Nominated for a Bram Stoker Award® for Superior Achievement in a First Novel.
Some doctors are sicker than their patients.
When a troubled psychiatrist loses funding to perform clinical trials on an experimental cure for schizophrenia, he begins testing it on his asylum’s criminally insane, triggering a series of side effects that opens the mind of his hospital’s most dangerous patient, setting his inner demons free.
FLAME TREE PRESS is the new fiction imprint of Flame Tree Publishing. Launched in 2018 the list brings together brilliant new authors and the more established; the award winners, and exciting, original voices.
|Product dimensions:||6.00(w) x 9.00(h) x 0.70(d)|
About the Author
Brian Kirk is an author of dark thrillers and psychological suspense. His debut novel, We Are Monsters, was released in July 2015 and was nominated for a Bram Stoker Award® for Superior Achievement in a First Novel.
His short fiction has been published in many notable magazines and anthologies. Most recently, Gutted: Beautiful Horror Stories and Behold! Oddities, Curiosities and Undefinable Wonders, where his work appears alongside multiple New York Times bestselling authors, and received an honorable mention in Ellen Datlow’s Best Horror of the Year compilation.
During the day, Brian works as a freelance marketing and creative consultant. His experience working on large, integrated advertising campaigns for international companies has helped him build an effective author platform, and makes him a strong marketing ally for his publishing partners. In addition, Brian has an eye for emerging media trends and an ability to integrate storytelling into new technologies and platforms.
While he’s worked to make this bio sound as impressive as possible, he’s actually a rather humble guy who believes in hard work and big dreams. Feel free to connect with him through one of the following channels. Don’t worry, he only kills his characters.
Tell us about your novel, We Are Monsters?
We Are Monsters is a story about a brilliant, yet troubled psychiatrist named Alex Drexler who is working to create a cure for schizophrenia. At first, the drug he creates shows great promise in alleviating his patient’s symptoms. It appears to return schizophrenics to their former selves. But (as you may imagine) something goes wrong. Unforeseen side effects begin to emerge, forcing prior traumas to the surface, setting inner demons free. His medicine may help heal the schizophrenic mind, but it also expands it, and the monsters it releases could be more dangerous than the disease.
What inspired this story?
I’ve always been fascinated by mental illness. The idea that our own brains can turn against us is terrifying. It’s the ultimate enemy; it knows our deepest secrets and it’s something we can’t escape.
I also have a great deal of sympathy for people who suffer mental heath disorders. I’ve dealt with OCD all of my life, which produces chronic anxiety, negative thought loops, and periods of depression. No fun, I’ll tell you. And I feel that mental disease is misunderstood by our society at large. In fact, many people who are mentally ill are often labeled as evil or deranged, which I feel is unfair, and precludes us from exploring proper treatment options.
I suppose I found the subject both fascinating and deeply personal, and I wanted to explore it further, so I wrote about it.
Was there much of a balancing act for you in portraying mental illness as accurately and considerately as you can and still fit in the supernatural elements?
Providing an accurate portrayal of mental illness was extremely important to me. Not only in creating an authentic story with realistic characters, but in order to be respectful towards people who suffer mental disorders as well. In works of fiction, people with mental illnesses are often depicted as circus freaks. They’re “INSANE!” Almost like a different species of human completely unrelatable to the rest of us.
I conducted research to get a basic understanding of the various traits common to many mental disorders and what type of behaviors and speech patterns are associated with certain illnesses. I read books written by psychologists as well as those written by people suffering from psychoses such as schizophrenia. I needed to understand the disease from the patient’s point-of-view. I also visited a mental institution and interviewed people who worked there. Many readers have commented on how realistic the characters seemed, so I suppose the research paid off.
The supernatural elements in the story are really presented through the perceptual lens of the characters, so as long as I established the ground rules for the world and the psyches through which these elements manifested, I felt like the reader would follow along. Even with the more abstract elements, as the psychotic mind (along with the subconscious one) often speaks in abstract terms.
We Are Monsters was nominated for a Bram Stoker Award® for Superior Fiction in a First Novel, and optioned for film development by a major Hollywood executive producer. Not bad for a debut. Were you surprised?
Yes, absolutely! My goal in writing We Are Monsters was simply to learn how to write a novel. I had written a bunch of short fiction, and published several pieces, but this was my first novel-length piece of work and I figured it would wind up in a trunk somewhere. I was surprised by how complete the first draft felt, and gained confidence through subsequent revisions. The enthusiastic response I got back from beta-readers made me realize I might actually have something. Still, I never expected the book to achieve the level of success and accolades it has earned, and the passionate readership it continues to receive. I feel very fortunate and blessed.
