In Uneasy Lies the Crown, the thrilling new mystery in Tasha Alexander's bestselling series, Lady Emily and her husband Colin must stop a serial killer whose sights may be set on the new king, Edward VII.
On her deathbed, Queen Victoria asks to speak privately with trusted agent of the Crown, Colin Hargreaves, and slips him a letter with one last command: Une sanz pluis. Sapere aude. “One and no more. Dare to know.”
The year is 1901 and the death of Britain’s longest-reigning monarch has sent the entire British Empire into mourning. But for Lady Emily and her dashing husband, Colin, the grieving is cut short as another death takes center stage. A body has been found in the Tower of London, posed to look like the murdered medieval king Henry VI. When a second dead man turns up in London's exclusive Berkeley Square, his mutilated remains staged to evoke the violent demise of Edward II, it becomes evident that the mastermind behind the crimes plans to strike again.
The race to find the killer takes Emily deep into the capital’s underbelly, teeming with secret gangs, street children, and sleazy brothelsbut the clues aren’t adding up. Even more puzzling are the anonymous letters Colin has been receiving since Victoria's death, seeming to threaten her successor, Edward VII. With the killer leaving a trail of dead kings in his wake, will Edward be the next victim?
About the Author
TASHA ALEXANDER, the daughter of two philosophy professors, studied English Literature and Medieval History at the University of Notre Dame. She and her husband, novelist Andrew Grant, live on a ranch in southeastern Wyoming. She is the author of the long-running Lady Emily Series as well as the novel Elizabeth: The Golden Age.
Read an Excerpt
The death of Queen Victoria stunned the nation, myself included, although I cannot claim to have suffered a personal blow from the loss. My mother, who had served Her Majesty as a lady-in-waiting, mourned and keened (more than strictly necessary, I suspect, but she wanted no one in doubt of her close relationship with the monarch), while I sat shocked as my husband, Colin Hargreaves, delivered the news. He had seen her at Osborne House only five days before her demise, and although I had surmised her to be ill, it had never occurred to me that she might be near death. Colin, always the soul of discretion, had revealed nothing about the meeting. The truth is, because she had been queen for so long, was such a formidable personality, and had survived eight assassination attempts, part of me believed she would never quit the mortal world.
But she did, as we all must, and I sat with my parents on a special train from London to Windsor, en route to the funeral service. Colin, who would be walking in the procession to St. George's Chapel, was on another train altogether. My mother, her eyes red behind her crêpe veil, would accept no words of consolation, so my father, long immune to the glares of his spouse, dedicated himself to rereading Mr. Dickens's A Tale of Two Cities until we were ushered off the train into flower-filled waiting rooms at Windsor Station to await the carriages that would carry us to the castle. The crush of people in the small town was like nothing I had ever seen. Boys climbed fences and lampposts to get a glimpse of the gun carriage pulling the royal coffin, draped in a white pall, with the Imperial Crown, Orb, Sceptre, and the Collar of the Order of the Garter on top of it. Crowds, ominously silent, lined the streets, every person dressed in black, all the men wearing wide crêpe armbands. The only sounds were those of the horses' hooves clattering and their harnesses jingling.
We reached the grounds of the castle, and hence the chapel, long before the procession, which wound slowly through town. Inside, we mourners sat, not speaking, all but afraid to move and disturb the sanctity of the place. For a while, at least. There was so little heat that before long we were all too focused on keeping our teeth from chattering to think about anything else. By the time Colin slipped into the seat next to me, I was half-frozen. It seemed that an eternity passed before the pallbearers carried the coffin to the choir and the Archbishop of Canterbury and the Bishop of Winchester presided over a thankfully short service. After the final notes of Beethoven's Funeral March rang from the organ, we joined no fewer than six hundred other guests for lunch in St. George's Hall. The somber occasion had left everyone preternaturally quiet, but we were not dining with the royal family or those closest to the queen, and by the time the second course arrived, conversation had returned to normal. Only a handful of people in the room could remember a monarch other than Queen Victoria; all of us would have trouble getting used to King Edward VII.
