About the Author
James M. McPherson is the George Henry Davis ’86 Professor of History Emeritus at Princeton University. He has published numerous volumes on the Civil War, including the Pulitzer Prize–winning Battle Cry of Freedom, Crossroads of Freedom, For Cause and Comrades: Why Men Fought in the Civil War, and most recently, Abraham Lincoln.
Date of Birth:June 14, 1811
Date of Death:July 1, 1896
Place of Birth:Litchfield, Connecticut
Place of Death:Hartford, Connecticut
Read an Excerpt
Uncle Tom's Cabin
By Harriet Beecher Stowe
OPEN ROAD INTEGRATED MEDIACopyright © 2014 Open Road Integrated Media, Inc.
All rights reserved.
In Which the Reader Is Introduced to a Man of Humanity
LATE IN THE AFTERNOON of a chilly day in February, two gentlemen were sitting alone over their wine, in a well-furnished dining parlor, in the town of P——, in Kentucky. There were no servants present, and the gentlemen, with chairs closely approaching, seemed to be discussing some subject with great earnestness.
For convenience sake, we have said, hitherto, two gentlemen. One of the parties, however, when critically examined, did not seem, strictly speaking, to come under the species. He was a short, thick-set man, with coarse, commonplace features, and that swaggering air of pretension which marks a low man who is trying to elbow his way upward in the world. He was much over-dressed, in a gaudy vest of many colors, a blue neckerchief, bedropped gayly with yellow spots, and arranged with a flaunting tie, quite in keeping with the general air of the man. His hands, large and coarse, were plentifully bedecked with rings; and he wore a heavy gold watch-chain, with a bundle of seals of portentous size, and a great variety of colors, attached to it,—which, in the ardor of conversation, he was in the habit of flourishing and jingling with evident satisfaction. His conversation was in free and easy defiance of Murray's Grammar, and was garnished at convenient intervals with various profane expressions, which not even the desire to be graphic in our account shall induce us to transcribe.
His companion, Mr. Shelby, had the appearance of a gentleman; and the arrangements of the house, and the general air of the housekeeping, indicated easy, and even opulent circumstances. As we before stated, the two were in the midst of an earnest conversation.
"That is the way I should arrange the matter," said Mr. Shelby.
"I can't make trade that way—I positively can't, Mr. Shelby," said the other, holding up a glass of wine between his eye and the light.
"Why, the fact is, Haley, Tom is an uncommon fellow; he is certainly worth that sum anywhere,—steady, honest, capable, manages my whole farm like a clock."
"You mean honest, as niggers go," said Haley, helping himself to a glass of brandy.
"No; I mean, really, Tom is a good, steady, sensible, pious fellow. He got religion at a camp-meeting, four years ago; and I believe he really did get it. I've trusted him, since then, with everything I have,—money, house, horses,—and let him come and go round the country; and I always found him true and square in everything."
"Some folks don't believe there is pious niggers Shelby," said Haley, with a candid flourish of his hand, "but I do. I had a fellow, now, in this yer last lot I took to Orleans—'t was as good as a meetin, now, really, to hear that critter pray; and he was quite gentle and quiet like. He fetched me a good sum, too, for I bought him cheap of a man that was 'bliged to sell out; so I realized six hundred on him. Yes, I consider religion a valeyable thing in a nigger, when it's the genuine article, and no mistake."
"Well, Tom's got the real article, if ever a fellow had," rejoined the other. "Why, last fall, I let him go to Cincinnati alone, to do business for me, and bring home five hundred dollars. 'Tom,' says I to him, 'I trust you, because I think you're a Christian—I know you wouldn't cheat.' Tom comes back, sure enough; I knew he would. Some low fellows, they say, said to him—Tom, why don't you make tracks for Canada?' 'Ah, master trusted me, and I couldn't,'—they told me about it. I am sorry to part with Tom, I must say. You ought to let him cover the whole balance of the debt; and you would, Haley, if you had any conscience."
