The Romans saw an analogy between the ordered workings of the natural universe and the proper functioning of their own expanding empire, between orbis and urbs. Philip Hardie's new work explores Virgil's poetic and mythic transformation of this imperialist ideology with reference to such traditions as the poet/cosmologer, the use of allegory to extract natural-philosophical truths from mythology and poetry, poetic hyperbole, and the "universal expression."
|Publisher:||Oxford University Press, USA|
|Product dimensions:||8.44(w) x 5.44(h) x 0.88(d)|
About the Author
Table of Contents
Abbreviations; Introduction; Poetry and cosmology in antiquity; Cosmology and history in Virgil; Gigantomachy in the Aeneid: I; Gigantomachy in the Aeneid: II; Lucretius and the Aeneid; Hyperbole; Universal expressions in the Aeneid; The shield of Aeneas: The cosmic icon; Epilogue