Praise for TO THE BRIGHT EDGE OF THE WORLD:
"To the Bright Edge of the World moves seamlessly through different times and different voices to depict an often harrowing journey that leads the central characters to question all that they 'have known as real & true.' Ivey's novel is a dazzling depiction of love, endurance, courage, and wonder, and a worthy successor to The Snow Child."
Ron Rash, author of Serena
"Beautifully told...a page-turner, a fascinating story that is broad in its scope as it is compassionate in its message...Ivey has created a world that is dangerous and beautiful, worrisome and satisfying, all in a novel that readers will not soon forget."
Jim Carmin, The Miami Herald
"Powerful...Ivey is a gifted storyteller and a lyrical prose stylist...remarkable."
Amy Greene, New York Times Book Review
"An epic adventure story that seems heir to the tradition of Melville's own sweeping and ambitious literary approach to the age-old struggle of humans versus nature...an absorbing and high-stakes read."
Kathleen Rooney, The Chicago Tribune
"To the Bright Edge of the World is a glorious feast of American mythology. In it, Eowyn Ivey's Alaska blooms vast and untouchable, bulging with mystery and wonder, and lit by an uneasy midnight sun. On this haunted stage, the lines between man and beast are blurred, and Ivey has etched her most compelling characters: the incorruptible, determined Sophie Forrester, who wrestles with the rules of men and polite society; and her husband, the explorer Allen Forrester, who struggles mightily against the uncivilized Alaskan wilderness with its ragged teeth. Gorgeously written, utterly un-put-downable, To the Bright Edge of the World sweeps its reader to the very brink of known territory, and presents that bright edge in stark relief: gleaming, serrated, unforgiving. As with The Snow Child, Eowyn Ivey has once again written a magical, breathtaking novel that I just cannot put out of my mind."
Jason Gurley, author of Eleanor
"An exceptionally well-turned adventure tale...Heartfelt, rip-snorting storytelling."
Kirkus (Starred Review)
"Eowyn Ivey is a deft craftswoman, attentive to the shape and heft of her sentences...[she] fashions characters who come to warm and vivid life against her frozen Alaskan landscapes...What could be a better beach read than an arctic adventure?"
Geraldine Brooks, Guardian (US Edition)
"A stunning and intriguing novel combining the epic adventurous sweep of Alaska with minutely beautifully observed detailsthe reader finishes it wiser and richer."
Rosamund Lupton, author of Sister and The Quality of Silence
"All the pleasures of a great novel are herethe well-crafted sentence, the deft pacing, the compelling plot, and characters that we care passionately about. Add to those already significant achievements a few eerie hints of the supernatural, some nail-biting mystery/thriller drama, the understanding that's gained from historically accurate details, and the endorphin rush of a love story. And then consider that the novel's construction provides yet another pleasure, the pleasure of the puzzle, as the reader gets to participate in the assemblage of journal entry, letter, drawing, and artifact, therefore co-creating this epic Alaskan adventure. How can one novel contain such richness? Eowyn Ivey is a wonder."
Tom Franklin, author of Crooked Letter, Crooked Letter
"An entrancing, occasionally chilling, depiction of turn-of-the-century Alaska...In this splendid adventure novel, Ivey captures Alaska's beauty and brutality, not just preserving history, but keeping it alive."
Publishers Weekly (Starred Review)
"Ivey deftly draws the reader into the perils of the journey...a compelling historical saga of survival."
Booklist (Starred Review)
"Ivey not only makes [this novel] work, she makes it work magnificently...The Snow Child (a lovely retelling of an old Russian folk tale), was a runaway hit, an international best seller, and a finalist for the Pulitzer Prize. Her second work is even better."Library Journal, (Starred Review)
"Ivey's characters, without exception, are skillfully wrought and pull the narrative forward with little effort. She does not stoop to blanket depictions of tribal life or Victorian women, and instead has created a novel with all of the fine details that make historical fiction such an adventure to read. Fans of The Snow Child will not be disappointed."Meganne Fabrega, Minneapolis Star Tribune
"Lustrous...Ivey's writing is assured and deftly paced. She presents a pleasing chorus of voices and writing styles in an amalgam of journals, letters, newspaper clippings, greeting cards, official reports and more...The couple's moving love story binds the multilayered narrative together...Ivey's first novel, The Snow Child, was a finalist for the Pulitzer Prize, and her follow-up act is certain to garner its own accolades as readers discover its many unfolding pleasures."David Takami, Seattle Times
"An 1880's Alaskan adventure that really delivers...a rip-roaring frontier adventure."
Ellen Hoffman, Business Insider
"Raises the personal stakes and the emotional payoff to impressive new levels...a stunning and subtle performance...This is enchanted writing."
Steve Donoghue, The Christian Science Monitor
"An American masterpiece...beautifully written, fast-paced, wide-ranging, historically-based, and creatively imagined and structured...It delivers in all the ways a great novel should...deserves every accolade it will surely receive."
Nancy Lord, Alaska Dispatch News
"Ivey's simultaneous wide scope and focus on detail are part of what makes this novel so absorbing. It's no mere testosterone-fueled tale of heroism. Her narrative encompasses, however fleetingly, the girls and women at the margins."
Laura Collins-Hughes, The Boston Globe
"Read it for the adventure. Read it for the time you'll spend thinking about it long after you've turned the last page."
