Warlight

Warlight

by Michael Ondaatje

Hardcover

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Product Details

ISBN-13: 9780525521198
Publisher: Knopf Doubleday Publishing Group
Publication date: 05/08/2018
Pages: 304
Sales rank: 906
Product dimensions: 5.60(w) x 8.20(h) x 1.20(d)

About the Author

MICHAEL ONDAATJE is the author of six previous novels, a memoir, a nonfiction book on film, and several books of poetry. The English Patient won the Booker Prize and subsequently the Golden Man Booker Prize, given in honor of the Prize's fiftieth anniversary; Anil's Ghost won the Irish Times International Fiction Prize, the Giller Prize, and the Prix Médicis. Born in Sri Lanka, Michael Ondaatje now lives in Toronto.

Read an Excerpt

In 1945 our parents went away and left us in the care of two men who may have been criminals. We were living on a street in London called Ruvigny Gardens, and one morning either our mother or our father suggested that after breakfast the family have a talk, and they told us that they would be leaving us and going to Singapore for a year. Not too long, they said, but it would not be a brief trip either. We would of course be well cared for in their absence. I remember our father was sitting on one of those uncomfortable iron garden chairs as he broke the news, while our mother, in a summer dress just behind his shoulder, watched how we responded. After a while she took my sister Rachel’s hand and held it against her waist, as if she could give it warmth.
(Continues…)



Excerpted from "Warlight"
by .
Copyright © 2019 Michael Ondaatje.
Excerpted by permission of McClelland & Stewart.
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Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