"Well, I've got just as much conscience as any man in business can afford to keep,—just a little, you know, to swear by, as 't were," said the trader, jocularly; "and, then, I'm ready to do anything in reason to 'blige friends; but this yer, you see, is a leetle too hard on a fellow—a leetle too hard." The trader sighed contemplatively, and poured out some more brandy.
"Well, then, Haley, how will you trade?" said Mr. Shelby, after an uneasy interval of silence.
"Well, haven't you a boy or gal that you could throw in with Tom?"
"Hum!—none that I could well spare; to tell the truth, it's only hard necessity makes me willing to sell at all. I don't like parting with any of my hands, that's a fact."
Here the door opened, and a small quadroon boy, between four and five years of age, entered the room. There was something in his appearance remarkably beautiful and engaging. His black hair, fine as floss silk, hung in glossy curls about his round, dimpled face, while a pair of large dark eyes, full of fire and softness, looked out from beneath the rich, long lashes, as he peered curiously into the apartment. A gay robe of scarlet and yellow plaid, carefully made and neatly fitted, set off to advantage the dark and rich style of his beauty; and a certain comic air of assurance, blended with bashfulness, showed that he had been not unused to being petted and noticed by his master.
"Hulloa, Jim Crow!" said Mr. Shelby, whistling, and snapping a bunch of raisins towards him, "pick that up, now!"
The child scampered, with all his little strength, after the prize, while his master laughed.
"Come here, Jim Crow," said he. The child came up, and the master patted the curly head, and chucked him under the chin.
"Now, Jim, show this gentleman how you can dance and sing." The boy commenced one of those wild, grotesque songs common among the negroes, in a rich, clear voice, accompanying his singing with many comic evolutions of the hands, feet, and whole body, all in perfect time to the music.
"Bravo!" said Haley, throwing him a quarter of an orange.
"Now, Jim, walk like old Uncle Cudjoe, when he has the rheumatism," said his master.
Instantly the flexible limbs of the child assumed the appearance of deformity and distortion, as, with his back humped up, and his master's stick in his hand, he hobbled about the room, his childish face drawn into a doleful pucker, and spitting from right to left, in imitation of an old man.
Both gentlemen laughed uproariously.
"Now, Jim," said his master, "show us how old Elder Robbins leads the psalm." The boy drew his chubby face down to a formidable length, and commenced toning a psalm tune through his nose, with imperturbable gravity.
"Hurrah! bravo! what a young 'un!" said Haley; "that chap's a case, I'll promise. Tell you what," said he, suddenly clapping his hand on Mr. Shelby's shoulder, "fling in that chap, and I'll settle the business—I will. Come, now, if that ain't doing the thing up about the rightest!"
At this moment, the door was pushed gently open, and a young quadroon woman, apparently about twenty-five, entered the room.
There needed only a glance from the child to her, to identify her as its mother. There was the same rich, full, dark eye, with its long lashes; the same ripples of silky black hair. The brown of her complexion gave way on the cheek to a perceptible flush, which deepened as she saw the gaze of the strange man fixed upon her in bold and undisguised admiration. Her dress was of the neatest possible fit, and set off to advantage her finely moulded shape;—a delicately formed hand and a trim foot and ankle were items of appearance that did not escape the quick eye of the trader, well used to run up at a glance the points of a fine female article.
"Well, Eliza?" said her master, as she stopped and looked hesitatingly at him.
"I was looking for Harry, please, sir;" and the boy bounded toward her, showing his spoils, which he had gathered in the skirt of his robe.
"Well, take him away then," said Mr. Shelby; and hastily she withdrew, carrying the child on her arm.
"By Jupiter," said the trader, turning to him in admiration, "there's an article, now! You might make your fortune on that ar gal in Orleans, any day. I've seen over a thousand, in my day, paid down for gals not a bit handsomer."
"I don't want to make my fortune on her," said Mr. Shelby, dryly; and, seeking to turn the conversation, he uncorked a bottle of fresh wine, and asked his companion's opinion of it.
