The Watercolors of John Singer Sargent

The Watercolors of John Singer Sargent

by Carl Little

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Overview

The Watercolors of John Singer Sargent by Carl Little

John Singer Sargent (1856-1925) stands among the greatest of watercolor painters, along with J.M.W. Turner, Winslow Homer, and other masters of this difficult medium. Watercolor was more than a distraction from the portrait and mural commissions Sargent labored over; after 1900, watercolor became central to his artistic vision. His aquarelles are, simply stated, masterworks. Portraits, interiors, landscapes, architectural studies—Sargent's work in watercolor offers a great variety of subject matter, ranging from Arab gypsies to World War I soldiers, to masterful depictions of Venetian churches, to Florida swamp alligators.

Sargent carried his watercolors on his travels; They were ideally suited to capturing the scene, the light, the air, wherever he found himself. This book serves as a record of his travels, featuring the paintings he produced in Palestine, Northern Africa, the Canadian Rockies, Italy, Switzerland, Spain, and Greece. Among specific locales were the islands of Majorca and Corfu; Florence, VeBérénice, Carrara, Lake Garda, and Rome; the Alps; Lake O'Hara; the coast of Maine and the Miami River.

Sargent's bold and often experimental use of the medium, which sometimes led to semi-abstract images, compels admiration among contemporary painters as well as museum goers today.
In addition to placing Sargent's accomplishments in the context of his life and time, Carl Little discusses the artist's extraordinary watercolor technique.

Product Details

ISBN-13: 9780520219700
Publisher: University of California Press
Publication date: 03/31/1999
Pages: 160
Product dimensions: 9.75(w) x 10.50(h) x 0.40(d)

About the Author

Carl Little is the author of Edward Hopper's New England (1993) and Winslow Homer: His Art, His Light, His Landscapes (1997). His essays and reviews appear in Art New England, Town & Country, and Art in America, where he was formerly associate editor. He has lectured at the Portland Museum of Art and the Farnsworth Art Museum in Maine.

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