I had just leaned over to my husband to ask him what he thought of the profligate Bertie now having such a grand title, when a member of the Household Cavalry approached, bent down, and whispered something to him. Colin's face grew serious, his dark eyes flashed.
"There's been a murder in the Tower," he said, folding his napkin neatly and placing it next to his plate. "I must return to London at once."
* * *
A murder in the Tower of London! I must confess the idea sent a thrilling little shiver down my spine. The Tower loomed large in the imaginations of every child growing up in England, and as the young (my own three boys included) are inexplicably drawn to hideous and ghastly tales of ghosts and violence, there was no place that could better satisfy their cravings for such things. I thought of the poor little princes, sons of Edward IV, who went into the Tower never to return. Had their uncle Richard III murdered them? Personally, I suspect not, but that is a topic for another day. When we took our boys to the Tower for the first time, Henry insisted that he could hear the ghost of Margaret de la Pole shrieking as we approached the site of the scaffold where she had been executed. And who has not heard it said that a hooded figure, missing her head, is often seen wandering in the chapel where Anne Boleyn is buried? I could not help but succumb to a touch of juvenile titillation at the thought of a new murder at the Tower. Would this incident enter into the lexicon of legend?
My husband and I are no strangers to violent crime. He, as an agent of the Crown (and a particular favorite of the late queen's), was called upon to serve in countless investigations that, as he often said, required more than a modicum of discretion. I had proven myself a capable detective on numerous occasions, and whenever possible, we worked together. When he was acting in his official capacity, it was more difficult for me to contribute, but I am never deterred by an arduous path. And an arduous path was precisely what I faced that afternoon.
To start, Colin murmured that there was no need for me to accompany him to London, but as I knew he would never be so gauche as to argue at a funeral luncheon, I insisted on boarding the train with him. A lively discussion ensued until we reached Paddington Station, by which point he admitted defeat and abandoned all attempts to dissuade me from going to the Tower. I cannot credit my powers of persuasion for his decision; more likely it resulted from exhaustion. He hadn't slept more than ten hours total since the queen's death and was nodding off for much of our journey, becoming fully alert only as we alighted at the medieval fortress.
Like all the flags in the country, those at the Tower flew at half-mast. We approached the sturdy outer wall and met a yeoman warder who ushered us in through Lion Gate, devoid of its usual swarms of tourists as the site was closed due to the queen's funeral. Once inside, he led us past the Bell Tower, with its oddly placed small white turret at the top, containing, appropriately, a bell. My attention then turned to the stark face of Traitors' Gate and I felt the skin on my neck prickle, the sensation disappearing only as we approached Wakefield Tower. Built by Henry III in the thirteenth century, its thick stone walls — the second tallest in the fortress — were designed to safely house the king and his family. No longer a royal residence, it now held the Crown Jewels. Had the murderer's victim been slain in an attempt to steal them?
Yes, once again, the romance of the Tower was getting the best of me. But who could resist? The timing was almost perfect for such an audacious heist; the royal funeral had distracted all of Britain. Yet an ambitious thief would be unwilling to miss the prizes of the collection, particularly the Imperial Crown, currently sitting atop the queen's coffin. I was about to voice this to Colin when I realized we were going not to the room that held the jewels, but instead to the modest chantry chapel originally intended as a private place of worship for medieval kings.
There, on the ancient brown tiles covering the floor, knelt a man dressed in black tights, a black tunic with white trim, and a matching hat. His hands were folded as if in prayer, his legs neatly together behind him, but his position was at odds with the expression on his face. His gray eyes were open wide and his mouth gaped in what looked like a silent, terror-filled scream.
He was dead, of that there could be no question. A sword stuck in his chest, penetrating all the way through his back, but no blood pooled around his body. That he remained upright rather than sprawled on the ground seemed inconceivable until my husband revealed thin wooden posts constructed to form a sort of frame and hidden by the tunic and tights. Fishing line held his arms and hands in place.