"Capital, sir,—first chop!" said the trader; then turning, and slapping his hand familiarly on Shelby's shoulder, he added—
"Come, how will you trade about the gal?—what shall I say for her—what'll you take?"
"Mr. Haley, she is not to be sold," said Shelby. "My wife would not part with her for her weight in gold."
"Ay, ay! women always say such things, cause they ha'nt no sort of calculation. Just show 'em how many watches, feathers, and trinkets, one's weight in gold would buy, and that alters the case, I reckon."
"I tell you, Haley, this must not be spoken of; I say no, and I mean no," said Shelby, decidedly.
"Well, you'll let me have the boy, though," said the trader; "you must own I've come down pretty handsomely for him."
"What on earth can you want with the child?" said Shelby.
"Why, I've got a friend that's going into this yer branch of the business—wants to buy up handsome boys to raise for the market. Fancy articles entirely—sell for waiters, and so on, to rich 'uns, that can pay for handsome 'uns. It sets off one of yer great places—a real handsome boy to open door, wait, and tend. They fetch a good sum; and this little devil is such a comical, musical concern, he's just the article!'
"I would rather not sell him," said Mr. Shelby, thoughtfully; "the fact is, sir, I'm a humane man, and I hate to take the boy from his mother, sir."
"O, you do?—La! yes—something of that ar natur. I understand, perfectly. It is mighty onpleasant getting on with women, sometimes, I al'ays hates these yer screechin,' screamin' times. They are mighty onpleasant; but, as I manages business, I generally avoids 'em, sir. Now, what if you get the girl off for a day, or a week, or so; then the thing's done quietly,—all over before she comes home. Your wife might get her some ear-rings, or a new gown, or some such truck, to make up with her."
"I'm afraid not."
"Lor bless ye, yes! These critters ain't like white folks, you know; they gets over things, only manage right. Now, they say," said Haley, assuming a candid and confidential air, "that this kind o' trade is hardening to the feelings; but I never found it so. Fact is, I never could do things up the way some fellers manage the business. I've seen 'em as would pull a woman's child out of her arms, and set him up to sell, and she screechin' like mad all the time;—very bad policy—damages the article—makes 'em quite unfit for service sometimes. I knew a real handsome gal once, in Orleans, as was entirely ruined by this sort o' handling. The fellow that was trading for her didn't want her baby; and she was one of your real high sort, when her blood was up. I tell you, she squeezed up her child in her arms, and talked, and went on real awful. It kinder makes my blood run cold to think of 't; and when they carried off the child, and locked her up, she jest went ravin' mad, and died in a week. Clear waste, sir, of a thousand dollars, just for want of management,—there's where 't is. It's always best to do the humane thing, sir; that's been my experience." And the trader leaned back in his chair, and folded his arm, with an air of virtuous decision, apparently considering himself a second Wilberforce.
The subject appeared to interest the gentleman deeply; for while Mr. Shelby was thoughtfully peeling an orange, Haley broke out afresh, with becoming diffidence, but as if actually driven by the force of truth to say a few words more.
"It don't look well, now, for a feller to be praisin' himself; but I say it jest because it's the truth. I believe I'm reckoned to bring in about the finest droves of niggers that is brought in,—at least, I've been told so; if I have once, I reckon I have a hundred times,—all in good case,—fat and likely, and I lose as few as any man in the business. And I lays it all to my management, sir; and humanity, sir, I may say, is the great pillar of my management."
Mr. Shelby did not know what to say, and so he said, "Indeed!"
"Now, I've been laughed at for my notions, sir, and I've been talked to. They an't pop'lar, and they an't common; but I stuck to 'em, sir; I've stuck to 'em, and realized well on 'em; yes, sir, they have paid their passage, I may say," and the trader laughed at his joke.
There was something so piquant and original in these elucidations of humanity, that Mr. Shelby could not help laughing in company. Perhaps you laugh too, dear reader; but you know humanity comes out in a variety of strange forms now-a-days, and there is no end to the odd things that humane people will say and do.
Mr. Shelby's laugh encouraged the trader to proceed.
