A Voyage to Arcturus
A stunning achievement in speculative fiction, A Voyage to Arcturus has inspired, enchanted, and unsettled readers for decades. It is simultaneously an epic quest across one of the most unusual and brilliantly depicted alien worlds ever conceived, a profoundly moving journey of discovery into the metaphysical heart of the universe, and a shockingly intimate excursion into what makes us human and unique.
After a strange interstellar journey, Maskull, a man from Earth, awakens alone in a desert on the planet Tormance, seared by the suns of the binary star Arcturus. As he journeys northward, guided by a drumbeat, he encounters a world and its inhabitants like no other, where gender is a victory won at dear cost; where landscape and emotion are drawn into an accursed dance; where heroes are killed, reborn, and renamed; and where the cosmological lures of Shaping, who may be God, torment Maskull in his astonishing pilgrimage. At the end of his arduous and increasingly mystical quest waits a dark secret and an unforgettable revelation.
A Voyage to Arcturus was the first novel by writer David Lindsay (1878-1945), and it remains one of the most revered classics of science fiction.
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About the Author
Lindsay was born into a middle-class Scottish Calvinist family in London, and was brought up partly in Jedburgh, where he had family background. He was educated at Colfe's School, Lewisham, and won a scholarship to university, but for financial reasons went into business, becoming an insurance clerk at Lloyd's of London.
He was successful, but his career was interrupted by service in the World War I, at the age of 40. He first joined the Grenadier Guards, then the Royal Army Pay Corps, where he was promoted to Corporal.
After the war Lindsay moved to Cornwall with his young wife to become a full-time writer. A Voyage to Arcturus was published in 1920, but it was not a success, selling fewer than six hundred copies. This work has links with Scottish fantasists (for example, George MacDonald, whose work Lindsay was familiar with), and it was in its turn a central influence on C. S. Lewis's Out of the Silent Planet. Also, J. R. R. Tolkien said he read the book "with avidity", and characterised it as a work of philosophy, religion, and morality.
Lindsay attempted to write a more commercial novel with his next work The Haunted Woman (1922), but this was barely more successful than the Voyage. He continued to write novels, including the humorous potboiler The Adventures of Monsieur de Mailly, but after Devil's Tor in 1932 he found it increasingly difficult to get his work issued, and spent much of his time on his last work The Witch which was not published in his lifetime.
He and his wife opened a boarding house in Brighton, but they did not prosper and their marriage underwent considerable strain. The house was damaged by the first bomb to fall on Brighton in the World War II and Lindsay, who was in his bath at the time, never recovered from the shock. His death from an infection resulting from an abscess in his tooth was unrelated to the bomb.
Read an Excerpt
A Voyage to Arcturus
By David Lindsay
OPEN ROAD INTEGRATED MEDIACopyright © 2014 Open Road Integrated Media, Inc.
All rights reserved.
ON A MARCH EVENING, at eight o'clock, Backhouse, the medium—a fast-rising star in the psychic world—was ushered into the study at Prolands, the Hampstead residence of Montague Faull. The room was illuminated only by the light of a blazing fire. The host, eying him with indolent curiosity, got up, and the usual conventional greetings were exchanged. Having indicated an easy chair before the fire to his guest, the South American merchant sank back again into his own. The electric light was switched on. Faull's prominent, clear-cut features, metallic- looking skin, and general air of bored impassiveness, did not seem greatly to impress the medium, who was accustomed to regard men from a special angle. Backhouse, on the contrary, was a novelty to the merchant. As he tranquilly studied him through half closed lids and the smoke of a cigar, he wondered how this little, thickset person with the pointed beard contrived to remain so fresh and sane in appearance, in view of the morbid nature of his occupation.
"Do you smoke?" drawled Faull, by way of starting the conversation. "No? Then will you take a drink?"
"Not at present, I thank you."
"Everything is satisfactory? The materialisation will take place?"
"I see no reason to doubt it."
"That's good, for I would not like my guests to be disappointed. I have your check written out in my pocket."
"Afterward will do quite well."
"Nine o'clock was the time specified, I believe?"
"I fancy so."
The conversation continued to flag. Faull sprawled in his chair, and remained apathetic.
"Would you care to hear what arrangements I have made?"
"I am unaware that any are necessary, beyond chairs for your guests."
"I mean the decoration of the seance room, the music, and so forth."
Backhouse stared at his host. "But this is not a theatrical performance."
"That's correct. Perhaps I ought to explain.... There will be ladies present, and ladies, you know, are aesthetically inclined."
"In that case I have no objection. I only hope they will enjoy the performance to the end."
He spoke rather dryly.
"Well, that's all right, then," said Faull. Flicking his cigar into the fire, he got up and helped himself to whisky.
