Less of an intentionally confusing title than might be thought,
Reilly for all intents and purposes is
Durutti no matter the changes through the years --
Vini Reilly does signal another new phase of the band's work, moving into a full embrace of technological possibilities via an Akai sampler. With
Reilly and
Mitchell joined by a slew of guests --
Swing Out Sister keyboardist
Andy Connell; singers
Pol,
Rob Gray, and
Liu Sola; and even former member
John Metcalfe on the epic surge
"Finding the Sea" --
Durutti this time around pursued the organic/machine combination to even more successful conclusions than on
The Guitar.
Reilly's singing has often come in for criticism (unwarranted, really, considering how his soft approach effortlessly suits the general atmosphere of
Durutti's work), so the slew of sampled and borrowed snippets from other vocalists and musicians that pepper the album makes for an intriguing change.
"Love No More," the album opener, shows how the approach can work, with acoustic guitar to the fore and echoed, truly haunting snippets of what sound like
soul and
opera singers wafting through the mix. Another full-on highlight is
"Otis," with
Pol's live singing and
Connell's keyboards combining with a brisk synth loop, building
Mitchell drums, an astonishing, uplifting
Reilly guitar line, and the legendary singer Mr.
Redding himself in a combination that needs to be heard.
Mitchell's overall work on percussion is less prominent than before but still present, while
Reilly's guitar efforts are again simply wonderful, further testing new approaches on both acoustic and electric that call to mind everyone from
John Fahey to
Bootsy Collins. If that last comparison seems strange, give the loud and funky
"People's Pleasure Park" a listen, then marvel at how
Sola's lovely singing and
Reilly's further guitar runs transform it yet again. The 1996 reissue is one of the most comprehensive of the series, including not merely two more tracks recorded around that time but selections from
Sporadic Recordings. Given by
Reilly to a friend to release, as
Factory otherwise couldn't easily fit it into its own schedule, it's a generally more stripped-down affair. The six numbers here include a variety of winners like the upbeat, appropriately titled
"Real Drums -- Real Drummer" and the
Pat Nevin/football tribute
"Shirt No. 7." ~ Ned Raggett
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