Erin Kodicek, Omnivoracious
"Spellbinding...a cracking adventure that pulses with emotional power and a brutal kind of beauty...brings history and folklore to life in a visceral and utterly beguiling way."
Stephanie Harrison, Bookpage, Top Pick in Fiction for August
"A riveting story of adventure, mystery and love...Ivey populates her novel with rich supporting characters...a spellbinding Pacific Northwest historic fiction."
"This rich blend of adventure bravado and contemplative memoir, past and present, reinvigorates the idea of a historical novel."
The National Book Review
"You feel the excitement and the wonder that [the characters] are experiencing. This is another magical novel from her [Ivey]."
"A terrific example of why we love these stories of man-against-nature. But it also aspires to be something more...it's evident from Ivey's two books that she is also interested in the inexplicable magic of the worldreal or imaginedthat hovers just beyond our conscious perceptions. And so, while she is certainly deft at conveying the 'gray rivers that roar down from the glaciers, mountains & spruce valleys,' she is equally at home dropping a sea monster into those waters...To the Bright Edge of the World is a moving, surprising story. The Artic Addict in me is very grateful that Ivey wrote it."Chris Bohjalian, The Washington Post
"An epic adventure intertwined with a story of genuine love."
Shawna Seed, The Dallas Morning News
"Beautifully done...you'll get lost in the details and become engrossed in the love story playing out...Simply wonderful, and I cannot recommend it enough."
Amy Gwiazdowski, BookReporter
"It's safe to say that Ivey fans will not be disappointed by this spine-tingling romantic odyssey."
David Fox, Anchorage Press
An 1885 wilderness expedition, a female pioneer of photography, and Native American myths come to life make Ivey’s second novel (after The Snow Child) an entrancing, occasionally chilling, depiction of turn-of-the-century Alaska. Through diaries, letters, reports, newspaper clippings, drawings, and photographs, Ivey evokes an Indian Wars veteran’s expedition up the Wolverine River into Alaska’s northern interior. Colonel Allen Forrester’s mission is to map the territory, make contact with inhabitants, and collect information for future (military or commercial) enterprises. While his wife, Sophie, remains in Vancouver, Forrester sets off with the intellectually gifted Pruitt and Sergeant Tillman, a rough-and-tumble miner’s son. Others joining the party include a trapper, his partner, a Native American woman who claims to have slit her husband’s throat, and a dog. But the strangest traveling companion, more nemesis than guide, is an old Native American known as the Man Who Flies on Black Wings, who is reputed to be a raven who can take the form of man. Bogged down by the terrain and his own ignorance, loosening ties to civilization if not reality, Pruitt succumbs to memories, and Forrester refuses to shoot wild geese fearing they may be humans in animal form. Sophie, meanwhile, learns to use a camera, building her own darkroom and a hunter’s blind to photograph bird nests in the wild. Years later, a descendant of the Forresters donates their journals and artifacts to a museum in the small town now on the expedition route, site of rafting tours and a million-dollar fishing lodge. In this splendid adventure novel, Ivey captures Alaska’s beauty and brutality, not just preserving history, but keeping it alive. Agent: Jeff Kleinman, Folio Literary. (Aug.)
As evidenced by her New York Times best seller, The Snow Child, also a Pulitzer Prize finalist, Ivey writes with an arresting blend of near-mythic sensibility and gorgeous, soaring exactitude that she should put to good use in this second novel. In the chill of an 1885 Alaska winter, Lt. Col. Allen Forrester launches an expedition up the unforgiving Wolverine River, intent on assessing the country's newly acquired territory and indigenous peoples. He's desperate to get the job done and return to his pregnant wife, but the Alaskan wilds aren't called wild for nothing. With a 100,000-copy first printing.
A husband and wife explore separate but parallel frontiers in the wild Northwest of the late 1800s.Ivey's superb second novel (The Snow Child, 2012) is mainly composed of two braided journals. One is by Allen, an Army colonel who fought Apaches in Arizona in the 1860s but by 1885 has a gentler temperament and wants to explore the Wolverine River in southern Alaska. The other is by his wife, Sophie, who'd be eager to join him if it weren't for know-your-place lectures from fellow Army wives. Allen and his small band endure a host of familiar travails—scarce food and ammunition, bad weather, skeptical natives. But his secret, unofficial diary also includes more surrealistic experiences, like a discovered newborn baby whose umbilical cord is connected to a tree root. Back at the Army barracks, Sophie discovers she's pregnant but soon miscarries—most likely due to the opium tinctures prescribed by her condescending doctor—and discovers photography as a way to navigate through her grief. Ivey means to say that Allen and Sophie are equally pioneering to the extent that society of the time allowed them to be, but first and foremost this is an exceptionally well-turned adventure tale, rich with Allen's confrontations with brutal snowstorms and murky underwater beasts and Sophie's more interior efforts to learn her craft and elbow local busybodies out of her way. Brief, poetic entries and sketches by a member of Allen's cohort give the story a series of lyrical grace notes, and Ivey anchors the tale in present-day correspondence between Allen's great-nephew and the curator of a museum to whom he's sent Allen's journals. Those letters make an elegant and affecting argument that though the territory is tamer now, not everything that makes it spiritually inspiring has been thawed out and paved over. Heartfelt, rip-snorting storytelling.