"Will you come and see the room?"
"Thank you, no. I prefer to have nothing to do with it till the time arrives."
"Then let's go to see my sister, Mrs. Jameson, who is in the drawing room. She sometimes does me the kindness to act as my hostess, as I am unmarried."
"I will be delighted," said Backhouse coldly.
They found the lady alone, sitting by the open pianoforte in a pensive attitude. She had been playing Scriabin and was overcome. The medium took in her small, tight, patrician features and porcelain-like hands, and wondered how Faull came by such a sister. She received him bravely, with just a shade of quiet emotion. He was used to such receptions at the hands of the sex, and knew well how to respond to them.
"What amazes me," she half whispered, after ten minutes of graceful, hollow conversation, "is, if you must know it, not so much the manifestation itself—though that will surely be wonderful—as your assurance that it will take place. Tell me the grounds of your confidence."
"I dream with open eyes," he answered, looking around at the door, "and others see my dreams. That is all."
"But that's beautiful," responded Mrs. Jameson. She smiled rather absently, for the first guest had just entered.
It was Kent-Smith, the ex-magistrate, celebrated for his shrewd judicial humour, which, however, he had the good sense not to attempt to carry into private life. Although well on the wrong side of seventy, his eyes were still disconcertingly bright. With the selective skill of an old man, he immediately settled himself in the most comfortable of many comfortable chairs.
"So we are to see wonders tonight?"
"Fresh material for your autobiography," remarked Faull.
"Ah, you should not have mentioned my unfortunate book. An old public servant is merely amusing himself in his retirement, Mr. Backhouse. You have no cause for alarm—I have studied in the school of discretion."
"I am not alarmed. There can be no possible objection to your publishing whatever you please."
"You are most kind," said the old man, with a cunning smile.
"Trent is not coming tonight," remarked Mrs. Jameson, throwing a curious little glance at her brother.
"I never thought he would. It's not in his line."
"Mrs. Trent, you must understand," she went on, addressing the ex-magistrate, "has placed us all under a debt of gratitude. She has decorated the old lounge hall upstairs most beautifully, and has secured the services of the sweetest little orchestra."
"But this is Roman magnificence."
"Backhouse thinks the spirits should be treated with more deference," laughed Faull.
"Surely, Mr. Backhouse—a poetic environment ..."
"Pardon me. I am a simple man, and always prefer to reduce things to elemental simplicity. I raise no opposition, but I express my opinion. Nature is one thing, and art is another."
"And I am not sure that I don't agree with you," said the ex-magistrate. "An occasion like this ought to be simple, to guard against the possibility of deception—if you will forgive my bluntness, Mr. Backhouse."
"We shall sit in full light," replied Backhouse, "and every opportunity will be given to all to inspect the room. I shall also ask you to submit me to a personal examination."
A rather embarrassed silence followed. It was broken by the arrival of two more guests, who entered together. These were Prior, the prosperous City coffee importer, and Lang, the stockjobber, well known in his own circle as an amateur prestidigitator. Backhouse was slightly acquainted with the latter. Prior, perfuming the room with the faint odour of wine and tobacco smoke, tried to introduce an atmosphere of joviality into the proceedings. Finding that no one seconded his efforts, however, he shortly subsided and fell to examining the watercolours on the walls. Lang, tall, thin, and growing bald, said little, but stared at Backhouse a good deal.
Coffee, liqueurs, and cigarettes were now brought in. Everyone partook, except Lang and the medium. At the same moment, Professor Halbert was announced. He was the eminent psychologist, the author and lecturer on crime, insanity, genius, and so forth, considered in their mental aspects. His presence at such a gathering somewhat mystified the other guests, but all felt as if the object of their meeting had immediately acquired additional solemnity. He was small, meagre-looking, and mild in manner, but was probably the most stubborn-brained of all that mixed company. Completely ignoring the medium, he at once sat down beside Kent-Smith, with whom he began to exchange remarks.
At a few minutes past the appointed hour Mrs. Trent entered, unannounced. She was a woman of about twenty-eight. She had a white, demure, saintlike face, smooth black hair, and lips so crimson and full that they seemed to be bursting with blood. Her tall, graceful body was most expensively attired. Kisses were exchanged between her and Mrs. Jameson. She bowed to the rest of the assembly, and stole a half glance and a smile at Faull. The latter gave her a queer look, and Backhouse, who lost nothing, saw the concealed barbarian in the complacent gleam of his eye. She refused the refreshment that was offered her, and Faull proposed that, as everyone had now arrived, they should adjourn to the lounge hall.
Mrs. Trent held up a slender palm. "Did you, or did you not, give me carte blanche, Montague?"
"Of course I did," said Faull, laughing. "But what's the matter?"
