The Twentieth Wife: A Novel

The Twentieth Wife: A Novel

by Indu Sundaresan

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Overview

An enchanting historical epic of grand passion and adventure, this debut novel tells the captivating story of one of India's most controversial empresses — a woman whose brilliance and determination trumped myriad obstacles, and whose love shaped the course of the Mughal Empire. Skillfully blending the textures of historical reality with the rich and sensual imaginings of a timeless fairy tale, The Twentieth Wife sweeps readers up in Mehrunnisa's embattled love with Prince Salim, and in the bedazzling destiny of a woman — a legend in her own time — who was all but lost to history until now.

Product Details

ISBN-13: 9780743428187
Publisher: Washington Square Press
Publication date: 02/18/2003
Edition description: Reprint
Pages: 416
Sales rank: 156,375
Product dimensions: 5.30(w) x 8.20(h) x 1.20(d)

About the Author

Indu Sundaresan was born in India and came to the US for graduate school at the University of Delaware. She is the author of The Twentieth Wife, The Feast of Roses, Splendor of Silence, In the Convent of Little Flowers, Shadow Princess, and The Mountain of Light.

Read an Excerpt

Chapter One

When my mother came near the time of her delivery, he (Akbar) sent her to the Shaikh's house that I might be born there. After my birth they gave me the name of Sultan Salim, but I never heard my father...call me Muhammad Salim or Sultan Salim, but always Shaikhu Baba.

— A. Rogers, trans., and H. Beveridge, ed., The Tuzuk-i-Jahangiri

The midday sun whitened the city of Lahore to a bright haze. Normally, the streets would be deserted at this time of day, but today the Moti bazaar was packed with a slowly moving throng of humanity. The crowds deftly maneuvered around a placid cow lounging in the center of the narrow street, her jaw moving rhythmically as she digested her morning meal of grass and hay.

Shopkeepers called out to passing shoppers while sitting comfortably at the edge of jammed, cubical shops that lay flush with the brick-paved street. A few women veiled in thin muslins leaned over the wood-carved balconies of their houses above the shops. A man holding the leash of a pet monkey looked up when they called to him, "Make it dance!" He bowed and set his music box on the ground. As the music played, the monkey, clad in a blue waistcoat, a tasseled fez on its head, jumped up and down. When it had finished, the women clapped and threw silver coins at the man. After gathering the coins from the street, the man and his monkey gravely bowed again and went on their way. On the street corner, musicians played their flutes and dholaks; people chatted happily with friends, shouting to be heard above the din; vendors hawked lime-green sherbets in frosted brass goblets; and women bargained in good-natured loud voices.

In the distance, between the two rows of houses and shops that crowded the main street of the bazaar, the red brick walls of the Lahore fort rose to the sky, shutting out the imperial palaces and gardens from the city.

The city was celebrating. Prince Salim, Akbar's eldest son and heir apparent, was to be married in three days, on February 13, 1585. Salim was the first of the three royal princes to wed, and no amount of the unseasonable heat or dust or noise would keep the people of Lahore from the bazaar today.

At Ghias Beg's house, silence prevailed in an inner courtyard, broken only by the faint sounds of the shenai from the bazaar. The air was still and heavy with perfume from blooming roses and jasmines in clay pots. A fountain bubbled in one corner, splashing drops of water with a hiss onto the hot stone pathway nearby. In the center of the courtyard a large peepul tree spread its dense triangular-leaved branches.

Five children sat cross-legged on jute mats under the cool shade of the peepul, heads bent studiously, the chalk in their hands scratching on smooth black slates as they wrote. But every now and then, one or another lifted a head to listen to the music in the distance. Only one child sat still, copying out text from a Persian book spread in front of her.

Mehrunnisa had an intense look of concentration on her face as she traced the curves and lines, the tip of her tongue showing between her teeth. She was determined not to be distracted.

Seated next to her were her brothers, Muhammad and Abul, and her sisters, Saliha and Khadija.

A bell pealed, its tones echoing in the silent courtyard.

The two boys jumped up immediately and ran into the house; soon Saliha and Khadija followed. Only Mehrunnisa remained, intent upon her work. The mulla of the mosque, who was their teacher, closed his book, folded his hands in his lap, and sat there looking at the child.

Asmat came out into the courtyard and smiled. This was a good sign, surely. After so many years of complaints and tantrums and "why do I have to study?" and "I am bored, Maji," Mehrunnisa seemed to have finally settled down to her lessons. Before, she had always been the first to rise when the lunch bell summoned.

