by Leon Uris

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Leon Uris’s beloved Irish classic, available in Avon mass market.

From the acclaimed author who enthralled the world with Exodus, Battle Cry, QB VII, Topaz, and other beloved classics of twentieth-century fiction comes a sweeping and powerful epic adventure that captures the "terrible beauty" of Ireland during its long and bloody struggle for freedom. It is the electrifying story of an idealistic young Catholic rebel and the valiant and beautiful Protestant girl who defied her heritage to join his cause. It is a tale of love and danger, of triumph at an unthinkable costa magnificent portrait of a people divided by class, faith, and prejudicean unforgettable saga of the fires that devastated a majestic land... and the unquenchable flames that burn in the human heart.

Product Details

ISBN-13: 9780060827885
Publisher: HarperCollins Publishers
Publication date: 07/25/2006
Edition description: Reissue
Pages: 912
Sales rank: 43,063
Product dimensions: 4.10(w) x 6.64(h) x 1.44(d)

About the Author

Internationally acclaimed novelist Leon Uris ran away from home at age seventeen, a month after the attack on Pearl Harbor, to join the Marine Corps, and he served at Guadalcanal and Tarawa. His first novel, Battle Cry, was based on his own experiences in the Marines, which he revisited in his final novel, O'Hara's Choice. His other novels include the bestsellers Redemption, Trinity, Exodus, QB VII, and Topaz, among others. Leon Uris passed away in June 2003.

Read an Excerpt


By Leon Uris

HarperCollins Publishers, Inc.

Copyright © 2006 Leon Uris
All right reserved.

ISBN: 0060827882

Chapter One

May 1885

I recall with utter clarity the first great shock of my life. A scream came from the cottage next door. I rushed into the room, as familiar as my own home. The Larkin kids, Conor, Liam and Brigid, all hovered about the alcove in which a mattress of bog fir bedded old Kilty. They stood in gape-mouthed awe.

I stole up next to Conor. "Grandfar is dead," he said.

Their ma, Finola, who was eight months pregnant, knelt with her head pressed against the old man's heart. It was my very first sight of a dead person. He was a waxy, bony specimen lying there with his open mouth showing no teeth at all and his glazed eyes staring up at me and me staring back until I felt my own ready to pop out of their sockets.

Oh, it was a terrible moment of revelation for me. All of us kids thought old Kilty had the magic of the fairies and would live forever, a tale fortified by the fact that he was the oldest survivor of the great famine, to say nothing of being a hero of the Fenian Rising of '67 who had been jailed and fearfully tortured for his efforts.

I was eleven years old at that moment. Kilty had been daft as long as I could recall, always huddled near the fire mumbling incoherently. He was an ancient old dear, ancient beyond age, but nobody ever gave seriousconsideration to the fact he might die.

Little Brigid began to weep.

"Hush!" her ma said sharply. "You'll not do any crying until Grandfar has been properly prepared. The house has been surrounded by fairies just waiting to pounce and your weeping will encourage them to break in and snatch his soul from us."

Finola struggled to her feet, going into a flurry of activity. She flung open the windows and doors to let the evil spirits out and quickly covered the mirror to hide his image.

"Liam, you be telling the news. Be sure to go to the byres and the beehives and let the cattle and bees know that Kilty Larkin is gone. Don't fail or the fairies will take his soul." She wrung her hands and sorrowed. "Oh, Kilty, Kilty, it was a good man you were." And then she turned to me. "Seamus!"

"Yes, ma'am," I answered.

"Get to your ma. I'll need her good hands to help lay him out. Conor!"

Conor didn't respond, just looking on at his grandfather. She joggled him by the shoulder. "Conor!"

"Aye, Ma."

"Go up to the bog and get your daddy."

Brigid had fallen to her knees and was crossing herself at a furious pace. "Off your knees and be helping me, Brigid," Finola commanded, for the corpse was a woman's work.

Liam bolted first into their own byre. I could see him through the half door speaking to the Larkin cows as Conor backed away from the alcove slowly, his eyes never leaving his grandfather.

