The tumultuous last decades of British colonialism in India were catalyzed by more than the work of Mahatma Gandhi and violent conflicts. The concurrent upheavals in Western art driven by the advent of modernism provided Indian artists in post-1920 India a powerful tool of colonial resistance. Distinguished art historian Partha Mitter now explores in this brilliantly illustrated study this lesser known facet of Indian art and history.
Taking the 1922 Bauhaus exhibition in Calcutta as the debut of European modernism in India, The Triumph of Modernism probes the intricate interplay of Western modernism and Indian nationalism in the evolution of colonial-era Indian art. Mitter casts his gaze across a myriad of issues, including the emergence of a feminine voice in Indian art, the decline of “oriental art,” and the rise of naturalism and modernism in the 1920s. Nationalist politics also played a large role, from the struggle of artists in reconciling Indian nationalism with imperial patronage of the arts to the relationship between primitivism and modernism in Indian art. An engagingly written study anchored by 150 lush reproductions, The Triumph of Modernism will be essential reading for scholars of art, British studies, and Indian history.
|Publisher:||Reaktion Books, Limited|
|Product dimensions:||7.50(w) x 9.75(h) x 0.70(d)|
About the Author
Partha Mitter is professor emeritus of art history at the University of Sussex and is also the author of several books, including Art and Nationalism in Colonial India, 1850–1922 and Indian Art.
Table of Contents
The Formalist Prelude
The Indian Discourse of Primitivism
I Two Pioneering Women Artists
II Rabindranath Tagore's Vision of Art and the Community
III Jamini Roy and Art for the Community
Naturalists in the Age of Modernism
I The Regional Expressions of Academic Naturalism
II From Orientalism to a New Naturalism: K. Venkatappa and Deviprosad Roy Chowdhury
Contested Nationalism: The New Delhi and India House Murals