Colin crouched to examine the sword. "It's in the style of late fifteenth century. The sort we're led to believe would have been used to kill Henry VI —"
"Who was stabbed to death in this very room," I finished for him. "And our victim is dressed in an outfit nearly identical to that the king is depicted wearing in the painting at the National Portrait Gallery."
"Yes." He rose and paced the perimeter of the chapel. "I recall the hat in particular."
"Do we have any idea who he is?"
"Not as yet," Colin said. "The police are checking missing person reports."
I nodded. How awful that his family had no idea that their loved one was kneeling here, dead. "There's too little blood for the crime to have been committed here," I said.
"And we've found none elsewhere," the yeoman warder said. "Madam, I must warn you that when Scotland Yard arrive they'll insist you leave. I shouldn't have allowed you to enter in the first place. The inspector is rather touchy."
"I am all too aware of the limitations of Scotland Yard," I said, "but thank you for the warning." I smiled at him. One never knows when an individual may prove helpful in an investigation, particularly in those from which one is — theoretically — banned from participating. Colin glanced at me, raised an eyebrow, and then turned back to the guard, inquiring as to whether he or his colleagues had noticed anything unusual during the course of the day. The yeoman warder admitted that they had all been affected by the queen's death, but was adamant that no one had been derelict in his duties. The warden had increased surveillance of Wakefield Tower as a precaution against anyone viewing the occasion of the funeral as an opportunity to make off with the Crown Jewels.
We combed every inch of the structure but unearthed nothing we could consider a clue. I was about to suggest interviewing the wives and children of the guards who lived in the Tower — they might have noticed something out of the ordinary their husbands had not considered significant, like an unfamiliar tradesman delivering goods — but was stopped by the arrival of a humorless man from Scotland Yard. He introduced himself as Inspector Gale and ordered me from the room with little ceremony, explaining in cursory fashion that the interference of a lady would not be welcomed by His Majesty.
Rather than engage in a fruitless argument, I retreated with uncharacteristic silence; I saw no sense in antagonizing Inspector Gale. At least not yet. Outside of the fortress, I marched to the banks of the Thames. Obviously, the crime had not taken place in the chapel, and I suspected the murderer had brought his victim's body from outside the Tower. Unless he was one of the guards — a possibility I could not eliminate — but as I could not investigate inside, I was forced to explore other options. I followed the river until I found a man, rather scruffy, with a rowboat and offered him a not quite princely sum to take me for a little excursion on the river. He hesitated at first when I told him my destination, but, as I had hoped, the money was too good to ignore.
The boat bobbed as I stepped off the dingy pier to which he had tied it, but I managed to steady myself and avoid falling into the filthy-looking water. Our journey was a short one, to the most notorious of all entrances to the Tower, Traitors' Gate, through which had passed countless prisoners on their way to execution at Tower Green. I thought of Thomas More and Anne Boleyn coming this way, beneath London Bridge with its severed heads on pikes serving as reminders of what lay in store for them. I considered the tragic story of Lady Jane Grey, the sixteen-year-old queen, whose reign lasted a mere nine days, and whose execution led many to consider her a martyr.
But once again, the Tower was leading me astray. I could not allow myself to become mired in history, however tempting it might be. Today another man had died, and I suspected that he, too, had entered the Tower through Traitors' Gate. The boat churned in the water, fighting the rising tide. I asked the man to row closer, until I realized my mistake. Although the words "Entry to the Traitors' Gate" were painted clearly above the arch marking the space, the gate itself had been bricked up, probably in the middle of the previous century during the construction of the Thames Embankment. It was a blow. I had never noticed the alteration during previous visits to the Tower, where Beefeater tour guides always pointed out the notorious place. From the inside, it was not so easy to tell there was no access to the river.
A voice cut through the cold air and I looked up to see Inspector Gale standing on the rampart above. "Lady Emily, I must insist that you stop meddling. This investigation will be treated with the utmost sensitivity and I shall not tolerate any interference. Return home at once or the king will have words with your husband."