Outside, I punched him lightly on the arm. "Hey, if you come to my house first, I'll go to the bog with you to fetch your daddy." We scampered over the stone wall which separated our cottages. My own ma, Mairead O'Neill, as all the mothers of Ballyutogue, will be remembered by us bent over her eternal station at the hearth. As we tumbled in she was hoisting the great copper pot by pulley chain over the turf fire.

"A good day to you, Mrs. O'Neill," Conor said. "I'm afraid we are in sorrow."

"Kilty Larkin croaked," I said.

"Ah, so it is," my ma sighed, and crossed herself.

"And sure Mrs. Larkin will be needing you to lay him out."

My ma was already out of her apron. "Conor, you stay here with your brother and sister tonight," she said.

"I was hoping to mourn at the wake," he answered.

"That will be up to your ma and daddy. Are you carrying salt?"

"Oh, Lord, we all forgot in the excitement."

Ma went to the large salt bowl in a niche on the side of the fireplace and doled out a pinch for my pocket, for Conor and for herself to ward off the evil spirits.

"I'm going to the bog with Conor," I said, bolting behind him.

"Be sure you tell the bees and cows," she called after us.

"Liam is doing that."

Our village started at an elevation of three hundred feet above Lough Foyle and our fields crept up into the hills for another five hundred feet, all sliced into wee parcels of a rundale. Some of the plots were hardly larger than our best room and very few people could really tell what exactly belonged to whom. Each plot was walled off, making a spider web of stone over the mountainside.

Conor ran like he was driven on a wind, never stopping until he cleared the last wall gasping for breath. He sat sweating, trembling and sniffling. "Grandfar," he said shakily.

Now Conor Larkin was twelve, my closest friend and my idol, and I wanted very much to be able to say words of comfort but I just could not manage much at all.

My earliest memories had to do with the Larkins. I was the youngest of my family, the scrapings of the pot. My sisters were all grown and married and my oldest brother, Eamon, had emigrated to America and was a fireman in Baltimore. The middle brother, Colm, at nineteen was eight years older than myself when Kilty died.

Conor and I waited for a time, for seldom was the day as clear and the view as splendid. Ballyutogue, meaning "place of troubles," lay grandly on the east side of Inishowen several miles north of Derry in County Donegal.

From where we stood we could see it all . . . all the stolen lands that now belonged to Arthur Hubble, the Earl of Foyle. . . .


Excerpted from Trinity by Leon Uris Copyright © 2006 by Leon Uris. Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