"It's strange, now, but I never could beat this into people's heads. Now, there was Tom Loker, my old partner, down in Natchez; he was a clever fellow, Tom was, only the very devil with niggers,—on principle 't was, you see, for a better hearted feller never broke bread; 't was his system, sir. I used to talk to Tom. 'Why, Tom,' I used to say, 'when your gals takes on and cry, what's the use o' crackin on' 'em over the head, and knockin' on 'em round? It's ridiculous,' says I, 'and don't do no sort o' good. Why, I don't see no harm in their cryin',' says I; 'it's natur,' says I, 'and if natur can't blow off one way, it will another. Besides, Tom,' says I, 'it jest spiles your gals; they get sickly, and down in the mouth; and sometimes they gets ugly,—particular yallow gals do,—and it's the devil and all gettin' on 'em broke in. Now,' says I, 'why can't you kinder coax 'em up, and speak 'em fair? Depend on it, Tom, a little humanity, thrown in along, goes a heap further than all your jawin' and crackin'; and it pays better,' says I, 'depend on 't.' But Tom couldn't get the hang on 't; and he spiled so many for me, that I had to break off with him, though he was a good-hearted fellow, and as fair a business hand as is goin'."
"And do you find your ways of managing do the business better than Tom's?" said Mr. Shelby.
"Why, yes, sir, I may say so. You see, when I any ways can, I takes a leetle care about the onpleasant parts, like selling young uns and that,—get the gals out of the way—out of sight, out of mind, you know,—and when it's clean done, and can't be helped, they naturally gets used to it. 'Tan't, you know, as if it was white folks, that's brought up in the way of 'spectin' to keep their children and wives, and all that. Niggers, you know, that's fetched up properly, ha'n't no kind of 'spectations of no kind; so all these things comes easier."
"I'm afraid mine are not properly brought up, then," said Mr. Shelby.
"S'pose not; you Kentucky folks spile your niggers. You mean well by 'em, but 'tan't no real kindness, arter all. Now, a nigger, you see, what's got to be hacked and tumbled round the world, and sold to Tom, and Dick, and the Lord knows who, 'tan't no kindness to be givin' on him notions and expectations, and bringin' on him up too well, for the rough and tumble comes all the harder on him arter. Now, I venture to say, your niggers would be quite chop-fallen in a place where some of your plantation niggers would be singing and whooping like all possessed. Every man, you know, Mr. Shelby, naturally thinks well of his own ways; and I think I treat niggers just about as well as it's ever worth while to treat 'em."
"It's a happy thing to be satisfied," said Mr. Shelby, with a slight shrug, and some perceptible feelings of a disagreeable nature.
"Well," said Haley, after they had both silently picked their nuts for a season, "what do you say?"
"I'll think the matter over, and talk with my wife," said Mr. Shelby. "Meantime, Haley, if you want the matter carried on in the quiet way you speak of, you'd best not let your business in this neighborhood be known. It will get out among my boys, and it will not be a particularly quiet business getting away any of my fellows, if they know it, I'll promise you."
"O! certainly, by all means, mum! of course. But I'll tell you. I'm in a devil of a hurry, and shall want to know, as soon as possible, what I may depend on," said he, rising and putting on his overcoat.
Excerpted from Uncle Tom's Cabin by Harriet Beecher Stowe. Copyright © 2014 Open Road Integrated Media, Inc.. Excerpted by permission of OPEN ROAD INTEGRATED MEDIA.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.
