Over the past two decades, Nick Horrigan has built a quiet, safe life for himself, living as much under the radar as possible. But all of that shatters when, in the middle of the night, a SWAT team bursts into his apartment, grabs him and drags him to a waiting helicopter. A terrorist— someone Nick has never heard of—has seized control of a nuclear reactor, threatening to blow it up. And the only person he'll talk to is Nick, promising to tell Nick the truth behind the events that shattered his life twenty years ago.
At seventeen years old, Nick Horrigan made a deadly mistake—one that cost his stepfather his life, endangered his mother, and sent him into hiding for years. Now, what Nick discovers in that nuclear plant leaves him with only two choices—to start running again, or to fight and finally uncover the secrets that have held him hostage all these years.
As Nick peels back layer after layer of lies and deception, buffeted between the buried horrors of the past and the deadly intrigues of the present, he finds his own life—and the lives of nearly everyone he loves—at risk. And the only thing guiding him through this deadly labyrinth are his stepfather's dying words: TRUST NO ONE. Acclaimed for years by both critics and his peers as one of the finest thriller writers today, Gregg Hurwitz has lived up to all the accolades and expectations with Trust No One, an electrifying and compelling novel that will be remembered for years to come.
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About the Author
Gregg Hurwitz is the author of a number of critically acclaimed thrillers, including They're Watching, The Crime Writer and Troubleshooting. International bestsellers, his novels have been finalists for several awards, including the Crime Writers of America Ian Fleming Steel Dagger and the ITW Best Novel of the Year awards. In addition to his novels, he has also written comic books and screenplays, developed television series for Warner Brothers and Lakeshore, published scholarly articles on Shakespeare, and is currently a consulting producer on ABC's "V." He has taught fiction at the University of Southern California and guest lectured for UCLA and Harvard. Hurwitz grew up in the Bay Area and earned his B.A. from Harvard and a master's from Trinity College at Oxford. He lives in Los Angeles, California.
GREGG HURWITZ is the author of the New York Times bestselling Orphan X novels. Critically acclaimed, his novels have been international bestsellers, graced top ten lists, and have been published in thirty-two languages. Additionally, he’s sold scripts to many of the major studios, and written, developed, and produced television for various networks. Hurwitz lives in Los Angeles.
Read an Excerpt
I snapped awake at 2:18 a.m., the bloodshot numerals staring at me from the nightstand. For years on end, I woke up at this exact time every night, regardless of what time zone I was in. But after seventeen years I had just started sleeping through the night. I had finally outrun the old fears. Or so I had convinced myself.
Remote sirens warbled in the night. At first I figured they were in my head, the sound track to the dream. But the distant wail got louder instead of fading. I hadn’t awakened on my own.
I ran through what I remembered from the previous evening—the presidential debate had closed out prime time, and after the commentariat finished yammering, I’d fallen asleep watching a high- speed chase on the news. A guy in a beat- to- shit Jeep Cherokee, hauling ass down the 405, a legion of black- and- whites drawn behind him like a parachute.
I blinked hard, inhaled, and looked around. Same Lemon Pledge scent of my third- floor condo. My sweat imprint on the sheets and pillow. Breeze rattling palm fronds against my balcony in the next room.
And a watery blue light undulating across the bedroom ceiling.
I sat up.
The TV, across the room on the steamer trunk, was off. But the distant sirens continued.
And then, along with the light on the ceiling, the sirens abruptly stopped.
I threw off the sheets and padded across the carpet, stepping over a discarded Sports Illustrated and sloughed- off dress shirts from the job I’d left a week ago. In my plaid pajama bottoms, I ventured into the all- purpose living room, heading for the balcony. The police lights had flickered through the locked sliding glass door. Halfway to it I froze.
A thick black nylon rope was dangling from the lip of the roof, its end coiled on my balcony. Motionless.
No longer groggy, I opened the sliding glass door and stepped silently out onto the balcony, rolling the screen shut behind me. My balcony with its Brady Bunch–orange tiles overlooked a narrow Santa Monica street populated by other generic apartment buildings. Streetlights were sporadic. I confronted the rope for a quiet moment, then looked around, expecting who knows what.
Bulky shadows of cars lined the gutters. An SUV was double-parked, blocking the street. No headlights, no dome light. Tinted windows. But a huff of smoke from the exhaust pipe. A sedan, dark and silent, wheeled around the turn and halted, idling behind the SUV.
Terror reached through seventeen years and set my nerves tingling.
