The Witch's Boy

by Michael Gruber Narrated by Denis O'Hare

Overview

A wondrous journey through the realms of magic

They call him Lump. Ugly, misshapen -- more goblin than human child -- abandoned as an infant and taken in by a witch, he is nursed by a bear, tutored by a djinn; his only playmates are the creatures of the forest, whose language he learns to speak.

But when Lump inevitably stumbles into the human world, his innocence is no match for the depths of people's cruelty, which turns his heart to stone, and fuels a vengeance that places him and his witch mother in deadly peril. Yet these disasters also send Lump on a journey of self-discovery, to realms deep within the earth and far beyond mortal imagination.

In this stunning fantasy debut, Michael Gruber has created a world that is at once deceptively familiar and stunningly original, a world of cruelty, beauty, legend, truth, and above all, wonder. Readers will delight in the author's ingenious retelling of classic fairy tales and will marvel at the stunning new tale of a boy raised by a witch, a cat, a bear, and a demon.

Editorial Reviews

School Library Journal

Gr 6-9-"Once upon a time, in a faraway country, there was a woman who lived by herself in the middle of a great forest." Thus begins this literary fairy tale of a witch who takes into her home an ugly, abandoned infant whom she calls Lump. Wise in the ways of magic, the witch is inexpert in the ways of motherhood and so she appoints, in turn, a bear as his nursemaid and a djinni as his tutor. As predicted by her cat familiar, all does not go well and the witch is forced to give up her magic to save the boy. The adolescent Lump, far from being grateful for her sacrifice, becomes increasingly troublesome. Gruber incorporates well-known tales such as "Little Red Riding Hood," "Hansel and Gretel," and "Rumplestiltskin" into his narrative, giving readers a different, and sometimes more frightening, take on these childhood staples. The inclusion of these retellings and the elegance with which the author shapes his fable will appeal to readers who love to immerse themselves in the complex reworked fairy tales of Donna Jo Napoli. This is not a quick read, but it is an engrossing and enormously satisfying one.-Sharon Grover, Arlington County Department of Libraries, VA Copyright 2005 Reed Business Information.

Kirkus Reviews

Threading recognizable but artfully altered fairy tales throughout, Gruber crafts a hefty bildungsroman that takes an ugly foundling child from dour innocence through an utterly hellish adolescence to joyful maturity. Discovered abandoned in the fork of a tree by the Queen of Air and Darkness herself, Lump grows up alone, in the care of a kindly, dimwitted she-bear assigned to be his nanny by the well-intentioned but very busy and distracted sorceress. He turns out to be a most disagreeable child, spoiled, selfish, quick to anger, as pigheaded as he is pig-featured, and with a cold, closed heart that refuses to acknowledge or return any kindness-even after his foster mother sacrifices nearly all of her powers in payment for his misdeeds. After several wild reversals of fortune, capped by a disastrous infatuation with a certain miller's beautiful but empty-headed daughter, the scales do fall from Lump's eyes at last, allowing him to mend fences with his patient mother, and to find real love with Bluebeard's blind daughter. One of the least sympathetic characters readers will ever meet in literature, Lump is going to make many a teen, preteen or for that matter, parent uncomfortable-and there's plenty of grist for fans of Donna Jo Napoli's fairy tale psychodramas, too. (Fantasy. 12+)

Booklist (starred review)

This astonishing fantasy plumbs the depths of the human heart and lays bare its emotions.

The Guardian

Brilliantly woven.

London Times

Haunting.

Booklist

This astonishing fantasy plumbs the depths of the human heart and lays bare its emotions.

OCT/NOV 05 - AudioFile

Lump, the witch’s boy, is a selfish brat who no one, save his mother, loves. Vanity forces him to wear a mask to hide his ugliness and despair, literally driving him underground until he finds salvation with the help of a bear. Luckily, Lump is surrounded by kindhearted characters listeners will recognize from favorite fairy tales, although the author has tweaked the traditional stories. This is one title that is better listened to than read. Denis O’Hare uses various voices and skillfully employs several accents to make this a believable fantasy. Even when Lump is behaving his worst, O’Hare is acting his best to move the story along. M.M.O. © AudioFile 2005, Portland, Maine

Product Details

BN ID:	2940172731358
Publisher:	HarperCollins
Publication date:	03/29/2005
Edition description:	Unabridged
Age Range:	10 - 13 Years

Read an Excerpt

The Witch's Boy

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By Michael Gruber

HarperCollins Publishers, Inc.

Copyright © 2006 Michael Gruber
All right reserved.
ISBN: 0060761679

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Chapter One

Once upon a time, in a faraway country, there was a woman who lived by herself in the middle of a great forest. She had a little cottage and kept a garden and a large gray cat. In appearance, she was neither fair nor ugly, neither young nor old, and she dressed herself modestly in the colors of stones. None of the folk who lived nearby (not the oldest of them) could tell how long she had dwelt in that place.