"Mehrunnisa, it is time for lunch, beta," Asmat called.

At the sound of her mother's voice, Mehrunnisa lifted her head. Azure blue eyes looked up at Asmat, and a dimpled smile broke out on her face, showing perfectly even, white teeth with one gap in the front where a permanent tooth was yet to come. She rose from the mat, bowed to the mulla, and walked toward her mother, her long skirts swinging gently.

Mehrunnisa looked at her mother as she neared. Maji was always so neat, hair smoothed to a shine by fragrant coconut oil, and curled into a chignon at the nape of her neck.

"Did you enjoy the lessons today, beta?" Asmat asked as Mehrunnisa reached her and touched her mother's arm softly.

Mehrunnisa wrinkled her nose. "The mulla doesn't teach me anything I don't already know. He doesn't seem to know anything." Then, as a frown rose on Asmat's forehead, she asked quickly, "Maji, when are we going to the royal palace?"

"Your Bapa and I must attend the wedding celebrations next week, I suppose. An invitation has come for us. Bapa will be at the court with the men, and I have been called to the imperial zenana."

They moved into the house. Mehrunnisa slowed her stride to keep pace with her mother. At eight, she was already up to Asmat's shoulder and growing fast. They passed noiselessly through the verandah, their bare feet skimming the cool stone floor.

"What does the prince look like, Maji?" Mehrunnisa asked, trying to keep the eagerness out of her voice.

Asmat reflected for a moment. "He is handsome, charming." Then, with a hesitant laugh, she added, "And perhaps a little petulant."

"Will I get to see him?"

Asmat raised her eyebrows. "Why this sudden interest in Prince Salim?"

"No reason," Mehrunnisa replied in a hurry. "A royal wedding — and we shall be present at court. Who is he marrying?"

"You will attend the celebrations only if you have finished with your studies for the day. I shall talk to the mulla about your progress." Asmat smiled at her daughter. "Perhaps Khadija would like to come too?" Khadija and Manija had been born after the family's arrival in India. Manija was still in the nursery, too young for classes and not old enough to go out.

"Perhaps." Mehrunnisa waved her hand in a gesture of dismissal, her green glass bangles sliding down her wrist to her elbow with a tinkling sound. "But Khadija has no concept of the decorum and etiquette at court."

Asmat threw her well-groomed head back with a laugh. "And you have?"

"Of course." Mehrunnisa nodded firmly. Khadija was a baby; she could not sit still for twenty minutes at the morning lessons. Everything distracted her — the birds in the trees, the squirrels scrambling for nuts, the sun through the peepul leaves. But that was getting off the topic. "Who is Prince Salim marrying, Maji?" she asked again.

"Princess Man Bai, daughter of Raja Bhagwan Das of Amber."

"Do princes always marry princesses?"

"Not necessarily, but most royal marriages are political. In this case, Emperor Akbar wishes to maintain a strong friendship with the Raja, and Bhagwan Das similarly wants closer ties with the empire. After all, he is now a vassal to the Emperor."

"I wonder what it would be like to marry a prince," Mehrunnisa said, her eyes glazing over dreamily, "and to be a princess..."

"Or an empress, beta. Prince Salim is the rightful heir to the throne, you know, and his wife, or wives, will all be empresses." Asmat smiled at her daughter's ecstatic expression. "But enough about the royal wedding." Her face softened further as she smoothed Mehrunnisa's hair. "In a few years you will leave us and go to your husband's house. Then we shall talk about your wedding."

Mehrunnisa gave her mother a quick look. Empress of Hindustan! Bapa came home with stories about his day, little tidbits about Emperor Akbar's rulings, about the zenana women hidden behind a screen as they watched the court proceedings, sometimes in silence and sometimes calling out a joke or a comment in a musical voice. The Emperor always listened to them, always turned his head to the screen to hear what they had to say. What bliss to be in the Emperor's harem, to be at court. How she wished she could have been born a princess. Then she would marry a prince — perhaps even Salim. But then Asmat and Ghias would not be her parents. Her heart skipped a beat at the thought. She slipped a hand into her mother's, and they walked on toward the dining hall.

As they neared, she said again, pulling at Asmat's arm, "Can I go with you for the wedding, Maji? Please?"

"We'll see what your Bapa has to say about it."

When they entered, Abul looked up, patted the divan next to him, and said to Mehrunnisa, "Come sit here."

