Some secrets never die. They’re just locked away.
Alex Dale is lost. Destructive habits have cost her a marriage and a journalism career. All she has left is her routine: a morning run until her body aches, then a few hours of forgettable work before the past grabs hold and drags her down. Every day is treading water, every night is drowning. Until Alex discovers Amy Stevenson. Amy Stevenson, who was just another girl from a nearby town until the day she was found unconscious after a merciless assault. Amy Stevenson, who has been in a coma for fifteen years, forgotten by the world. Amy Stevenson, who, unbeknownst to her doctors, remains locked inside her body, conscious but paralyzed, reliving the past.
Soon Alex’s routine includes visiting hours at the hospital, then interviews with the original suspects in the attack. But what starts as a reporter’s story becomes a personal obsession. How do you solve a crime when the only witness lived but cannot tell the tale? Unable to tear herself away from her attempt to uncover the unspeakable truth, Alex realizes she’s not just chasing a story—she’s seeking salvation.
Shifting from present to past and back again, Try Not to Breathe unfolds layer by layer until its heart-stopping conclusion. The result is an utterly immersive, unforgettable debut.
Praise for Try Not to Breathe
“A brilliant, beautifully written thriller.”—Augusten Burroughs, New York Times bestselling author of Running with Scissors
“A razor-sharp plot and wonderfully complex characters . . . Not since The Girl on the Train have I been so captivated by a work of suspense.”—New York Times bestselling author Tess Gerritsen
“A fast-paced debut about long-buried secrets and tangled truths.”—New York Times bestselling author Kimberly McCreight
“Engrossing . . . Seddon’s storytelling skills are strong. . . . The world she’s constructed is fascinating and slightly dark.”—Kirkus Reviews
|Publisher:||Random House Publishing Group|
|Product dimensions:||6.30(w) x 9.30(h) x 1.20(d)|
About the Author
Read an Excerpt
Amy, 18 July 1995
Music thudded through Amy's body and seized her heart. Music so loud that her eardrums pounded in frenzy and her baby bird ribs rattled. Music was everything. Well, almost everything.
Later, the newspapers would call fifteen-year-old Amy Stevenson a "ray of sunshine", with "everything to live for". Her headphones buzzed with rock and pop as she trudged the long way home, rucksack sagging.
Amy had a boyfriend, Jake. He loved her and she loved him. They had been together for nearly eight months, walking the romance route around the 'top field' at school during break time, hot hand in hot hand, fast hearts synchronised.
Amy had two best friends: Jenny and Becky. The trio danced in a perpetual whirlpool of back stories, competition and gossip. Dizzying trails of 'she-said-he-said-she-said' preceded remorseful, sobbing hugs at the end of every drunken Saturday night.
Nights out meant lemon Hooch in the memorial park or Archers & Lemonade at The Sleeper pub, where a five-year-old wouldn't have been IDed. Nights in meant My So Called Life and Friends. After school, time ticked down to the 6pm phone calls once it hit the cheap rate. She would talk until her step-dad, Bob, came into the dining room and gave her that look: it's dinner time, get off my phone.
Amy's Kickers bag grew heavier with every step. She shifted it awkwardly to the other shoulder, tangling her headphone wires so that one bud pinged out of her ear, the sounds of the real world rushing in.
She had taken the long way home. The previous day she'd got back early and startled Bob in the kitchen as he stirred Coffee Mate into his favourite mug. At first he'd smiled, opening his arms for a hug before realising that she'd made it back in record time and must have gone across the field.
She'd had to sit through half an hour of Bob's ranting and raving about walking the safe route home, along the roads: "I'm saying this because I love you, Ames, we both love you and we just want you to be safe."
Amy had listened, shuffled in her seat and stifled yawns. When he'd finally stopped, she'd stomped upstairs, flopped onto her bed and smacked CD cases around as she made an angry mix tape. Rage Against The Machine, Hole and Faith No More.
As she'd surprised Bob the day before, Amy knew he was likely to be home already. Waiting to catch her and have another go at her. It wasn't worth the hassle even though the longer walk was especially unwelcome on Tuesdays. Her bag was always really heavy as she had French and History and both had stupid, massive textbooks.
Amy hated learning French with a passion, the teacher was a dick and who needs to give a window a gender? But she liked the idea of knowing the language. French was a sexy language. She imagined she could seduce someone a bit more sophisticated than Jake by whispering something French in his ear. She could seduce someone older. Someone a lot older.
She loved Jake, of course, she meant it when she said it. She had his name carefully stencilled onto her bag with a Tippex pen and when she imagined the future, he was in it. But over the last few weeks she had begun to see the differences between them more and more.