I squinted to see if I could make out a police light bar mounted on either roof. In my peripheral vision, the tail of the rope twitched. The roof creaked. Before I had a chance to think, a spotlight blazed up from the SUV, blinding me. A zippering sound came from above, so piercing that my teeth vibrated. Then a dark form pendulumed down at me, two boots striking me in the chest. I left my feet, flying back through the screen, which ripped free almost soundlessly. I landed on my shoulder blades, hard, the wind knocked out of me. The black-clad figure, outfitted with a SWAT- like jumpsuit and an assault rifle, filled the screen frame with its bits of torn mesh. Even through the balaclava, the guy looked somehow sheepish—he hadn’t seen me beneath the overhang before he’d jumped.
"Shit," he said. "Sorry."
He’d made an expert landing, despite the collision, and was aiming the rifle at my face.
I guppied silently, a knot of cramped muscles still holding my lungs captive, and rolled to my side. He stepped astride me as I curled around the hot pain in my chest.
A hammering of boots in the hall matched my heartbeat, so forceful it jarred my vision, and then the front door flew directly at me, knocked from the hinges and dead bolt as if a hurricane had hit the other side. It skipped on end, landed flat on the carpet with a whump, and slid to within an inch of my nose.
As I writhed between the assailant’s boots, fear gave way to panic. Three men flipped me and proned me out, my face mashing carpet, my front tooth driving into my bottom lip. Gloved hands ran up my sides, checking my ankles, my crotch. More black- clad forms hurtled through the doorway, aiming assault rifles in all directions, a few men streaking off to the bedroom. I heard my folding closet doors slam back on their tracks, the shower curtain raked aside.
"Nick Horrigan? Are you Nick Horrigan?!"
My chest released, and I finally drew in a screeching breath. And another. I rolled onto my back, stared up at the one face not covered by a hood and goggles. Lean, serious features, a slender nose bent left from a break, gray hair shoved back from a side part. The salt- and- pepper stubble darkening the jaw matched neither the neat knot of the standard- issue red tie nor the high and tight haircut.
"Are you Nick Horrigan?"
I nodded, still fighting to draw in a proper breath. A warm, salty trickle ran from my split lip down my chin. The other men—fifteen of them?—had spread through the condo, dumping drawers, knifing open the couch cushions, overturning chairs. I heard flatware tumble onto the linoleum. My clock radio blared on—a jingle for antifungal ointment—and then I heard someone curse, and it abruptly cut off.
The gray- haired man frowned at me, then surveyed the others, radiating authority. "The hell’s the matter with him, Sever?"
"I hit him in the chest when I rappelled from the roof." A faint southern accent—Maryland or Virginia, maybe. The guy tugged off his hood, revealing a square face further accented by a military- looking flattop. He was much wider than the boss man crouching over me. Younger, too—probably in his mid- forties, though his creased tan aged him up a bit. His bearing suggested he was the alpha dog among the jumpsuits.
The boss returned his gaze to me. "Nick Horrigan, born 6/12/73? Son of Agent Frank Durant?"
"Stepson," I managed.
He shoved a photograph in my face. A man shown from the chest up, wearing a blue blazer and the scowl of the unphotogenic. A wide mouth and slack lips lent him a slightly wild quality. His blond hair was slicked back, the camera catching furrows left by the comb.
"What’s the last contact you had with this man?"
"I don’t know this guy," I said.
"Then you’ve been in phone or e-mail contact with him."
I caught a worm’s-eye view of a man with tactical goggles peering into the empty Cup o’ Noodles I’d left on the kitchen counter. The photo moved abruptly in front of my nose again. "I told you," I said. "I don’t know who the hell he is."
The boss grabbed my arms and tugged me to a sitting position. Over his shoulder I could see my framed Warner Bros. still, sitting shattered at the base of the wall. Yosemite Sam was looking back at me with an expression of matching bewilderment. Glancing down, I stared numbly at the bootsize red marks on my bare chest. "Who are you?" the man asked, pulling my focus back to him.
My voice still sounded tight. "You already know. I’m Nick Horrigan."
"No, I mean what do you do?"
"I just left a job at a charity group," I said.
One of the guys behind me guffawed.
Another appeared in the doorway of my bedroom, holding my now- empty nightstand drawer by the handle. "I got nothing."
The boss swiveled to face a guy wanding the kitchen with a magnetometer. The guy shook his head. "Sorry, Mr. Wydell."
"Okay." Wydell ran a hand through his gray hair. It fell back precisely into the side part. His exacting demeanor fit his professional bearing—the sole suit among rugged operators. "Okay. Get him a shirt."
A T-shirt flew from the vicinity of my bedroom, hitting me in the head.
"Put this on. Let’s go."