Giving him a quick smile, Mehrunnisa sat down. Abul had promised to play gilli-danda with her under the peepul tree later that afternoon. He was much better than she was at the game, managing to hit the gilli six or seven times before it fell. But then, he was a boy, and the one time she had tried to teach him to sew a button he had drawn blood on all his fingers with the needle. At least she could hit the gilli four times in a row. She clasped her hands together and waited for Bapa to signal that the meal had begun.

The servants had laid out a red satin cloth on the Persian carpets. Now they filed in, carrying steaming dishes of saffron-tinted pulavs cooked in chicken broth, goat curry in a rich brown gravy, a leg of lamb roasted with garlic and rosemary, and a salad of cucumber and plump tomatoes, sprinkled with rock salt, pepper, and a squeeze of lemon juice. The head server knelt and ladled out the food on Chinese porcelain plates. For the next few minutes silence prevailed as the family ate, using only their right hands. When they were done, brass bowls filled with hot water and pieces of lime were brought in so they could wash their hands. A hot cup of chai spiced with ginger and cinnamon followed.

Ghias leaned back against the silk cushions of his divan and looked around at his family. They were beautiful, he thought, these people who belonged to him. Two sons and four daughters already, each special in an individual way, each brilliant with life. Muhammad, his eldest, was a little surly and sometimes missed his classes on a whim, true, but that would change as time passed. Abul showed the most promise of becoming like his Dada, Ghias's father. He had his grandfather's even temper and a small streak of mischief that made him tease his beloved sisters. All the more reason he would continue to love them deeply when they were older. Saliha was becoming a young lady now, suddenly shy of even her own Bapa. Khadija and Manija — they were children yet, unformed, inquisitive, curious about everything. But Mehrunnisa...

Ghias smiled inwardly, letting his eyes rest on her last. She was his favorite child, a child of good fortune. He was not normally a superstitious man, but somehow he had the feeling that Mehrunnisa's birth had been a good omen for him. Everything good in his life had come from that time after the storm at Qandahar.

Eight years had passed since their hasty escape from Persia. Sitting here in this safe room, Ghias was suddenly transported to that moment before his introduction to Emperor Akbar in the darbar hall by Malik Masud. They had entered past the forbidding palace guards into the blinding sunshine of the Diwan-i-am, the Hall of Public Audience at Fatehpur Sikri. The courtyard was crowded. The Emperor's war elephants stood at the very back in a row, shifting their weight from one heavy foot to another. Their foreheads were draped with gold and silver livery, and mahouts were seated atop their thick necks, knees dug into their ears. Next came a row of cavalry officers on perfectly matched black Arabian horses. Then came the third, and outermost tier, for commoners. The second tier around the imperial throne was for merchants and lesser noblemen, and this was where Ghias and Masud took their places, behind the nobles of the court.

When the Emperor was announced, they bowed low from the waist. Ghias glanced behind him to see the elephants lumber to their knees, tilting the mahouts to a sharp angle, and the horses and cavalry officers bend their heads. When they rose from the salutation, he gazed with awe at the figure on the faraway throne across a sea of jeweled turbans.

They all stood silent as the Mir Arz, in charge of official petitions, read out the day's business in his singsong voice. Ghias watched and listened to the proceedings in a daze. The cloud of sandalwood incense, the richness of the Emperor's throne with its jasper-studded beaten gold pillars and red velvet cushions, the sleek gray marble floor in front of the throne — all overwhelmed him. Finally, Masud was called forward. Ghias went with him, and in unison they performed the taslim, touching their right hands to their foreheads and bending from the waist.

"Welcome back, Mirza Masud," Akbar said.

"Thank you, your Majesty," Masud replied, straightening.

"You had a good journey, we trust?"

"By the grace of Allah and your Majesty," Masud said.

"Is this all you have brought us from your travels, Mirza Masud?" Emperor Akbar asked, gesturing toward the horses, and the plates of piled silks and fruits from the caravan.

"One more gift, your Majesty," Masud nodded to Ghias. "If I may humbly be allowed to introduce Mirza Ghias Beg to your court."

"Come forward, Mirza Beg. Our eyes are not as good as they once were. Come forward so we may see you well."

Ghias finally straightened from his taslim and took a few steps forward, raising his eyes to the Emperor. He saw a stout, majestic man with a kind face, a mole on his upper lip. "Where are you from, Mirza Beg? Who is your father?"

Stumbling over his words, Ghias told him. Every sentence he spoke echoed in his ears. His throat was dry, his palms damp with sweat. When he had finished, he looked at the Emperor anxiously. Had he pleased him?

"A good family," Akbar said. Turning to his right, he asked, "What do you think, Shaiku Baba?"