Jake, with his wide smile and deep brown puppy-dog eyes, was so easy to spend time with, so gentle. But in the time they'd been going out, he'd barely plucked up the courage to put his hand inside her school shirt. They spent whole lunch hours kissing in the top field, and one time he'd climbed on top of her but she'd got a dead leg and had to move and he was so flustered he barely spoke for the rest of the day.
It had been months and months and she was still a virgin. It was getting embarrassing. She hated the idea of being last, hated losing at anything.
Frustrations aside, Amy hoped Jake had skipped Judo club so he could come and meet her. Jake and his younger brother, Tom, were driven home from school every day because his snooty mum worked as the school secretary. His family lived in the double-fronted houses of Royal Avenue. He was always back before Amy reached the two-bedroom terrace house in Warlingham Road where she lived with Bob and her mum, Jo.
Jake's mum, Sue, didn't like Amy. It was like she saw her as someone who would corrupt her precious baby. Amy liked the idea that she was some kind of scarlet woman. She liked the idea of being any kind of woman.
Amy Stevenson had a secret. A secret that made her stomach lurch and her heart thump. None of Amy's friends knew about her secret, and Jake certainly didn't know. Jake could never know. Even Jake's mum, with her disapproving looks, would never have guessed.
Amy's secret was older. Absolutely, categorically a man. His shoulders were broader than Jake's, his voice lower, and when he made rude remarks, they came from a mouth that had earned the right to make them. He was tall and walked with confidence, never in a rush.
Her secret wore aftershave, not Lynx, and he drove a car, not a bike. Unlike Jake's sandy curtains, he had thick, dark hair. A man's cut. She had seen through his shirts that there was dark hair in the shallow dip at the centre of his chest. Her secret had a tall, dark shadow.
When Amy thought about him, her nerves exploded and her head filled with a bright white sound that shut out any sense.
Her secret touched her waist like a man touches a woman. He opened doors for her, unlike the boys in her class who bowled into corridors like silver balls in a pinball machine.
Her mum would call him "tall, dark and handsome". He didn't need to show off, didn't need to boast. Not even the prettiest girls at school would have thought they stood a chance. None of them knew that Amy stood more than a chance. Way more.
Amy knew that he would have to stay a secret, and a short-lived one at that. A comma in her story, nothing more. She knew that she should keep it all locked in a box; perfect, complete, private, totally separate from the rest of her soundtrack. It was already a memory, really. Months from now she would still be snogging Jake at lunch time; bickering with her friends; coming up with excuses for late homework. She knew that. She told herself she was cool with that.
The feeling Amy got when he touched her hip or brushed her hair out of her face was like an electric bolt. Just the tips of his fingers made her flesh sing in a way that blocked out everything else in the world. She was both thrilled and terrified by thoughts of what he could do to her, what he would want her to do to him. Would they ever get the chance? Would she know what to do if they did?
That kiss in the kitchen, with the sounds of the others right outside. His hands on her face, a tickle of stubble that she'd never felt before. That one tiny kiss that kept her awake at night.
Amy turned into Warlingham Road and the ritual began. She put her bag down on the crumbly concrete wall. She unrolled the waistband of her skirt so it was no longer hitched up. She decanted her things, finding her Charlie Red spray and cherry lip balm.
Amy shook the spray and let a short burst of sweet vapour fill the air. Then, after looking around self-consciously, she stepped into the perfumed cloud, like she'd seen her mum do before a night at the social club.
She ran the lip balm along her bottom lip, then the top, kissing them together and then dabbing them matte with her jumper. On the off-chance that Jake was waiting, she wanted to be ready, but not make it obvious that she'd tried.
Amy's Walkman continued to flood her ears. Do You Remember The First Time? by Pulp kicked in and Amy smiled. Lead singer Jarvis Cocker smirked and winked in her ears as she set everything back in the bag, shifted it to the other shoulder and started down the road.
She saw Bob's van in the road. Amy was twelve doors away from home. As she squinted, she could make out a figure walking towards her.
She could tell from the way the figure walked - confident, upright, deliberate - that it wasn't Jake. Jake skirmished around like a startled crab, half-running, half-walking. Amy could tell from the figure's slim waist that it wasn't Bob, who was shaped like a little potato.
When Amy realised who it was she felt a rush of nausea.
Had anyone seen him?
Had Bob seen him?
How could he risk coming to the house?
Above everything, Amy felt a burst of exhilaration and adrenalin thrusting her towards him like iron filings to a magnet.
Jarvis Cocker was still talking dirty in her ears, she wanted to make him stop but didn't want to clumsily yank at her Walkman.