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Trinity 4.5 out of 5 based on 0 ratings. 53 reviews.
Anonymous More than 1 year ago
I have been requesting this book on Nook for quite some time.  Unfortunately...No joy yet.  It seems to be available in Spanish for Nook, yet Not English. I wish someone could tell me why.
jainneil More than 1 year ago
Nationalism, Individuality, honour, the grim struggle for basic existence, and determination -there is enough of everything for everyone in Trinity by Leon Uris. A mini-epic in itself, Trinity is a thriller, love story and a work of historical fiction all woven into a beautiful compilation. It brings out the complexities of Ireland through the eyes of two simple Irish lads Connor Larkin and Seamus O'Neill, tracing their life and the people around them. The novel is set during the decades - the 1840s to 1916. The book opens with the death, forewarning the reader of things to come. The opening pages set the tone for the rest of the novel with the peasants shown as living in abject poverty. The British and the Church are equally responsible - the former using colonialism and the latter- superstition and dogmas. The author beautifully intertwines fact with fiction, and history with the story. There are three parties to the struggle - the Irish Catholic natives, Protestant immigrants, and the English who control both through a policy of divide and rule using the landed aristocracy and religion as bait. The reasons behind the Potato famine are discussed as also the plight of the people who "died with green mouths ..from eating grass." Religion binds the Protestant Irishmen to the British and we see passions being whipped by pastors which spill over into full blown riots. The landed gentry use these priests to "keep the Catholic and Protestant mobs separated and fighting one another." The book reaches its climax in the trial of Connor Larkin. I would be doing injustice to the book by revealing the grand finale at which the book ends. Each character in the story is dealt with beautifully and the author takes care to tie all the loose ends up in the end. What makes this book stand out in contrast to the others? Many reasons in fact. First and foremost, this book is a work of historical fiction. He narrates the Irish history from the Potato famine to the Easter uprising of 1916 using fictional characters. Secondly, very powerful emotions are brought out in the entire book. Nationalism, bigotry, family ties, friendship, and relationships - the novel gives equal treatment to all. One is moved by Connor's struggle against the British and simultaneously his yearning to lead a normal happy married life. The dialogue delivery is excellent and makes the reader sit up and notice. The complexity of Ireland with its three cornered contest (hence the title Trinity) is simplified through the story of the three different families in the book. However it is not all philosophy and heavy weather. In the end it is a story with a storyline and plot which builds up to a climax. Some of the lines of the book are timeless valuable pieces which can be quoted even in today's global context. On the downside,the book is voluminous and not for the fast breezy reader. Sometimes the story spins off to the many subplots. However credit goes to the author to bring back all the subplots back to the central theme. At 900 pages in small print, the book requires time and patience but the reader is in the end rewarded with an entirely satisfying experience. This book is a must read for anyone who is interested in historical fiction, drama, nationalism and revolutionary movements. It has been learnt that HBO is planning a movie/ television series and has bought rights to the book. I hope that the eventual movie is as good as the book.
Anonymous More than 1 year ago
PLEASE publish this book for the NOOK!!!!!!!!!
StacieRosePittard More than 1 year ago
Very interesting book. A bit slow in some parts, and I felt like I wanted a bit more closure regarding some of the characters and story lines, however, I gained a lot of historical knowledge from this book and I really enjoyed the time I spent reading it. 
Anonymous More than 1 year ago
This is by far the most compelling book I have ever read. You often read the story with a lump in your throath and eyes full of tears. You hope against hope for a happy ending. I fully understand the term 'the terrible beauty' for Uris has captured this in almost all the lead persons in his novel and certainly in the magnificent story he tells. I recommend this book to anyone that loves history and has an open mind for courage beyond believe.
Anonymous More than 1 year ago
Being Irish I have often been chastized for not having read Trinity. I am now totally engrossed in the realization of Irish history and the unholy aggressions they suffered the hands of mother church, be it Protestant or Catholic. I strongly recommend anyone Irish or other to read this at once startling, exciting, educational, romantic tale of Irish and British peoples.
Guest More than 1 year ago
Because this is the first of the books that I have read by Leon Uris, I am glad to say that as a first time reader, reading Trinity was remarkable! Not only does this book instantly grab the reader into the world of the Irish under British rule, it also shows the life and all the aspects that come with life (death, joy, sadness, births, war, etc.) in it. And if you come into reading this book with the attitude that it will be boring because it deals with World History, guess again. Indeed the novel does provide historical background information, but it is so much more than that! It is truely outstanding. Once you begin reading, I'm sure you won't stop. Every minute that you spend away from the Larkins household and dear old Ireland feels as if you are seperated from the wonderfully joyous and sad adventure presented by Leon Uris.