Ghias then saw the child seated next to the emperor, a little boy perhaps eight or nine years old, his hair slicked back, wearing a short peshwaz coat and trousers of gold shot silk. Prince Salim, heir to the empire. Salim nodded solemnly, the heron feather in his small turban bobbing. Trying to mirror his father's tone of voice, he said in his clear, childish voice, "We like him, your Majesty."

Akbar smiled. "Yes, we do. Come back to see us sometime, Mirza Beg."

Ghias bowed. "Your Majesty is too kind. It will be a great honor for me."

Akbar inclined his head to the Mir Arz, who read out the name of the next supplicant from his scroll. Malik Masud gestured to Ghias and both men bowed again and backed to their places. They did not talk. When the darbar was over, Ghias left the hall in a stupor, the Emperor's kind words singing in his ear. He had gone back to the court the next day, waiting for hours until the Emperor was free to talk with him for five minutes. After a few days of conversation, Akbar had graciously granted Ghias a mansab of three hundred horses and appointed him courtier.

The mansab system was used by Mughal kings to confer honors and estates. The mansabs translated into parcels of land used to support the upkeep of cavalry or infantry for the imperial army, so Ghias's mansab could support, from its produce, a cavalry of three hundred horses. All this Ghias had to learn anew. The Mughal courts were different from the counts at Persia.

As the years passed, Ghias made himself indispensable to Akbar, accompanying him on hunting parties and campaigns and entertaining him with stories of the Persian courts. Akbar replied to Ghias's efforts in kind, granting him the land and building materials for two splendid houses: one at Agra, the other at Fatehpur Sikri.

Today, they sat down to their midday meal at a rented house in Lahore. A few months ago, a new threat had reared its head on the northwestern frontier of the empire. The Emperor's spies had brought news that Abdullah Khan, king of Uzbekistan, was planning to invade India. Fatehpur Sikri, though nominally the capital of the empire, was too far southeast for the Emperor's comfort. Akbar wanted to be closer to the campaign mounted against the Uzbeg king, and he gave orders for the move to Lahore. The entire court had traveled with the Emperor, leaving the newly built city of Fatehpur Sikri deserted.

Allah had been kind to his family, Ghias mused as he stroked his bearded chin. Opulence surrounded them, a far cry from the destitute manner in which they had entered India. Thick Persian and Kashmiri rugs were piled on the stone floors. The lime-washed walls were hung with paintings and miniatures framed in brass. Little burnished teak and sandalwood tables held artifacts from around the world: Chinese porcelain statues, silver and gold boxes from Persia, ivory figurines from Africa. The children were clothed in the finest muslin and silks, and Asmat wore enough jewelry to feed a poor family for a year.

He still could not believe the blessings that had come his way and how much they had gained in the past years. The children had flourished here, strong and resilient, taking to the country and its people as though their own. Abul, Muhammad, and Saliha had been diffident at first about learning new languages and customs and playing with the children of the neighboring lords and nobles. Young as they were, they remembered much of the long, traumatic journey from Persia. For Mehrunnisa, everything was new and wonderful. The dialects in Agra had come more easily to her mouth. The blistering dry heat of the Indo-Gangetic plains did not seem to bother her; until she was five she ran about the house in a thin cotton shift, balking at having to dress up for festivals and occasions. She took their position for granted as promotions came to Ghias and they moved from one house to a bigger one until Akbar gave them a home of their own. This was the only life she had known. Ghias had worried most about Asmat, anxious about uprooting her and bringing her here. When her father had entrusted her to his care, he surely would not have expected that Ghias would take her away from her family.

Ghias looked at her, warming with pride and love. Asmat was in the early stages of yet another pregnancy, visible only by a slight rounding of her stomach. The passing years had not diminished Asmat's beauty. Time had painted some gray in her hair and etched a few lines on her face. But it was the same dear face, the same trusting eyes. She had been brave, giving him strength at night when they lay beside each other in silence, darkness closing around them, and during the day when he was home working or reading, and she passed by, her anklets chiming, her ghagara murmuring on the floor. Islamic law allowed four wives, but with Asmat, Ghias had found a deep, abiding peace. There was no need to even look at another woman or think of taking another wife. She was everything to him.

A sudden movement caught his eye. Mehrunnisa was sitting at the edge of her divan, her eyes sparkling with excitement, smoothing the long pleats of her ghagara with impatient fingers. He knew she wanted to say something and could not keep still. He looked at her, thinking again of these past eight years, of how they would have been different if she had not been with them. A huge gap would have opened in their lives, never to be filled no matter how many children they had. How he would have missed her musical "Bapa!" when he came home and she flung herself into his arms with a "Kiss me first, before anyone else. Me first. Me first."