She held her secret's gaze, biting her lip as she clicked every button until she crunched the right one down and the music stopped. They were toe to toe. He smiled and slowly reached forward. He took one headphone, then the other from the side of her head. His fingers brushed her ears. Amy swallowed hard, unsure of the rules.
"Hello, Amy," he said, still smiling. His green eyes twinkled, the lashes so dark they looked wet. He reminded her of an old photo of John Travolta washing his face between takes on Saturday Night Fever. It had been printed in one of her music magazines and while she thought John Travolta was a bit of a nobhead, it was a very cool picture. She'd stuck it in her hardback Art & Design sketch book.
"Hello..." she replied, in a voice a shade above a whisper.
"I have a surprise for you... get in." He gestured to his car - a Ford Escort the colour of a fox - and opened the door grandly like a chauffeur.
Amy looked around, "I don't know if I should, my step-dad's probably watching."
As soon as her words were in the air, Amy heard a nearby front door, and ducked down behind the Escort.
A little way up the pavement, Bob set his tool bag down with a grunt. He exhaled heavily as he fumbled for his keys and opened his van. Unaware he was being watched, Bob lumped the tool bag into the passenger seat and slammed the door with his heavy, hairy hands. He waddled around to the driver's seat, heaved himself up and drove away with a crunch of gears, the back of his van shaking like a wagging tail.
As excited as Amy was, as ready as she was, a huge part of her wanted to sprint off up the road and jump into the van, safe and young again, asking Bob if she could do the gears.
"Was that your step-father?"
As she stood up and dusted herself down Amy nodded, wordless.
"Problem solved then. Get in." He smiled an alligator smile. And that was that. Amy had no more excuses and she climbed into the car.
Alex, 7 September 2010
The hospital ward was trapped in a stillborn pause. Nine wordless, noiseless bodies sat rigidly under neat pastel blankets.
Alex Dale had written about premature babies, their seconds-long lives as fragile as a pile of gold dust.
She had written about degenerative diseases and machine-dependents whose futures lay in the idle flick of a button. She had even detailed every knife-twist of her own mother's demise, but these patients in front of her were experiencing a very different living death.
The slack faces in the Neuro-disability ward at the Tunbridge Wells Royal Infirmary had known a life before. They were unlike the premature babies, who had known nothing but the womb, the intrusion of tubes and the warmth of their parents' anxious, desperate hands.
The patients weren't like the dementia sufferers whose childlike stases were punctuated by the terror of memories.
These rigid people on Bramble Ward were different. They had lived their lives with no slow decline, just an emergency stop. And they were still in there, somewhere.
Some blinked slowly, turning their heads slightly to the light and changing expression fluidly. Others were freeze-framed; mid-celebration, at rest or in the eye of a trauma. All of them were now trapped in a silent scream.
"For years patients like this were all written off," said the auburn-haired ward manager with the deepest crow's feet Alex had ever seen. "They used to be called vegetables." She paused and sighed. "A lot of people still call them that."
Alex nodded, using scrappy shorthand to record the conversation in her Moleskine pad.
The ward manager continued. "But the thing is, they're not all the same and they shouldn't be written off. They're individuals. Some of them are completely lacking awareness, but others are actually minimally conscious, and that's a world apart from being brain dead."
"How long do they tend to stay here before they recover?" Alex asked, poising her pen above the paper.
"Well, very few of them recover. This summer we had one lad go home for round-the-clock care from his parents and sister but that was the first one in years."
Alex raised her eyebrows.
"Most of them have been here for a long time," the manager added. "And most of them will die here too."
"Do they get many visitors?"
"Oh yes. Some of them have families that put themselves through it every single week for years and years." She stopped and surveyed the beds.
"I'm not sure I could do that. Can you imagine showing up week in, week out and getting nothing back?"
Alex, tried to shake images of her own knotty-haired mother, staring blankly into her only daughter's face and asking for a bedtime story.
The ward manager had lowered her voice, there were visitors sitting at several beds.
"It's only recently that we've realised there are some signs of life below the surface. Some patients like these ones," she gestured to the beds behind Alex, "and I'm talking a handful across the world, have even started to communicate."
She stopped walking. Both women were standing in the centre of the ward, curtains and beds surrounding them. Alex raised her eyebrows, encouraging her to continue.
"That's not quite right, actually. Those patients had been communicating all along, the doctors just didn't know how to hear them before. I don't know how much you've read, but after a year, the courts can end life support if they're being kept alive by machines. And now with the NHS funding cuts..." the nurse trailed off.
"How terrible to have no voice," said Alex, as she took scribbled notes and swayed, nauseated, amongst the electric hum of the hospital ward.