"Perhaps I have been rather presumptuous. I don't know. I have invited a couple of friends to join us. No, no one knows them.... The two most extraordinary individuals you ever saw. And mediums, I am sure."
"It sounds very mysterious. Who are these conspirators?"
"At least tell us their names, you provoking girl," put in Mrs. Jameson.
"One rejoices in the name of Maskull, and the other in that of Nightspore. That's nearly all that I know about them, so don't overwhelm me with any more questions."
"But where did you pick them up? You must have picked them up somewhere."
"But this is a cross-examination. Have I sinned against convention? I swear I will tell you not another word about them. They will be here directly, and then I will deliver them to your tender mercy."
"I don't know them," said Faull, "and nobody else seems to, but, of course, we will all be very pleased to have them.... Shall we wait, or what?"
"I said nine, and it's past that now. It's quite possible they may not turn up after all.... Anyway, don't wait."
"I would prefer to start at once," said Backhouse.
The lounge, a lofty room, forty feet long by twenty wide, had been divided for the occasion into two equal parts by a heavy brocade curtain drawn across the middle. The far end was thus concealed. The nearer half had been converted into an auditorium by a crescent of armchairs. There was no other furniture. A large fire was burning halfway along the wall, between the chairbacks and the door. The room was brilliantly lighted by electric bracket lamps. A sumptuous carpet covered the floor.
Having settled his guests in their seats, Faull stepped up to the curtain and flung it aside. A replica, or nearly so, of the Drury Lane presentation of the temple scene in The Magic Flute was then exposed to view: the gloomy, massive architecture of the interior, the glowing sky above it in the background, and, silhouetted against the latter, the gigantic seated statue of the Pharaoh. A fantastically carved wooden couch lay before the pedestal of the statue. Near the curtain, obliquely placed to the auditorium, was a plain oak armchair, for the use of the medium.
Many of those present felt privately that the setting was quite inappropriate to the occasion and savoured rather unpleasantly of ostentation. Backhouse in particular seemed put out. The usual compliments, however, were showered on Mrs. Trent as the deviser of so remarkable a theatre. Faull invited his friends to step forward and examine the apartment as minutely as they might desire. Prior and Lang were the only ones to accept. The former wandered about among the pasteboard scenery, whistling to himself and occasionally tapping a part of it with his knuckles. Lang, who was in his element, ignored the rest of his party and commenced a patient, systematic search, on his own account, for secret apparatus. Faull and Mrs. Trent stood in a corner of the temple, talking together in low tones; while Mrs. Jameson, pretending to hold Backhouse in conversation, watched them as only a deeply interested woman knows how to watch.
Lang, to his own disgust, having failed to find anything of a suspicious nature, the medium now requested that his own clothing should be searched.
"All these precautions are quite needless and beside the matter in hand, as you will immediately see for yourselves. My reputation demands, however, that other people who are not present would not be able to say afterward that trickery has been resorted to."
To Lang again fell the ungrateful task of investigating pockets and sleeves. Within a few minutes he expressed himself satisfied that nothing mechanical was in Backhouse's possession. The guests reseated themselves. Faull ordered two more chairs to be brought for Mrs. Trent's friends, who, however, had not yet arrived. He then pressed an electric bell, and took his own seat.
The signal was for the hidden orchestra to begin playing. A murmur of surprise passed through the audience as, without previous warning, the beautiful and solemn strains of Mozart's "temple" music pulsated through the air. The expectation of everyone was raised, while, beneath her pallor and composure, it could be seen that Mrs. Trent was deeply moved. It was evident that aesthetically she was by far the most important person present. Faull watched her, with his face sunk on his chest, sprawling as usual.
Backhouse stood up, with one hand on the back of his chair, and began speaking. The music instantly sank to pianissimo, and remained so for as long as he was on his legs.
"Ladies and gentlemen, you are about to witness a materialisation. That means you will see something appear in space that was not previously there. At first it will appear as a vaporous form, but finally it will be a solid body, which anyone present may feel and handle—and, for example, shake hands with. For this body will be in the human shape. It will be a real man or woman—which, I can't say—but a man or woman without known antecedents. If, however, you demand from me an explanation of the origin of this materialised form—where it comes from, whence the atoms and molecules composing its tissues are derived—I am unable to satisfy you. I am about to produce the phenomenon; if anyone can explain it to me afterward, I shall be very grateful.... That is all I have to say."
He resumed his seat, half turning his back on the assembly, and paused for a moment before beginning his task.
It was precisely at this minute that the manservant opened the door and announced in a subdued but distinct voice: "Mr. Maskull, Mr. Nightspore."
Everyone turned round. Faull rose to welcome the late arrivals. Backhouse also stood up, and stared hard at them.