Frowning, I ignored him, continuing my study of the brickwork near the top of the arch. Traitors' Gate might no longer be an easy way into the Tower, but the fortress held many secrets, not to mention many entrances. Some might now be sealed, but were there any, long forgotten, that might provide a vicious criminal with a path into this place that once protected kings?CHAPTER 2
Cecily Bristow — or Hargrave, as she now was — could not recall a single detail of her wedding. The ceremony had passed in a blur of incense and candles. Yet she could not deny it had occurred, for here she was, sitting at the high table next to her husband, William, a splendid feast before them. The gold and silver plate on the cup board gleamed, and Lord Burgeys's magnificent saltcellar, made from French porcelain and depicting scenes from the life of Hercules, was barely five feet from her. She and William spoke very little during the meal, but he took her hand three times and squeezed it, which she found reassuring.
"You play the part of anxious bride well," Adeline, Lord Burgeys's granddaughter said, leaning close as she spoke. "I wonder if your groom believes the act."
"You ought not speak in such a manner," Cecily said. "He won't know you're teasing."
"He knows you're as good and as boring as you seem." Adeline scowled. "Yet he agreed to the marriage nonetheless. I'm only trying to make things more interesting for you."
Cecily had no need for interesting. Was she anxious? Yes, but not because of what lay in store for her that night. Adeline, whose own marriage had taken place only six months ago, had done her best to instill terror in her, but Cecily knew better than to listen to her harsh words. She did not fear William; she feared France. France, where he would be off to in less than a fortnight, to fight with the king to secure his rightful place on the throne of that country. Henry V, King of the Britons, was brave and good and would lead his men well. Yet battle was full of uncertainty, and although William had won tournament after tournament, this would be his first time at war. He might not return.
Could she bear the loss with equanimity? Perhaps. He wrote her pretty poems and sang to her, but she had not spent enough time with him to come to rely upon his presence. And as his wife, she ought not expect to. A knight was gone from home more often than not, and her role would be to manage their estate. Except that for now, there was no estate to manage.
William served under the king's youngest brother, Humphrey, Duke of Gloucester, and lived on the duke's estate rather than in the manor house he had inherited upon his father's death. That house, William had given to his own brother, who had married before him. Cecily was to stay with Adeline while her husband was in France, and upon William's return, the couple would set up housekeeping together. Everyone agreed it was an excellent plan, particularly Lord Burgeys, who hoped Cecily would prove a tempering influence on his granddaughter, assuming, as did the rest of his household, that the girls were great friends and would be delighted to continue living together.
Except that he was wrong. Cecily and Adeline had never been friends. Tenuous rivals for Lord Burgeys's attention, perhaps, when they were children, but from the moment they reached adulthood, the differences between them could not have grown more pronounced.
On the surface, one could be excused for thinking they had more in common than they did, but only because they were unaware of Cecily's true feelings about her mother, whom, at the age of two years, Lord Burgeys had found wandering alone on the road more than thirty miles from his estate. He brought her to the nearest village, thinking to reunite her with her family, but found it shuttered and silent. The child seemed to recognize the place, and rushed into a house near the green. Burgeys followed, pulling her out the instant he saw the bodies inside. The most terrible of the plagues that devastated England had ended the decade before, but the disease still recurred from time to time, and now it had wreaked havoc on the girl's home. She was the only one in the village who had not fallen victim to it.(Continues…)
Excerpted from "Uneasy Lies The Crown"
Copyright © 2018 Tasha Alexander.
Excerpted by permission of St. Martin's Press.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.
Table of Contents
17 January 1901: Osborne House, Isle of Wight,
ALSO BY TASHA ALEXANDER,
ABOUT THE AUTHOR,
Most Helpful Customer Reviews
One of my favorite books of 2018! If 13 is an unlucky number, then this Lady Emily mystery has broken the jinx. Set in late Victorian London, Queen Victoria’s death sends the Empire into deep mourning and Lady Emily and her husband Colin on an investigation of a murder in the Tower of London mimicking the murder of medieval king Henry VI. As usual, Alexander, the Mistress of Victorian Historical Mystery, has written a beautifully complex, tense, twisty, historically accurate detective mystery set in Victorian times that will thrill her faithful readers and win over newbies.