Alex was writing a profile piece for a weekend supplement on the work of Dr Haynes, the elusive scientist researching brain scans that picked up signs of communication in patients like these. She hadn't met the doctor yet and was skidding towards her deadline. A far cry from her best work.
There was one empty bed in the ward, the other nine quietly filled. All ten had identical baby blue blankets within their lilac curtained cubicles.
Inside those pastel walls, nurses and orderlies could hump and huff the patients into a seated position, wipe their wet mouths and dress them in the clothes brought in from home and donated by arms-length well-wishers.
A radio fizzed from behind the reception area, as chatter and 'golden oldies' alternated with each other. The barely audible music jostled with the sighing breaths of patients and the beeps and whooshes of machinery.
In the furthest corner of the ward, a poster caught Alex's eye. It was Jarvis Cocker from Pulp, limp-wristed and swathed in tweed. She strained to see the name of the magazine from which it had been carefully removed.
Select magazine. Long-dead, long-forgotten, it had been the magazine of choice throughout Alex's teens. She'd deluged the editor with unanswered letters begging for work experience, back when music seemed to be the only love anyone could possibly want to read or write about.
The dark blue uniformed manager who'd been showing Alex around had been snagged. Alex spotted her talking quietly and seriously with the watery-eyed male visitor of a patient in a stiff pink house-coat.
Alex soft shoe shuffled closer to the corner cubicle. Her shins seared with pain from her morning run, and she winced as she quickened her steps. The thin soles of her ballet pumps ground into her blisters like grit.
Most of the patients were at least middle-aged but the cubicle in the corner had a queasy sense of youth.
The curtains had been half pulled across haphazardly and Alex stepped silently through the large gap. Even in the dark of the cubicle Alex could see that Jarvis Cocker was not alone. Next to him, a young Damon Albarn, the lead singer from Blur, mugged uncomfortably at the camera. Both had been carefully removed from Select some years ago, dust tickling their thumbtacks.
The scene was motionless. The bed's blanket covering a peak of knees. Two skinny arms lay skewiff on top of the starched bedclothes, tinged purple, goose-pimpled, framed by a worn-in blue t-shirt.
Alex had avoided looking directly at any of the patients so far. It seemed too rude to just stare into the frozen faces like a Victorian at a freak show. Even now, Alex hovered slightly to the side of the Britpop bed like a nervous child. She gazed at the bright white equipment that loomed over the bed and scribbled needlessly in her notepad for a bit, stalling until she could finally let her eyes fall on the top of the young woman's head.
Her hair was a deep, dark chestnut, but it had been cut roughly around the fringe and left long and tangled everywhere else. Her striking blue eyes were half-open and marble-bright. With Alex's long, pony-tailed dark hair and seaside eyes, the two women almost mirrored one another.
As soon as Alex let her eyes fall on the full flesh of the woman's face, she recoiled.
Alex knew this woman.
She was sure of a connection, but it was a flicker of recollection with nothing concrete to call upon.
As her temples boomed with a panicked pulse, Alex built up the courage to look again, mentally peeping through her fingers. Yes, she knew this face, she knew this woman.
It wasn't that long ago that Alex's powers of recall would have been razor sharp, a name would have sparkled to light in a blink. A mental rolodex gone to rust.
Alex heard thick flat soles and heavy legs coming towards her apace. The penny dropped.
"So sorry about that," the ward manager was saying as she puffed over. "Where were we?"
Alex span to look at her guide. "Is this..?"
"Yes it is. I wondered if you'd recognise her. You must have been very young."
"I was the same age. I mean, I am the same age."
Alex's heart was thumping, she knew the woman in the bed couldn't touch her, but she felt haunted all the same.
"How long has she been in?"
The manager looked at the woman in the bed and sat down lightly on the sheets near the crook of an elbow.
"Almost since," she said quietly.
"God, poor thing. Anyway," Alex shook her head a little. "Yes, sorry, I have a couple more questions for you, if that's okay?"
"Of course," the nurse smiled.
Alex took a deep breath, gathered herself. "This might sound like a silly question, but is sleep-walking ever a problem?"
"No, it's not a problem. They're not capable of moving around."
"Oh of course." said Alex, pushing strands of hair away from her eyes with the dry end of her pen. "I guess I was surprised by the security on the ward, is that standard?"
"We don't sit guard on the door like that all the time, just when it's busy. Other than that, we tend to stay in the office as we have a lot of paperwork. We do take security very seriously though."
"Is that why I had to sign in?"
"Yes, we keep a record of all the visitors," said the manager. "When you think about it, anyone could do anything with this lot, if they were that way inclined."
Alex drove slowly into orange sunlight, blinking heavily. Amy Stevenson. The woman in the bed. Still fifteen, with her Britpop posters, ragged hair and girlish eyes.