Guest More than 1 year ago
This novel is based upon the era of the late 1800's where the Irish, mostly the Catholic Irish suffered greatly from starvation and hunger dued to the blight which was a potatoe crisis of unexpected measures. Most Irish people either emigrated to other countries such as the United States or England for work (about 1.5 million people). There are three different families with very distinct perspectives which focus on the PERSIA (Political ,Economical ,Religious ,Social ,Intellectual ,and Aesthetic) throughout the novel and they are the Larkin family= the average Irish Catholic family, the Macleods= a Protestant Scottish family, and the Hubbles= the aristocratic nobility from England which comprise the 'Trinity'. Even though this novel is narrated by Seamus, Conor's character is focused upon more thoroughly and many of the secondary characters such as Caroline and Roger from the Hubbles are percieved through Conor's frequent involvement with them. Leon Uris manages to incorporate and analyze both of Ireland's political and religious conditions during this time and bring the story to life through the eyes of a young boy and his idol.
Guest More than 1 year ago
Trinity has always been a daunting read for me. I passed it many a time on my father's bookshelf, my friends' father's bookshelves, and past the mug in my reflection. I finally decided to approach Trinity a few months ago and I, truly, have not been the same since. I have been captured by the story of Ireland, by the concurrent and antipodal lives of the Catholic and Protestant Irish, and by Leon Uris' poetic selection of words worthy to tell the story of these noble characters. Uris has reinvigorated my yearn for all things Irish. I highly recommend this book and I plan to give this book as a gift to every person on my list who has a hint of Irish in their blood.
Guest More than 1 year ago
I have read this book at least once a year since it was published. As others have said it is brilliantly written. You feel as if you're there with Conor every step of the way sharing his family life with it's joys and frustrations, his relationships with his best friends, teachers, role models and his dealings within the IRB. It shows the harsh realities of living in a country with such religious strife and dicrimination. If you've a drop of Irish blood in you this book will always call to you. It pulled at me so, that I started my visits back to land of my ansestors, Ireland. I love this book.
Guest More than 1 year ago
Trinity is my favorite book. I have read it twice and I haven't tired of it. It tells the story of the fictional Conor Larkin, a young poor Catholic boy in Donegal, Ulster, in the late 19th century. It starts when he is twelve and goes throughout his life of struggle against British tyranny. It is written with great style and it weaves history into a great, wonderful story. It captures you from the first sentence and never lets go, even when you have read it. The love of the characters remains in your heart forever. It evokes emotions that will never leave.
kraaivrouw on LibraryThing More than 1 year ago
Let's begin by stipulating that Uris is a pulp fiction writer and should be read and reviewed on those terms. There's absolutely nothing wrong with pulp fiction - it's a great and wonderful genre full of entertainment value. With Uris' books the formula is pretty simple: Our hero is noble, well-read, and self-sacrificing. He's closed himself off, but is waiting for the right woman. The right woman is also noble and self-sacrificing, but strong-willed and beautiful. He sets these folks down in the middle of some big historical conflict and then uses them to give readers a bit of a history lesson. He's typically got a bias, but most history does. These are good solid historical epics.I really like Mila 18, his book about the Warsaw Ghetto Uprising. It inspired me to read a lot of actual history of the event including a number of diaries that were recovered from there. Likewise with Trinity, which I read once before, I will most likely go read more Irish history.Trinity is a decent vehicle for imparting quite a bit of history from the Irish perspective. It's a good read for making you think about the impact of imperialism and industrialization. There's an excellent set of chapters on early twentieth century factories and a factory fire that will remind you why unions came about in a really visceral way.This is a dense read, but it's entertaining and interesting in parts and is probably a good gateway to other more substantive reads on the subject matter.
vhoeschler on LibraryThing More than 1 year ago
This is one of the better books I've ever read. It is a true Irish saga with all the right ingredients; the poor Catholic family, the wealthy Protestent family, economic progression, societal destruction, love affairs, political uprisings, etc. The book is quite long but the story propels itself with a passion. I love books that I can really "sink my teeth into" and this one fit the bill!
MrsLee on LibraryThing More than 1 year ago