Ghias bowed his head. Thank you, Allah.

Then he put down his cup and said, "His Majesty was in a good mood at the darbar this morning. He is very happy about Prince Salim's forthcoming marriage."

"Bapa — " Both Abul and Mehrunnisa spoke simultaneously, relieved that the enforced silence during lunch had finally been broken. Asmat and Ghias were very strict about not speaking during meals: a sign of good manners. And only when Ghias spoke could the rest of the family join in.

"Yes, Mehrunnisa?" Ghias hushed Abul with a hand.

"I want to go to the royal palace for the wedding," Mehrunnisa said. Then she added hastily, "Please."

Ghias raised an eyebrow at Asmat.

She nodded. "You can take the boys. Mehrunnisa and Saliha will be with me."

Mehrunnisa tugged at her sister's veil. "Can you see anything?"

"No," Saliha said, her voice almost a wail. Just then, one of the ladies in the zenana balcony elbowed them to one side, allowing the crowd to swarm to the marble lattice-worked screen.

Mehrunnisa craned her neck, standing on tiptoe until the arches of her feet hurt. It was of no use. All she could see were the backs of the ladies of Akbar's harem as they stood exclaiming at the scene below in the Diwan-i-Am.

She fell back on her heels, her foot tapping impatiently on the stone floor. The day of the wedding had finally arrived, and she had not been able to catch a glimpse of the ceremony or of Prince Salim. It was unfair that her bothers were allowed to be present at the courtyard below while she had to be confined behind the parda with the royal harem. And what made it all the more unfair was that she was not even old enough to wear the veil, but for some reason her mother had insisted on keeping her in the zenana balcony.

Mehrunnisa jumped up and down, trying to look over the heads of the zenana ladies. At that moment, it did not strike her that she was actually in the imperial palace. Everything, every thought, centered on Salim. When the gates had opened and the female guards had eyed them with suspicion before letting them into the zenana area, Saliha had bowed to them in awe. Mehrunnisa had ignored them, her eyes running everywhere, not seeing the rainbow silks or the luminous jewels or the flawlessly painted faces. Her only thought had been to find a good spot at the screen to see the prince. And now they had been pushed to the back because they were younger and smaller than all the other women.

"I am going to push them aside and take a look."

"You cannot do that. This is the Emperor's harem; they are the most exalted ladies in the realm," Saliha said in a horrified whisper, holding Mehrunnisa's hand tight in hers.

"With very bad manners," Mehrunnisa replied, her voice pert. "I have been pushed out of the way four times already. How are we supposed to see Prince Salim? They are not made of water that we can see through them."

She pulled her hand out of Saliha's grasp and ran to the front of the balcony. She tapped one of the concubines on the shoulder and, when she turned, slipped through the opening to press her face against the screen, her fingers clutching the marble.

Mehrunnisa blinked rapidly to adjust her eyes to the blinding sunshine in the Diwan-i-Am and gazed at the figure seated on the throne at the far end. Akbar was dressed in his magnificent robes of state, the jewels on his turban glittering as he nodded graciously to his ministers. The Emperor's eyes were suspiciously bright when he looked at his son.

Mehrunnisa shifted her gaze to Prince Salim and held her breath. From here she could only see him in profile. He held himself with grace, shoulders squared, feet planted firmly apart, right hand on the jeweled dagger tucked into his cummerbund. Princess Man Bai stood next to him, head covered with a red muslin veil heavily embroidered in gold zari. If only the princess would move back a step so she could see Salim a little better, Mehrunnisa thought, her face glued to the screen. Perhaps if she leaned over to the right...The Qazi who was performing the ceremony had just finished asking Prince Salim if he would take the Princess Man Bai to be his wife. He now turned to the princess.

Mehrunnisa, along with the rest of the court, waited in silence for Man Bai to respond. Just then, someone rudely pulled her by the shoulder. She turned around to see the irate concubine glaring at her.

"How dare you?" the concubine hissed between clenched teeth, her face twisted in anger.

Mehrunnisa opened her mouth to reply, but before she could, the girl lifted her hand and slapped Mehrunnisa's face, her jeweled rings cutting into her cheek.

Mehrunnisa raised a trembling hand to her face and stared at her, eyes huge in a pale face. No one — no one — had hit her before, not even her parents.