As Alex slowed for a zebra crossing, a canoodling teenage couple in dark blue uniforms almost stumbled onto the bonnet of her black Volkswagen Polo, intertwined like a three-legged race team.
Alex couldn't shake the thought of Amy. Amy Stevenson who left school one day and never made it home. Missing Amy. TV-friendly tragic teen in her school uniform; smiling school photo beaming out from every national news programme; Amy's sobbing mother and anxious father, or was it step-father? Huddles of her school friends having a 'special assembly' at school, captured for the evening news.
From what Alex could remember, Amy's body was found a few days later. The manhunt had dominated the news for months, or was it weeks? Alex had been the same age as Amy, and remembered the shock of realising she wasn't invincible.
She'd grown up thirty minutes away from Amy. She could have been plucked from the street at any time, by anyone, in broad daylight.
Amy Stevenson: the biggest news story of 1995, lying in a human archive.
It was 12.01pm. The sun was past the yardstick, it was acceptable to begin.
In the quiet cool of her galley kitchen, Alex set down a tall glass beaker and a delicate wine glass. Carefully, she poured mineral water (room temperature) into the tall glass until it kissed the rim. She poured chilled white wine, a good Reisling, to the exact measure line of the wine glass and put the bottle back in the fridge door, where it clinked against five identical bottles.
Water was important. Anything stronger than a weak beer or lager would deplete the body of more moisture than the drink provided, and dehydration was dangerous. Alex started and finished every afternoon with a tall glass of room temperature water. For the last two years, she had wet the bed several times a week, but she had rarely suffered serious dehydration.
Two bottles, sometimes three. Mostly white but red on chilly afternoons, at home. It had to be at home.
As Matt had stood in the doorway of their home for the last time, carrying his summer jacket and winter coat with pitch perfect finality, he had told Alex that she "managed" her drinking like a diabetic manages their condition.
Alex's rituals and routines had become all-encompassing. Staying in control and attempting to maintain a career took everything. There was nothing left for managing a marriage, much less enjoying it.
Alex hadn't expected to be divorced at twenty eight. To most people that age, marriage itself was only just creeping onto the horizon.
She could see why Matt left her. He'd waited and waited for some inkling that she would get better, that she would choose him and a life together over booze, but it had never really crossed her mind to change. Even when she had "every reason" to stop. It was just who she was and what she did.
They had met during Fresher's Week at Southampton University, though neither of them could tell the story. Their collective memory kicked in a few weeks into the first term, by which time they were firmly girlfriend and boyfriend and waking up in each other's hangovers every day.
Drinking had cemented their relationship, but it wasn't everything, and it became less important to Matt over time. They talked and laughed and did ferociously well throughout their courses, (his Criminology, hers English Literature) partly through frenzied discussion, partly through competitiveness. From the very first month, it was them. Not he or she, always them.
It had been nearly two years since the decree absolute, and she still defaulted to 'we', her phantom limb.
Every afternoon, before the first glass touched her lips, Alex turned off her phone. She had long closed her Facebook account, cleaned the web of any digital footprints that could allow drunken messages to Matt, his brothers, his friends, her ex-colleagues, anyone.
Alex had a few rules come the afternoon: no phone calls, no emails, no purchases. In the dark space between serious drinker and functioning alcoholic, there had been no rules. Cheerful, wobbly pitches had been sent to bemused editors; sensitive telephone interviews had taken disastrous, offensive paths; Alex had evaporated friendships with capitalised, tell-all emails and blown whole overdrafts on spontaneous spending sprees. And far worse.
Things were better now. She was getting semi-regular work, she owned her own home. She'd even taken up running.
At least once a week she planned her own death, and drafted an indulgent farewell letter to Matt and the child she'd never planned, the child they would now never have.
She sat down at her desk and opened her Moleskine notepad.
Alex had a story, and it was far more interesting than the one she had been sent to write.
Jacob, 8 September 2010
Jacob loved his wife, he was sure of that most of the time, but when she talked for forty five unbroken minutes about an extension they didn't need and couldn't afford, the lies felt slightly softer on his conscience.
He watched Fiona's mouth moving, forming the words so resolutely. There were just so many of them, so many bloody words, that they blended into one, ceaseless noise.
Her pink mouth was now entirely for talking. How long had it been since those lips had softened for a kiss? Or whispered something sweet in his ear?
"Are you even listening to me?" her fierce brown eyes filled with salt water, ready to burst their banks without notice. How long had it been since they'd made each other laugh until tears squeezed from the corners of their eyes?
"Of course I'm listening." Jacob pushed his half-finished cereal bowl away, trying desperately not to be outwardly aggressive, or passively aggressive, or break any other unwritten golden rule.
