it will live inside you. A bravura performance.
Affecting, profound...offers readers a rich, comprehensive portrait of the powerful forces at work in the Jim Crow South... Henderson does an incredible job.
Lyrical...mesmerizing, disturbing, and wonderfully persuasive. The world is brutal even as the landscape is lush and seductive...Unstinting in showing us the everyday savagery of Jim Crow, of poverty, and of family abuse. A riveting, consequential story full of complex secrets and unexpected turns.
An absorbing epic of poor Georgia farm people and other folks they encounter in dicey, hardscrabble times. The elegant yet swift and crafty storytelling is spiked with so many surprises.
Atlanta Journal-Constitution
One of the deepest and most nuanced explorations of our shared humanity that I’ve read...The writing is so extraordinary it will make your teeth ache; the story is so compelling that you may gasp out loud...This is no ordinary novel. It is art of the highest order.
Totally immersing, provocative...The world of Twelve Mile Straight—the rural back road of this engrossing novel’s title, with its illegal distillery, chain gangs, and lynchings—will continue to haunt readers long after they finish the final page.
Doesn’t exclude the true horrors women and people of color faced in 1930s Georgia, these tragedies depicted through a fictional town with fictional characters, facing the same stakes and complicated pasts as the real town with real people. The work is raw, aching and concerning...dauntless...timeless.
Searing...The Twelve-Mile Straight takes readers to some remarkable places, always brought to life in Henderson’s lean, vivid prose.
Totally immersing, provocative...The world of Twelve Mile Straight—the rural back road of this engrossing novel’s title, with its illegal distillery, chain gangs, and lynchings—will continue to haunt readers long after they finish the final page.
[A] superb novel whose roots can be traced to Harper Lee and Carson McCullers.
An absorbing epic of poor Georgia farm people and other folks they encounter in dicey, hardscrabble times. The elegant yet swift and crafty storytelling is spiked with so many surprises.
Atlanta Journal-Constitution
One of the deepest and most nuanced explorations of our shared humanity that I’ve read...The writing is so extraordinary it will make your teeth ache; the story is so compelling that you may gasp out loud...This is no ordinary novel. It is art of the highest order.
★ 08/01/2017 In 1930 Georgia, retribution is swift when white sharecropper's daughter Elma Jesup gives birth to two babies, one dark-skinned. For the presumed rape, field hand Genus Jackson is dragged to his death down a local road called the Twelve-Mile Straight. Thus does the tragedy of racial violence in the Jim Crow South shape the narrative, but Henderson (Ten Thousand Saints) is after something more, showing the damage wrought by divisions of class as well as race and the way both a family and a community can be sustained by lies. As Elma raises the children with the help of young black housekeeper Nan, nearly a sister to her, it's evident that her dreams for a better life were short-circuited from the start by the contempt with which folks like her are regarded by other whites. The tangled, often painful relations binding Nan, Elma, and Elma's father also emerge, along with questions regarding the children's paternity, a mystery that drives the narrative forward to a strong, morally riven climax. VERDICT Henderson's highly recommended title delivers a powerful tale of social complexity told in radiant and precise prose. [See Prepub Alert, 3/3/17.]—Barbara Hoffert, Library Journal