We Are Monsters is described as psychological horror. What do you think good horror/dark literature should achieve?
Regardless of genre, my favorite stories are those that expand my idea of what’s possible and help me better relate to my predicament on this enigmatic planet.
When it comes to horror, I gravitate towards stories that make me feel vulnerable in some vital way. As humans, we construct these elaborate fantasies designed to make us feel safe. Governments, religions, borders, pension plans. We don’t like to face the fact that we’re all hurtling toward some unfathomable death that could come at any moment. But I find beauty in that stark confrontation. It’s what awakens me to the present moment and the magic of our existence.
You can’t have light without dark. There is no beauty without heartbreak. My goal in writing is to explore the inextricable duality between light and dark, to shine a compassionate eye on the evils that breed heroism, and to expose the howling void that surrounds us all.
What scares you most? Why? How do your personal fears manifest in your writing?
The thing that scares me the most is the thing I work hardest to accomplish, which is the collapse of my own personal identity. This includes both how I view myself, and how I view my place in the world.
I am horrified to think that one day my core identity will be stripped away and/or that certain perceived talents which help construct my sense of purpose will be diminished.
I’m frightened to think that the people closest to me may change in such dramatic ways as to sever the relationships I hold most dear.
I am terrified to think that I am nothing more than a mistake of random evolution and that nothing I think or do has any importance or permanence whatsoever.
So I work very hard to lose my attachment to all of these thought structures and free myself from the fear they bring. These are all themes I tend to explore through my writing.
Most Helpful Customer Reviews
WE ARE MONSTERS has a very unique group of characters and is very well-written. While the characters were interesting, I personally didn’t always know (or care) what was going on. The illegal experimentation bothered me a great deal, especially with how everyone (except Dr. Alpert) was seemingly okay with what Dr. Drexler was doing. There are some interesting concepts in WE ARE MONSTERS, but I got a bit lost in the differing viewpoints, realities, and characters. I can see a lot of readers enjoying WE ARE MONSTERS, but it just didn’t appeal much to me.
Brian Kirk scores a major debut hit with a gripping story that packs in more layers than a filo pastry – and is far more scary. The evil that inhabits Sugar Hill mental asylum takes us deep into the psyches of the main characters and the author has really done his research here. He never flinches from exploring the dark, intricate web of psychological complexities that lurk deep within the minds of his subjects. What is real? What is a figment of a schizophrenic’s tortured imagination? As each layer of this story is peeled back, we learn more and more about the characters and also that however scary monsters may be, the scariest of them all lurk deep within us. This book is an irresistible maze. You cannot stop exploring it until you emerge, exhausted but satisfied, and with enough going on in your own head to ensure that the story and its well-crafted characters remain with you for a long time. I found it a truly extraordinary read. Highly recommended.
In We Are Monsters, psychologist Alex spent a great deal of time working on a cure for schizophrenia. The medicine seems to working, but only for a while, and then the patient gets worse. Alex is determined to make the formula a succes, though, even if that means going behind the back of Dr. Eli Alpert, the chief psychologist of the psychiatric hospital they both work in. When a new patient arrives, a violent criminal who killed several people because voices in his mind told him to, one of Alex’s co-workers persuades him to use the formula on this man, nicknamed The Apocalypse Killer, but then things start going wrong, and Alex finds out his formula might be a lot more dangerous than he ever thought possible. The book isn’t bad, and the concept is actually pretty original, about a formula going wrong. The setting of the mental asylum, Sugar Hill, works well too, and I enjoyed reading about how the doctors had to deal with a streak of madness too, and what that did to them. However, I didn’t enjoy the characters that much. They all seemed, with the exception of Eli, rather egotistical, and not the right people fit to take care of the mentally ill. Especially Alex only had his own concerns at heart. The first part of the book is a little slow-paced, but the pacing picked up in the middle when all hell brooke loss. The author did an admirable job with the descriptions of the characters and scenes. Some of the conversations dwindled on for too long now, and I couldn’t relate to most of the characters. Eli was the only one I could somewhat relate to, and even then, he seemed too honorable to be real, like he was a perfect male version of a Mary Sue whereas all the other characters had way too many flaws. I received a free copy of this book in exchange for an honest review.