I have read and enjoyed Alexander’s Lady Emily Mystery series since its inception, and I looked forward to reading UNEASY LIES THE CROWN. I must say that it is my least favorite of the series. Don’t get me wrong, the portion of the book that takes place right after the death of Queen Victoria is up to snuff. Colin must decipher the Queen’s final message to him leading him on a scavenger hunt for answers. At the same time, someone is killing “less than perfect” men and publically posing them as dead kings. Is it a personal vendetta or a warning to the new king? The most recent books in the series have included alternating stories and perspectives, and this secondary plot about Colin’s distant relatives is where the problem lies. These bits are very short, rather boring, and have no correlation to the 1901 main plot until the very end. In my opinion, it is unnecessary filler. Lady Emily comes across haughty and arrogantly aristocratic within these pages. I prefer the kinder, somewhat gentler Lady Emily of yore. As always, the banter between Colin and Lady Emily is delightful, and their relationship is my favorite part of the book. It is nice to learn a bit more about their children and wonderful to see the return of Lady Emily’s friend Jeremy. On the surface, he is such a rake, but I think he is much deeper than he acts. I cannot help but adore him. Readers are also introduced to a new character, a police officer who I hope we see more of in future installments. UNEASY LIES THE CROWN is enjoyable despite its flaws, and longtime fans of the series should not hesitate to read it. It is good, just not great. I received an ARC of this title from NetGalley and voluntarily shared my thoughts here.
This is the first book I have read in the Lady Emily series and I have to say I want to go back and read more. A strong historical mystery that had me totally enthralled with the characters and the investigation. 1901 England and right before the death of Queen Victoria, Colin, Lady Emily's husband receives a enigmatic message from the Queen. With her son Prince "Bertie" soon to be crowned, a series of murders begin to take place. The victims are dressed up as previous kings and the worry is it is meant for the new King. The dialogue and the author's indepth knowledge of this time in history is evident with real characters of the time woven into the suspenseful events. There was a parallel story intertwined with this one concerning Colin's ancestors which was interesting on it's own. As Emily and Colin try to find the killer, they go into the underground of the city and are subjected to a lot of miscreants but cannot get the clues to add up. There is so much to this story with several twist and turns that will keep you turning the pages to see if they can find the killer and determine what the real meaning of all the deaths could be. An excellent mystery! I read this through NetGallery. Lori Dykes
Uneasy Lies the Crown follows last year's excellent, A Death in St. Petersburg. This time, Lady Emily and Colin are trying to keep the (very) new king safe from possible threats. There have been several murders, with each corpse dressed as an historical king. Is this meant as a direct threat to Bertie or is there something else going on? In tandem with this plot is a story set in the 1400s. This is the tale of a brave knight who fights for his king and of his relationship with his wife. This earlier historical tale is connected with Colin's ancestors. This book will be welcomed by those who read each book by Tasha Alexander as it comes out. That having been said, I thought that last year's entry was stronger. I look forward to seeing what comes next. Thanks to NetGalley and the publisher for this read.
I received an ARC of this book book through NetGalley to read in exchange for a fair review. Uneasy Lies The Crown is the 17th book Tasha Alexander has written in her Lady Emily series. Lady Emily’s husband Colin Hargreaves has been given a mysterious letter by Queen Victoria on her deathbed. While he is trying to figure out the mystery he and Lady Emily are called upon to solve a grisly murder staged to look like the death of medieval King HenryVI. The murders continue as do the mysterious notes and both Lady Emily and Colin will have to use all their ingenuity to solve this case. Alternate chapters tell the story of Colin’s ancestor between 1415 and 1459 which puzzled me but all becomes clear in the end. I very much enjoyed this story and am delighted that I’ve got 16 more books to read. Publishing Date October 30, 2018 #NetGalley #UneasyLiesTheCrown