Explores the theme of aesthetic agency and its potential for social and political progress.
Unmaking Race, Remaking Soul explores innovative approaches to analyzing cultural productions through which women of color have challenged and undermined social and political forces that work to oppress them. Emphasizing art-making practices that emerge out of and reflect concrete lived experience, leading contributors to the fields of contemporary psychoanalytic literary analysis, Latin American studies, feminist theory, Native Women’s studies, Africana studies, philosophy, and art history examine the relationship between the aesthetic and the political.
The focus of the book is on the idea of aesthetic agency through which one develops different modes of expression and creative practices that facilitate personal and social transformation. Aesthetic agency is liberating in a broad senseit not only frees our creative capacities but also expands our capacity for joy and our abilities to know, to judge, and to act. Artists considered include Nadema Agard, Julia Alvarez, Ana Castillo, Daystar/Rosalie Jones, Coco Fusco, Diane Glancy, Martha Jackson-Jarvis, Toni Morrison, MeShell Ndegéocello, Marcie Rendon, Ntozake Shange, Lorna Simpson, Roxanne Swentzell, Regina Vater, Kay Walking Stick, and Carrie Mae Weems.
|Publisher:||State University of New York Press|
|Product dimensions:||5.90(w) x 8.90(h) x 0.80(d)|
About the Author
Christa Davis Acampora is Associate Professor of Philosophy at Hunter College and the Graduate Center, the City University of New York.
Angela L. Cotten is Assistant Professor of Women’s Studies at Stony Brook University, State University of New York. They are the coeditors of Cultural Sites of Critical Insight: Philosophy, Aesthetics, and African American and Native American Women’s Writings, also published by SUNY Press.
Table of Contents
List of Illustrations
Foreword: “Tragedy Fatigue” and “Aesthetic Agency”
On Making and Remaking: An Introduction
Christa Davis Acampora
I. Resisting Imagination
1. Writing the Xicanista: Ana Castillo and the Articulation of Chicana Feminist Aesthetics
2. Everyday Revolutions, Shifting Power, and Feminine Genius in Julia Alvarez’s Fiction
3. Authorizing Desire: Erotic Poetics and the Aisthesis of Freedom in Morrison and Shange
Christa Davis Acampora
II. Body Agonistes
4. MeShell Ndegéocello: Musical Articulations of Black Feminism
5. Portraits of the Past, Imagined Now: Reading the Work of Carrie Mae Weems and Lorna Simpson
6. The Coloniality of Embodiment: Coco Fusco’s Postcolonial Genealogies and Semiotic Agonistics
III. Changing The Subject
7. Pueblo Sculptor Roxanne Swentzell: Forming a Wise, Generous, and Beautiful “I Am”
8. The Syncretism of Native American, Latin American, and African American Women’s Art: Visual Expressions of Feminism, the Environment, Spirituality, and Identity
9. Dalit Women’s Literature: A Sense of the Struggle
IV. Home Is Where The Art Is: Shaping Space And Place
10. The Role of “Place” in New Zealand Maori Songs of Lament
Ailsa L. Smith
11. Theater Near Us: Librarians, Culture, and Space in the Harlem Renaissance
12. Into the Sacred Circle, Out of the Melting Pot: Re/Locations and Homecomings in Native Women’s Theater
Jaye T. Darby
About the Contributors