One spring morning, the woman set off to collect some plants she needed. As she glided silently along, she studied a list she had made, for she tended to be absentminded about small things. She passed the old oak tree, lightning killed and half hollow, where the local people were accustomed to leave things for her, and there she heard an odd little cry. She stopped and looked, and saw that in the hollow was a wicker basket. Have they left me a piglet? she wondered. But when she came closer, the basket shook and she heard the unmistakable cry of a new baby. There was a note in a crude hand tied to the handle of the basket, which read:

The devil's child

For the devil's wife

"Well, well," said she to herself, "let us see what some rude person has left." She opened the basket and lookedin. "Oh, my!" she said aloud, as she beheld the ugliest baby boy that she, and perhaps anybody, had ever seen. He had a piggish snout and close-set eyes of a peculiar yellowish color. His mouth, wide and floppy, was already full of square little grinders. He was covered in coarse dark hair resembling the bristles of a hog; and his ears were huge and pointed like a bat's. His body was also oddly shaped, like a sack of stones, and his feet were far too large. Of all his features, his hands alone might be called good, their long delicate fingers flexing as the stubby arms waved.

He seemed healthy enough, and when the woman reached down and touched his cheek with the backs of her fingers, he gave a lusty cry and rooted with his mouth for her thumb.

"Hungry, are you?" she asked. "Don't you know that witches are supposed to eat babies, not feed them?" The ugly baby gurgled and pushed harder against her hand. His yellow eyes looked hungrily into her gray ones. She felt a magic older than even her own flicker between them, and it startled her.

"What am I thinking of?" she said. "How could I keep a baby? I have never been sentimental before." She addressed the baby. "You will make a meal for the lynx or the gray wolf. This is your fate." She moved her hand away and turned to go, but the little thing, feeling the withdrawal of the woman's warm presence, began to whimper again. In an instant, almost without thought, she had drawn the baby into her arms and pressed him to her bosom. The baby gurgled and stared with mindless intensity into her eyes.

"Ah, well." She sighed. "It seems we are stuck together, little lump. I have no idea how we shall get on or what will become of you. I have never heard of a woman of my sisterhood rearing a child before, but lately the world is full of new and disturbing things--and perhaps this is one of them, dropped into my very lap. Perhaps we shall both learn something from it."

She placed the child carefully back in his basket, and carried it back the way she had come. The few people she passed all nodded cautiously at her and made room on the path, but none attempted to start a conversation, as they might have with almost anyone else. The people of that neighborhood were woodcutters, trappers, charcoal burners, and a few farmers who worked the small clearings. They thought her strange; she had the disconcerting habit of appearing without warning around the turn of a path; or you might be working and suddenly be aware of her presence in a corner of your sight, like smoke from a distant fire. You could not hear her coming, not even in autumn, when the very rabbits made a crunching as they traveled their underbrush roads. Although she greeted people politely on these occasions, she was short of speech and soon glided onward, out of sight. Her voice was deep and clear and not accented with the local twang. She kept no company, nor did she trade, as far as anyone could see.

Tongues wagged about her, of course, as they will in a small place. One fellow said he saw her pop out of a cleft in a rock in broad day, and when he looked for a passage or cave had found nothing but the smooth black stone. Another said she had seen her walking with the shy roe deer often and once with an enormous brown bear, chatting away and pausing as if to listen, as if she were conversing about the weather or the year's chestnuts. The local boys dared each other to go down the path to her cottage and peer in the windows at night. None ever did, although they lied a good deal about it. Some of the older women brought little baskets of fruit or crocks of cream or preserves and left them in the hollow tree by the head of her path, where today someone had left a more strange and less welcome gift. The rough men of the forest left her clever fur bags they made of whole marten skins or stone jars of the spirit they distilled from elderberries in the fall while they waited for the ricks to burn down. These were plain people who still felt the weirdness of life's twists, and, God-fearing though they might be, they were also in the habit of making small sacrifices to keep on the good side of powers more strictly local.

They made up stories about the woman to pass the evenings and frighten the children into bed: how she could change her shape, becoming a raven or a red fox, how she could sour milk with a glance or spoil traps, what she did in her cottage to little boys and girls who did not mind their elders. These tales grew richer with the years; in the end, they called her a witch.

Such things used to happen often to women living alone and mostly no harm done, although when some old goose is treated as a witch and given little presents, she may get it into her head that she really has the power to make rain drop from the sky or two people fall in love, and then she might find herself in trouble.

But this particular woman was a real witch.

Continues...

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Excerpted from The Witch's Boy by Michael Gruber Copyright © 2006 by Michael Gruber. Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

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