Tears sprang to her eyes as she glowered at the woman, spilling down her cheeks before she could stop them. Mehrunnisa wiped them away with the back of her hand. The concubine leaned over her, hands on hips. Mehrunnisa did not flinch. Instead, she bit her lip to keep back a retort, the slap still ringing in her ears. Suddenly she was terribly lonely. Somewhere in the background she saw Saliha, her face drained of color. But where was Maji?

"I beg your pardon." Asmat had come up behind Mehrunnisa. She put an arm around her daughter and pulled her away from the furious concubine. "She is just a child — "

"Let her be!" a rich, imperious voice commanded.

Mother and daughter turned to look at the speaker, Ruqayya Sultan Begam, Akbar's chief Queen, or Padshah Begam. Sensing conflict, the ladies around them turned from the Diwan-i-am to the drama in the zenana balcony. Their faces were tinged with excitement. So rarely did Ruqayya interfere in squabbles that this child must be special. A path cleared from Mehrunnisa to the Padshah Begam, and all eyes turned to Akbar's main consort.

She was not a beautiful woman; in fact, she was quite plain. Her hair was streaked with gray, which she made no effort to conceal with a henna rinse. Inquisitive black eyes glittered out of a round, plump face.

Ruqayya's importance to Akbar was far more than the brief physical satisfaction his mindless concubines could provide him. He valued her quick mind, sharp wit, and comfortable presence. Her position in the zenana secure, Ruqayya made no further attempt to beguile the Emperor — a waste of time in any case, when every day a fresh, new face appeared at the harem. So she left the satisfaction of Akbar's physical needs to the younger girls while she made sure that he came to her for all else. That security lent her a calm demeanor, an arrogance, and a self-assurance. She was the Padshah Begam.

Ruqayya beckoned to Mehrunnisa with a plump jewel-studded hand. "Come here." Turning to the concubine, she said harshly, "You should know better than to hit a child."

The girl subsided mutinously to one corner, her kohl-rimmed eyes flashing.

Her mouth suddenly dry, Mehrunnisa walked up to the Padshah Begam. She wiped clammy hands against her ghagara, wishing she were anywhere but here.

The scent of ketaki flowers wafted to Mehrunnisa's nostrils as the Empress put a finger under her chin and tilted her face. "So you like to watch the wedding celebrations, eh?" Ruqayya's voice was surprisingly soft.

"Yes, your Majesty," Mehrunnisa replied in a low voice, head bent to hide the gap in her teeth.

"Do you like Prince Salim?"

"Yes, your Majesty." Mehrunnisa hesitated and looked up with a smile, the gap forgotten. "He is...he is more beautiful than my brothers."

All the ladies around them burst out laughing, their laughter carrying down into the courtyard.

Ruqayya held up an imperious hand. "This child thinks Salim to be beautiful," she announced to the ladies. "I wonder how long it will be before she finds him handsome." Laughter swept through the room again.

Mehrunnisa looked around, bemused.

The wedding ceremony had just been completed, and the Qazi was registering the marriage in his book. The ladies shifted their attention to the Dwian-i-am, and Mehrunnisa escaped thankfully into her mother's arms. Asmat pushed her daughter toward the door, signaling Saliha to join them.

As they were leaving, Ruqayya said, without looking in their direction, "The child amuses me. Bring her to wait upon me soon."

Mehrunnisa and Asmat Begam bowed low to the Empress and let themselves out.

The wedding parties continued for almost a week, but Mehrunnisa, frightened after her encounter with Ruqayya, refused to go for the festivities. The concubine had merely made her angry; the Empress, with her glittering eyes and her aura of power alarmed Mehrunnisa. Asmat Begam and Ghias Beg went every day to pay their respects to Akbar and his queens and to take part in the rejoicing.

A few days later, Ruqayya sent an imperial summons commanding Mehrunnisa's presence at the royal zenana.