When Jacob and Fiona had first met, they talked about everything. Well, almost everything. She had fascinated him, she always had so much to say and he liked to hear it.
As boyfriend and girlfriend they had sparred, joked, talked into the next morning. On their wedding night, they had failed to consummate the marriage, wrapped in each other's words until they realised it was the next day, Fiona's legs tangled in her ivory dress train, faces sore from smiling and laughing, sobering with the sun.
But Fiona had stopped asking about his work, stopped expecting to be told anything. Now they wrangled over inane household topics, and not much else.
When had it happened? At the start of the pregnancy? Before?
She had certainly been myopic about ovulation dates and optimum positions but she had still been Fiona, they had still laughed and talked.
It went beyond disinterest.
Fiona used to grill him, question the who, where, when of meetings and social activities, cross-referencing what she was told with diary dates, previous conversations, outfits he'd chosen, throwaway remarks.
"So exactly who is going to this Christmas party then? How come it's not wives and girlfriends? It's normally wives and girlfriends... are any wives and girlfriends going?"
Maybe she didn't care now. Fiona had her little nugget growing in her belly, and nothing else mattered. If so, that flew in the face of the Fiona he had fallen in love with, the Fiona he had married. And for all the pressure that had led to it, he had been over the moon when the second blue line appeared on that fated stick many months ago. Terrified, but over the moon.
Now sitting at the tired breakfast bar, he watched his wife unsteady on her feet. Her sense of balance had been eroded over the last few weeks as her belly had ballooned with a new urgency.
Jacob sighed. Every conversation nowadays led to this topic: the small, hellish kitchen.
The new kitchen extension would fix everything: the storage problem, the tricky access to the garden, where to keep the pram, tension in the Middle East.
The new extension was everything. And if Fiona didn't get it, however impossible the sums were, the world would explode. He couldn't be entirely sure that it was his baby in that cartoon belly, and not a ticking time bomb.
The 1930s semi in Wallington Grove, Tunbridge Wells had seemed like a palace when they moved in, just two years ago. It had taken prudence, abstinence and overtime to save a deposit, and the newlyweds had agreed that work and salary had to be the main focus for at least three years; they had to feed the machine. Fiona had agreed wholeheartedly, absolutely, the mortgage was a stretch, it would take two full-time salaries to service it and they both must do their bit.
Some eighteen months later, after a concentrated campaign veering from the subtle to the tearful, they had started to try for a baby and conceived almost instantly. And now the baby needed an extension.
"Fi, look, I'm sorry, I'm not trying to be shitty but I really have to go. I've got some really awful meetings today and my head's all over the place."
'Sure," she said, "whatever."
She didn't ask for more than that. Why didn't she ask for more than that now?
They both needed to leave. Fiona for work as a graphic designer, Jacob for the hospital, where he did not work.
Reading Group Guide
1. From the beginning of the novel, we know Alex Dale is an unreliable narrator. Did this change the way you perceived the information you were reading?
2. Music plays an important role in Try Not to Breathe. It’s how Alex communicates with Amy, and in the flashbacks Amy connects songs with how she is feeling. Could you relate to Amy on that level?
3. Fiona is frustrated with Jacob’s lying while he goes to visit with Amy. Do you think this is justified? What would you do if you were Fiona and you found out about Amy?
4. Amy is the catalyst for Alex’s shift in behavior, but do you think that’s the only reason? What other influences can you point to that may have helped her make the change?
5. Were you surprised when you found out who attacked Amy? At any point were you convinced it was a different character?
6. Try Not to Breathe is told from multiple perspectives – it switches from Alex to Amy to Jacob, and even Jacob’s mother, Sue. Do you like this style of writing? Which character’s perspective was most interesting to you?
7. Alex and Jacob pair up in the second half in the novel to try and solve Amy’s mystery together. What do you think about their relationship? Are they a good team?
8. A lot of Amy’s thoughts are relayed through dreams and give us insights into her past. Did you like this method of communication? What do you think of Amy’s condition? Did it pique your interest?
Most Helpful Customer Reviews
Once I began reading, I hated to have to stop. Interesting Charscters and, great storyline kept me reading as the mystery unravelled.
Well written, good characterization. Would like to read more by this author.
When I started reading this novel I had no idea it would end up being so very, very interesting. It is clear that this author is very imaginative and took time to do the research necessary to write such a moving story. Highly recommend!
This story grabbed me from the very first and I could not put it down... great book !
Absolutely wonderful reading. The characters are so believable. A difficult storyline to control, but the author was a genius.
I really liked this book. The author did her research . Great twist at the end. Looking forward to reading more by her.