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Warlight 4 out of 5 based on 0 ratings. 7 reviews.
Anonymous More than 1 year ago
Great writing; great character development; great descriptions. The story left me cold.
miss_mesmerized More than 1 year ago
Rachel and Nathaniel were still teenagers when immediately after WW II their parents packed to leave the country. The kids were supposed to attend boarding school after summer break, but only a few days after the school had begun again, they left and went completely to live with a man they named „The Moth“ who was supposed to be their caretaker while the parents were away. Even though they at first felt left behind, it was a time of freedom and carelessness, the house often full of interesting and mysterious people and both, Nathaniel and Rachel, became somehow used to the situation. When their mother suddenly showed up again, they understood that things were not what they had thought them to be. It was only after their mother’s death, when Nathaniel is approached by special operations, that he gains insight in who his mother had actually been. “Warlight” – during the time of the second world war, when there were frequent blackouts in London, there was only the so called “Warlight”, dimmed lights to guide emergency traffic, the rest was covered in black and you could only sense movements in the shadow but not see them. This is the perfect title for Michael Ondaatje’s novel: a lot of what happens remains somewhere in the dark for the protagonist to see. He can only assume things from the quick glances he is granted, but he cannot be sure if his hypotheses are correct. It also represents quite well the atmosphere which is always a bit gloomy and melancholy and certainly never joyful. At the beginning of the novel, the reader just as the protagonist and narrator is quite irritated by the parents’ behaviour. They leave the country, neither telling their children where exactly they are headed too or why after all they have to leave. The teenagers stay with people they hardly know and not to forget: the war has just ended and the memories of the bombings are still fresh. How could ever parents do such a thing? It becomes even more infuriating when they find their mother’s luggage which she obviously didn’t take with her. It takes some time to figure out the mother’s real role and thus to understand her behaviour. This is also when the novel becomes the most interesting. This is also where Michael Ondaatje’s virtuosity becomes evident: none of the characters, no matter how random he or she seemed, was introduced without a reason and they all have their specific role in the novel. It all makes sense and culminates in much greater questions than the nucleus of a single family we are presented with at first can ever offer: how far would you go for your country? What are you willing to sacrifice? And it clearly shows that the two categories of “good” and “bad” are simply inadequate for the world we are living in.
BooksDirect 5 days ago
In 1945, just after World War II, fourteen-year-old Nathaniel and his sixteen-year-old sister Rachel are left in the care of their mysterious boarder when their parents move to Singapore for their father’s new job. In their parents’ absence, Nathaniel and Rachel live a seemingly idyllic life, full of eccentric characters, illicit adventures, and secret romances. But all is not as it seems, and danger is lurking just around the corner. Later, as an adult, Nathaniel takes a job with the Foreign Office, where he tries to uncover the secrets of his mother’s wartime past and learns more than he bargained for. The novel begins with a great opening line: “In 1945 our parents went away and left us in the care of two men who may have been criminals.” What follows is a series of vignettes describing the incidents that shape Nathaniel’s life. His childhood stories are recounted by an adult Nathaniel in the manner of a memoir, complete with lapses of memory and the inability to recall certain details. “You return to that earlier time armed with the present, and no matter how dark that world was, you do not leave it unlit. You take your adult self with you. It is not to be a reliving, but a rewitnessing.” When he later attempts to piece together the puzzle which is his mother’s life, it’s interesting to see how he interprets these events differently with the benefit of hindsight. Seemingly insignificant incidents from his childhood - such as the radio program his mother listens to, or the route he travels on through the city – take on a whole new meaning when new information comes to light. “We order our lives with barely held stories. As if we have been lost in a confusing landscape, gathering what was invisible and unspoken […] sewing it all together in order to survive, incomplete …” Nathaniel also tells us stories about his mother and the people she was involved with – things that he could not possibly know. “I had not been told anything, but […] I know how to fill in a story from a grain of sand or a fragment of discovered truth. In retrospect the grains of sand had always been there …” Throughout the book, the author reveals the depth of his research, giving us a fascinating insight into the day-to-day life of the working class, as well as glimpses into the secret world of wartime espionage. This charming coming-of-age story morphs into a spy mystery and an ode to those unsung heroes of the war. “There were so many like her, who were content in the modesty of their wartime skills.” It is also a poignant reflection on how our lives are determined by the things that happen to us in our youth. Nathaniel is very much a product of his unorthodox upbringing. “What I am now was formed by whatever happened to me then, not by what I have achieved, but by how I got here.” I just wish we had learned more about Rachel and the impact that these same events had on her life. Warnings: sexual references, coarse language, sex scenes. Full blog post: https://www.booksdirectonline.com/2018/12/warlight-by-michael-ondaatje.html
Anonymous 7 months ago
This was a slightly disappointing read for me. I'm not sure why or what I expected.
Gailfl 11 months ago
Warlight is defined as the ambient light that guided people during the London blackouts. Michael Ondaatje has aptly named his noir novel: the light on his subjects is at best shadowy. The narrator of this tale is a young teen who, with his older sister, was abandoned by his parents after the war. The father was sent to Singapore for a year to work. Nathaniel tells his story in retrospect, and the reveals are mysterious and sometimes scant. Ondaatje dwells not only on the ravages of war but also the horrible collateral damage inflicted. In this case the scars were not just on war-torn London, but on the hearts of the two teenagers. Their parents left them under the supervision of their boarder, whom the children suspect of being a criminal. The characters who dropped in and out of their lives could have come from a Dickens novel. Their education was expanded far beyond their boarding schools’ curriculums. And secrets begin to leak about their mother—where was she, why has she not come back? The second half of this book is about Nathaniel as an adult, searching for the lost parts of his life. He goes to work for the government in a low-level job in British intelligence and begins trying to piece together his mother’s story. His inner conflict with his mother maps his life and it darkens his ability to interact with others. Nathaniel is indeed collateral damage from war. “You return to that earlier time armed with the present, no matter how dark that world was, you do not leave it unlit. You take your adult self with you. It is not to be a reliving, but a rewitnessing. Unless of course, you wish, like my sister, to damn and enact revenge on the whole pack of them.” This book is excellent on so many levels. Ondaatje’s prose is lyrical, his metaphors sing. Give yourself time for this book, savor the sounds and smells, hear the birds and crickets, listen to the waves “scalloping” against the side of the boat. And empathize with the lives so broken.
Sandy5 11 months ago
As I listened to this novel, I think that the audio of this novel enhanced it. As the narrator presented the tale, his tone added depth to the narration and I felt a darkness covering the whole novel. Since I am a huge fan of historical fiction, I really enjoyed this novel. I immediately got caught up in the lives of Rachel and Nathaniel and the mystery surrounding their family and the war. I was intrigued with The Moth. The Moth, what a name. When Rachel’s and Nathaniel’s parents took off, they left their children in the care of a man the children called The Moth. I had a few questions, right from the beginning. First, who was this man? And then, what was so important that both parents had to leave and they couldn’t take their children? I found The Moth to be an individual who cared deeply about the children but who had business of his own to do while caring for the children. The Moth, a mysterious man, brought many stealthy individuals into the children’s lives while he cared for them. I could understand the children’s excitement when they started working the dogs for them, but I wondered what would happen, if something went wrong. Rachel and Nathaniel were curious about the disappearance of their parents as they stayed with The Moth. It seemed to me, that Nathaniel was more interested than Rachel in his parent’s whereabouts. As the novel jumps forward in time, we find Nathaniel getting an opportunity to work for the Intelligence Service. With restricted documents within reach, Nathaniel ceases this opportunity to do some research of his own, on his parents, especially his mother. Nathaniel is trying to piece together their lives. It was time-consuming but, in the end, Nathaniel finds exactly what he is looking for. And, Nathaniel helps answer a question for me. There were times I thought the novel dragged on a bit but I enjoyed the narrator’s voice and I never thought about quitting. I liked how Nathaniel dug into the lives of his parents, his inquiry and tact. I think his mother led quite an incredible life.
Anonymous 10 months ago
I liked this book very much, but for the life of me I'm not sure why. Unusual characters in an unusual situation; not really relatable, but surprisingly enjoyable.