Copyright © 2002 by Indu Sundaresan

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Twentieth Wife 4.3 out of 5 based on 0 ratings. 106 reviews.
Volligtoll More than 1 year ago
Wow this book was much better than I thought it would be and proved to be a fast read too. Sundaresan has a wonderful talent of turning history into an amazing fairy tale, I could not put this book down. I loved how the story not only focused on the main love story but also included with amazing detail all of the political things that were going on in that time as well. I highly recommend this book and I can't wait to go out and get the second Feast of Roses.
Anonymous More than 1 year ago
This book is a wonderfully descriptive book that really draws readers into the story. The main theme is a love story, however, it gives great historic details of the times of the Mughal Empire. It is highly recommended!
Guest More than 1 year ago
I had just finished reading The Red Tent and loved it. I was looking for a new book and the store did not have the one I was looking for. I found this one and after reading the back cover , I decided that would get it to read while the other one was being shipped. I am so pleased with my purchase. It is the fastest I have ever read a book. I bought it on a Monday and finished the folowing Monday. I learned so much about Indian history. I did more research on the subject and bought the second book tonight.
harstan More than 1 year ago
Though too young and way beneath his station, Mehrunnisa, the daughter of a Persian courtier to the Mughal Empire, plans to one day wed the heir apparent to the throne Salim. The very intelligent eight-year-old Mehrunnisa knows she needs a plan if she is to achieve her impossible dream of marrying her beloved whom barely knows she exists.

A few years later Mehrunnisa is forced to marry a cruel soldier. Besides abuse from her odious spouse, she suffers several miscarriages. However, she ultimately succeeds in gaining more than just the attention of Salim, who is now the Emperor Jahangir, she shares passion with him. Finally, Mehrunnisa accomplishes her dream goal, but though now a powerhouse empress she and her family paid quite a price for her attaining her childhood desires that she never let go of as an adult.

Historical fiction readers that relish a deep look at seventeenth century India will gain much pleasure from this descriptive tale. The story line is loaded with historical references with a very illuminating portrayal of Mughal court life. However, the wealth of information, which seems authentic to this pre-school novice on the history of India, overwhelms the characters and thus undercuts the prime tale of Mehrunnisa¿s efforts to become the empress. Indu Sundaresan provides a vivid tale that the hard core sub-genre audience will want to read, but the weak characters make it difficult for casual fans to care what happens to Mehrunnisa or anyone else.