Worth the read
Loved the characters, so well developed. You step in to the story and are part it from page one. I highly recommend this book! On to her next! So glad I read this, love finding new wonderful authors
Wonderful book. I had a hard time putting it down.
Dragged on at times but on the whole well written. ~*~LEB~*~
I had to read this book since it's recommended by Tess Gerritsen, an author whose early work captured my attention. Many plot twists and red herrings. The surprises never stop. Well-written. Engaging. Maybe a little too long getting to the point? Published in 2016, it is similar in format and characterizations to Gillian Flynn’s Gone Girl (2012) , Dangerous Habits by Susan Hunter (2014), and Paula Hawkins' The Girl On the Train (2015). This format seems to lead to success, so if you like the other books, you will like this one. Alcoholic freelance journalist Alex Dale has done herself in—destroying her marriage, losing her job, and jeopardizing her other relationships—with her excessive drinking. No one knows what to believe. People don't perceive Alex as reliable. Is she hallucinating, confused, or just fabricating stories for attention? Alex's current assignment leads her to a neuro-disability unit in a hospital where the patients are in various degrees of brain damage and unable to communicate except for the few who can visualize scenes as instructed to indicate a yes or a no answer to a question posed by a doctor. For example, a brain scan can detect a yes answer when the patient imagines playing a tennis match. Even though unable to communicate verbally or by eye blinks, an interviewer can determine a patient's positive and negative responses. Having just been fired for her drunken behavior and working on her own time, Alex is determined to win recognition for solving the mystery of the brutal beating that left fifteen year old Amy Stevenson for dead fifteen years ago. Amy is a patient in the facility where brain scans can be interpreted to tell the story of the past. Since Amy's attacker has never been identified, Alex jumps at the opportunity to vindicate herself in the eyes of the world and throws herself into this investigation. Step by step, Alex conducts interviews with people from all walks of life as she pours over old news stories and gains new information with each new comment and observation offered by those who are unaware of the importance of what they know. Alex struggles to put it all together until the facts check out, and a clear picture emerges. Sometimes the truth is hidden in plain sight. If you look without prejudging, you just might see it. Fifteen years after the tragedy, the culprit is brought to justice as Alex finds strength within herself to fight off the demons that once characterized and destroyed her.
Good read. What happened to Amy compelling question. Satisfy end.
Great book. Very hard to put down!
4.5 Stars This is a claustrophobic book that draws you in to the world's of Alex, Amy and Jason and does not want to let you go. It explores the nature of relationships, the nature of addiction and the choices that we make; more importantly the things that we keep to ourselves and the power those secrets wield. Amy is the linking factor here - before she was brutally attacked at the age of 15 she was Jason's girlfriend and seemed to have everything going for her. Jason has never been able to let her go and even though she is in a Persistent Vegetative State her doctors believe that she is still in the shell of her body and trying to communicate (the science behind this is strong with compelling evidence that PVS patients are still trying to communicate with their surroundings) and Jason is still visiting her despite being a married man with a pregnant wife. Alex blew her marriage and her career as she descended into alcoholism. Even now her life is governed by that countdown to a 12Noon drink. When researching an article on PVS for a commissioned journalism piece she stumbles across Amy on the Bramble Ward and becomes fascinated by her case. As Alex's obsession with what happened to Amy takes hold she starts to reassess her own life and get to grips with her demons. I thought I knew who Amy's attacker was and rather foolishly followed the bread crumb trail laid by the author. BIG mistake as there are multiple mis-directions in there and I was rather surprised when the attacker is unmasked and his history comes out. I was kicking myself as the clues and hints were there but I chose to go down the "obvious" route. Superbly constructed plot that builds and dissipates tension in just the right balance to keep you reading. The characters are truly complex and have a complete believability to them, even when they are behaving in rather selfish and despicable ways it doesn't feel overdone; it just feels like human nature and human selfishness.
Terrific, believable characters in a tight plot. Engaging & page-turning!