My Pac- Man shirt. Great. I tugged it on, and two guys hoisted me to my feet. Figuring I’d want ID wherever I was going, I grabbed my money clip from the kitchen counter and stuffed it into the floppy pocket of my drawstring pajama pants.
"Let’s go, let’s go," Wydell said. "You got sneakers, something?"
I stopped moving, and the two men commanding me to the door stumbled into me. "Can you please show me a badge?" I said, though I pretty much figured.
Wydell’s lips pinched. His hand darted behind his lapel, withdrew his commission book with its recessed badge. Hunched eagle and flag, rendered in gold. u.s. secret ser vice. His commission was behind plastic inside the leather book. joseph wydell, special agent in charge. He was from the Los Angeles Regional Office, which meant he wasn’t on the protection detail of a par tic u lar politician but oversaw general intelligence in Southern California. Why was the head of the Secret Ser vice L.A. office on site at a raid instead of waiting back in his air- conditioned office?
"What do you think I did?" I asked.
Someone handed him my sneakers, and he thumped them against my chest. I took them. He hustled me out into the hall, Sever in front of us, another agent behind, one at each side. They held the diamond formation as we barreled toward the stairs.
Mrs. Plotkin stood in her doorway in a white spa bathrobe, her copper hair heaped high, showing off white roots. She looked worried—one of her favorite expressions.
"Get back in your apartment, ma’am," Sever said, the accent more pronounced now.
We were approaching fast, but she held her ground. "Where are you taking him?"
"I’m okay, Evelyn," I said, wiping blood from my chin.
"What did he do?"
"Out of the way, now."
We reached her, and Sever straight- armed her back into her apartment. Her head snapped forward, and the glasses she wore around her neck on a beaded chain flew up, trailing her fall like the tail of a kite. As we whisked past, I caught a flash of her lying shocked on her fuzzy rug, glasses tangled in her hair, the door pressing against her side. It was just a shove, nothing drastic, but even a portion of a man’s strength applied brusquely to a woman in her sixties had a certain grotesqueness to it.
I tried to stop, but the agents propelled me forward.
"Hey," I said to Sever’s broad back, "let me at least make sure she’s okay."
The agents kept moving me along. No time for retorts or even threats. That scared me even more.
I stumbled down the stairs, trying to keep pace, nearly dropping my sneakers. The lobby was empty save the vinyl couches and smoky mirrors, and beyond, the street was lit up like day. Police cars, spotlights, men in dark suits talking into their wrists. A few spectators, hastily dressed, stood on the opposite sidewalk, straining on tiptoes, waiting to see who would emerge.
We burst through the doors and stopped. I hopped on one foot, then the other, pulling on my Pumas.
"Cut the goddamned spotlights," Wydell said. "This isn’t a fashion shoot." The spotlights clicked off with a bass echo, and suddenly the night was darker than it should have been. Wydell grabbed the arm of another agent. "Where is it?"
"It needs to be here now."
I said, loudly, "Are you gonna tell me what the hell is going on?"
All of a sudden, a bass thrumming filled the night, as much a vibration as a sound, and then a Steven Spielberg glow came over the rooftops, turning the palms a fiery yellow. On the sidewalk a little girl white- knuckled her father’s hand, her mouth open in sleepy disbelief.
A Black Hawk loomed into view, massive and somehow futuristic in this context, on my street. The wind from the rotors buffeted the crowd, snapped at the bushes, pasted my clothes to me. Wydell’s tie pulled clear of his jacket and stood on end. The helicopter banked and set down magisterially on the asphalt. The spectators stared at me in expectation.
Wydell grabbed my arm in a vise grip and started moving me toward the The helicopter. The sight of that waiting Black Hawk finally broke me out of shock, or at least helped me catch up to myself, to what was happening. I jerked free. "Wait a minute. You can’t just take me. What’s happening here?"
I had to follow him closely to hear his words over the noise of the rotors.
He was shouting. "A terrorist has penetrated the nuclear power plant at San Onofre and is threatening to blow it up."
I felt a sudden hollowness at my core, that rushing emptiness I’d felt only twice before: clutching stupidly at Frank while he died and watching live footage as that second plane hit the tower.
"Okay," I said. "Jesus. But what’s that got to do with me?"
Wydell stopped, poised, one leg up on the skid of the chopper. "He says he’ll only talk to you."
Excerpted from Trust No One. by Gregg Hurwitz.
Copyright © 2009 by Gregg Hurwitz.Published by St. Martin’s Press.
All rights reserved. This work is protected under copyright laws and reproduction is strictly prohibited. Permission to reproduce the material in any manner or medium must be secured from the Publisher.