A modern day classic and a chilling cautionary tale for fans of The Handmaid's Tale. Named a BEST BOOK OF THE MONTH by GQ.
“Echoing work by Marge Piercy and Margaret Atwood, The Unit is as thought-provoking as it is compulsively readable.” —Jessica Crispin, NPR.org
Ninni Holmqvist’s uncanny dystopian novel envisions a society in the not-so-distant future, where women over fifty and men over sixty who are unmarried and childless are sent to a retirement community called the Unit. They’re given lavish apartments set amongst beautiful gardens and state-of-the-art facilities; they’re fed elaborate gourmet meals, surrounded by others just like them. It’s an idyllic place, but there’s a catch: the residents—known as dispensables—must donate their organs, one by one, until the final donation. When Dorrit Weger arrives at the Unit, she resigns herself to this fate, seeking only peace in her final days. But she soon falls in love, and this unexpected, improbable happiness throws the future into doubt.
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|Publisher:||Other Press, LLC|
|Product dimensions:||5.50(w) x 8.40(h) x 0.80(d)|
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Read an Excerpt
It was more comfortable than I could have imagined. A room of my own with a bathroom, or rather a suite of my own, because there were two rooms: a bedroom and a living room with a kitchenette. It was light and spacious, furnished in a modern style and tastefully decorated in muted colors. True, the tiniest nook or cranny was monitored by cameras, and I would soon realize there were hidden microphones there too. But the cameras weren’t hidden. There was one in each corner of the ceiling–small but perfectly visible–and in every corner and every hallway that wasn’t visible from the ceiling; inside the closets, for example, and behind doors and protruding cabinets. Even under the bed and under the sink in the kitchenette. Anywhere a person might crawl in or curl up, there was a camera. Sometimes as you moved through a room they followed you with their one-eyed stare. A faint humming noise gave away the fact that at that particular moment someone on the surveillance team was paying close attention to what you were doing. Even the bathroom was monitored. There were no less than three cameras within that small space, two on the ceiling and one underneath the wash basin. This meticulous surveillance applied not only to the private suites, but also to the communal areas. And of course nothing else was to be expected. It was not the intention that anyone should be able to take their own life or harm themselves in some other way. Not once you were here. You should have sorted that out beforehand, if you were thinking along those lines.
Reading Group Guide
1. Dorrit can be described as very obedient. She submits to her fate by going to The Unit without protest and does not seem naturally inclined to buck authority. What personality traits or life circumstances do you think causes a person to be obedient? Conversely, what leads one to question the rules of the establishment? Are you the type to question or accept the status quo? What do you think makes you that way?
2. In The Unit, the residents are surrounded by luxuries they did not know in their former lives outside. The food is abundant, fresh, and masterfully prepared and presented. Their apartments are comfortable and well-appointed. They have access state-of-the-art exercise facilities, and can shop in lovely boutiques in exchange for no money whatsoever. How do you see the availability these creature comforts to the indispensables? As perks? Mere distractions? How is this different from the meaning you might attach to these things in your own life?
3. Although she was content, owned a home with a garden, had a dog she loved, and a love affair with Nils, Dorrit was deemed by the state to be dispensable. To whom or to what was Dorrit's presence necessary? What determines one's worth? In order for our lives to have meaning, do you feel that we must make a contribution to greater society?
4. Dorrit comes from a big family--she was one of five children. And yet she describes them as being "scattered to the winds like a dandelion clock." What caused her family to become so disconnected? In thinking about your own life, what things do you do to maintain a family bond? What significance does family hold for you?
5. Dorrit finds more love and companionship, in the Unit than she ever did in her former life. Why do you suppose intimacy comes easier to her in The Unit? Do you think she ever would have developed deep friendships outside? Why or why not?
6. There are many gifted artists in residence at The Unit. Dorrit's writing comes much easier to her there than it did at home. What is it about The Unit that enables such creativity to come to the fore?
7. Dorrit was raised in the time before the laws about organ donations and indispensables were enacted, in the post-women's lib era when independence was encouraged and valued. Dorrit's mother, having raised five children and seeing the possibilities that lay before her three daughters, discourages them from getting "caught in a trap" by a having children and getting married. Yet these women live to see values shift once again to the point where a woman's life is only of value if she is a mother. How is Dorrit a product of her time but also trapped by it? Discuss the paradox of being a feminist in a society where your life only has meaning if you provide for others.
8. Why do you think that, despite their closeness and Dorrit's pregnancy, Johannes makes his final donation without consulting Dorrit and without saying goodbye in a deliberate way? In what ways is this decision selfish? Selfless? Do you think Johannes did the right thing? Why or why not?
9. Why does Dorrit abandon her escape attempt and return to The Unit? What would you have done?
10. Several times over the course of the novel, the society is referred to as a democracy. In what sense is it a fully democratic society? Are the people in the wider community truly free? What freedoms are afforded to the dispensables?