This was a good psychological suspense novel that drew me in from the start. The story is narrated by Amy, Alex and Jake. Amy and Jake were boyfriend and girlfriend in highschool. Amy was assaulted and left for dead at the age of 15. It is 15 years later and she is in a coma living in a long-term care facility. A doctor has been studying brain waves when questions are asked and is positive that some of the patients labelled as "vegetables" are actually aware and trying to communicate. Welcome Alex Dale, a freelance reporter who interviews the doctor for an article she is writing. When she sees Amy, she remembers the event and connects to it. She is from the same town where Amy lived and was around the same age. She shifts her story somewhat to investigate what happened to Amy. Jake is now married and he and Fiona are expecting their first child. He still feels a closeness to Amy and visits with her often, unfortunately, he keeps this secret from Fiona which causes a rift in his marriage. Alex, is divorced, an alcoholic and basically unemployed. She sees this as the opportunity to redeem herself. Amy's chapters are told as either flashbacks or what she hears around her. The internal dialogue of a patient in a coma was heartbreaking. I found the confusion and internal dialogue of someone trapped but still able to hear what is going on around her quite interesting. Of course this is a novel, so we are not absolutely sure, but it felt like I was inside her head with her. Alex was an interesting combination of character traits. You could see the drive she probably had as an up and coming reporter, using any source she could track down, but her fight with alcoholism and her depression when thinking about her marriage that she destroyed show her weaknesses. Jake was another mixture. He seemed to love Fiona and was excited about having a child, but he could not stop going to see Amy and talking to her. It was almost like he felt guilty for what happened to her 15 years earlier. I had no problem following this story with the three narrators and the shifting time frames, in fact that made it quite interesting. I rushed through the book once I got about half way through it. If you enjoy a psychological thriller, I don't think you will be disappointed with this book.
Although predictable the characters and story keeps you reading .
This book had a good story line but sometimes I found myself a little bored with it. You do get to know all the characters well throughout the story which helps with the connection but other parts are somewhat predictable. Overall this was a good book and I would recommend it still with a 4 star rating. It is definitely worth reading I just feel it took me a little longer to get into this than I had wished. About half way through I started to enjoy it more and about 3/4 way through I was fully engrossed and finished it from that point without stopping.
Starts slow but sppeeds up and you can't put it down! TS
Try Not to Breathe, a story that slowly pulls you in. It takes you through the hum-drum life of Alex Dale and into the life of Amy Stevenson- a severely beaten young lady, who's been in a coma for fifteen years. Yes, you read that correctly, fifteen years. So what's so interesting about this girl? That's what Alex wants to share. The story is nicely written and not really for the faint of heart. There's some serious activity in this book (No SPOILERS because it makes the story) - it made me cringe a bit. You're given alternating narrations: Alex then Amy, back and forth, which is getting a bit old to me these days. Everybody wants more than POV- which is cool, but le sigh... The thing is, the book is phenom. The emotions invoked by Seddon is beautiful. It's a psychological drama that doesn't let go. I honestly flew through this book in a few days, feeling satisfied by the ending.. Try Not to Breathe was a pleasant read. Check it out while I move on to the next read! Rating: 4 out of 5 specs **Book published by Random House Publishing.
A great read for true mystery lovers! The twists and turns the story takes are amazing & fascinating. This is an wonderful book & to find out that this is Holly Seddon's debut makes the read that much more spectacular. I can only imagine what she'll come up with next. ARC provided by the publisher via Netgalley in exchange for an honest review.
The publisher recommends Holly Seddon's debut novel, Try Not to Breathe, to "fans of Lianne Moriarty, Paula Hawkins, and Tana French." I can't comment as to Lianne Moriarty, as I haven't read any of her work, but, while Seddon is no Tana French, I enjoyed her book more than I did The Girl on the Train. I solved the mysteries of both quite early on, so it wasn't the plotting that gave Seddon the edge; instead, it was her use of Amy Stevenson, the victim of a terrible crime who has been in a coma for 15 years, as one of her multiple narrators, that kept me engaged. The underlying premise is that Amy, far from being the "vegetable" such patients are often compared to, has actually been conscious for much of her hospital stay, albeit unaware of the nature of her condition or the amount of time that is passing. She can hear what others around her are saying and process that information to some extent in her still 15-year-old mind. Of course, this means that she may ultimately be able to identify her attacker. I was fascinated by the research of her treating physician Dr. Haynes, who, while not making much progress with Amy herself, has been able to engage in two-way communication with other patients by watching on an MRI which portions of the patient's brain light up when they are told to imagine themselves playing tennis. Once the patient's baseline has been established, she can answer binary questions by thinking "tennis" for "yes" and remaining calm for "no." While writing an article on Dr. Haynes's research, protagonist Alex Dale discovers Amy on his ward and becomes determined to bring her attacker to justice. Like Paula Hawkins, Seddon was a journalist before turning to novel-writing, so I wouldn't be surprised if Try Not to Breathe had its genesis in her own unrelated research on persistent vegetative states. The image which lingers in my head is not so much one of Amy and Alex (although Seddon's closing scene is memorable), but rather of a hospital ward stretching to infinity, filled with "vegetables" who are, in fact, thinking beings trying desperately to communicate with the world around them: a more chilling vision than any fictional thriller has the right to deliver. I received a free copy of Try Not to Breathe through NetGalley in exchange for an honest review.