When their mother catches their father with another woman, twelve year-old Blessing and her fourteen-year-old brother, Ezikiel, are forced to leave their comfortable home in Lagos for a village in the Niger Delta, to live with their mother’s family. Without running water or electricity, Warri is at first a nightmare for Blessing. Her mother is gone all day and works suspiciously late into the night to pay the children’s school fees. Her brother, once a promising student, seems to be falling increasingly under the influence of the local group of violent teenage boys calling themselves Freedom Fighters. Her grandfather, a kind if misguided man, is trying on Islam as his new religion of choice, and is even considering the possibility of bringing in a second wife.
But Blessing’s grandmother, wise and practical, soon becomes a beloved mentor, teaching Blessing the ways of the midwife in rural Nigeria. Blessing is exposed to the horrors of genital mutilation and the devastation wrought on the environment by British and American oil companies. As Warri comes to feel like home, Blessing becomes increasingly aware of the threats to its safety, both from its unshakable but dangerous traditions and the relentless carelessness of the modern world. Tiny Sunbirds, Far Away is the witty and beautifully written story of one family’s attempt to survive a new life they could never have imagined, struggling to find a deeper sense of identity along the way.
Related collections and offers
|Publisher:||Other Press, LLC|
|Product dimensions:||5.50(w) x 8.20(h) x 1.50(d)|
About the Author
Read an Excerpt
Father was a loud man. I could hear him shouting from the neighbors’ apartment, where he argued about football with Dr. Adeshina and drank so much Remy Martin that he could not stand up properly. I could hear him singing when he returned from the Everlasting Open Arms House of Salvation Church, on a bus that had the words UP JESUS DOWN SATAN written on the side. The singing would reach my ears right up on the fourth floor. From my window I watched the bus driver and Pastor King Junior carry Father towards the apartment because he could not stand up at all.
If Father did stand up, it was worse. He seemed to have no idea how to move around quietly, and when he did try, after Mama said her head was splitting in two, the crashing became louder.
We were so used to Father’s loud voice that it became quieter. Our ears changed and put on a barrier like sunglasses whenever he was at home. So when we left for market early on Saturday morning and knew Father was out working all day on some important account at the office, our ears did not need their sunglasses on. And when Mama realized she had forgotten her purse, and we had to turn back, our ears were working fine. I heard the chatter of the women at market, the traffic and street traders along Allen Avenue, and the humming of the electric gate to let us back into the apartment building. I heard our footsteps on the hallway carpets, and Mama’s key in the front lock. I heard the cupboard door open when Ezikiel and I went straight for the biscuits.
And then I heard the most terrible, loudest noise I had ever heard in my life.
My switched-on ears hurt. I tried to put the glasses on them, to switch them down, to turn them off. Father must have been home; I could hear him shouting.
Father was a loud man.
But it was Mama who was screaming.
Reading Group Guide
1. Ezikiel and Blessing share a special sibling bond. How did it change when they moved from Lagos to Warri? Do you think there was anything that Blessing could have done to save Ezikiel?
2. Blessing tells her story in her own distinct voice. How would you characterize her style as a narrator? Discuss Blessing's development from an unsure, shy girl to a confident young woman. How does each character in the novel encourageor stifleBlessing's maturation?
3. Watson originally tried writing Tiny Sunbirds, Far Away from the perspective of Dan, the white oil worker. How would Dan's perspective have changed the book? What insights might his narration have brought to the novel? What limitations might Watson have faced?
4. From the very first line of the novel, "Father was a loud man," it's clear that her father is of crucial importance to Blessing. How does her opinion of him change throughout the story? How does her relationship with him affect her relationships with the other men in her life?
5. Discuss the power of the women in Tiny Sunbirds, Far Away (Grandma's rally) versus the power of men in the novel (Alhaji, the Sibeye Boys). How does the expression of power differ between the genders?
6. It's estimated that three million girls are at risk of female genital mutilation in Africa. Discuss Grandma's choice to perform the practice. How does it inform Blessing's own career as a midwife? How do Grandma and Blessing determine where to draw the line between ethical responsibility and cultural tradition?
7. Legend and tradition play significant roles in Blessing's familyfrom Grandma's stories to Alhaji's disbelief in Ezikiel's medical condition. How are religion, education, and tradition balanced in the novel? Do they coexist? When and why do they clash?
8. Though foreign companies and Nigeria's own government gain enormous wealth from the oil industry, the majority of people residing in the oil producing regions of the country continue to live in extreme poverty. How does the presence of the oil industry impact the lives of the characters in the novel? Does Watson offer any hints as to what could be done to better the situation?