Platonic concerns and conceptions profoundly affected early modern English and continental poetics, yet the effects have had little attention. This book defines Platonism's roles in early modern theories of literature, then turns to reappraise the Platonizing major poet Edmund Spenser. It makes important new contributions to the knowledge of early modern European poetics and advances our understanding of Spenser's role and significance in English literary history.
Literary Platonism energized pursuits of the sublime, and knowledge of this approach to poetry yields cogent new understandings of Spenser's poetics, his principal texts, his poetic vocation, and his cultural influence. By combining Christian resources with doctrines of Platonic poetics such as the poet's and lover's inspirational furies, the revelatory significance of beauty, and the importance of imitating exalted ideals rather than the world, he sought to attain a visionary sublimity that would ensure his enduring national significance, and he thereby became a seminal figure in the English literary "line of vision" including Milton and Blake among others. Although readings of Spenser's Shepheardes Calender typically bypass Plato's Phaedrus, this text deeply informs the Calender's treatments of beauty, inspiration, poetry's psychagogic power, and its national responsibilities. In The Faerie Queene, both heroism and visionary poetics arise from the stimuli of love and beauty conceived Platonically, and idealized mimesis produces its faeryland. Faery's queen, projected from Elizabeth I as in Platonic idealization of the beloved, not only pertains to temporal governance but also points toward the transcendental Ideas and divinity. Whereas Plato's Republic valorizes philosophy for bringing enlightenment to counter society's illusions, Spenser champions the learned and enraptured poetic imagination, and proceeds as such a philosopher-poet.
|Publisher:||Oxford University Press|
|Product dimensions:||9.30(w) x 6.20(h) x 0.80(d)|
About the Author
Kenneth Borris, Professor, Department of English, McGill University
Kenneth Borris is Professor of English Literature at McGill University. A former Canada Research Fellow and winner of the MacCaffrey Award, he is the author of two monographs, Allegory and Epic in English Renaissance Literature, and Spenser's Poetics of Prophecy. He has also edited Same-Sex Desire in the English Renaissance: A Sourcebook of Texts, 1470-1650, and co-edited The Sciences of Homosexuality in Early Modern Europe (with George Rousseau) and The Affectionate Shepherd: Celebrating Richard Barnfield (with George Klawitter). His essays and chapters have appeared in numerous serials and collections including Renaissance Quarterly, The Oxford Handbook of Edmund Spenser, Milton Studies, Spenser Studies, and The Ashgate Research Companion to the Sidneys.
Table of Contents
PART ONE: PLATONIC POETICS
1. Platonism in Early Modern Poetics and Spenser's Poesis
PART TWO: THE SHEPHEARDES CALENDER
2. Spenser's Phaedran Calender
3. The Calender's Visions and Poetics of Beauty
PART THREE: THE 1590 AND 1596 FAERIE QUEENE
4. The (H)eroic Idealism of Spenser's Faery
5. Gloriana's 'True Glorious Type'