The two strangers remained standing by the door, which was closed quietly behind them. They seemed to be waiting for the mild sensation caused by their appearance to subside before advancing into the room. Maskull was a kind of giant, but of broader and more robust physique than most giants. He wore a full beard. His features were thick and heavy, coarsely modelled, like those of a wooden carving; but his eyes, small and black, sparkled with the fires of intelligence and audacity. His hair was short, black, and bristling. Nightspore was of middle height, but so tough looking that he appeared to be trained out of all human frailties and susceptibilities. His hairless face seemed consumed by an intense spiritual hunger, and his eyes were wild and distant. Both men were dressed in tweeds.
Before any words were spoken, a loud and terrible crash of falling masonry caused the assembled party to start up from their chairs in consternation. It sounded as if the entire upper part of the building had collapsed. Faull sprang to the door, and called to the servant to say what was happening. The man had to be questioned twice before he gathered what was required of him. He said he had heard nothing. In obedience to his master's order, he went upstairs. Nothing, however, was amiss there; neither had the maids heard anything.
In the meantime Backhouse, who almost alone of those assembled had preserved his sangfroid, went straight up to Nightspore, who stood gnawing his nails.
"Perhaps you can explain it, sir?"
"It was supernatural," said Nightspore, in a harsh, muffled voice, turning away from his questioner.
"I guessed so. It is a familiar phenomenon, but I have never heard it so loud."
He then went among the guests, reassuring them. By degrees they settled down, but it was observable that their former easy and good-humoured interest in the proceedings was now changed to strained watchfulness. Maskull and Nightspore took the places allotted to them. Mrs. Trent kept stealing uneasy glances at them. Throughout the entire incident, Mozart's hymn continued to be played. The orchestra also had heard nothing.
Backhouse now entered on his task. It was one that began to be familiar to him, and he had no anxiety about the result. It was not possible to effect the materialisation by mere concentration of will, or the exercise of any faculty; otherwise many people could have done what he had engaged himself to do. His nature was phenomenal—the dividing wall between himself and the spiritual world was broken in many places. Through the gaps in his mind the inhabitants of the invisible, when he summoned them, passed for a moment timidly and awfully into the solid, coloured universe.... He could not say how it was brought about.... The experience was a rough one for the body, and many such struggles would lead to insanity and early death. That is why Backhouse was stern and abrupt in his manner. The coarse, clumsy suspicion of some of the witnesses, the frivolous aestheticism of others, were equally obnoxious to his grim, bursting heart; but he was obliged to live, and, to pay his way, must put up with these impertinences.
He sat down facing the wooden couch. His eyes remained open but seemed to look inward. His cheeks paled, and he became noticeably thinner. The spectators almost forgot to breathe. The more sensitive among them began to feel, or imagine, strange presences all around them. Maskull's eyes glittered with anticipation, and his brows went up and down, but Nightspore appeared bored.
Excerpted from A Voyage to Arcturus by David Lindsay. Copyright © 2014 Open Road Integrated Media, Inc.. Excerpted by permission of OPEN ROAD INTEGRATED MEDIA.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
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Table of Contents
ContentsChapter 1. THE SEANCE,
Chapter 2. IN THE STREET,
Chapter 3. STARKNESS,
Chapter 4. THE VOICE,
Chapter 5. THE NIGHT OF DEPARTURE,
Chapter 6. JOIWIND,
Chapter 7. PANAWE,
Chapter 8. THE LUSION PLAIN,
Chapter 9. OCEAXE,
Chapter 10. TYDOMIN,
Chapter 11. ON DISSCOURN,
Chapter 12. SPADEVIL,
Chapter 13. THE WOMBFLASH FOREST,
Chapter 14. POLECRAB,
Chapter 15. SWAYLONE'S ISLAND,
Chapter 16. LEEHALLFAE,
Chapter 17. CORPANG,
Chapter 18. HAUNTE,
Chapter 19. SULLENBODE,
Chapter 20. BAREY,
Chapter 21. MUSPEL,
Most Helpful Customer Reviews
This is the most fascinating story I've ever read, but a good visual imagination is required. Without giving too much away (I hope), I keep thinking of what the Joker said to Batman. 'Did you ever dance with the devil by the pale moonlight?'
if you want a different or a orginal sci-fi, this is the book for you. how come this book never became a movie?
perhaps the best fantasy ever written. someone should give this to Speilberg.
This story is enjoyable so far, like one long mushroom trip. Or dream. Or a dream on mushrooms. I'm only a quarter thru it but i just wanted to put that thought out there. Hopefully it goes somewhere and does not end with no conclusion, like waking from an unfinished dream. TBC...
Could not get past the first chapter of the sample. Read like a lot of Victorian nonsense fantasy. Terrible.