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State University of New York Press
This Bridge Called My Back, Fourth Edition: Writings by Radical Women of Color

This Bridge Called My Back, Fourth Edition: Writings by Radical Women of Color

by Cherríe Moraga, Gloria AnzaldúaCherríe Moraga
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Updated and expanded edition of the foundational text of women of color feminism.

Bronze Medalist, 2016 Independent Publisher Book Awards in the Anthologies Category

Originally released in 1981, This Bridge Called My Back is a testimony to women of color feminism as it emerged in the last quarter of the twentieth century. Through personal essays, criticism, interviews, testimonials, poetry, and visual art, the collection explores, as coeditor Cherríe Moraga writes, “the complex confluence of identities—race, class, gender, and sexuality—systemic to women of color oppression and liberation.”

Reissued here, nearly thirty-five years after its inception, the fourth edition contains an extensive new introduction by Moraga, along with a previously unpublished statement by Gloria Anzaldúa. The new edition also includes visual artists whose work was produced during the same period as Bridge, including Betye Saar, Ana Mendieta, and Yolanda López, as well as current contributor biographies. Bridge continues to reflect an evolving definition of feminism, one that can effectively adapt to, and help inform an understanding of the changing economic and social conditions of women of color in the United States and throughout the world.

Product Details

ISBN-13: 9781438454382
Publisher: State University of New York Press
Publication date: 03/01/2015
Edition description: Fourth edition
Pages: 336
Sales rank: 42,022
Product dimensions: 6.30(w) x 9.10(h) x 0.90(d)

About the Author

A poet, playwright, and cultural activist, Cherríe Moraga is Artist in Residence in the Department of Theater and Performance Studies and in the Comparative Studies in Race and Ethnicity Program at Stanford University. She is the author of many books, including A Xicana Codex of Changing Consciousness: Writings, 2000–2010 and Loving in the War Years: Lo que nunca pasó por sus labios.

Gloria Anzaldúa (1942–2004) was a poet, metaphysical philosopher, and scholar of Chicana cultural theory, feminist theory, and queer theory. Her books include Borderlands/La Frontera: The New Mestiza and The Gloria Anzaldúa Reader, a posthumously published collection of her work.

Table of Contents


Catching Fire: Preface to the Fourth Edition
Cherríe Moraga

Acts of Healing
Gloria Anzaldúa and The Gloria E. Anzaldúa Literary Trust

Foreword to the First Edition, 1981
Toni Cade Bambara

The Bridge Poem
Kate Rushin

La Jornada: Preface, 1981
Cherríe Moraga

Introduction, 1981
Cherríe Moraga and Gloria Anzaldúa

I. Children Passing in the Streets: The Roots of Our Radicalism

When I Was Growing Up
Nellie Wong

on not bein
mary hope whitehead lee

For the Color of My Mother
Cherríe Moraga

I Am What I Am
Rosario Morales

Dreams of Violence
Naomi Littlebear Morena

He Saw

II. Entering the Lives of Others: Theory in the Flesh

Wonder Woman
Genny Lim

La Güera
Cherríe Moraga

Invisibility Is an Unnatural Disaster: Reflections of an Asian American Woman
Mitsuye Yamada

It’s In My Blood, My Face—My Mother’s Voice, the Way I Sweat
Anita Valerio

“Gee You Don’t Seem Like An Indian from the Reservation”
Barbara Cameron

“…And Even Fidel Can’t Change That!”
Aurora Levins Morales

I Walk in the History of My People

III. And When You Leave, Take Your Pictures With You: Racism in the Women’s Movement

And When You Leave, Take Your Pictures With You
Jo Carrillo

Beyond the Cliffs of Abiquiu
Jo Carrillo

I Don’t Understand Those Who Have Turned Away From Me

Asian Pacific Women and Feminism
Mitsuye Yamada

“—But I Know You, American Woman”
Judit Moschkovich

The Black Back-Ups
Kate Rushin

The Pathology of Racism: A Conversation with Third World Wimmin
doris davenport

We’re All in the Same Boat
Rosario Morales

An open Letter to Mary Daly
Audre Lorde

The Master’s Tools Will Never Dismantle the Master’s house
Audre Lorde

IV. Between the Lines: On Culture, Class, and Homophobia

The Other Heritage
Rosario Morales

The Tired Poem: Last Letter From a Typical (Unemployed) Black Professional Woman
Kate Rushin

To Be Continued…
Kate Rushin

Across the Kitchen Table: A Sister-to-Sister Dialogue
Barbara Smith and Beverly Smith

Lesbianism: An Act of Resistance
Cheryl Clarke

Lowriding through the Women’s Movement
Barbara Noda

Letter to Ma
Merle Woo

I Come with No Illusions
Mirtha N. Quintanales

I Paid Very Hard for My Immigrant Ignorance
Mirtha N. Quintanales

Earth-Lover, Survivor, Musician
Naomi Littlebear Morena

V. Speaking in Tongues: The Third World Woman Writer

Speaking In Tongues: A Letter to Third World Women Writers
Gloria Anzaldúa

Millicent Fredericks
Gabrielle Daniels

In Search of the Self As Hero: Confetti of Voices on New Year’s Night, A Letter to Myself
Nellie Wong

Chicana’s Feminist Literature: A Re-vision through Malintzin/or Malintzin Putting Flesh Back on the Object
Norma Alarcón

Ceremony for Completing a Poetry Reading

VI. El Mundo Zurdo: The Vision

Give Me Back

La Prieta
Gloria Anzaldúa

A Black Feminist Statement
Combahee River Collective

The Welder
Cherríe Moraga

O.K. Momma, Who the Hell Am I? An Interview with Luisah Teish
Gloria Anzaldúa

Andrea Canaan

Revolution: It’s Not Neat or Pretty or Quick
Pat Parker

No Rock Scorns Me as Whore


Afterword: On the Fourth Edition
Cherríe Moraga

Foreword to the Second Edition, 1983
Gloria Anzaldúa

Refugees of a World on Fire: Foreword to the Second Edition, 1983
Cherríe Moraga

Counsels from the Firing…past, present, future: Foreword to the Third Edition, 2001
Gloria Anzaldúa

Biographies of Contributors
Biographies of the Original Contributors, 1981

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