An historical novel, Trinity is about the Irish uprising and battle for independence. The author chose to show the plight of the Irish Catholics through fictional characters and fictionalized actual events. It covers the history of the conflict from about the mid-1800s to just before the Easter Rising, jumping back and forth between Catholic, Protestant and English characters.I appreciated the scope and depth of the information, I really knew very little about this moment in history. The author knows how to build a story and grip your emotions and sympathies for the characters and events, as well as set out clearly the motivations of the parties involved.At the end though, I felt as if I had been emotionally tweaked. I will not believe that every person committed to their faith is an evil, bigoted, hateful human being and that the only compassionate, sensible and decent human beings are the atheists and revolutionaries. Nor can I believe that every English man and woman is a beast who cares nothing for others. That is the impression the book leaves you with. It is not even-handed in any way. I don't like to be tweaked by ministers, politicians or writers, however, I am glad to have read this book, as it did give me insight to the bitterness and sorrows of a part of humanity, and what they did to overcome it. It also made me dig deeper into a part of history I had only glossed over until now.
judithrs on LibraryThing More than 1 year ago
Trinity. Leon Uris. 1976. I don¿t know how I missed this book since I had read every novel he had written up to this time. I can only think that at the time of its publication I was not interested in Ireland. If you liked Ari Ben Canaan in Exodus and Sean O¿Sullivan in Armageddon, you will also like Conor Larkin in Trinity. Uris had a gift for creating romantic, tragic male characters and Conor Larkin fills the bill. Readers follow the horrible history of Ireland from the potato famine in the 1840s to the Easter Uprising in 1916 through the lives of Conor Larkins¿ Irish family and the lives of the rich protestant industrialist Frederick Weed and his daughter Caroline. This is a readable historic novel of a terrible time
nevusmom on LibraryThing More than 1 year ago
Good. Brings to life the conflict in Northern Ireland.
Magwitch on LibraryThing More than 1 year ago
This is one of my all time favorite books. I found myself wondering if I was going to be able to get through it around page 150 or so, just because so many names and complicated pieces of history seemed to be jammed in at once, but by page 200 (and out of about 800, it's hardly anything!) I was absolutely hooked and could not pull myself away! Everything Uris writes is inensely charged with emotion without ever being melodramatic or unbelievable, and the characters he breathed to life in this novel are still today as vivd in my mind as they became 4 years ago when I first picked up the book.
brose72 on LibraryThing More than 1 year ago
Story set within the context of the Irish uprising to gain independence from Great Btitain and the continuation of revolutionary activity as a result of the creation of Northern Ireland. Conor Larkin and the other characters created by Leon Uris are compelling. A very good read, laced with history.
Oklahoma on LibraryThing More than 1 year ago
I first read it when I was eleven. I've read it twice since, and everytime I read it, I enjoy it again. It makes me furious in some places, proud in others, but in the end I always feel as though I have worked through everything with the characters.
jonwwil on LibraryThing More than 1 year ago
This was a slow read, which isn't typical for me. It started slow because of the dialect, and because of the task of figuring out how so many characters fit into the story. Mainly, though, it was slow because of the depth of history it covers, a history with which I was largely unfamiliar.The reward of reading this book, though, lies in the history it covers. I knew only vaguely, going in, of the strife between Ireland and England, and this book really explores that conflict and gives a face to it. On that score, it's a pretty staggering work.In terms of the writing, I thought it was a little clumsy. Dreams were used as plot points on a couple of occasions, which strikes me as extremely lazy, and I couldn't quite figure out the purpose of the occasional first-person narrator, especially when, if you can forgive the spoiler, he doesn't even live to tell the tale. In general, I was disappointed in the characters, which were pretty flat and one-dimensional, nothing more than tools for advancing the plot.Still, for all of its flaws, this was a pretty good read, and I'll soon be taking up the sequel, Redemption. I'm given to understand that some of Trinity's loose ends are tied up in that one, and I'm definitely interested to see how that works.
Sharonkincaid on LibraryThing More than 1 year ago
Years ago: I better understood the complexities of the religious conflict in Ireland because of Leon Uris's work. It still is entertaining and thought provoking although it does not seem quite as relevant as it may have been 30 years ago...
Anonymous More than 1 year ago
I wish this were available for the Nook. I read it years ago. I would like to re-read now that I am older and have finally visited Ireland, but have trouble holding thick books for long periods of time. The Nook is so much easier to handle.
Anonymous More than 1 year ago
I agree with another reviewer please, please publish this as a nookbook
Anonymous More than 1 year ago
Needs to be available for nook.
Bernard Bevans More than 1 year ago