Table of Contents
TABLE OF CONTENTS
VOLUME I 3
CHAPTER I 3
CHAPTER II 8
CHAPTER III 10
CHAPTER IV 12
CHAPTER V 19
CHAPTER VI 23
CHAPTER VII 28
CHAPTER VIII 35
CHAPTER IX 43
CHAPTER X 52
CHAPTER XI 57
CHAPTER XII 64
CHAPTER XIII 74
CHAPTER XIV 78
CHAPTER XV 84
CHAPTER XVI 92
CHAPTER XVII 102
CHAPTER XVIII 111
VOLUME II 121
CHAPTER XIX 121
CHAPTER XX 131
CHAPTER XXI 139
CHAPTER XXII 142
CHAPTER XXIII 146
CHAPTER XXIV 150
CHAPTER XXV 154
CHAPTER XXVI 156
CHAPTER XXVII 164
CHAPTER XXVIII 168
CHAPTER XXIX 176
CHAPTER XXX 180
CHAPTER XXXI 185
CHAPTER XXXII 188
CHAPTER XXXIII 193
CHAPTER XXXIV 197
CHAPTER XXXV 202
CHAPTER XXXVI 206
CHAPTER XXXVII 209
CHAPTER XXXVIII 213
CHAPTER XXXIX 218
CHAPTER XL 224
CHAPTER XLI 227
CHAPTER XLII 231
CHAPTER XLIII 234
CHAPTER XLIV 238
CHAPTER XLV 240
What People are Saying About This
"Allen masterfully elicits an array of Southern dialects for Stowe's variety of characters. His thoughtful, engaged performance creates a memorable audio experience." -AudioFile
Reading Group Guide
A Reading Group Guide for Uncle Tom's Cabin
About the Book
Arthur Shelby is a good man kind and fair but he has fallen into financial difficulties. The only way he can set things right is by selling two of his slaves: the strong and faithful Tom, and Eliza's charming young son. Shelby's decision sets in motion two series of events that are as different as night and day, as both Tom and Eliza are forced to leave the Shelby estate. The journeys they take, and the people they meet along the way, lie at the heart of Uncle Tom's Cabin, a story that served as a searing indictment of the slave system that existed at the time.
- How do the other people on the Shelby estate react to news of the sale of Tom and Harry? What is Mrs. Shelby's objection? How does young "Mas'r George" deal with the news of his friend's departure? How do the other slaves react?
- Many different people help Eliza during her flight Mr. Symmes, the Bird family, the community of Quakers. What similarities and differences are there among all these people? What reasons does each of them give for helping Eliza?
- Much of the dialogue in the book is given over to a debate on the morality of slavery. Most of the slave owners feel that they are "above" the slave traders. Is this true? Why do you think that so many members of the clergy defended slavery?
- Discuss the author's attitude toward her black characters. Do you think this was an acceptable point of view at the time? What do you think would have to be changed if the story were being told today?
- Miss Ophelia's presence in the story allows the author to address Northern attitudes toward blacks. As St. Clare tells her, "You loathe them as you would a snake or a toad, yet you are indignant at their wrongs. You would not have them abused; but you don't want to have anything to do with them yourselves." Is this a fair assessment of Miss Ophelia's feelings? What happens to change her attitude?
- Discuss the death scenes of both Eva and Uncle Tom. In what ways are they similar? In what ways are they different? Why do you think that the author devoted so much time to these death scenes?
- Children play a large part in the story of Uncle Tom's Cabin. What do Eva, Topsy, George Shelby, Harry, and Henrique each symbolize? Would the story have been the same if their characters had been adult?
- Trace the route of the Underground Railroad. Find information about some of the major stops, as well as some of the famous "conductors" that helped slaves escape. Also, research what the punishment was for helping the slaves.
- Eliza's escape across the river has always been popular with dramatists and actors. See if you can find examples of this scene being acted out (hint: it figures prominently in the movie The King and I). Perform this scene yourself, and any other scenes you think lend themselves well to performance.
- Uncle Tom's Cabin was very controversial when it was first published, and it's often said to be a contributing factor to the Civil War. Research reactions to the book throughout its history.
- Investigate the institution of slavery. What were the economic factors that supported it? Could slavery have ended without a war?
- Quakers played an important role in the abolitionist movement. How did their beliefs make them particularly well suited for the abolitionist cause?
- A great deal of attention is given in the book to descriptions of food. Find some traditional Southern recipes and try them out.
- Find other books and writings that were important in the fight for civil rights. Compare them to Uncle Tom's Cabin, both in terms of style and historical context.