Harriet Klausner

mcelhra on LibraryThing More than 1 year ago
The Twentieth Wife a historical novel set in India under the Mughal Empire in the 17th century. It chronicles the love between Mehrunnisa and Prince Salim. The author has stated that she based the story in factual information and took artistic license to fill in gaps where information was not available. This book had a list of main characters at the front, which was very helpful. I wish that it had listed all of the characters though ¿ so many of them had similar names that it could get confusing at times.This is not only a love story but a story of women¿s roles in the Empire and how they were able to influence and shape history even though they didn¿t have any official power or really any rights at all. Learning about 17th century Indian/Muslim culture was fascinating, especially since I was so ignorant of it prior to reading this book.I loved this book and I¿m looking forward to reading the sequel, The Feast of Roses.
susiesharp on LibraryThing More than 1 year ago
I am sorry to say this book didn¿t do it for me. I wanted so much to like it but it just dragged on and on. There were parts that were interesting but for the most part I just wanted it over. This is supposedly a love story but I didn¿t get that at all. Also the characters all just fall flat and I was glad I had a hardcover of this book to go along with the audiobook because it was hard to keep all the characters straight.I can¿t even really put my finger on just what I didn¿t like. Maybe I wasn¿t in the right mood maybe it was the writing I¿m just not sure. So if this time period and India intrigue you give it a try because it might just be me. I probably won¿t read the second book to this one as I just didn¿t come to care about these people enough at all. Her historical details (from what I¿ve been able to search for) seem like she does a good job at the accuracy. 2 ½ stars
amybrojo on LibraryThing More than 1 year ago
The Mughal Empire at its height . Great historical information with a juicy (true) plot!
Amaunette on LibraryThing More than 1 year ago
This book makes me realize that I am really only familiar with American, European, and some Japanese history. The book is about a famous empress of the Mogul empire in territory including India along with some other countries. However, most of the book seems to take place before the character becomes empress, and her life is very sad. I don't know a lot about the culture, so a lot of the words are unfamiliar (like the forms of dress). It's very educational, and the story is very romantic, if a tad melodramatic. Apparently the next book is more character-driven, which I'll like.
bibliophile26 on LibraryThing More than 1 year ago
What a fantastic book! Sundaresan creates a wonderful love story set in the Mughal Empire in the 16th and 17th century. Mehrunnisa firsts sees Prince Salim when she is eight years old and instantly falls in love with him, deciding that she will marry him someday. She holds her devotion for him in her heart despite the fact that she is not a princess, and married to one of his enemies. Learning about the harem is very interesting and this book is a real page-turner. I recommend it to anyone who enjoys historical fiction.
sgambill72 on LibraryThing More than 1 year ago
The book is a first novel by author, Indu Sundaresan, who was born in India. This book tells the tale of a woman raised in the Mughal empire. At first she does not realize the limitations of being a woman but soon recognizes the power held by the Emperor's harem and seeks it for herself. I especially liked the author's ability to bring history to life. The rich descriptions of a foreign land and way of life drew me into the story immediately. It is full of adventure and intrigue. Anyone who enjoys historical fiction will enjoy this novel.
CarolynSchroeder on LibraryThing More than 1 year ago
I was not as enamored with this book as most of the readers here. I found Sundaresan's writing only mediocre and the story very much dragged in the last quarter of the novel. It cannot be denied that the main character, Mehrunnisa, is an interesting woman and seemingly well before her time in intelligence, form and breaking from the very well-worn traditions that shackled women of the time. That said, it never amounted to a great novel. Salim is not that interesting (almost tedious and trite), mostly came across as a petulant child and not a person I cared to read about. The pagentry of the Mughal empire(s) and the infratructure of the harems and such was fairly interesting, but could have been done better. Overall, recommended only if you have some interest in the Mughal empire or thoughts on who Mehrunnisa might have been. But if you are looking for a grand, sweeping adventure, this is not it. I did not care for it enough to read the second book in the series.
Suuze on LibraryThing More than 1 year ago
I loved this book, as it put me solidly in India. I could almost *feel* the culture, taste it, live it. I admired the main character for her steely resolve and devotion, while always maintaining a demand for respect.Will read this again!
cookbookkid on LibraryThing More than 1 year ago
As it happened I was reading this book and learning about Akbar in World History. The main characters are extreamly well developed. Props to the author on her first book. Had to read the second and am enjoying it as much as the first.
grnpickle on LibraryThing More than 1 year ago
I couldn't finish this one. Too much Indian vocabulary made my head hurt trying to figure out the meaning and keep up with the plot.
Nafiza on LibraryThing More than 1 year ago
Indu Sundaresan¿s novels are composed with such skill and such exquisite detail that you can¿t help but be immersed in the rich world of the Mughals. She weaves a tapestry of love that cannot be denied, that refuses to be denied. A world of immense power and velvet lined cruelty. Her work is carefully researched and so flawless is her attention to history and detail that whatever embellishments she may have made, whatever creative license she may have taken with the actual events remain unnoticed. The prose has a rhythm and her characters rise up beyond their inky existences until they are living and breathing inside your mind. You are lost in the grandeur of the palace and embraced within the fold of the family. And when the Emperor and his Empress face danger and hostility, your heart shivers in response. Everyone should read what was perhaps one of the greatest love stories that ever happened.
GeraldLange on LibraryThing More than 1 year ago
OhGoodLordWhatAPieceOfCrap!!!This book was absolutely terrible.I cannot say anything more civil than this.How did this thing get published?Are standards really this low?!
Anonymous More than 1 year ago
Love the story, the passion , the obstacle she has to go thru just for the one she love.
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archetype67 More than 1 year ago
Fascinating story based in the history of India's Mughal Empire. The story is about Mehrunnisa, daughter of a poor Persian who comes to the empire to make his fortune. She meets the son of Emperor Akbar (third of the Mughal) prince Salim when eight, and falls in love with him on his wedding day, and decides that someday, she will become his wife. Through brief encounters, Salim becomes fascinated with her, much to the disapproval of his powerful third wife, Jagat Gosain. The novel then follows Mehrunnisa's marriage to another Persian —a decorated soldier in Akbar's army, the rebellions of Salim against Akbar (where her husband betrays Salim), the reconciliation between father and son, and Salim's rise to power as Emperor Jahangir. Like his father, Salim's eldest son rebels, with the help of Mehrunnisa's husband. We also see how Jagat Gosain works to prevent Mehrunnisa and Salim from being together. Ultimately, however, it is the story of how, throughout the years, she held a power over him that no other in his harem of 19 wives and hundreds of concubines held over him. Sundaresan creates a wonderful, vivid picture of the world of late 16th to early 17th Century India. The vastness of the Mughal Empire, the climate and customs of the period, the variety of it's people, and the complexity of the politics of the time are woven together to create an engaging story. There was a nice balance between providing the details and terms while not reading like a textbook explaining every term and custom. All of the main characters were distinct, and fully realized — each with their own voice and behaviors, letting me sink into the story despite my unfamiliarity with the setting - historical and cultural.  I look forward to reading the two following books by Sundaresan - the next dealing with Mehrunnisa's rise to be the premier wife, and the power behind the thrown. I always enjoy reading about the unconventional women of history.
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